All about photo.com: photo contests, photography exhibitions, galleries, photographers, books, schools and venues.
Win a Solo Exhibition in April 2026 + An Exclusive Interview!
Win a Solo Exhibition in April 2026 + An Exclusive Interview!
Anuar Patjane
Anuar Patjane
Anuar Patjane

Anuar Patjane

Country: Mexico
Birth: 1981

Social anthropologist, photographer and scuba diver born in Puebla, Mexico in 1981.

World press photo second place Winner in 2016, Nature category National Geographic Traveler photo contest ist place winner 2015



Statement:

We can not be just photographers, accountants, politicians or students anymore, our planet is reaching the point of no return and action from everyone is needed. I believe it is necessary to do what we can to revert our aggressive behavior and carelessness towards our own planet, lets use all in our reach to change our behavior once and for all.

Underwater Realm Project

Conservation and protection of the oceans has become an urgent issue, and few governments and NGOs are doing something about it. With the underwater series, I try to drive our attention towards the beauty of our oceans and a truth usually unnoticed: We are brutally overfishing in our oceans, and our attention should be concentrated on the way we fish as well as what we eat from the ocean. We see and care when a forest is gone because it is visible to everybody, but we don't see when we destroy life underwater, we don't see how nets from the tuna, the shrimp industry and the whaling vessels cause damage and death to the sea. We are not familiar with this environment because we don´t see what we destroy, and this needs to change very quickly so we can reverse this course. By sharing the beauty of our oceans we might start to care more and build or strengthen the connection between us and the sea.

About the winning photograph of All About Photo Awards 2018: "TORNADO"

A school of Bigeye Trevally forming a "tornado" at Cabo Pulmo National Park, Mexico. I took this photograph during one of my three exploration trips to Cabo Pulmo in 2015, the diver in front of the tornado school is park ranger Leonardo who accompanied me during that week of exploration. New research shows that schools of fish are self organized aggregations that learn and remember as a group and not as individuals. This new information needs to be taken into account by fishing regulations so fishing techniques could be modified in order to preserve the health of the whole fish population and never fish the whole community.

A few years ago and after almost completely depleting the local reef of Cabo Pulmo, the local fishermen decided to stop fishing and bet all on ecotourism. After a few years that bet became anl economic social and ecological success; what used to be an almost lifeless place now has a complete life chain and one of the highest concentrations of biomass in Mexican seas, even bull sharks and tiger sharks are back and orcas and humpbacks come near the coat of Pulmo and visit often. Cabo Pulmo is a true example that by letting the ocean recover, it will do so by itself.
 

Inspiring Portfolios

Call for Entries
AAP Magazine #55 Women
Publish your work in our printed magazine and win $1,000 cash prizes
 
Stay up-to-date  with call for entries, deadlines and other news about exhibitions, galleries, publications, & special events.

More Great Photographers To Discover

Clay Lipsky
United States
Clay Lipsky is a fine art photographer & Emmy Award winning graphic designer based in Los Angeles. He has applied his unique visual style across a variety of mediums, from print and multimedia to TV and film. Despite his varied interests, photography has always been a part of Clay’s life. Recently, he has experienced a new-found interest with the medium and is now passionately focused on pursuing photography as fine art, free from clients and limitless in creative possibilities. Clay is self-taught and strives to create images that can stand the test of time. His photos have been exhibited in various group shows, including those at the Annenberg Space for Photography, MOPLA, Pink Art Fair Seoul, Wall Space, Rayko and Impossible Project Spaces in NYC & Warsaw, Poland. Clay has been published internationally in print and online, most notably with Esquire Russia, Wired Italia, Fraction, Square, Lenscratch, Diffusion, i-ref, Daily News (UK), Yahoo! Lifestyle (Germany), La Republica (Italy), Libération (France), Shots & um[laut] Magazines. Clay Lipsky's project, In Dark Light, is intriguing on a number of levels. First, the work was created, for the most part, on a trip to Iceland and as we know, creating conceptual fine art images while in a foreign place, with no opportunity for previsualization, is not an easy task. But somehow, Clay instinctively found a narrative and way of working within a concentrated period of time. The other interesting aspect is what the work is about. Making imagery about depression, about loss and solitude has to have subtle nuances that are at once personal and universal, and Clay captured this subject with emotion and simplicity. Clay works as fine art photographer and graphic in Los Angeles. His photos have been exhibited in group shows across the country, including the Annenberg Space for Photography, MOPLA, Pink Art Fair Seoul, PhotoPlace and Impossible Project NYC. He has been featured internationally in print and online in publications such as Fraction, Square, Diffusion, F-Stop, PH and Shots Magazines. Recently, he was a featured "Ten" through Jennifer Schwartz Gallery, and North Light Press will be publishing an edition of his Cuba photos through their 11+1 series. He is also an avid self-publisher with several titles that exhibit as part of the Indie Photobook Library. Source: www.lenscratch.com About the series In Dark Light This series of self portraits examines my loss of identity and enduring personal journey through depression. It is a solitary path that encompasses loss of home and parent, the pursuit of beauty, work and perseverance under no religious or visceral compass. Imagined as a vast, shadowed plane it is a private purgatory mired in fog with colors muted and senses numbed. The varied landscape acts as metaphor for life's many obstacles. Beyond the horizon lies hope for brighter days and so the lone soul carries on, albeit cast in dark light. Discover Clay Lipsky's Interview
Alamsyah Rauf
Indonesia
1982
Alamsyah Rauf was born in a small district in south sulawesi precisely in Kab.Sinjai, maybe that's why this photographer is less known among photographers in Indonesia but his work has won dozens of world-class photo contest. After graduating high school, this man married in 2001 on the will of his parents, this makes him unable to continue college. After married Alamsyah worked in his parents' photo studio. Alamsyah Learning DSLR cameras just look at the camera manual and learn self-taught to techniques of composition, tone, and lighting via internet. In 2004 Alamsyah Rauf set up his own Photo Studio and hire 3 photographers. As a freelance photographer, Alamsyah takes part in various photography communities, photo exhibitions and participate in various national and international photo contest. Awards: 2nd Place (Best of Show) 2012 Photoshare Photo Contest (Baltimore USA) 2nd Price Sony WPO 2013 category National Award Best in Action at Australian Art Sales (Australia) FIAP GOLD MEDAL in Photo Salon Soul 2013 (Macedonia) FIAP Silver Medal 4th International Photo Exhibition Photo Focus 2013 (Russia) PAM Gold Medal at 2nd International exhibition of art photography SOUL 2014 (Macedonia) Second Winner General category HIPA 2014 Dubai 1st Place Portrait at 7th Annual Masters Cup 2014 (Beverly Hills USA) 1st Place (Portrait category) the 7th Annual International Color Awards 2014 FIAP Gold Medal at 38th EX HIBITION OF PHOTOGRAPHY "CHILD 2014" Serbia SALON praise 38th EXHIBITION OF PHOTOGRAPHY "CHILD 2014" Serbia FIAP Gold medal, FIAP Silver medal, PSA Gold Medal, PSA Ribbon in 2nd Cairo Int. Photographic Art Exhibition - CIPAE 2014 Awards (Cairo, Egypt) Ozone zone Gold Medal (Happiness), FIAP Ribbon (monochrome) Ozone zone International Photo Contest 2014 (Canada) RPS Gold Medal, 2nd Photovivo Singapore International Photography Award (PIPA) 2014 FIAP Silver Medal (Open Color) 1St GIFSAD INTERNATIONAL PHOTO CONTEST 2014 (TURKEY) Champaign 1 colorful alfaink photo contest nusantara 2015. "Grand Prize" Winner at The Shutterview International Photography Competition 2015 (Australia ) 2nd Place (people category) Fine Art Photography Award 2015 Grand Winner Xposure International photo contest 2016 (Sharjah UAE) First Place Proify Annual International Photography Awards 2016 Merit Medal Recipient "THE CHALLENGE" HIPA 2017 UAE 5th Place All About Photo Awards 2018
Hoang Long Ly
Vietnam
1965
Ly Hoang Long was born in 1965 in Dalat, a city located on the high plateaus of central Vietnam. Since childhood, the photographer has been fascinated by colours and images and began his professional career as a graphic designer. He discovered photography in 1993 through a friend, bought his first analogue reflex and two years later, made a dark room in his apartment. One thing led to another and he definitely abandoned design in order to devote his time to his images. With over twenty years experience to his name and 310 international prizes, including that of best travel photographer in 2014 (TFOTY). Several of his pictures also won awards in the same year at the CBRE Urban Photographer of the Year and from National Geographic. Mud wrestling Mud wrestling with a ball was a traditional game organized every four year in Van village, Bac Ninh province, the north of Vietnam. Like basket ball, but instead of the baskets hanging up, here there were two holes (like a goal) and the playing ground was filled up with wet mud, there were 16 players divided into two teams, they competed vigorously to score by putting the heavy wooden ball in their competitors's hole. The audiences supported all the teams, they were screamming and laughing because the game looked so amusing; it was not easy at all to seized a ball, keep it in arms and run on the slippery surface and cross a barrier of competitors. After three day-competing, the both teams would gather in the courtyard of the temple to worship their ancestors, the game completely ended in peace and happiness.
William Gedney
United States
1932 | † 1989
William Gale Gedney (October 29, 1932 – June 23, 1989) was an American documentary and street photographer. It wasn't until after his death that his work gained momentum and is now widely recognized. He is best known for his series on rural Kentucky, and series on India, San Francisco, and New York shot in the 1960s and 1970s. William Gedney was born in Greenville, New York. He studied at Pratt Institute in Brooklyn, New York. In 1955 he graduated with a BFA in Graphic Design and began work with Condé Nast. During his lifetime, Gedney received several fellowships and grants, including a John Simon Guggenheim Memorial Foundation fellowship from 1966 to 1967, a Fulbright Fellowship for photography in India from 1969 to 1971, a New York State Creative Artists Public Service Program (C.A.P.S.) grant from 1972 to 1973; and a National Endowment for the Arts grant from 1975 to 1976. In a career spanning the late 1950s to the mid-1980s, he created a large body of work, including a series documenting local communities during his travels to India, San Francisco, Brooklyn, and New York shot in the 1960s and 1970s. He is also noted for night photography, principally of large structures, like the Brooklyn bridge and architecture, and architectural studies of neighborhoods quiet and empty, at the night. In 1969, he started teaching at Pratt Institute, though later in 1987, two years before his death, he was denied tenure. Gedney's work has been exhibited in numerous group shows, including Museum of Modern Art shows, Photography Current Report in 1968, Ben Schultz Memorial Collection in 1969, and Recent Acquisitions in 1971; as well as Vision and Expression,George Eastman House, and Rochester Institute of Technology, in 1972. However, he remained a recluse, had only one solo exhibition during his lifetime. Despite receiving appreciation from noted photographers of the time, Walker Evans, Diane Arbus, Lee Friedlander, and John Szarkowski, he remained an under-appreciated artist of the generation. He didn't manage to get any of his eight-book projects published. William Gedney died of complications from AIDS in 1989, aged 56, in New York City and is buried in Greenville, New York, a few short miles from his childhood home. He left his photographs and writings to his lifelong friend Lee Friedlander. In time, Friedlander's efforts, which had earlier led to the revival of E. J. Bellocq's works, chartered posthumous revival of Gedney's work. An extensive collection of his work, including large photographic prints, work prints, contact sheets, negatives, sketchbooks, notebooks and diaries, correspondence, and other files are housed at the Rubenstein Library, Duke University, Durham, North Carolina.Source: Wikipedia
Edward Henry Weston
United States
1886 | † 1958
Edward Henry Weston was a 20th century American photographer. He has been called "one of the most innovative and influential American photographers…" and "one of the masters of 20th century photography." Over the course of his forty-year career Weston photographed an increasingly expansive set of subjects, including landscapes, still lifes, nudes, portraits, genre scenes and even whimsical parodies. It is said that he developed a "quintessentially American, and specially Californian, approach to modern photography" because of his focus on the people and places of the American West. In 1937 Weston was the first photographer to receive a Guggenheim Fellowship, and over the next two years, he produced nearly 1,400 negatives using his 8 × 10 view camera. Some of his most famous photographs were taken of the trees and rocks at Point Lobos, California, near where he lived for many years. Weston was born in Chicago and moved to California when he was 21. He knew he wanted to be a photographer from an early age, and initially his work was typical of the soft focus pictorialism that was popular at the time. Within a few years, however, he abandoned that style and went on to be one of the foremost champions of highly detailed photographic images. In 1947 he was diagnosed with Parkinson's disease and he stopped photographing soon thereafter. He spent the remaining ten years of his life overseeing the printing of more than 1,000 of his most famous images. Source: Wikipedia Edward Henry Weston was born March 24, 1886, in Highland Park, Illinois. He spent the majority of his childhood in Chicago where he attended Oakland Grammar School. He began photographing at the age of sixteen after receiving a Bull’s Eye #2 camera from his father. Weston’s first photographs captured the parks of Chicago and his aunt’s farm. In 1906, following the publication of his first photograph in Camera and Darkroom, Weston moved to California. After working briefly as a surveyor for San Pedro, Los Angeles and Salt Lake Railroad, he began working as an itinerant photographer. He peddled his wares door to door photographing children, pets and funerals. Realizing the need for formal training, in 1908 Weston returned east and attended the Illinois College of Photography in Effingham, Illinois. He completed the 12-month course in six months and returned to California. In Los Angeles, he was employed as a retoucher at the George Steckel Portrait Studio. In 1909, Weston moved on to the Louis A. Mojoiner Portrait Studio as a photographer and demonstrated outstanding abilities with lighting and posing. Weston married his first wife, Flora Chandler in 1909. He had four children with Flora; Edward Chandler (1910), Theodore Brett (1911), Laurence Neil (1916) and Cole (1919). In 1911, Weston opened his own portrait studio in Tropico, California. This would be his base of operation for the next two decades. Weston became successful working in soft-focus, pictorial style; winning many salons and professional awards. Weston gained an international reputation for his high key portraits and modern dance studies. Articles about his work were published in magazines such as American Photography, Photo Era and Photo Miniature. Weston also authored many articles himself for many of these publications. In 1912, Weston met photographer Margrethe Mather in his Tropico studio. Mather becomes his studio assistant and most frequent model for the next decade. Mather had a very strong influence on Weston. He would later call her, “the first important woman in my life.” Weston began keeping journals in 1915 that came to be known as his Daybooks. They would chronicle his life and photographic development into the 1930’s. In 1922 Weston visited the ARMCO Steel Plant in Middletown, Ohio. The photographs taken here marked a turning point in Weston’s career. During this period, Weston renounced his Pictorialism style with a new emphasis on abstract form and sharper resolution of detail. The industrial photographs were true straight images: unpretentious, and true to reality. Weston later wrote, “The camera should be used for a recording of life, for rendering the very substance and quintessence of the thing itself, whether it be polished steel or palpitating flesh.” Weston also traveled to New York City this same year, where he met Alfred Stieglitz, Paul Strand, Charles Sheeler and Georgia O’Keeffe. In 1923 Weston moved to Mexico City where he opened a photographic studio with his apprentice and lover Tina Modotti. Many important portraits and nudes were taken during his time in Mexico. It was also here that famous artists; Diego Rivera, David Siqueiros, and Jose Orozco hailed Weston as the master of 20th century art. After moving back to California in 1926, Weston began his work for which he is most deservedly famous: natural forms, close-ups, nudes, and landscapes. Between 1927 and 1930, Weston made a series of monumental close-ups of seashells, peppers, and halved cabbages, bringing out the rich textures of their sculpture-like forms. Weston moved to Carmel, California in 1929 and shot the first of many photographs of rocks and trees at Point Lobos, California. Weston became one of the founding members of Group f/64 in 1932 with Ansel Adams, Willard Van Dyke, Imogen Cunningham and Sonya Noskowiak. The group chose this optical term because they habitually set their lenses to that aperture to secure maximum image sharpness of both foreground and distance. 1936 marked the start of Weston’s series of nudes and sand dunes in Oceano, California, which are often considered some of his finest work. Weston became the first photographer to receive a Guggenheim Fellowship for experimental work in 1936. Following the receipt of this fellowship Weston spent the next two years taking photographs in the West and Southwest United States with assistant and future wife Charis Wilson. Later, in 1941 using photographs of the East and South Weston provided illustrations for a new edition of Walt Whitman’s Leaves of Grass. Weston began experiencing symptoms of Parkinson’s disease in 1946 and in 1948 shot his last photograph of Point Lobos. In 1946 the Museum of Modern Art, New York featured a major retrospective of 300 prints of Weston’s work. Over the next 10 years of progressively incapacitating illness, Weston supervised the printing of his prints by his sons, Brett and Cole. His 50th Anniversary Portfolio was published in 1952 with photographs printed by Brett. An even larger printing project took place between1952 and 1955. Brett printed what was known as the Project Prints. A series of 8 -10 prints from 832 negatives considered Edward's lifetime best. The Smithsonian Institution held the show, The World of Edward Weston in 1956 paying tribute to his remarkable accomplishments in American photography. Edward Weston died on January 1, 1958 at his home, Wildcat Hill, in Carmel, California. Weston's ashes were scattered into the Pacific Ocean at Pebbly Beach at Point Lobos. Source: www.edward-weston.com
Laura Heyman
United States
Laura Heyman was born in Essex County, New Jersey. She received a B.F.A in photography from University of the Arts in Philadelphia, PA, and an M.F.A. from Cranbrook Academy of Art in Bloomfield Hills, MI. Heyman’s work has been exhibited at Luggage Store Gallery, San Francisco, CA, Deutsches Polen Institute, Darmstadt, DE, Ampersand International Arts, San Francisco, CA, Senko Studio, Viborg, DK, Silver Eye Gallery, Pittsburgh, PA, The Palitz Gallery, New York, NY, Light Work Gallery, Syracuse, NY, The Ghetto Biennale, Port-au-Prince, Haiti, Philadelphia Photographic Arts Center, Philadelphia, PA, The Laguna Art Museum, Laguna, CA, The United Nations, New York, NY and The National Portrait Gallery, London, UK.In 2010, she was nominated for a John Guttman Photography Fellowship, and was awarded a Light Work Mid-Career Artist Grant. She has received the Silver Eye Fellowship, a Ragdale Fellowship and multiple NYFA Strategic Opportunity Stipends. Heyman has curated exhibitions and panel discussions at Vox Pouli, Philadelphia, PA, Wonderland Art Space, Copenhagen DK and the Clocktower Gallery, New York, NY, and her work has been reviewed and profiled in The New Yorker, Contact Sheet, Frontiers, and ARTnews.Pa Bouje Ankò: Don’t Move Again uses the studio portrait to explore embedded hierarchies between photographers, subjects and viewers. The work is driven in part by longstanding questions around photographic representation, specifically those involving the voyeurism and objectification of so-called “third world” subjects by “first world” artists. Seeking to examine these questions in depth, I established an outdoor portrait studio in the Grand Rue neighborhood of Port-au-Prince, Haiti in late November 2009. Advertisements circulated news about a photography studio in the area, where members of the local community could schedule appointments to have their portraits made for free. Working in black and white with an 8x10 camera, I photographed one hundred and twenty people over a period of two weeks.Three weeks later, the meaning of those images shifted with the earthquake. They became both records and memorials. That event also changed the focus of the project, which evolved to include various expanding populations in Port-au-Prince tied to future development and reconstruction.Issues of representation, visual sovereignty and cultural protocol, central to the project from the beginning, became more complicated after the earthquake. When I first arrived in Port-au-Prince, I imagined that positioning myself as a “studio photographer” would allow me to escape or subvert the complex tangle of hierarchies at play in Haiti, as well as in the exchange between photographer and subject. Neither has been the case. Instead, layers of meaning and intention continue to reveal themselves, expanding the project's framework and engaging the myriad contradictions and impossibilities present in the work’s original question.All about Laura Heyman:AAP: When did you realize you wanted to be a photographer?I began making photographs in high school, and knew I wanted to be a photographer before going to college.AAP: Where did you study photography?At University of the Arts in Philadelphia, I studied with Jack Carnell and Alida Fish. At Cranbrook Academy of Art, where I got my MFA, I studied with Carl Toth, and also Grant Kester, who taught Critical Theory at the school during my first year there.AAP:Do you have a mentor or role model?I don’t know that I’d say I have a mentor – there are peers I look to regularly for advice and feedback on my work.AAP: Do you remember your first shot? What was it?One of my first shots was the stream in my grandparent’s backyard in Phonecia, New York. My grandfather fished there, and my older sister and I used to run around and catch salamanders and frogs.AAP: What or who inspires you?Artists like Collier Schorr, An-My Lê, Roni Horn, Robert Adams, Mark Ruwedel, Pieter Hugo; David Shrigley, Jennifer Dalton Ai Wei Wei; Richard Mosse and Liz Cohen. I’m inspired by artists whose work makes me think, those using humor in their practice, and artists who really put themselves on the line. Books and essays, movies and performance – I’m inspired by a lot of different people and things.AAP: How could you describe your style?The visual style of my work changes according to the subject – a constant is subjects or projects that can and do express a layered viewpoint, or pose a series of questions.AAP: What kind of gear do you use? Camera, lens, digital, film?While I sometimes shoot digital, mostly I work analogue, with a medium or large format camera. Lately that has meant using Ilford HP5 black and white film with a Deardorff 8X10 camera and a 300 mm lens.AAP: Do you spend a lot of time editing your images?For me, editing (by which I mean deciding what images are included in a series, not post-production) is at least fifty percent of the job. I spend as much, if not more time editing a series as I do producing it.AAP: Favorite(s) photographer(s)?Collier Schorr, Robert Adams, Rineke Djikstra, Zoe Strauss, Luc DelahayeAAP: What advice would you give a young photographer?Know what you want. Shoot twice as much as you think you should. Be prepared to shoot and re-shoot until you get what you want.AAP: Your best memory as a photographer?A number of photographs I made of some friends while we waited in a car for the ferry. It was cold out, and we were all inside, smoking. The images captured the moment and the subjects very precisely – although this was over twenty years ago, they still have an immediacy that thrills me.AAP: Your worst souvenir as a photographer?A little while ago I was shooting some portraits on a very sunny day, and forgot to flag the lens. The negatives l ended up with were completely fogged and unusable.AAP: If you could have taken the photographs of someone else who would it be?Either Robert Adams What We Bought, or Collier Schorr’s Jens F. Both books have a real hold on me – I’m completely consumed every time I open one up. And after years of looking at them, they still surprise and fascinate me.
Miguel Blázquez
Miguel Bláquez was born in 2001 in Ávila, Spain. He is a prominent video artist with a strong academic background in the visual arts. He earned a Bachelor of Arts from the Escuela de Arte y Superior de Conservación y Restauración de Bienes Culturales de Ávila. Later, he pursued a Degree in Fine Arts at the Faculty of Fine Arts of the University of Salamanca. During his time at university, Blázquez actively participated in projects such as the Audiovisual Art Exhibition by the 4th Year Fine Arts students at the Juan del Enzina Theater in Salamanca. His talent was recognized when he won the XXVII edition of the San Marcos Awards in the “Audiovisual” category, with his work exhibited at the Museum of Contemporary Art of Salamanca (DA2) in 2024. Additionally, his piece “El vídeo más grande del mundo” was showcased at the (S8) XV Mostra Internacional de Cinema Periférico in A Coruña. Another of his works, “Vídeo ensayo”, was exhibited at the Condeduque Contemporary Culture Center in Madrid in 2023. Blázquez continues to establish himself as a talented video artist, constantly exploring and contributing to the world of art. Statement My photographic work often captures spectacular scenes that pay humble homage to the world around us. As a documentary artist, I prioritize exploring the depth and meaning within images over adhering to formal conventions. I am particularly drawn to both human and natural landscapes. As a photographer and videographer, I believe in the power of visual storytelling to ignite conversations, challenge perspectives, and foster empathy. My work serves as an invitation to explore and connect with the world in meaningful ways. My primary photographic influences include Tavepong Pratoomwong (Thailand), Victor Galeano (Colombia), Freddy Rodríguez Robles (Peru), Javier Arcenillas (Spain), Óscar Corral (Spain), Graciela Iturbide (Mexico), Leo Matiz Espinoza (Colombia), and Santiago Botero (Colombia). ARTICLE El cañón del Río Melcocho
Anton Corbijn
Netherlands
1955
Anton Corbijn (born 20 May 1955) is a Dutch photographer, music video director, and film director. He is the creative director behind the visual output of Depeche Mode and U2, having handled the principal promotion and sleeve photography for both for almost 3 decades. Some of his works include music videos for Depeche Mode's "Enjoy the Silence" (1990), U2's "One" (version 1) (1991), Bryan Adams' "Do I Have to Say the Words? and Nirvana's "Heart-Shaped Box" (1993), as well as the Ian Curtis biopic Control (2007), George Clooney's The American (2010), and A Most Wanted Man (2013) based on John le Carré's 2008 novel of the same name. Anton Corbijn was born on 20 May 1955 as Anton Johannes Gerrit Corbijn van Willenswaard in Strijen, the Netherlands, where his father had been appointed as parson to the Dutch Reformed Church the previous year. Father Anton (Hilversum, 12 Nov 1917 - Amersfoort, 9 Mar 2007) would take up the same position in Hoogland (1966) and Groningen (Diakonessenhuis, 1972) moving his wife and four children with him. His mother, Marietje Groeneboer (11 Sep 1925 - Hoogland, 15 Sep 2011), was a nurse and was raised in a parson's family. Photographer and director Maarten Corbijn (Strijen, 1960) is a younger brother. Grandfather Anton Johannes (Corbijn) van Willenswaard (Schoonhoven, 24 Nov 1886 - Hilversum, 16 Aug 1959) was an art teacher at Christian schools in Hilversum and an active member in the local Dutch Reformed church in Hilversum. Corbijn started his career of music photographer when he saw the Dutch musician Herman Brood playing in a café in Groningen around 1975. He took a lot of photos of the 'rising star' Herman Brood & His Wild Romance. Because of the pictures taken by Corbijn, Brood's fame rose quickly, and as a result Corbijn's own exposure increased. Corbijn has photographed Joy Division, Depeche Mode, Tom Waits, Pr?ta V?tra, David Bowie, Peter Hammill, Miles Davis, Björk, Captain Beefheart, Kim Wilde, Robert De Niro, Stephen Hawking, Elvis Costello, Siouxsie and the Banshees, Morrissey, Simple Minds, Clint Eastwood, The Cramps, Roxette and Herbert Grönemeyer, amongst others. Perhaps his most famous, and longest standing, association is with U2, having taken pictures of the band on their first US tour, as well as taking pictures for their Joshua Tree and Achtung Baby albums (et al) and directing a number of accompanying videos. From the late 70s the London based NME, (New Musical Express), a weekly music paper, featured his work on a regular basis and would often feature a photograph of his as the front page. One such an occasion was a portrait of David Bowie back stage in New York at his play The Elephant Man in nothing more than a loin cloth. In the early years of London based The Face, a glossy monthly post-punk life style / music magazine, Anton Corbijn was a regular contributor. He made his name working only in black and white. In May 1989 he began taking pictures in colour using filters: his first try was done for Siouxsie Sioux. Between 1998 through 2000, in collaboration with the painter Marlene Dumas, he worked on a project called "Stripping Girls", which took the strip clubs and peep shows of Amsterdam as their subject; while Corbijn later exhibited photographs, Dumas took Polaroids which she then used as sources for her paintings. Corbijn has photographed album covers for U2, working with sleeve designer Steve Averill and Peter Hammill, Depeche Mode, The Creatures (the second band of Siouxsie Sioux), Nick Cave, Bryan Adams, Metallica, Therapy?, The Rolling Stones, Simple Minds, R.E.M., The Bee Gees, Saybia and Moke.Source: Wikipedia
Advertisement
AAP Magazine #55 Wmen
Win a Solo Exhibition in April
AAP Magazine #55 Wmen

Latest Interviews

Exclusive Interview with Anastasia Samoylova
Anastasia Samoylova is an American artist whose photographic practice is shaped by close observation and a deep attentiveness to place. Working between documentary and formal exploration, she photographs landscapes, architecture, and everyday scenes with a sensitivity to light, structure, and atmosphere. Since relocating to Miami in 2016, her work has increasingly focused on how environments—both natural and built—carry social, cultural, and emotional traces. We asked her a few questions about her practice and her way of seeing, to better understand the thoughts and experiences that shape her work—while allowing the images themselves to remain open and speak in their own time.
Exclusive Interview with Marijn Fidder
Marijn Fidder is a Dutch documentary photographer whose work powerfully engages with current affairs and contemporary social issues. Driven by a deep sense of social justice, she uses photography to speak on behalf of the voiceless and to advocate for the rights of those who are most vulnerable. Her images have been widely published in major international outlets including National Geographic, CNN Style, NRC Handelsblad, Volkskrant, GUP New Talent, and ZEIT Magazin. Her long-term commitment to disability rights—particularly through years of work in Uganda—culminated in her acclaimed project Inclusive Nation, which earned her the title of Photographer of the Year 2025 at the All About Photo Awards. She is also the recipient of multiple prestigious honors, including awards from World Press Photo and the Global Peace Photo Award. We asked her a few questions about her life and work.
Exclusive Interview with Josh S. Rose
Josh S. Rose is a multidisciplinary artist working across photography, film, and writing. His practice bridges visual and performing arts, with a strong focus on movement, emotion, and the expressive potential of the image. Known for his long-standing collaborations with leading dance companies and performers, Rose brings together authenticity and precise composition—a balance he describes as “technical romanticism.” His work has been commissioned and exhibited internationally, appearing in outlets such as Vogue, at the Super Bowl, in film festivals, and most recently as a large-scale installation for Lincoln Center for the Performing Arts. A sought-after collaborator, he has worked with major artists, cultural institutions, and brands, following a previous career as Chief Creative Officer at Interpublic Group and the founder of Humans Are Social. We asked him a few questions about his life and work.
Interview with Maureen Ruddy Burkhart
Photographer Maureen Ruddy Burkhart brings a quietly attentive and deeply human sensibility to her exploration of the world through images. Shaped by a life immersed in photography, film, and visual storytelling, her work is guided by intuition, observation, and an enduring interest in the emotional undercurrents of everyday life. With a practice rooted in both fine art traditions and documentary awareness, she approaches her subjects with sensitivity, allowing subtle moments to emerge naturally rather than be imposed. Her series Til Death, selected as the Solo Exhibition for February 2025, reflects this long-standing commitment to photography as a space for reflection rather than spectacle. Drawn to moments that exist just outside the expected frame, Burkhart’s images suggest narratives without resolving them, leaving room for ambiguity, humor, and quiet connection. We asked her a few questions about her life and work.
Exclusive Interview with Peter Ydeen
Winner of AAP Magazine #45 Travels, his series reflects this unique vision—capturing the spirit of place through subtle layers of light, color, and emotion. Whether traveling abroad or observing the rhythms of his own surroundings, Ydeen creates images that feel both grounded and enchanted, inviting viewers into a world where reality and reverie meet.
Exclusive Interview with Julie Wang
Chinese-born photographer Julie Wang brings a poetic, contemplative sensitivity to her visual exploration of the world. Having lived for nearly equal parts of her life in China, Europe, and the United States, she approaches her subjects with the nuanced perspective of someone shaped by many cultures. This blend of distance, curiosity, and emotional resonance infuses her work with a quiet depth, allowing her to reveal the fragile beauty and subtle tensions that often pass unnoticed.
Exclusive Interview with Ghawam Kouchaki
American photographer Ghawam Kouchaki brings a sharply observant and introspective gaze to the streets of Japan’s capital. Based in Los Angeles, he approaches Tokyo with the distance — and curiosity — of an outsider, allowing him to uncover the city’s subtle contradictions, quiet tensions, and fleeting gestures that often go unnoticed. His series Tokyo no no, selected as the Solo Exhibition for December 2024, explores the hidden undercurrents of urban life: the unspoken rules, the small ruptures in routine, the poetic strangeness found in everyday moments. Through muted tones, instinctive timing, and meticulous framing, Kouchaki reveals a Tokyo that exists somewhere between reality and imagination — both intimate and enigmatic. We asked him a few questions about his life and work.
Exclusive Interview with Tommi Viitala
Tommi Viitala, winner of AAP Magazine #44: Street, is a Finnish photographer celebrated for his striking and cinematic street photography. With a keen eye for atmosphere and composition, he captures fleeting urban moments that reveal the poetry of everyday life. His work often explores the tension between solitude and connection within contemporary cityscapes, blending documentary realism with artistic sensibility. Viitala’s photographs have been exhibited internationally and recognized for their strong visual storytelling and emotional depth. We asked him a few questions about his life and work.
Exclusive Interview with Robert Mack
Robert Mack is a California-based visual artist, photographer, and filmmaker. His fine art photography and films have been exhibited widely in the United States and Europe, with major shows at the Baltimore Museum of Art and the Reiss-Engelhorn Museum in Mannheim, Germany. Both institutions hold his work in their permanent collections. Working across different media, Mack has built a career exploring the complexities of human presence and representation. In 1981, while living in Baltimore, he produced The Perkins Project: Not Guilty by Reason of Insanity, a rare photographic and film study inside Maryland’s hospital for the criminally insane. These stark yet compassionate black-and-white portraits remain one of his most powerful and controversial bodies of work.
Call for Entries
AAP Magazine #55 Women
Publish your work in our printed magazine and win $1,000 cash prizes