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William Nourse
William Nourse
William Nourse

William Nourse

Country: United States
Birth: 1966

Will Nourse is a landscape photographer known for his use of color and texture to bring his outdoor experiences to life.

He has been an avid photographer for almost twenty years, and his work reflects a lifetime of hiking, backpacking, climbing, skiing and sailing, all of which have given him a deep appreciation for the wonders of the natural world.

He was recently a featured artist in the exhibition 'Expeditions: From Iceland to the Gobi' at the Paula Estey Gallery, Newburyport, MA.

He has exhibited in juried shows at the Cambridge Art Association, the Newburyport Art Association (NAA), 1650 Gallery in Los Angeles, CA and various online galleries. Recently, he exhibited in the Cambridge Art Association's National Prize Show (2017), his image 'Seljalandsfoss #2' was selected as Best in Show for Photography in the NAA's 20th Annual Regional Juried Show (2017) and his photo 'Vestrahorn #1' won the Newburyport Development Award for Work in Photography in the NAA's 2016 Fall Member's Juried Show Part II.

He currently resides in Amesbury, MA with his wife, daughter, two Wheaten Terriers and two cats.

Websites

www.willnourse.photography

@willnoursephotography

 

Inspiring Portfolios

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More Great Photographers To Discover

Sid Grossman
Sid Grossman
United States
1913 | † 1955
Sid Grossman was an American photographer, teacher, and social activist. He was the younger son of Morris and Ethel Grossman. Grossman attended the City College of New York and worked on a WPA street crew. In 1934, he started what would become the Photo League with co-founder Sol Libsohn. Grossman played numerous roles throughout the Photo League's existence (1936–1951) including educator, administrator, reviewer, editor of Photo Notes and founder of Chelsea Document (1938-1940), an indictment of obsolete buildings and substandard living conditions in a New York neighborhood. He enlisted on March 6, 1943 and served in the Sixth Army in Panama during World War II. Grossman's 1940 photographs of labor union activity led to FBI investigations and the blacklisting of the Photo League as a communist front in 1947. In 1949, he opened a photography school in Provincetown, Massachusetts, although he continued to live and teach in NYC part of every year. Grossman was married twice: to Marion Hille and then to Miriam Grossman. Grossman conducted workshops at the Photo League, the Henry St. Settlement, the Harlem Art Center, and privately in NYC and Provincetown, for almost twenty years. The photographers he taught were many – including Lou Bernstein, Lisette Model, Walter Rosenblum, Louis Stettner, Helen Gee, Arthur Leipzig (who is on record as calling Grossman “probably the most fantastic teacher I ever knew”) and Leon Levinstein. Yet Grossman himself said, “I am not an instructor in any classical sense.” He insisted that his students take on the responsibility for making something of themselves. According to Jewish Museum curator Mason Klein, “Grossman increasingly insisted on the idea of being in the world in a particular manner, engaging with a certain consciousness as a photographer, and connecting to the camera in ways that made photographers question who they were.” One had to “live for photography,” in effect transforming and liberating oneself – in order to become a good photographer. One description of Grossman's “impassioned, often aggressive workshop critiques” has been provided by one of his students, N. Jay Jaffee, who studied with him in 1948. On the one hand, “He was almost contemptuous; each of us got a taste of his anger and hostility during the course.” Yet, “His genius was in expounding a philosophy of photography that was unique. I had never heard anyone speak on a subject with such depth and enthusiasm. I still recall a phrase he repeated several times: 'The world is a picture.' This simple statement was a profound insight into the method and meaning of photography.” “To Sid, photography was serious, not sacred.” Grossman's first wife, Marion Hille, remarked that he “encouraged his students 'to enjoy themselves right away, to get a feel of taking pictures without technique getting in the way.'” Jaffee reflected that, “Perhaps, if Sid had lived long enough, he would have also mellowed. Hopefully, he would have received the honor and respect for his brilliance and his work that he so justly deserves.” Today, almost all of the important photographers and educators he influenced and who continued his legacy are also deceased. All that is left are the photographs he and they made – a considerable contribution.Source: Wikipedia An influential teacher and activist, Grossman was a founding member of the Photo League, a group of socially-minded photographers that used documentary photography to call attention to poverty and injustice in New York. Showing three ragtag kids, two of whom present their modest toys to the photographer, this image exemplifies Grossman’s humanistic artistic vision, which often testified to the endurance and survival of his subjects. Due to his participation in the Communist Party, the U.S. Government blacklisted Grossman and monitored his activities for several years.Source: The Met
Szymon Brodziak
Szymon Brodziak
Poland
What you see, is who you are - says Szymon Brodziak, the master of black and white photography. The youngest aritist exhibited at the Museum of Photography - Helmut Newton Foundation in Berlin (2015). The best black & white campaign photographer of the world, acclaimed by the jury of FashionTV Photographers Awards, during 2013 Cannes Film Festival. In 2019, Brodziak confrmed his mastery by winning 1st Place in World's Top 10 Black & White Photographers contest curated by OneEyeland. He loves to photograph women. He's inspired mainly by locations, where he brings to life his monochromatic visions. Brodziak received Johnnie Walker Keep Walking Award for constant fulflment of dreams and passion for setting new paths in the search of beauty. In Europe, Brodziak received numerous medals and honourable mentions in various editions of the renowed Prix de la Photographie Paris, both for commercial and personal projects, including the title of Advertising Photographer of the Year (2016). In the USA, he won frst place in Fashion category in two photo competitions: International Photography Awards (2016) and Black and White Spider Awards (2016), which rewards the best monochromatic images from all over the word. His frst photo album ONE had its ofcial premiere in Rome (2014). It presents the frst 10 years of his professional activity. The publication starts with a personal dedication from June Newton, wife to the legendary photographer Helmut Newton. Szymon's new photographic book entitled WHAT YOU SEE IS WHO YOU ARE won a Gold Medal (Book: Cover) and 2 Bronze Medals (Book: Fine Art & Other) at Prix de la Photographie Paris 2019 and also Honorable Mention at 2019 International Photography Awards (USA). The artist's work can be seen and ordered in his own galleries of photography located in Poland and are also available worldwide at Online Shop www.szymonbrodziak.com as well as www.saatchiart.com/brodziak.
Eleonora Laufer
Eleonora Laufer
Argentina
1983
Eleonora Laufer (Buenos Aires, Argentina) is a self-taught photographer whose work explores quiet landscapes, minimal traces of human presence, and the subtle tension between stillness and movement. Working with a minimal visual language and soft color palettes, she creates contemplative images that reveal what emerges as activity fades. Her practice is shaped by over fifteen years of experience in dance and body awareness, which have cultivated her sensitivity to balance, rhythm, and an intuitive sense of space. All About Photo Competitions Photographer of the Week 20, 2026
Peter Harlow
Peter Harlow
Australia
1948
Peter was born and educated to first degree standard in the UK. He gained a private pilot license in 1970. His career spans aerial photography, corporate communication and management development. After emigrating to Australia in 2001 he ran his own company providing small light aircraft to farmers, flying schools and private clients. Recently he took up commercial drone flying – which combines his love of photography and views from the sky. He currently lives in Melbourne with his artist partner. As a photographer, I have always been fascinated by the interplay of light, shadows and shapes that exist in both the natural and human-made world. For many years, as a pilot I saw the landscape from a small aeroplane. With the advent of drone technology, which enables the camera platform to remain static and fly much closer to the surface, I can now explore the landscape from new angles and perspectives, capturing images that were impossible from an aeroplane. Artist statement: One of the key elements of abstract art is the process of abstraction, where artists take familiar objects and break them down into their essential components. Similarly, my photographs capture landscapes from above, abstracting the natural world into a series of shapes, colours and textures that are sometimes quite different from their original form. By removing the context of the wider landscape, I want to encourage the viewer to see the world in a new light, as a collection of abstract forms that are both beautiful and intriguing. In abstracting the landscape, my aim is to create a body of work that challenges your perceptions and invites you to see the beauty and charm that exists all around us.
B McCormick
B McCormick
United States
B. McCormick’s photographic work explores the intersection of built and natural environments, where man-made structures and organic elements collide to create movement and challenge perceptions of visual depth. Her process often begins with pinhole or other analog film cameras; many images are constructed through layering and multiple exposures, capturing not only what is seen, but what is felt—balance, tension, and the passage of time. With a background in architectural photography and industrial design, McCormick brings a unique appreciation for the tension between structure and chaos. Her creative process—rooted in curiosity, exploration, and a touch of magic—is often as compelling as the final image itself. Her work has been exhibited at the Griffin Museum of Photography, Nude Nite (Orlando/Tampa), the Florida Museum of Photographic Arts, Osceola Arts, Cotuit Center for the Arts, and the Sarasota Art Museum.
shesaidred
shesaidred
Mexico/United States
Norma Córdova, aka, shesaidred, is a Mexican-American photographer, filmmaker, and artist, known for her framed dream-like cinematic stills. She is based in Oakland, California where she still works traditionally, shooting film, polaroids, paper negatives, and making darkroom chromogenic prints, and occasionally incorporating mixed media. Her work explores moody narratives. Sex, sadness, death, and family illnesses are recurring subjects, subjects her family considered taboo. By simply photographing those subjects, she explores her feminine desires, and to come to terms with what her Mexican culture and family expected of her as a female. She creates illusions that conjure the realms of the imagination without presenting a factual reality. Her work is very personal to her, yet allows viewers to relate to it freely. She uses these subjects and memories to help her navigate the anxieties caused by her family's expectations of her (to wed and have children), and to fill the space left by her family's silence on those subjects.
Urszula Tarasiewicz
Urszula Tarasiewicz
Poland
1975
Urszula Tarasiewicz, Photographer, organizer of events and photo exhibitions. Studied at the National Film School in Łódź, Poland. I produce pictures with a medium format Hasselblad, which for me retains a particular sort of magic. The quality, the way light works on film, always elevates my interest when I decide to shoot a particular subject. The 'truth in photography' is a continuous debate. But that idea has always fascinated me. I observe the space around me, searching for a contrast between people and their environments. At times I allow the subject to play different roles or use simple props to alter the mood in the picture. There are many stories you can choose from when you observe the picture. I like the viewer to question its authenticity. For me, it's the interpretation that creates the magic. - Urszula Tarasiewicz Her photographs are the effect of acute observation of her surroundings and the ability to notice intriguing details and phenomena which are sometimes absurd and marginal, sometimes sentimental reminiscences of the People's Republic of Poland and the birth of the capitalism in Poland. Marcin Krasny The artist's eye focuses on the margins of reality, the kitsch and grotesque public space. Simple, plain and ascetic compositions, or quite the opposite - full of details, colorful - frames of Urszula Tarasiewicz's works depict the world as a place which is not as much absurd as it is pleasant and charming- Anna Czaban - Art Historian Urszula Tarasiewicz /b. 1975/ studied Photography at the Leon Schiller National Higher School of Film, Television and Theatre in Łódź, Poland. The works from the series New Urban Legends which are on display at the andel's Hotel in Łódź /curator Lucyna Sosnowska/ have won the portrait category at the 2010 Curator's Contest of the Photo District News Magazine, the 2012 New Talent Award of the German edition of the FotoMagazine, as well as the contest of the Norwegian photography magazine Fotografii for a place at the 17#Debutantutstilling 2012 exhibition in Oslo. The New Urban Legends series has been exhibited in, among others, the Milk Gallery NYC (2010). Other photo series by Urszula Tarasiewicz have been shown internationally: in the US at the Critical Mass exhibition (2012), the series The Future Is So Bright created in Norway during the Artist in Residence program at the Halsnøy monastery was presented at a group exhibition in Norway in 2013 and in Warsaw in 2015 at the Ja to Ktoś Inny show /curator Klima Boheńska/, at the Krinzinger Galerie in Vienna during the group exhibition Call Me on Sunday (2014, curator Ursula Maria Probst), at the Jam Factory gallery in Oxford (2014), in Stuttgart at the Face to Face show (2014), at the Bunkier Sztuki gallery in Kraków during the show Kasa z Widokiem /curator Lidia Krawczyk. Ogrodowa/Garden Street Garden Street, A project documenting flats after evictions on Garden Street. 150 families left the building. It was the first residential complex for workers in 1880 in the new industrial city of Lodz. Izrael Poznański wealthy entrepreneur (1833-1900) is regarded as being one of the icons of Łódź. His monumental factory just across Ogrodowa street along with the labourers' tenement houses, is a true city within a city. In its best years, nearly 7000 people in total worked and lived here. The moment Poznański's empire fell after World War II was the beginning of the estate's and all of its inhabitants' long agony. Its fate was concluded with the decommissioning of the Poltex company in 1991. Famuły became a no man's land, its residents left to their own devices. The project 100 Tenement houses in Łódź, thanks to which a major renovation of the Poznański's factory housing estate started in 2014 was preceded by a long process of relocating all the residents. It was during this time I began to document the empty flats. The famuły rooms stun with their ruthlessness, their coldness, with the visibly absent inhabitants. The artist guides us around the world which is already gone, lost. Looking at Tarasiewicz's photos, we're confronted with desolate rooms, dilapidated walls out of which someone ripped off electrical wiring and where time imprinted the ghosts of furniture and lost artworks.
Clay Lipsky
Clay Lipsky
United States
Clay Lipsky is a fine art photographer & Emmy Award winning graphic designer based in Los Angeles. He has applied his unique visual style across a variety of mediums, from print and multimedia to TV and film. Despite his varied interests, photography has always been a part of Clay’s life. Recently, he has experienced a new-found interest with the medium and is now passionately focused on pursuing photography as fine art, free from clients and limitless in creative possibilities. Clay is self-taught and strives to create images that can stand the test of time. His photos have been exhibited in various group shows, including those at the Annenberg Space for Photography, MOPLA, Pink Art Fair Seoul, Wall Space, Rayko and Impossible Project Spaces in NYC & Warsaw, Poland. Clay has been published internationally in print and online, most notably with Esquire Russia, Wired Italia, Fraction, Square, Lenscratch, Diffusion, i-ref, Daily News (UK), Yahoo! Lifestyle (Germany), La Republica (Italy), Libération (France), Shots & um[laut] Magazines. Clay Lipsky's project, In Dark Light, is intriguing on a number of levels. First, the work was created, for the most part, on a trip to Iceland and as we know, creating conceptual fine art images while in a foreign place, with no opportunity for previsualization, is not an easy task. But somehow, Clay instinctively found a narrative and way of working within a concentrated period of time. The other interesting aspect is what the work is about. Making imagery about depression, about loss and solitude has to have subtle nuances that are at once personal and universal, and Clay captured this subject with emotion and simplicity. Clay works as fine art photographer and graphic in Los Angeles. His photos have been exhibited in group shows across the country, including the Annenberg Space for Photography, MOPLA, Pink Art Fair Seoul, PhotoPlace and Impossible Project NYC. He has been featured internationally in print and online in publications such as Fraction, Square, Diffusion, F-Stop, PH and Shots Magazines. Recently, he was a featured "Ten" through Jennifer Schwartz Gallery, and North Light Press will be publishing an edition of his Cuba photos through their 11+1 series. He is also an avid self-publisher with several titles that exhibit as part of the Indie Photobook Library. Source: www.lenscratch.com About the series In Dark Light This series of self portraits examines my loss of identity and enduring personal journey through depression. It is a solitary path that encompasses loss of home and parent, the pursuit of beauty, work and perseverance under no religious or visceral compass. Imagined as a vast, shadowed plane it is a private purgatory mired in fog with colors muted and senses numbed. The varied landscape acts as metaphor for life's many obstacles. Beyond the horizon lies hope for brighter days and so the lone soul carries on, albeit cast in dark light. Discover Clay Lipsky's Interview
Vicky Stromee
Vicky Stromee
United States
1950
How I got interested in photography I was immersed in the arts from an early age. My father was an amateur photographer and my mother a painter and pianist. At 8, I got my first Brownie camera and began shooting everything I saw. Watching an image magically emerge from the developing tray in my dad's darkroom; spending afternoons lying under the baby grand piano with waves of sound resonating around and through me; texture, pattern, fluidity, and change - these were my earliest influences, and they continue to unfold in my work. Where I live and my work can be seen I am fortunate to call the Southwest - a place of incredible natural beauty - my home. I have lived in Tucson, AZ since 1975 when I moved here to pursue a master’s degree in Counseling at the University of Arizona. When I retired from a long career in mental health, I turned my attention full time to photography, ultimately finding my niche in photographing natural subjects. More recently I have begun to create photomontages incorporating these natural objects into both abstract images and scenes of imaginary realism. My work hangs in galleries, hospitals, and private and corporate collections throughout the US. It has been featured at the Griffin Museum of Photography, Boston; Waxlander Gallery, Santa Fe; PhotoPlace Gallery, Vermont; A Smith Gallery, Texas; Fotonostrum, Barcelona; and Afterimage Gallery in Dallas. Selected images have representation through Cynthia Byrnes Contemporary Art in New York. What captures my imagination and what I explore in my art I am interested in edges and intersections of transformation where one thing moves inexorably to become something else. When is the moment when love fades into anger and resentment; when disillusionment erupts into a violent uprising, when order descends into chaos? And when is the moment when war turns towards peace; unbearable grief shifts towards acceptance; or when pain gives way to relief? I feel the daily bombardment of stories about conflict and anger towards “otherness.” I’m disturbed by the disintegration of public discourse that has devolved into shouting tropes at one another and refusing to entertain differing points of view while using violence to subjugate and silence others. The cacophony of misinformation drives me into further retreat. I’ve always felt a kinship with Buddhist thought and the concept of nonduality - the belief that there is only one reality that is the summation of all experience. That there is no separation between subject and object; inner self and outer experience; self and other. We are drops in the ocean, interconnected manifestations of spirit. When I am engaged in the act of creation – no longer focused on trying to create, but simply being a conduit – time disappears. I’m following an intuitive process to listen for what comes next. The external chatter recedes, I feel a sense of calm, I feel connected to a deeper flow. Touching into these moments provides a respite and allows me to re-engage in the world with all its seemingly unresolvable conundrums. I make art as much for myself as for others; creating visual meditations is an end in and of itself.
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Exclusive Interview with Susan Anthony
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Exclusive Interview with Luca Desienna and Laura Estelle Barmwoldt
For over seven years, Of Lilies and Remains has explored the depths of the goth and darkwave underground, unfolding in Leipzig—a city long associated with a vibrant and enduring subcultural scene. Moving between iconic gatherings such as Wave-Gotik-Treffen and more intimate moments on the fringes, the project offers a rare and immersive glimpse into a world often misunderstood, yet rich in expression and community. Created by Luca in collaboration with Laura Estelle Barmwoldt, the work embraces a cinematic and deeply personal approach. Rather than documenting from a distance, it moves within the scene itself, capturing its atmosphere, its codes, and its quiet contradictions. The title Of Lilies and Remains hints at this duality—where beauty and darkness, fragility and strength coexist. As the book prepares for its release, we spoke with both artists about the origins of the project, their process, and what it means to document a subculture that continues to evolve while remaining true to its spirit.
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German photographer Henk Kosche turns his lens toward the streets of Halle an der Saale, capturing everyday life in the late years of the former German Democratic Republic. At the time, Kosche was studying design and exploring the city with his camera, drawn to the atmosphere of its industrial landscape and the quiet rhythms of daily life. His series Street Photography at the End of the 80s, selected as the Solo Exhibition for July 2025, revisits a body of work created just before a period of profound change. Rediscovered decades later in a small box of 35mm negatives, these photographs offer glimpses of a city and its people at a moment suspended between the familiar and the unknown.
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