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William Nourse
William Nourse
William Nourse

William Nourse

Country: United States
Birth: 1966

Will Nourse is a landscape photographer known for his use of color and texture to bring his outdoor experiences to life.

He has been an avid photographer for almost twenty years, and his work reflects a lifetime of hiking, backpacking, climbing, skiing and sailing, all of which have given him a deep appreciation for the wonders of the natural world.

He was recently a featured artist in the exhibition 'Expeditions: From Iceland to the Gobi' at the Paula Estey Gallery, Newburyport, MA.

He has exhibited in juried shows at the Cambridge Art Association, the Newburyport Art Association (NAA), 1650 Gallery in Los Angeles, CA and various online galleries. Recently, he exhibited in the Cambridge Art Association's National Prize Show (2017), his image 'Seljalandsfoss #2' was selected as Best in Show for Photography in the NAA's 20th Annual Regional Juried Show (2017) and his photo 'Vestrahorn #1' won the Newburyport Development Award for Work in Photography in the NAA's 2016 Fall Member's Juried Show Part II.

He currently resides in Amesbury, MA with his wife, daughter, two Wheaten Terriers and two cats.

Websites

www.willnourse.photography

@willnoursephotography

 

Inspiring Portfolios

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More Great Photographers To Discover

Luke Stambouliah
Luke Stambouliah
Australia
1989
Luke Stambouliah was born and raised in Sydney, Australia. He graduated with a Bachelor of Fine Arts (Honours) from the University of New South Wales, College of Fine Arts. He established his practice as a contemporary artist and commercial portrait photographer across the film, television and theatre industries. Statement "Growing up in a household where Super 8 was like another member of the family, Luke’s fascination with photography and cinema was nurtured. Intrigued by his father’s profession as a psychologist and his sister’s craft as an actor, he wanted to fuse the study of the mind with the power of expression. His exhibited works are imbued with a sense of cinematic storytelling suspended in the calm of a single image. Beyond the gallery walls, Luke continued his path into film and television, shooting editorial portraits and publicity stills for Australia’s leading actors, artists and productions."
Christian Werner
Christian Werner
Germany
1987
Christian Werner is a freelance multimedia/photojournalist based in Boitzum, Germany. As a teenager he developed his interest in photography while traveling to foreign countries. In 2014 he graduated the photojournalism & documentary photography course at the University of Applied Sciences in Hannover. His main interests are social diversity and global political issues. The areas of interest is mainly the arabic world and culture. Chris worked in various countries in Asia, Africa, Eastern Europe and South America. His work has been exhibited internationally. He welcomes assignments local and overseas. Since 2012, Christian is represented by Agency Laif. Source: World Press Photo Chris, born in 1987, studied from 2009 to 2014 photojournalism and documentary photography at the University of Hanover. He works as a freelance photojournalist and published his photos and stories, among others, in Der Spiegel, Die Zeit, TIME Magazine, The Washington Post and many more. From 2012 -2016 Christian Werner was represented by the German reportage agency laif. In late 2016 Chris is represented by Zeitenspiegel. His photographic focus is the processing of social injustice, conflicts and geopolitical issues. His work has been awarded several times and frequently exhibited internationally. In 2015 Chris participated at the World Press Joop Swart Mastercalss in Amsterdam. 2016 Chris has been chosen in the 30 under 30 Europe Forbes List in the Media category. In late summer 2016 he begins working with MOAS (Migrant Offshore Aid Station). Chris worked in various countries in Asia, Africa, Eastern Europe and South America. Artist Statement "Rubble and Delusion - A Journey Through Assad's Syria With the fall of Aleppo, the regime of Bashar Assad once again controls the country's second-largest city. But is reconciliation possible in the country? A journey through the dictator's rump state. Our journey leads us to the three largest cities in northern and western Syria: Aleppo, Latakia and Homs. Aleppo has become symbolic of the brutal bombing campaign. Latakia, the regime stronghold on the Mediterranean, was largely untouched by the war and is still a popular vacation spot in the summer. And Homs, once the center of the uprising, was destroyed and is now slated to become a model of reconstruction."
Wynn Bullock
Wynn Bullock
United States
1902 | † 1975
Wynn Bullock (April 18, 1902 – November 16, 1975) was an American photographer whose work is included in over 90 major museum collections around the world. He received substantial critical acclaim during his lifetime, published numerous books and is mentioned in all the standard histories of modern photography. Bullock was born in Chicago and raised in South Pasadena, California. After high school graduation, he moved to New York to pursue a musical career and was hired as a chorus member in Irving Berlin’s Music Box Revue. He occasionally sang the primary tenor role when headliner John Steele was unable to appear and then was given a major role with the Music Box Review Road Company. During the mid-1920s, he furthered his career in Europe, studying voice and giving concerts in France, Germany and Italy. While living in Paris, Bullock became fascinated with the work of the Impressionists and post-Impressionists. He then discovered the work of Man Ray and László Moholy-Nagy and experienced an immediate affinity with photography, not only as an art form uniquely based on light, but also as a vehicle through which he could more creatively engage with the world. He bought his first camera and began taking pictures. During the Great Depression of the early 1930s, Bullock stopped his European travels and settled in West Virginia to manage his first wife's family business interests. He stopped singing professionally, completed some pre-law courses at the state university, and continued to take photographs as a hobby. In 1938, he moved his family back to Los Angeles and enrolled in law school at the University of Southern California where his mother Georgia Bullock (California's first woman jurist) had studied law. Completely dissatisfied after a few weeks, he left USC and became a student of photography at the nearby Art Center School. From 1938 to 1940, Bullock became deeply involved in exploring alternative processes such as solarization and bas relief. After graduation from Art Center, his experimental work was exhibited in one of Los Angeles County Museum of Art's early solo photographic exhibitions. During the early 40s, he worked as a commercial photographer and then enlisted in the Army. Released from the military to photograph for the aircraft industry, he was first employed at Lockheed and then headed the photographic department of Connors-Joyce until the end of the war. Remarried, and with a new daughter, Bullock traveled throughout California from 1945 to 1946, producing and selling postcard pictures while co-owning a commercial photographic business in Santa Maria. He also worked on developing a way to control the line effect of solarization for which he later was awarded two patents. In 1946, he settled with his family in Monterey, where he had obtained the photographic concession at the Fort Ord military base. He left the concession in 1959, but continued commercial free-lance work until 1968. A major turning point in Bullock's life as a creative photographer occurred in 1948, when he met Edward Weston. Inspired by the power and beauty of Weston's prints, he began to explore "straight photography" for himself. Throughout the decade of the 1950s, he devoted himself to developing his own vision, establishing deep, direct connections with nature. A lifelong learner, he also read widely in the areas of physics, general semantics, philosophy, psychology, eastern religion and art. Studying the work of such people as Albert Einstein, Korzybski, Alfred North Whitehead, Bertrand Russell, LaoTzu and Klee, he kept evolving his own dynamic system of principles and concepts that both reflected and nurtured his creative journey.Source: Wikipedia Bullock came into the public spotlight when Museum of Modern Art curator Edward Steichen chose two of his photographs for the 1955 Family of Man exhibition. When the exhibition was shown at the Corcoran Gallery in Washington, D.C., his photograph Let There Be Light, was voted most popular. The second, Child in Forest, became one of the exhibition’s most memorable images. By the end of that decade, his work was widely exhibited and published worldwide and in 1957, he was honored with a medal from the Salon of International Photography. During the early 1960s, Bullock departed from the black-and-white imagery for which he was known and produced a major body of work, Color Light Abstractions, which expressed his belief that light is a great force at the heart of all being. Further image-making innovation included alternative approaches including extended time exposures, photograms, and negative printing. During the 1960s and 1970s Bullock expanded his influence through other roles. In 1968, he became a trustee and chairman of the exhibition committee during formative years at Friends of Photography in Carmel, California. He taught advanced photography courses at Chicago’s Institute of Design during Aaron Siskind’s sabbatical and at San Francisco State College at John Gutmann’s invitation. In the last decades of his life, he lectured widely, participated in many photographic seminars and symposia, and was a guest instructor for the Ansel Adams Yosemite Workshops. Bullock died at the age of 73 in November 1975. Along with Ansel Adams, Harry Callahan, Aaron Siskind, and Frederick Sommer, he was one of the founding photographers whose archives established the Center for Creative Photography in 1975. The Bullock collection consists of 223 prints and 90 linear feet of archival materials, including personal papers, diaries, correspondence, activity files, audio-visual and photographic materials. The archive offers significant information on the exhibition, publication, and sale of Bullock's photographs; his experiments with solarization; his involvement with the Friends of Photography; and his teaching activities. The collection offers insight into Bullock's attitudes toward his own work and the development of his philosophical approach to the medium.Source: Center for Creative Photography
Gary Beeber
Gary Beeber
United States
1951
Gary Beeber is an award-winning American photographer/filmmaker who has exhibited in galleries and museums throughout the United States and Europe. His documentary films have screened at over 75 film festivals. Solo (photography) exhibitions include two at Generous Miracles Gallery (NYC), the Griffin Museum of Photography (Wincester, MA), and upcoming exhibitions at PRAXIS Photo Arts Center, and the Rhode Island Center for Photographic Arts. Beeber’s work has also been included in juried exhibitions throughout the world. Among Fortune 500 companies who collect his work are Pfizer Pharmaceutical, Goldman Sachs and Chase Bank. Sylvester Manor, Shelter Island As an artist I am drawn to subjects I find to be incongruous, and always like to experiment with composition, lighting and perspective. As I'm taking pictures I think a lot about the passage of time and how things evolve over the decades. When living in Sag Harbor, NY one of my great pleasures was taking the 10 minute ferry trip to Shelter Island (whose sleepy beauty starkly contrasts with the glitz and glamor of the Hamptons) and exploring/documenting Sylvester Manor. The island was originally inhabited by indigenous peoples, but was officially established as a slave holding provisioning plantation in 1652 by Nathaniel Sylvester, a sugar merchant from Barbados, who purchased the entire island for 1600 pounds of sugar. Sylvester Manor has been in the Sylvester family for 11 generations. Descendants of Nathaniel Sylvester used slaves to work the plantation until early in the 19th century when slavery was abolished in the north. People relate to this series because of Sylvester Manor's history and mystery. I was drawn to it for those same reasons, and of course it's sad, dark haunting beauty.
Richard Nickel
Richard Nickel
Poland/United States
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Richard Nickel was an American architectural photographer and preservationist best known for documenting and preserving historic architecture, particularly the works of renowned architect Louis Sullivan. Nickel, who was born on May 31, 1928, in Chicago, Illinois, developed an early interest in photography and architecture. Nickel began documenting Chicago's architectural legacy in the 1950s and 1960s, focusing on buildings designed by Louis Sullivan, one of the forefathers of modern American architecture. His photographs captured Sullivan's buildings' intricate details, ornamental features, and craftsmanship, highlighting their beauty and significance. During the mid-twentieth century, Nickel became increasingly concerned about the destruction and neglect of historic buildings in Chicago. He understood the significance of architectural preservation and saw photography as a means of raising awareness about the need to protect these structures. Nickel actively advocated for the preservation of historic buildings in addition to his photography. He campaigned against the demolition of Sullivan's iconic Chicago Stock Exchange Building, which, despite his efforts, was demolished in 1972. Nickel's photographs of the building, as well as his writings on the subject, raised public awareness of the loss and inspired the Chicago preservation movement. On April 13, 1972, Richard Nickel was killed while photographing the ruins of the Chicago Stock Exchange Building, which was being demolished. Despite his untimely death, his legacy was preserved and exhibited posthumously through his photographs. Nickel's work had a significant impact on architectural preservation and historic building appreciation. His photographs captured not only the physical structures of the buildings, but also their spirit and essence, revealing their historical and cultural significance. His dedication to architectural preservation continues to inspire individuals and organizations working to protect our architectural heritage. Richard Nickel's contributions as a photographer and preservationist serve as a reminder of how important it is to document and cherish our architectural treasures so that future generations can appreciate and learn from them.
Peyman Naderi
Peyman Naderi
Iran
1990
Peyman Naderi is a Persian contemporary fine art and portrait photographer born in 1990. He is a self-taught photographer who started his first professional projects in the year 2013. As he began his career as a professional photographer, his first motto was to create original and creative photos through which his own perceptions of the world and art could be understood. Also, he is eager to represent a unique way of looking at various concepts in the world. "Concept" is one of the most important parts of his photography projects, and Peyman tries to spend enough time and energy on finding the right concept. To create and discover the right idea he usually listen to classical music during his free time or at nights. Such high-quality music can inspire him and help him to concentrate on finding ways to present the world in ways that he sees. Besides, the colors that he uses in his photos create the illusion of a painting, and, hence, most people usually mistake his works as paintings. Peyman has received several awards including Second Place In Portrait in Fine Art Photography Awards 2020, Particular Merit Mention in All About Photo Awards 2020, Bronze in Fine Portrait and Fine Art Other in One Eyeland Photography Awards 2019, 1st Place in Conceptual in Chromatic Awards 2019, 2nd Place in Fashion in Chromatic Awards 2019, Gold In Moscow International Foto Awards 2019 in Portfolio Category, Bronze In Fine Art Photography Awards 2019 In Fine Art Category, Bronze In PX3 2019 In Fine Art - People and Also Peyman has been chosen as a 100 Great Photographers of 2018 and also Took 2nd Place In Conceptual Photo In 35Awards 2018, and also he has been Winner in ND Awards, Tokyo International Foto Awards, PX3, and International Photography Awards and V Concurso International De Fotografía 'Alicante' 2019. His work has been published in international publications including Harper's Bazaar Magazine and The Exhibition was In Ontario, 2019 CONTACT Photography Festival and Also The Last Exhibition was in France, 2019 Voies Off, Galerie Des Arènes. Statement My name is Peyman Naderi, and I am a contemporary Persian fine art and portrait photographer. I am a self-taught photographer who started his first professional projects in the year 2013. As I began my career as a professional photographer, my first moto was to create original and creative photos through which my own perceptions of the world and art could be understood. Also, I am eager to represent a unique way of looking to various concepts in the world. My first experience as a subject of portrait photography was quite funny though. I remember that I was only six years old, and I was terrified by seeing various equipment and cameras. Trying to make me calmer, the photographer gave me a toy camera to play with while sitting on the chair. This memory, somehow, triggered my curiosity and interest in this art. I bought my first camera years later, in 2010, and started to take photos of my friends and family members. The more I got engaged in this art, the more I found out about my artistic talents and the passion I have for photography. I remember that I used to go to a burnt cotton factory located on the outskirt of Tehran, my hometown. Although the fire had ruined almost everything in the factory, a small hall with a high ceiling and golden walls was left intact. When I first entered this building, seeing this magnificent scenery inside a totally destroyed and abandoned building took my breath away and provoked my first fine art ideas inside me. As I started my first project, I used to go to this place every day to try different photography techniques and become master in them. Then, I started studio photography to learn about various lighting techniques. I tried to include my own ideas and perceptions here, and manipulate the lighting based on my perceptions and concepts. Winning the silver medal in the Victor Polynsky competition for one of my photos called Oblivion, further increased my self-confidence and my persistence in photography. In the years after that, I won several awards in many competitions like Moscow International Foto Awards, Chromatic Awards, ND Awards, Tokyo International Foto Awards, PX3 and IPA, and I had my works published in various international magazines. "Concept" is one of the most important parts of my photography projects, and I try to spend enough time and energy on finding the right concept. To create and discover the right idea I usually listen to classical music during my free time or at nights. Such high-quality music can inspire me and help me to concentrate on finding ways to present the world in ways that I see. Besides, the colors that I use in my photos create the illusion of a painting, and, hence, most people usually mistake my works as paintings. In this project, I tried to exhibit the mind and though barriers that humans face. To fully present my idea I decided to use handmade metals and natural flowers, and then I tried to expand my idea to show both emancipation and captivity at the same time. Also, I have been attempting to display my own viewpoint in all of my works and to enable the viewer to connect with the world that I see. I genuinely hope to create a permanent path in the art of photography inspire other talented and hardworking artists. AAP Competitions All About Photo Awards 2020 AAP Magazine 10 Portrait
Kristyn Taylor
Kristyn Taylor
New Zealand/Australia
1959
I’m Kristyn Taylor, a self-taught photographer based in Australia. After arriving in Australia from New Zealand, I studied Zoology at university—a passion developed in childhood and shaped by influences such as the TV series Daktari, Sunday night wildlife documentaries, and the legendary Jane Goodall. I went on to complete a thesis on bird behaviour, developing a deep appreciation for observation and documentation. Over time, my creative focus evolved into ceramic sculpture, and I became an exhibiting artist creating life-sized dioramas that reflected my life experiences. Through this work, I developed an eye for form and colour. In 2014, when my children were old enough for me to travel independently, I began working with photography and started travelling solo. During this time, I developed a particular interest in people and traditional cultures. In 2025, I stepped away from other work to focus fully on developing my photography. I feel that my background in both science and the arts has greatly informed and shaped my photographic practice. AAP Magazine: AAP Magazine 53 Travels
An-My Lê
An-My Lê
Vietnam / United States
1960
An-My Lê is a Vietnamese American photographer and professor at Bard College. She is a 2012 MacArthur Foundation Fellow and has received the John Simon Guggenheim Memorial Foundation Fellowship (1997), the National Science Foundation Antarctic Artists and Writers Program Award (2007), and the Tiffany Comfort Foundation Fellowship (2010). Her work was included in the 2017 Whitney Biennial. An-My Lê was born in Saigon, Vietnam, in 1960, and now lives and works in New York. Lê fled Vietnam with her family as a teenager in 1975, the final year of the war, eventually settling in the United States as a political refugee. She studied biology at Stanford University, receiving her BA in 1981 and her MA in 1985. She attended Yale School of Art, receiving her MFA in 1993. Her book Small Wars was published in 2005. In November 2014, her second book, Events Ashore, was published by Aperture. Events Ashore depicts a 9-year exploration of the US Navy working throughout the world. The project began when the artist was invited to photograph US naval ships preparing for deployment to Iraq, the first in a series of visits to battleships, humanitarian missions in Africa and Asia, training exercises, and scientific missions in the Arctic and Antarctic.Source: Wikipedia In 1994 An-My Lê returned to Vietnam for the first time and began making a series of photographs informed by her own memories and by the stories and perceptions of her family. Since then her photographs and films have addressed the impact of war both environmentally and culturally. Whether in color or black-and-white, her pictures capture the disjunction between the natural landscape and the intervention of soldiers and machines meant for destruction. Projects include Viêt Nam (1994–98), in which Lê's memories of a war-torn countryside are reconciled with the contemporary landscape; Small Wars (1999–2002), in which Lê photographed and participated in Vietnam War reenactments in Virginia; and 29 Palms (2003–04) in which United States Marines preparing for deployment playact scenarios in a virtual Middle East in the California desert.Source: Guggenheim
Nieves Mingueza
Nieves Mingueza
Spain
Nieves Mingueza is a lens-based, mixed media artist working with experimental photography, collage and text. Born in Spain, based in London. The often-cinematic themes in her projects have in common her fascination with old books, film stills, vintage cameras, poetry and minimal drawings. Ultimately, Nieves' work is about the foggy relationship between fiction and reality. In addition, she is currently exploring about immigration, mental health and human conflicts. Nieves' work has been exhibited widely, including Copeland Gallery -Peckham 24-, les Rencontres Internationales de la Photographie d'Arles, Fondazione Giorgio Cini, Retina Scottish International Photography Festival, The Royal Academy of Arts, PhotoEspaña, Saatchi Gallery and Tate Britain. Publications that have featured her work include Editorial 8mm, Fisheye magazine, Der Greif magazine, Low Light Magazine, Shots magazine, Eyemazing, Sarmad Magazine, YET Magazine and L'oeil de la photographie, among others. Lens Culture also featured a selection of her works. Recently, in July 2019, her first monograph book was released by IIKKI Books Editorial. About The malady of Suzanne "A few months ago, I moved to my new flat in South London. Once settled in my new home, I realised that the building had previously been a mental health hospital. In this hospital, people with mental health issues were treated and helped to reintegrate into society. One night, I was relaxing, reading in my living room. There was a sepulchral silence, and suddenly I heard a noise coming from the ceiling. I was scared and I noticed that there was a small loft. The next day, a neighbour helped me open the loft. Unexpectedly, we found a suitcase that contained photos, letters and documents that had belonged to a woman named Suzanne. Reading her letters, I learned that she was a Vietnamese woman who had been a teacher in her home country. There, she fell in love with an Englishman, and finally they decided to move to London together. This happened in 70s. Apparently she began to experience signs of a rare disease: loss of speech and isolation behaviour. I also found out from her documents that she had changed her name in London, because her real name was very difficult to pronounce for English people. She called herself Suzanne in honour of Leonard Cohen's song. By combining found archives with my documentary photography work, I am exploring the story of a Vietnamese female with mental issues in 70's London. This is an on-going project about the complex relationship between memory, immigration, mental health and human conflicts. Additionally, is there any reciprocation between Suzanne and myself? We have both lived in the same space. I am an immigrant in London, I work in a school, and I have modified my name because it was difficult for my students to pronounce. I also love silence. " -- Nieves Mingueza
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