All about photo.com: photo contests, photography exhibitions, galleries, photographers, books, schools and venues.
Enter AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Enter AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Laurent Dequick
Laurent Dequick
Laurent Dequick

Laurent Dequick

Country: France

Laurent Dequick is a professional architect in his forties. His photographic work has been influenced by architecture, since it is primarily focused on ideas surrounding the contemporary city and more specifically, urban sprawl. The photographer’s message is to accurately convey the impression of freneticism stemming from population density and activity in urban zones: “As you walk down the street, the lights, noises, traffic, hustle and bustle, and mix of smells are so striking that no single shot could capture all of it. So do we have to make choices? I don’t think so and I don’t want to.” To convey in images this “congestion” of urban life, Laurent Dequick does not hesitate to juxtapose, superimpose, or imbricate his shots. He fits together photographs representing architectural complexes, highways, and people, all with the same intensity. He condenses the images like the city condenses the sum of the lives of all of its inhabitants. His style is reminiscent of cubism in its rendering, which verges on abstraction in its representation of constant motion.

Source: Yellow Korner


The passing of time is a fascinating concept which happens all around us, at every single moment of every single day. French photographer Laurent Dequick decided to capture these fleeting seconds in a series of photographs entitled Vibrations Urbaines. Each image is a collective sequence of multiple photographs, superimposed together to visually reflect the chaos and congestion of large urban areas.

The series features colorful and energetic portraits of both New York and Berlin. Viewers might feel a bit hyper as they view the still photograph which so strongly convey the motion of cars zipping past and the life of people rushing by. Dequick says his work is “primarily a reflection on the contemporary city and more specifically the proliferation of modern urban space.” Through these compositions, the artist portrays the constant urban action and excitement that are generally challenging to communicate through just one still photograph.

Source: My Modern Met

 

Inspiring Portfolios

Call for Entries
AAP Magazine #54 Nature
Publish your work in AAP Magazine and win $1,000 Cash Prizes
 
Stay up-to-date  with call for entries, deadlines and other news about exhibitions, galleries, publications, & special events.

More Great Photographers To Discover

Bryan Adams
Canada
1959
Adams works as a photographer as well as musician, aside from being published in British Vogue, L'uomo Vogue, Harper's Bazaar, Esquire, Interview magazine and i-D, among others, he has also shot advertising campaigns for Guess Jeans, Sand, Converse, Montblanc, John Richmond, Fred Perry, and more recently for Escada. He has won Lead Awards twice in Germany for his fashion work, most recently June 2012 and previously in 2006. Other photographic endeavours include founding the art fashion Zoo Magazine, based in Berlin, Germany for which he shoots for regularly. His first book of photos will be released by Steidl in 2012 entitled Exposed. Previous published collaborations include; American Women June 2005, for Calvin Klein in the United States; proceeds from this book went to Memorial Sloan–Kettering Cancer Center in New York City for their breast cancer research for programs, and Made in Canada December 1999 for Flare Magazine in Canada; proceeds went to the Canadian Breast Cancer Foundation. Both books were dedicated to his friend Donna, who died of the disease. As a photographer, Adams has worked with many of his musical peers, including Lana Del Rey, The Who, Sting, Shania Twain, Mick Jagger, Arcade Fire, Ray Charles, Tina Turner, Rod Stewart, Robert Plant, Take That, Joss Stone, Plácido Domingo, Sarah McLachlan, Celine Dion, Billy Idol, Moby, Lindsay Lohan, Amy Winehouse, Annie Lennox, Peter Gabriel, Bryan Ferry, Lenny Kravitz, Die Antwoord, and Morrissey to name a few. On 27 November 2000 Adams played onstage with The Who at the Royal Albert Hall. A DVD of the concert was issued. Adams photographed the band and his photos appear in the DVD booklet. In 2002, Adams was invited, along with other photographers from the Commonwealth, to photograph Queen Elizabeth II during her Golden Jubilee; one of the photographs from this session was used as a Canadian postage stamp in 2004 and again in 2005 (see Queen Elizabeth II definitive stamp (Canada)), another portrait of both Queen Elizabeth II and Prince Philip is now in the National Portrait Gallery in London. Adams supports the Hear the World initiative as a photographer in its aim to raise global awareness for the topic of hearing and hearing loss. He photographed Michael J. Fox and Tatjana Patitz in the 2011 Carl Zeiss AG company calendar in New York City in the summer of 2010. The focus was about the size difference of the subjects in a comedic presentation. In 2011, Adams provided the cover art for Lioness: Hidden Treasures, a posthumous release by Amy Winehouse.Source: Wikipedia Rock Icon Bryan Adams' lifelong interest in photography turned into a vocation when he began shooting for fashion magazines and advertisers more than a decade ago. But it's not all models and celebrities: He most recently turned his lens on 40 British soldiers returning from Iraq and Afghanistan. His series Wounded: The Legacy of War, the subject of a 2013 book from Steidl and an exhibit at London’s Somerset House on display this month through Jan. 25, showcases the brutal (and all too common) injuries incurred in battle. "I didn't like the fact that people were getting so badly hurt, so many people were killed, were displaced, forgotten. This is my statement," says Adams, 55. On the legacy of the images, he says, "I hope [people] realize that these guys made an incredible sacrifice. War is disgusting and this is the result of what happens when we decide to beat each other up."Source: Billboard
 Synchrodogs
Synchrodogs is a duo of photographers and art directors from Ukraine - Tania Shcheglova (b.1989) and Roman Noven (b.1984) working together since 2008. Tania graduated from Information technology department of Ivano-Frankivsk national technical university of oil and gas in 2011, Roman graduated from Lutsk National Technical University in 2006. Both photographers are self-taught, currently residing in Ukraine. Artistic duo is represented by Stieglitz19 gallery in Antwerpen and Galleri Urbane in Dallas. Synchrodogs were shortlisted for PinchukArtCentre Prize in 2013 (Kyiv, Ukraine), won FOAM Construct 2012 competition held by FOAM magazine (Netherlands), won First Prize in nomination ‘Art Photography’, Photographer of The Year competition in Ukraine, and Best Fine Art Photographer Title in Vogue Talent competition (Milano, Italy), Best portfolio prize in Weitsprung n5 (Hamburg, Germany) in 2016, shortlisted for Palm* Photo Prize 2019, became winners of Feature Shoot Emerging Photography award and finalists of LensCulture Visual Storytelling Award in 2019. They also became one of winners of PH Museum Photography Grant Prize in 2021.https://phmuseum.com/ During 2010-2021 had solo shows in Chicago, London, Barcelona, Milano, Krakow, Venice, Amsterdam, Antwerpen, Riga, solo exhibition in Dallas Contemporary museum in 2015. Synchrodogs took part in numerous group exhibitions in galleries and museums like Benaki Museum (Athens), Boston Museum of Fine Arts, Guy Hepner gallery (New York), Palais de Tokyo (Paris), Somos Gallery (Berlin), The Annenberg Space for Photography (Los Angeles), ArtPrize Hub (Grand Rapids, Michigan), Galerie Blanc (Montréal) etc. Their artworks were published in many magazines like Esquire, Numero, The Wall Street Journal, Purple Fashion, Vogue, Harper's Bazaar, L’Officiel, Odda, Liberation magazine, Sueddeutsche Zeitung, Vice, Metal, TUSH, Dust, Vision, Another, Oyster, Duel, Jalouse, shot Femen activists for Dazed and Confused, published on the covers of The British Journal of Photography (UK), Vogue (Ukraine), Stylist (France), Impression (USA), TUSH, Neon, Zeit Campus magazine (Germany), S magazine, shot Mark Zuckerberg for Afisha magazine cover (Russia) etc. In 2013 Synchrodogs published their first big monograph called Byzantine with Norwegian publisher Editions du Lic. In 2020 Synchrodogs’ second book Fashion Eye of Ukraine was published by Louis Vuitton. Artist Statement Synchrodogs work explores the everlasting tension between man and nature, with images of raw, animalistic beauty, which also manage to come across as awkwardly sophisticated. Discovering how far people managed to intrude into the territories that were meant to be wild, they work together in an intimate synchronized choreography, sharing the same aesthetic and ideas acquired through a self-made meditation technique that takes place on the verge between sleep and wakefulness. Observing the new ways the Earth begins to look as a result of human interventions into the environmental processes, their work balances between the real and imagined, drawing the viewer into an unconscious, wild and dream-like world. Working on personal projects artistic duo travels for thousands of miles to find desolate places and explore the unknown, re-creating their visions and aiming to inspire people live a decent life full of respect and responsibility for Planet Earth.
MD Saiful Amin
Bangladesh
1969
I’m a street and documentary photographer from Dhaka. I began taking photos in the mid-90s, but it wasn’t until 2015 that I pursued photography seriously. My profession is in private service at a construction company. During the "Pilkhana Tragedy" on February 25, 2009, the armed border guards opened fire on civilians. I was taking pictures as they approached their gate, but suddenly, a bullet from a Chinese rifle hit me. My sciatic nerve was severely injured, and my leg was shattered into multiple pieces. From 2009 to 2011, I underwent seven major surgeries. I was bedridden for 4 ½ years. Unfortunately, during that time, my hard drive crashed, and I lost all my images from the 80s up to February 2009. It was an incredibly frustrating period for me. When I received my first DSLR camera in 2015, I picked up photography again. Despite the constant pain in my leg, I’ve never stopped. I never leave home without my camera, even for a single day. My work – Since 2016, I’ve focused on documenting the Bihari and Dalit communities, as well as homeless and street kids, urban slum communities, the tannery, and plastic industries, among other subjects. Achievements – I’ve participated in about 50 national exhibitions (winning 1st prize twice), and I’ve exhibited my work in Kolkata and Romania as a solo participant. I’ve received several FIAP honorable mentions and acceptances in salons worldwide. One of my photos was published in the 2018 edition of the 'Wisden' annual cricket book, often referred to as the Bible of Cricket. My work has also been featured in numerous international photography websites and magazines. In 2020, I won the FIAP Gold Medal and the "Photographer of the Year" trophy at the ABP Salon, a prestigious contest organized by the Bangladesh Photographic Society (BPS). Workshops – I’ve attended both short and long photography workshops with GMB Akash, the late Anwar Hossain Anu, M. R. Hasan, Prito Reja, Chanchal Mahmud, and Rafiqul Islam. Mentorship – I’ve also served as a judge for several national photography exhibitions between 2018 and 2019. Life in Bihari Camp, Dhaka, Bangladesh A young girl writes a poem in which she asks a simple yet profound question—one that no one can answer. She asks, Who am I? Her forefathers were born in India, they migrated to Pakistan, and she was born in Bangladesh. India abandoned them long ago, Bangladesh refuses to accept them as children of the land, and Pakistan won’t take them back. She says she has many names: Bihari, Maura, Muhajir, Non-Bangalee, Marwari, Urdu-speaker, Refugee, and Stranded Pakistani. But she desires only one identity: Human. This is the reality for the 160,000 camp-based Urdu-speaking community members in Bangladesh. In Geneva Camp alone, around 50,000 Urdu-speaking people of Indian and Pakistani origin live in difficult conditions. After the partition of India in 1947, amidst large-scale communal riots on both sides of the border, hundreds of thousands of Muslims from Bihar, Kolkata, Uttar Pradesh, Madhya Pradesh, and as far as Hyderabad migrated to what was then East Pakistan. Muhammad Ali Jinnah, the leader of the All India Muslim League, promised them that Pakistan would be a "safe haven for all Muslims." As is typical of people migrating from a shared locality, the Biharis formed separate clusters from the Bengalis. Their communities became concentrated in areas like Mohammadpur, Mirpur, Khulna, Chittagong, and Santahar. The new generation, born after the war, now comprises the majority of camp residents. They have no affiliations with either India or Pakistan. They were born in Bangladesh and identify as Bangladeshis. Unfortunately, the state is reluctant to accept them as such. It is a complex issue, with the majority population skeptical of their loyalty to the country they wish to call home. The inhumane conditions in which they live and the societal effects of their marginalization make it imperative to resolve this painful issue. 365 Photography Library This is the largest photography library in Bangladesh, with around 2,000 books on photography. It’s free for everyone, and I created it for young photographers and the next generation. I plan to leave it to them as my legacy before I die. www.365photographylibrary.com
Leslie Gleim
United States
1955
Leslie Gleim is a Honolulu-based fine art photographer known for her distinctive visual narratives created through aerial and macro perspectives. Her ongoing work seeks to understand the complex relationships and tensions between the natural, climatic, and human impacts upon the Hawaiian ʻāina (land). With a particular focus on the volcanic ecology of Hawai’i, she captures the regenerative and dynamic process shaped by the volcanic activity and explores the profound changes that are created by those powerful forces on the ʻāina. By documenting this delicate balance between nature and human influence, she hopes to inspire and provoke thoughtful dialogue about environmental stewardship of our planet. Leslie's work has been widely exhibited and published locally, nationally, and internationally. Her work Life Of The Land was recently purchased into the Art in Public Places Collection of the Hawai’i State Foundation on Culture and the Arts. Artist Statement "Life Of The Land” In 2017, I became curious about the volcanic activity on Hawai’i Island and chartered my first helicopter flight over Kīlauea’s Halemaʻumaʻu crater. Struck by the volcanic power and the resilience of the land, that flight marked the beginning of a photographic narrative documenting the life of the land. Ancient lava flows, cones, and fissures etch themselves eloquently across the landscapes of Hawaiʻi, their presence akin to pages torn from an ancestral geological journal spanning millennia. Each formation reveals a fragment of Hawai’i's narrative (mo’olelo), bearing witness to its evolution and adaptation, each element telling a tale of resilience and renewal. The photographs are not merely snapshots of geological features; they are windows into the soul of the land, revealing the timeless forces that have shaped the landscape. Each image is freshly written onto the pages of a present-day journal that provides the reader/viewer with both historical and current insights into the story of the land. Simultaneously, it unveils the volcanic cleansing and birthing processes that shapes the ‘aina (land), giving rise to new landscapes from its apocalyptic beginnings. Are we witnessing glimpses of a future defined or foretold in the Anthropocene era? As we confront the challenges of environmental degradation and climate change, these photographs serve as reminders of the delicate balance between humanity and nature. What stories will endure for future generations, and what legacies will we leave behind?
Massimo Vitali
Massimo Vitali was born in Como, Italy, in 1944. He moved to London after high-school, where he studied Photography at the London College of Printing. In the early Sixties he started working as a photojournalist, collaborating with many magazines and agencies in Italy and Europe. It was during this time that he met Simon Guttman, the founder of the agency Report, who was to become fundamental in Massimo's growth as a "Concerned Photographer." At the beginning of the Eighties, a growing mistrust in the belief that photography had an absolute capacity to reproduce the subtleties of reality led to a change in his career path. He began working as a cinematographer for television and cinema. However, his relationship with the still camera never ceased, and he eventually turned his attention back to "photography as a means for artistic research." His series of Italian beach panoramas, starting in 1995, began in the light of drastic political changes in Italy. Massimo started to observe his fellow countrymen very carefully. He depicted a "sanitized, complacent view of Italian normalities," at the same time revealing "the inner conditions and disturbances of normality: its cosmetic fakery, sexual innuendo, commodified leisure, deluded sense of affluence, and rigid conformism." (October Magazine 2006, no. 117, p. 90, How to Make Analogies in a Digital Age by Whitney Davis) Over the past 22 years he has developed a new approach to portraying the world, illuminating the apotheosis of the Herd, expressing and commenting through one of the most intriguing, palpable forms of contemporary art - Photography. He lives and works in Lucca, Italy, and in Berlin, Germany sometimes. Vitali’s work has been collected in four books: Natural Habitats, Landscapes With Figures, Beach and Disco, and Entering a New World. His photographs have been published in magazines, newspapers, and other periodicals around the world. Additionally, his work is represented in the world’s major museums, including the Centro de Arte Reina Sofia in Madrid, the Guggenheim Museum in New York, the Museum of Contemporary Art in Denver, the Fond National Art Contemporain in Paris, the Musée National d’Art Moderne in Paris, the Fondation Cartier in Paris, and the Museo Luigi Pecci in Prato.
Tomasz Gudzowaty
Tomasz Gudzowaty is a Polish documentary filmmaker, portrait and art photographer, who gained international recognition through numerous publications and awards, most notably – in World Press Photo in which he succeeded nine times. He is also a multiple winner or finalist of such competitions as: Pictures of the Year International, NPPA's Best of Photojournalism, International Photography Awards, B&W Spider Awards, and National Portrait Gallery's Taylor Wessing Photographic Portrait Prize. Apart from magazine publications (Cartier Art, Max, L’Equipe, The Guardian, Newsweek, Forbes, National Geographic Travel, Time, Photo, The British Journal of Photography, Spook, Vogue Italia and L’Uomo Vogue, to name but a few), his works appeared in several books from the leading publishing houses, such as Hatje Cantz and Steidl. He has been invited as lecturer and assistant researcher at Krzysztof Kieślowski Faculty of Radio and Television University of Silesia in Katowice, where he received his doctorate in arts in 2018. He traveled to over 100 countries on all continents for his photographic projects, pursuing diverse subjects, with special focus on wildlife, sport, and social issues. In recent years, portraiture has become essential in his photography. Apart from magazine publications, his works appeared in several books, and were presented at individual exhibitions at museums and galleries worldwide. According to one survey, Tomasz Gudzowaty is the best known name in contemporary Polish photography. Gudzowaty's style was described as very individual and highly elaborated aesthetically, prompting questions about the limits of classic photography and the new creative possibilities of the medium. Most of his projects have been done in black and white, in the form of photo essays consisting usually of twelve images. As a sport photographer, he couples his interest in the metaphysics of sport with social awareness. Among the artists who influenced him most, he frequently names Sebastião Salgado. In 2007 Gudzowaty started to use a large format camera (Linhof Master Technika) for his projects, almost completely abandoning 35mm SLR. The change had a direct impact on his style, favoring even more elaborated composition and playing with a shallow depth of focus. He has also tended to include more portraits in his subsequent projects. Portraiture has become a strong strand in his art, a fact that has been reflected in his newer achievements in such competitions as The Taylor Wessing Photographic Portrait Prize awarded by the National Gallery London, or Spider Black And White Photo Awards.Source: Wikipedia
Advertisement
AAP Magazine #54 Nature
Win a Solo Exhibition this January
AAP Magazine #54 Nature

Latest Interviews

Exclusive Interview with Julie Wang
Chinese-born photographer Julie Wang brings a poetic, contemplative sensitivity to her visual exploration of the world. Having lived for nearly equal parts of her life in China, Europe, and the United States, she approaches her subjects with the nuanced perspective of someone shaped by many cultures. This blend of distance, curiosity, and emotional resonance infuses her work with a quiet depth, allowing her to reveal the fragile beauty and subtle tensions that often pass unnoticed.
Exclusive Interview with Ghawam Kouchaki
American photographer Ghawam Kouchaki brings a sharply observant and introspective gaze to the streets of Japan’s capital. Based in Los Angeles, he approaches Tokyo with the distance — and curiosity — of an outsider, allowing him to uncover the city’s subtle contradictions, quiet tensions, and fleeting gestures that often go unnoticed. His series Tokyo no no, selected as the Solo Exhibition for December 2024, explores the hidden undercurrents of urban life: the unspoken rules, the small ruptures in routine, the poetic strangeness found in everyday moments. Through muted tones, instinctive timing, and meticulous framing, Kouchaki reveals a Tokyo that exists somewhere between reality and imagination — both intimate and enigmatic. We asked him a few questions about his life and work.
Exclusive Interview with Tommi Viitala
Tommi Viitala, winner of AAP Magazine #44: Street, is a Finnish photographer celebrated for his striking and cinematic street photography. With a keen eye for atmosphere and composition, he captures fleeting urban moments that reveal the poetry of everyday life. His work often explores the tension between solitude and connection within contemporary cityscapes, blending documentary realism with artistic sensibility. Viitala’s photographs have been exhibited internationally and recognized for their strong visual storytelling and emotional depth. We asked him a few questions about his life and work.
Exclusive Interview with Robert Mack
Robert Mack is a California-based visual artist, photographer, and filmmaker. His fine art photography and films have been exhibited widely in the United States and Europe, with major shows at the Baltimore Museum of Art and the Reiss-Engelhorn Museum in Mannheim, Germany. Both institutions hold his work in their permanent collections. Working across different media, Mack has built a career exploring the complexities of human presence and representation. In 1981, while living in Baltimore, he produced The Perkins Project: Not Guilty by Reason of Insanity, a rare photographic and film study inside Maryland’s hospital for the criminally insane. These stark yet compassionate black-and-white portraits remain one of his most powerful and controversial bodies of work.
Exclusive Interview with Alan Schaller About Irys
Alan Schaller is a London-based photographer best known for his striking black-and-white street photography and as co-founder of Street Photography International, one of the largest online communities dedicated to the genre. With years of experience both behind the camera and in building platforms that give visibility to photographers, Schaller has now turned his focus to creating a new digital space for photography itself. His latest venture, Irys, is a photography app designed by photographers, for photographers, with the aim of offering a dedicated platform where images are respected as works of art rather than treated as disposable content.
Exclusive Interview with Guillaume Bonn
With his latest book Paradise, Inc., celebrated documentary photographer Guillaume Bonn takes us deep into the heart of East Africa, where the promises and failures of wildlife conservation collide. Far from offering a romanticized vision of nature, Bonn’s work confronts us with urgent realities: the tensions between local communities and conservation policies, the sacrifices of rangers on the frontlines, and the long-lasting impact of human activity on fragile ecosystems. Spanning more than two decades of fieldwork, the project blends powerful imagery with investigative depth, raising difficult but necessary questions about transparency, accountability, and the Western-led models that dominate conservation. Enriched by the voices of those too often left out of the conversation—including a preface by Maasai leader Ezekiel Ole Katato and an introduction by journalist Jon Lee Anderson—Paradise, Inc. is both a stunning visual journey and a call to action. In the following interview, Guillaume Bonn reflects on the making of Paradise, Inc., the ethical dilemmas at the heart of his work, and the urgent need to rethink our approach to conservation in East Africa and beyond.
Exclusive Interview with Sander Vos
Sander Vos is a fine art photographer based in London whose work seamlessly blends elements of Surrealism with portraiture. Drawing inspiration from his background in design, Vos embraces light and contrast to sculpt striking, graphic compositions. His photographs invite the viewer into a world where revelation and concealment coexist, leaving space for imagination and interpretation.
Exclusive Interview with Tomasz Trzebiatowski Editor-in-chief FRAMES Magazine
Founded in 2020 by photographer, publisher, and classical pianist Tomasz Trzebiatowski, FRAMES Magazine has quickly established itself as a thoughtful space for photography lovers who believe that powerful images deserve to live on paper. Known for its beautifully printed quarterly issues and dynamic international community, FRAMES bridges the gap between tradition and innovation in the photographic world. As editor-in-chief, Trzebiatowski has created not only a publication but a platform that celebrates diverse genres, nurtures dialogue, and champions the tactile experience of print in a digital age. In this interview, he reflects on the journey from founding FRAMES to building a global membership, the challenges of independent publishing, and the future of photography in both print and digital forms.
Exclusive Interview with Manuel Besse
French photographer Manuel Besse is known for his compelling black-and-white imagery, which blends portraiture, documentary, and poetic narrative into a singular visual voice. With a career spanning several decades and continents—from the gold mines of Serra Pelada to the Arctic Circle—his work reflects a deep commitment to authenticity, human connection, and the preservation of cultural and natural landscapes. His series Macadam, winner of AAP Magazine #41 B&W, offers a contemplative look at fleeting urban encounters, rendered in his signature monochrome style. We asked him a few questions about his life and work.
Call for Entries
AAP Magazine #54 Nature
Publish your work in AAP Magazine and win $1,000 Cash Prizes