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Enter AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Enter AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Alexa Moon
Alexa Moon
Alexa Moon

Alexa Moon

Country: Russia Federation

"My name is Alexa Moon. I am a fine art photographer with Russian roots. Now I am living and creating in the small city Neumuesnter in North Germany. My photography journey began at the age of 19. That was the time when my family passed away and I realized in that moment that life is too short to do things that you don't love. So I quit my university in Russia where I was studying political science before which I didn't enjoy and came to Europe to follow this new philosophy and study art.

Art helped me a lot to heal my inner wounds from the past and made me a better person. In my photography I raise topics that are important to me. I talk with the viewer about fear, loneliness, negativity, love, etc. And it helps me to improve myself. It is the best psychologist there is.

I do mainly self portraits, because with me being a model and a photographer I can achieve a better result. Before I take a picture I have a concept in my head already. I 'see' the poses and expressions. So when I start modeling I know how the final picture should look like.

I get inspired from the nature and the world around us. My best ideas came to me while walking in the mountains or sitting next to a beautiful lake. My work has been previously exhibited in the galleries in London, New York, Berlin, Rotterdam, Athens and Hamburg."
-- Alexa Moon
 

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More Great Photographers To Discover

Bert Stern
United States
1929 | † 2013
Bertram Stern (October 3, 1929 – June 26, 2013) was a self-taught American commercial photographer. He was the son of Jewish immigrants and grew up in Brooklyn. His father worked as a children’s portrait photographer. After dropping out of high school at the age of 16, he gained a job in the mail room at Look magazine. He became art director at Mayfair magazine, where Stern learned how to develop film and make contact sheets, and started taking his own pictures. In 1951, Stern was drafted into the US Army and was sent to Japan and assigned to the photographic department. In the 1960s Stern's heavy use of amphetamines, led to the destruction to his marriage to Balanchine ballerina, Allegra Kent. By the late 1970s Stern returned to the U.S. to photograph portraits and fashion. He was the subject of the 2010 documentary, "Bert Stern: Original Madman," directed by his secret wife, Shannah Laumeister. Ms. Laumeister and Stern never lived together, and Stern had a long standing relationship of 20+ years with Lynette Lavender who was his constant and devoted companion. His first professional assignment was in 1955 for a Madison Avenue advertising agency for Smirnoff vodka. His best known work is arguably The Last Sitting, is a collection of 2,500 photographs taken for Vogue of Marilyn Monroe over a three-day period, six weeks before her death. Stern's book The Last Sitting was published in 1982 and again in 2000. He has photographed Audrey Hepburn, Elizabeth Taylor, Madonna, Kylie Minogue, Drew Barrymore and Lindsay Lohan (recreating The Last Sitting), among others, in addition to his work for advertising and travel publications.(Source: en.wikipedia.org)
Ralph Milewski
Germany
1968
My name is Ralph Milewski, and I am a passionate photographer from Germany. Born with Limb-Girdle Muscular Dystrophy (LGMD), despite significant physical limitations, I have found my creative voice. My photographic journey is marked by the fixed positioning of my camera between my legs, just 27 inches above the ground. Photography, for me, is not just a creative passion but a window to art and self-expression. As an introverted individual with a strong curiosity for people and their stories, I find in photography a unique way to simultaneously create intimacy and distance. The camera, my tool of choice, becomes the medium that strengthens my self-confidence and elevates my self-worth. Despite moments of frustration and grappling with my own limits, photography motivates me to creatively transcend my physical constraints and achieve extraordinary results. My work not only provides insights into my world from an unconventional perspective but also invites a reevaluation of existing perceptions. Photography, for me, is more than a visual medium; it keeps my mind alert and inspires me to develop bold ideas, even if their realization often relies on support. Photography compels me out of my comfort zone, helps me overcome social anxieties, and facilitates the forging of new connections. My view of the world through the lens is unique and perhaps exactly what can enrich your photo project. I invite you to consider my photography as a contribution to your project, not out of pity for my disability, but as an enrichment through a distinctive perspective and the creative process that I infuse into each image. Rear Seat Diaries: The series "Perspectives in Motion" is derived from my "Rear Seat Diaries," captured from a moving car – my wheelchair-accessible VW Caddy with a rear ramp. Let me briefly explain the unique setting of these window shots: I sit in my electric wheelchair at the back of my Caddy, facing forward. Until recently, the camera was always fixed on a tripod (gooseneck) attached to my wheelchair, positioned higher in the car to be at eye level with the window. I now use a mini-tripod, which I can position in my left hand, supported on my wheelchair. The camera is positioned at a right angle to me, aimed at the side window of the Caddy. The camera was adjusted and set before the trip began. Due to my physical limitations, I couldn't operate the camera in this elevated position directly. With the mini-tripod, I can now adjust the camera settings during the ride. I trigger the shots via remote control. I can only see the camera display sideways in my field of view, as it is flipped up 180°. The shots are taken while driving. Since the wheelchair is not firmly connected to the vehicle, it is subjected to stronger vibrations and centrifugal forces. Overall, it's a pretty bumpy affair. The idea for this project gradually developed out of necessity. If I could lift my arms like any other person, this series probably wouldn't have come about in this form. From my elevated position in the car, I can only visually capture a small part of the surroundings. I can turn my head slightly left and right but cannot move my shoulders or the wheelchair in the desired direction. Photographing from a moving car proved challenging, especially with a phone and a selfie stick. The results were unsatisfactory as the car window frame was always partially and never fully in the picture. The actual development began on the way to Spain in 2022, when I tried to dedicate photos of his hometown Lyon to a street photographer friend while passing through. Despite improvements to the selfie stick's position, there were still limitations. A few months later, I began photographing my hometown this way. By chance, I moved the phone further away from the car window. Upon later review, I noticed some pictures had the entire window frame as a frame. This caught my attention when I manually corrected the perspective with Lightroom in early February 2023. Since then, I have been continuously working on optimizing and further developing this project. Using an APS-C camera with an extended tripod attached to the wheelchair brought new insights. The mini-tripod and the ability to now change camera settings during the ride have sparked a creative boost. Despite challenges such as reflections, unwanted mirror images, sunlight, and disruptive elements like smeared or rainy windows affecting autofocus. Manual focusing is impossible as I can operate the camera very limitedly, and the subject constantly changes while driving. A self-built shading device now minimizes some reflections. However, there are still difficulties with backlighting and dirt on the windows. The "Rear Seat Diaries" present a diverse mix of my travels and experiences. I invite people to explore this unique perspective and see the world through my windows. It has long become an ongoing project, constantly being developed. Most of the shots are taken during my everyday trips, like drives to the grocery store or the doctor. Occasionally, I make specific trips just for photography. Targeted subject selection requires a lot of planning and time, especially since I need someone willing to drive me when I want to. The compiled images include beginnings with the phone, first steps, and the development with an APS-C camera, up to the latest attempts within the "Rear Seat Diaries" series to create intentional blur in the foreground through motion effects using extended exposure times. This approach aims to depict the outer environment in dynamic blur while keeping the subframe, the interior of the car, deliberately sharp. The challenge lies in the unavoidable vibrations caused by the vehicle while driving, complicating this endeavor. Nevertheless, longer exposure times are deliberately experimented with to add a dynamic and artistic dimension to the images.
Dmitry Ersler
Russia
1969
Dmitry Ersler is an award-winning fine art and advertising photographer with over two decades of experience. Born in Moscow, USSR and now based in Thailand, he began his artistic training under the guidance of his father. From 1976 to 1984, he studied at a Moscow public school, followed by public high school from 1984 to 1986. Between 1998 and 2004, he studied law at the Moscow Law University. Simultaneously, from 1999 to 2002, he pursued professional photography studies at the Moscow School of Art and Photography. Artist Statement: The artist's task is to awaken the viewer's imagination. My goal as a photographer is to evoke the viewer's imagination, trigger it, bring it to life. No one can create a picture better and brighter than the viewer's own imagination. It just needs a push, an impulse. My name is Dmitry, and I am a photographer. I create realistic-style photos depicting people in everyday life. However, most of my works are pictures with stories, with a narrative. The idea of creation such works is to photograph images with embedded stories and attempt to describe them using various techniques (interior details, clothing or props, lighting, model's pose, facial expressions, gestures, and so on). The people on these photographs are not just models; each of them is a participant in some events, a hero of their own story. And in each story, there was a past that happened just a moment before the viewer approached the photograph. There is also a present frozen while the viewer looks. And there is a future that will come as soon as the viewer steps away from the image. Each viewer has to examine the present himself, speculate about the past, and anticipate the future. What was in this imaginary past and what will be in the future entirely depends on the imagination of each viewer. The most important thing for me is that the viewer, flipping through a magazine or walking along the gallery wall, stops and looks at the image, freezes, and begins to ask themselves questions: What is happening here? Why is the protagonist of the picture doing this? What prompted him to do this? What will happen next? Making these questions arise is the essence of art.
Raghuvamsh Chavali
Raghuvamsh Chavali is an award-winning Canadian photographer, author, researcher, and IT product management consultant whose work captures the silent beauty of wildlife, cultural traditions, urban life, and celestial events. A self-taught artist, he blends artistic excellence with technical innovation, creating visual narratives that bridge nature, human resilience, and the evolving urban environment. His project Wings Over Concrete, highlighting the flight patterns of birds across cityscapes, has earned significant acclaim, including a Highly Commended recognition at the 2025 Belfast Photo Festival. Raghuvamsh's work has been showcased in globally esteemed publications such as Smithsonian Magazine, Canadian Geographic, BBC Sky at Night, Space.com, PetaPixel, National Post and many more. His photographic achievements have been recognized with multiple international honors, including Gold, Silver, and People's Choice Awards at the Exposure One Awards 2025, and has been a winner in multiple thematic competitions at the 35AWARDS 2025. Through all his experiences, one belief has remained constant for him: "Photography isn’t just about capturing rare sights or presenting the world differently every time. It’s about discovering something unique, even extraordinary, in the everyday things around us." Beyond photography, Raghuvamsh is a strong advocate for protecting intellectual property in the era of Artificial Intelligence. He holds a granted patent and is currently working on an app for an imaging system that embeds biometric details into digital media, enabling authentication, theft detection, and recognition of the original creator(s) even when images are modified or generated through AI tools. His scientific research on biometric watermarking and online image protection has been published in international journals, contributing to advancements in digital rights management for photographers and content creators. This is how he believes to give back to the creative community by developing solutions that safeguard artistic expression. Raghuvamsh has authored multiple articles in renowned magazines such as Digital Photographer, Ontario Nature, and Nature Canada, offering insights into capturing celestial events and innovative techniques like composite bird flight photography. His ability to merge technical depth with creative storytelling reflects in both his visual and written works. As an ambassador for 1x.com, a globally curated photography platform, and a member of the International Federation of Photographic Art, Raghuvamsh continues to influence and mentor aspiring photographers worldwide. His work invites viewers to pause, reflect, and rediscover the quiet yet profound stories hidden in the natural and human world.
Eugenio Recuenco
Eugenio Recuenco was born in Madrid in May of 1968, in the middle of student protests that had spread out from Paris. As he himself would say: " I heard all that to-do, and was in a rush to be born and see what was going on."He studied fine art, graduating with a degree in painting from the Universidad Complutense de Madrid. Without a space in which to create his large-scale paintings, he began to collaborate with fashion magazines - first in Spain and later in Paris, where he habitually spent long periods - while waiting to be able to devote himself to painting. Vogue Espana, Madame Figaro, Wad, Vogue UK, Spoon, Planet, Vanity Fair, Stern, Kult, Twill, GQ, and Zink are some of the magazines he's worked with.It was in Paris that he produced his first advertising piece for Boucheron. From that moment, many brands would begin to call him to create their images, including Nina Ricci, Diesel, Shanghai Tang, Yves Saint Laurent, Sony Playstation, Custo, Le Bon Marché, BSI Lugano and Pernod Ricard.In 2007 he was invited to create the Lavazza Calendar and from the US he was called to conceive, together withe Eric Dover, the set design and staging the opera, Les Huguenots, at the Richard B. Fisher Center in New York City.Paris became the city that established his rhythm. It is there where he also created his first advertising spot. This time it was for "Nina" by Nina Ricci. This newly-opened avenue quickly lead to opportunities with other brands such as Loewe, Freixenet, Mango, Codormiú,Chivas Regal, Regione Campania, Vanderbilt, and Motorola among others.In 2008 his video, Essence of a Seduction, won the award for best advertisement of the year in Spain and the award for best short film at the Mexico City International Film Week. From that moment, he continued to create short films and video clips, such as Rammstein's Mein Herz Brennt, for example. He is now preparing his first full length film.Although his photographs had already been shown at the Reina Sofia museum in Madrid, the BAC (Barcelona Arte Contemporáneo), the Naardeen Photo Festival, the FEM (Festival Edición Madrid), Les Rencontres d'Arles, PhotoEspana, Art Toronto, and the Spanish National Library, it was once again in Paris where he would have his first solo exhibit, "Dream and Storm" at the Bertin-Toublanc Gallery.In 2004 he was given the ABC National Photography Award, in 2009 he won Gold and Bronze Awards at the Sol Festival, and in 2006 and 2013 his photographs won Gold Lions at the Cannes Lions Festival.In 2013 teNeues approached him to create his first solo book, Revue, whose launch will coincide with an exhibit at Camera Work Contemporary in Berlin.Eugenio Recuendo currently lives behind a camera.All about Eugenio Recuendo:AAP:Do you have a mentor or role model?To be honest I only have my intuition.AAP: How long have you been a photographer?I think since I was born. Another question is from what moment afterwards and I began taking pictures. Light and its effects have a great influence on me; I was always conscious of what was happening around me. I think that’s the first need a photographer must have.AAP: Do you remember your first shot? What was it?They were some household pictures that I took after my dad finally let me borrow his camera. It was during a school-trip. Those pictures were horrible; and, however they were really symbolic and full of emotions. That’s what magic is all about.AAP: What or who inspires you?Life inspires me.AAP: How would you describe your style?I have no clue. I don’t frown upon a specific style; I just go along doing what I feel is best. I don’t tell myself that things have to be a certain determined way. I start building and end up doing it in a certain way. But it’s all about circumstances, your vibes and needs and priorities when it comes down to transmitting them that end up paving a style for each series.AAP: Do you have favorite pictures or series?I’ve hated all of them at one point or another for not being loyal to what I expected them to be like; and all of them are favorites because there is something from me in all.AAP: What kind of gear do you use? Camera, lens, digital, film?It depends on each cases. Now more digital, Canon and with Hasselblad; always old ones and which treat the image with honesty. That is why I like old ones, ones that have a less forced definition.AAP: Do you spend a lot of time editing your images? For what purpose?It depends. It's all in the take. After that it's all a question of taking out defects and over all working on the texture and what it looks like in the end.AAP: Favorite(s) photographer(s)?A lot of them. For example I love Paolo Ventura.AAP: What advice would you give a young photographer?Shoot and shoot. Above all to shoot what you feel; not what is in fashion.AAP: What mistake should a young photographer avoid?Trying to go too fast and do what is currently succesful. Because when doing that, success will be in another type of photography.AAP: An idea, a sentence, a project you would like to share?(W)Hole time. A project I would like to take to movie-making. AAP: What are your projects?A book with 365 pictures, it is a poetry about the world we live in and the full-length film that I mentioned before.AAP: Your best memory as a photographer?When I stumble upon a photograph I didn't mean to do.AAP: Your worst souvenir as a photographer?Deal with creative managers who don't have a clear concept of their idea. It happens quite often.AAP:If you were someone else who would it be?I don't know. You can be creative in any activity that humans do.AAP: Your favorite photo book?I have a huge library because I actually love photo books as an object as a whole; regardless of its content.
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AAP Magazine #54 Nature
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