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Yang Bin
Yang Bin

Yang Bin

Country: China
Birth: 1975

After studying the history of art with a focus on classical painting, Yang Bin, then 31 years old, finally launched himself into photography. Success was rapid and works by this Chinese artist, born in Beijing in 1975, already feature in numerous private collections around the world. Now a photographer, the artist is not ready to renounce his theoretical painting background. Yang Bin composes his photographs like a painter constructs paintings and an artist’s style transforms his models.

Source: Yellow Korner

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More Great Photographers To Discover

Eduardo Salvador
Eduardo Salvador
Spain
1998
My name is Eduardo Salvador, from Spain,I am 27 years old and I have a degree in Agricultural Engineering. A nature lover, specially passionate about invertebrates since i was a child and i want to share my vision of the world and the importance of conservation through my photography. I decided to buy macro photography equipment and turn my admiration for invertebrates into unforgettable images that seek to change society's view of these animals. I devote my free time to observing and documenting the behaviors and species around me, as well as conveying their great importance in our ecosystems. Through my photography, I try to show details that are imperceptible to the naked eye. What started as a hobby has become an important part of my daily life, and I want to continue improving so that I can show my work around the world. AAP Magazine AAP Magazine 54 Nature
Brett Foraker
Brett Foraker
United States
Brett Foraker began his career as a painter before turning to photography and filmmaking. All of his projects are imbued with a lyrical and at times surreal point of view. His early years were spent developing the lauded brand identities of channels such as TCM, Film4, and E4. He was appointed the youngest-ever Creative Director of Channel 4 (UK) where he directed the multi-award-winning C4 Idents and Faces of 4 campaigns. Since then, he has been making adverts through Ridley Scott Associates where he has directed award-winning campaigns for Toyota, Sony, British Heart Foundation, and Syfy, to name a few. Among his many accolades are awards from Cannes Lion, Creative Circle, BTAA, and the coveted Black Pencil from D&AD. He was the guiding force behind the 4Creative, and has been on Campaign's A-List as one of the world's leading creative thinkers. His work has appeared frequently in Creative Review, Boards, Shots, and was featured in Saatchi's Young Directors' Showcase in Cannes. Later he collaborated with brands such as Lexus, Puma, and Samsung+Rihanna. He lives and works in Los Angeles. As well as being an in-demand director and screenwriter, Foraker has been working on several portfolios of abstract and experimental photography. These are presented here for the first time. We asked him a few questions about his life and work. Statement I am a gestural photographer. I want to push beyond traditional image-making to incorporate abstraction and the energy of movement into my pictures. On some level I am trying to break photography or at least our previous ideas about what makes a beautiful picture. This started with experimentations in abstracting the everyday: people merging with the architecture of the city, spectral palm trees in the morning fog. It evolved into arresting the motion of common occurrences: exploding waves, rippling flags, the sculptural moment where a bridge and an onramp converge. I still felt the need to push further. I have long been intrigued by the errors that are generated by intentionally misusing our cameras and phones. By forcing these devices to act against their programming, we can replicate and even extend some of the experiments that were conducted in the early days of photography. Back then it was the use of long-exposure or even multi-exposure within individual frames that led to such accidents. Now, we can use these techniques as the building blocks for creating a kind of digital expressionism. The camera itself can record our gestures, acting as both brush and canvas, warping reality in a way that is at once controlled and randomized. I now apply these techniques to some of our oldest forms: landscapes, portraits, floral still lifes-everything is up for grabs. The fact that these images often express what it feels like to inhabit an increasingly fragmented digital world is more than a happy coincidence. It is what I was striving for all along. Exclusive Interview with Brett Foraker
Margaret Watkins
Margaret Watkins
Canada
1884 | † 1969
Margaret Watkins (1884-1969) was born in Canada. Best known for art and advertising photography executed in New York in the 1920s, Watkins was active in the Clarence White school of photography and a participant in the shift from pictorialism to modernism. Her working life spanned a Victorian upbringing in Hamilton, Ontario, and the witnessing of the first Soviet Five-Year Plan. Watkins' modernism, which involved experimentation and a radical focus on form, transgressed boundaries of conventional, high-art subject matter. Her focus was daily life and her photographs, whether an exploration of the objects in her New York kitchen or the public and industrial spaces of Glasgow, Paris, Cologne, Moscow, and Leningrad in the 1930s, strike a balance between abstraction and an evocation of the everyday, offering a unique gendered perspective on modernism and modernity. Watkins established a studio in Greenwich Village and in 1920 she accepted the position of editor of the annual publication Pictorial Photography in America. Clarence White asked Watkins to join the faculty of his school, where Watkins met other notable photographers, including Alfred Stieglitz and Paul Strand. She worked for Macy's department stores and for the J. Walter Thompson advertising agency, capturing simple domestic objects with a clarity of modernist vision rare in commercial photography at the time. Her landscapes, portraits, nudes, still lifes, and abstractions received praise and attracted controversy. Exhibitions were held in the United States and in Europe. In 1928, Watkins decided to visit her four elderly aunts in Glasgow, Scotland. She traveled throughout Europe, photographing extensively and producing a body of work documenting post-revolution Russia. Her aunts began to take ill, and Watkins remained in Glasgow to help care for them. She drifted from the spotlight of public recognition, and few photographs or negatives exist from this time. Watkins lived in Scotland in seclusion until her death in 1969.
John Francis
John Francis
United States
1949
John Francis grew up in the midwestern town of Independence, Missouri. He is a husband and father living a quiet life in Boise, Idaho. John studied at the Kansas City Art Institute and then went on to receive a BS degree at the University of Cincinnati and received his MS degree in Communication from Florida State University. He taught at Boise State University and the College of Idaho and still teaches photography. John is interested in exploring the parameters of landscape photography and pushing the boundaries of how it is viewed, not only as a physical space but a cultural one. John has shown work throughout the United States, Japan, and Germany. He has exhibited nationally and internationally and won numerous awards for his photography. Work Explanation: I create images that touch on the less than serious side of myself-too much in life seems serious enough. The simple purpose of these photographs is to reflect a wink and the suggestion of a smile from within my deeper self. The work is an open response to the unexpected or incongruous that I encounter, the visible surprises in life. The images represent a happenstance or an oddity I found in a particular place or situation. They collectively add up to a world view that may be a little askew; but I hope an uplifting one. Shadows often play into my imagery, the added ingredient of mystery.
Stephen Shore
Stephen Shore
United States
1947
Stephen Shore (born October 8, 1947) is an American photographer known for his images of banal scenes and objects in the United States, and for his pioneering use of color in art photography. His books include Uncommon Places (1982) and American Surfaces (1999), photographs that he took on cross-country road trips in the 1970s. In 1975 Shore received a Guggenheim Fellowship. In 1971, he was the first living photographer to be exhibited at the Metropolitan Museum of Art in New York City, where he had a solo show of black and white photographs. In 1976 he had a solo exhibition of color photographs at the Museum of Modern Art. In 2010 he received an Honorary Fellowship from the Royal Photographic Society. Shore was born as sole son of Jewish parents who ran a handbag company. He was interested in photography from an early age. Self-taught, he received a Kodak Junior darkroom set for his sixth birthday from a forward-thinking uncle. He began to use a 35 mm camera three years later and made his first color photographs. At ten he received a copy of Walker Evans's book, American Photographs, which influenced him greatly. His career began at fourteen, when he presented his photographs to Edward Steichen, then curator of photography at the Museum of Modern Art (MoMA) in New York. Recognizing Shore's talent, Steichen bought three black and white photographs of New York City. At sixteen, Shore met Andy Warhol and began to frequent Warhol's studio, the Factory, photographing Warhol and the creative people that surrounded him. In 1971, he was the first living photographer to be exhibited at the Metropolitan Museum of Art in New York City, with a show of black and white, sequential images. Shore then embarked on a series of cross-country road trips, making "on the road" photographs of American and Canadian landscapes. In 1972, he made the journey from Manhattan to Amarillo, Texas, which provoked his interest in color photography. Viewing the streets and towns he passed through, he conceived the idea to photograph them in color, first using 35 mm hand-held camera and then a 4×5" view camera before finally settling on the 8×10 format. The change to a large format camera is believed to have happened because of a conversation with John Szarkowski. In 1974 a National Endowment for the Arts (NEA) grant funded further work, followed in 1975 by a Guggenheim Fellowship. Along with others, especially William Eggleston, Shore is recognized as one of the leading photographers who established color photography as an art form. His book Uncommon Places (1982) was influential for new color photographers of his own and later generations. Photographers who have acknowledged his influence on their work include Nan Goldin, Andreas Gursky, Martin Parr, Joel Sternfeld, and Thomas Struth. Stephen Shore photographed fashion stories for Another Magazine, Elle, Daily Telegraph and many others. Commissioned by Italian brand Bottega Veneta, he photographed socialite Lydia Hearst, filmmaker Liz Goldwyn and model Will Chalker for the brand's spring/summer 2006 advertisements. Shore has been the director of the photography department at Bard College since 1982. His American Surfaces series, a travel diary made between 1972 and 1973 with photographs of "friends he met, meals he ate, toilets he sat on", was not published until 1999, then again in 2005. In recent years, Shore has been working in Israel, the West Bank, and Ukraine.Source: Wikipedia Shore emerged in the 1970s as one of the major exponents of color photography, shooting bleak yet lyrical scenes of the North American landscape. Documenting everyday settings and objects, from hotel swimming pools and televisions to parking lots, gas stations, and deserted roads, Shore exhibited an ability to transform commonplace surroundings into compelling works of art, working with a subject matter similar to Walker Evans. Between 1973 and 1979, Shore made a series of road trips across North America, documenting the vernacular landscape through his view camera, and taking a more formal approach to photographing than in his earlier work. A number of these images later formed Shore's now-classic book, Uncommon Places (first published by Aperture in 1982 and republished in 2004 and 2007). These images arouse recollections of experiences, but in an artful, carefully crafted and calculated manner. His images are made with a large-format camera, which gives his photographs a precise quality in both color and form that has become a signature trait of his work. Shore's use of the large-format camera and innovative color printing has made him one of the most influential photographers to emerge in the last half of the twentieth century, credited with inspiring numerous contemporary photographers.Source: International Center of Photography
Ryan Bakerink
Ryan Bakerink
United States
Ryan Bakerink is a photographer in Chicago, IL focusing on social issues and counterculture lifestyle, specifically within the music industry, off the grid communities, travel, and portraiture. Ryan seeks to stretch his own personal and social boundaries by searching for authenticity in the world around him. Having grown up in a rural farming community in south west Iowa, the fuel for Ryan’s passion is to expand his horizons beyond what was imaginable in his youth. The ultimate goal of Ryan’s work has been to pull the curtain back and expose the general public to lifestyles, communities, and places that have been overlooked to help provide a greater understanding of human nature.
Tom Chambers
Tom Chambers
United States
1955
Photographer Tom Chambers was raised in the Amish farm country of Lancaster, Pennsylvania. Tom completed a B.F.A. in 1985 from The Ringling School of Art, Sarasota, Florida majoring in graphic design with an emphasis in photography. Since 1998 Tom has exhibited photomontage images from ten photographic series both nationally and internationally in twenty three solo exhibitions and over seventy group exhibitions and art fairs. Tom’s work has been published in multiple publications and books and has received fellowships from the Virginia Museum of Fine Arts and the Virginia Commission for the Arts. Statement Through photomontage I present unspoken stories which illustrate fleeting moments in time and which are intended to evoke a mood in the viewer. These mythical illustrations might address the fragility of childhood or the delicate transition experienced by a child passing into adolescence and then adulthood. Others express the tension in the uncertain coexistence between man and his environment, a delicate balance too often ignored and damaged. Each photomontage is carefully constructed, using both images that have been planned and those that unexpectedly enhance the story. With digital photography I desire to move beyond documentation of the present, and rather seek to fuse reality and fantasy in musing about possibilities of the future.
Charles Muir Lovell
Charles Muir Lovell
United States
1952
Born in Chicago, Charles Muir Lovell lives and works in New Orleans. He holds an MFA in photography from Central Washington University and a BS in photography from East Texas State University. He began photographing as a young man traveling throughout Europe and South America. He continued his photography practice during his over 20 years as a museum director and curator, a career that took him from the Pacific Northwest to the Southwest and Deep South, everywhere finding distinctive cultures and photography subjects. Lovell has long been passionate about photographing people within their cultures. Upon moving to New Orleans in 2008, he began documenting the city's second line parades, social aid and pleasure clubs, and brass bands, capturing and preserving for posterity a unique and vibrant part of Louisiana's rich cultural heritage. An earlier series based on religious processions in Mexico, El Favor de los Santos, was a Rockefeller Foundation–supported international traveling exhibition and resulted in a book published in 1999 by the University of New Mexico Press, Art and Faith in Mexico. Lovell's photographs have been exhibited nationally and internationally, are found in several permanent collections, including the New Orleans Museum of Art and the Historic New Orleans Collection, and can be seen at www.charleslovell.com and on Instagram @charleslovellart. He received the 2020 Michael P. Smith Documentary Photographer of the Year Award from the Louisiana Endowment for the Humanities. Lovell has also developed a series of photographs called Language of the Streets he began while an artist-in-residence at the Emily Harvey Foundation in Venice, Italy, in 2006–2007. He returned to Venice for a second residency in 2015 and was scheduled to return in 2021 until coronavirus shut everything down. He has continued this series in Naples, Paris, Mexico City, New York and New Orleans. Statement "As a young man, I traveled through Europe and Latin America with my Nikon, living as one of the family with friends in the countries I visited. My travels hugely influenced my work, opening my eyes to how other people lived. As a visual artist, I gravitated toward photographing people within their cultures, trying to capture on film something true about their lives. College and grad school took me to small-town Texas (Commerce) and Washington (Ellensburg), and a long museum career took me to the Pacific Northwest (Tacoma), Southwest (Yuma, Ariz.; Las Cruces and Taos, N.M.) and Deep South (Greenville and Greensboro, N.C., and New Orleans); everywhere I found distinctive cultures and compelling photography subjects. While living in New Mexico, I traveled in Mexico photographing Holy Week religious processions, foreshadowing my current and most significant photographic project: documenting and preserving New Orleans' unique second line parade culture. Upon moving to New Orleans, I became fascinated by the pageantry and celebratory nature of the city's African American cultural tradition of second line parades. I was captivated by their visual richness, their ritual and history, and how they express a vibrant cultural and artistic heritage, intensely alive yet intimately connected to the past. The massive amount of industry that the social aid and pleasure clubs invest in creating their magnificent costumes, decorations, baskets, umbrellas and banners-truly a labor of love-blew me away. Documenting these visually stunning parades quickly became a passion-and a commitment. For more than 10 years, I've followed the weekly parades, taking tens of thousands of color photographs. I've formed friendly relationships with members of the social aid and pleasure clubs that stage the parades, allowing me behind-the-scenes access, resulting in distinctive photographs. My color photographs vividly capture the paraders and brass bands in their elaborate custom-designed, hand-sewn costumes, and the dancing parade followers, revealing the festive mood of these sacred moments of cultural celebration, and preserving them for posterity. I take great care to portray these spirited-and spiritual-ceremonial moments honestly, sensitively and respectfully. In the 20th century other American photographers-notably Ralston Crawford, Lee Friedlander and Michael P. Smith - also documented this cultural tradition, but in black and white. My use of color lets me capture not just the atmosphere of the parades but also their incredible vividness. Formerly I used traditional photographic techniques, but now I embrace new digital methods, bringing to the subject a fresh approach for the 21st century. Taken as a whole, my photographs capture the rich cultural history of second-line parades, a significant artistic and ceremonial tradition deeply rooted in New Orleans' African American culture and unparalleled elsewhere in the United States. I hope that my photographs will increase awareness of the importance of preserving second-line parade culture and contribute to the understanding of Louisiana and its culture, which has sometimes suffered from scholarly neglect and seemingly insurmountable cultural and economic challenges. Another photographic series I have pursued over the years is Language of the Streets, which began taking shape in 2007 during an artist residency at the Emily Harvey Foundation in Venice, Italy. After working in large-format silver gelatin and color photography for over 20 years, I began exploring digital photography using a small-format digital camera. Upon my return to New Mexico, I learned digital printing and exhibited my Venice work at a solo exhibition at the Taos Center for the Arts in 2008. My residency in Venice was extremely influential in the work I began doing after moving to New Orleans in 2008. I began using a medium-format digital camera to make higher-resolution color photographs. Since 2009, I have fully transitioned to a digital practice. I make my own prints on an Epson inkjet printer and work with professional printers on larger works. From the experience of taking street photographs in Venice, I continued my series Language of the Streets in New Orleans, as well as in Naples, the Amalfi Coast, Paris, Mexico City and New York City. In 2015, I was invited back to the Emily Harvey Foundation, where I designed and presented an accordion artist's book, or leporello, featuring the Venice series of photos. Off the Street: New Orleans and Venice, part of the Language of the Streets series, investigates similarities and differences between the two cities, which share a striking mixture of high and low, old and new, closeness to and dependence upon water, a vital tourism sector, a proliferation of graffiti and outdoor art alongside unparalleled historic architecture. My street photographs from the two cities explore back streets not seen by tourists frequenting commercial settings like the French Quarter or Plaza San Marco. I strive to capture the texture of the cities' largely unseen back streets. Both cities also have world-renowned contemporary art competitions: the Venice Biennale and the triennial Prospect New Orleans. Works from my Venice series were exhibited alongside photographs from Mexico City in 2016 at the Contemporary Art Center, New Orleans, in Experiments in Anarchitecture, curated by Andrea Andersson, and in 2017, works from the Venice series were included in Project 387, curated by Berty Skuber at the Archivio Emily Harvey in Venice. " -- Charles Muir Lovell
Jodi Bieber
Jodi Bieber
South Africa
1967
Jodi Bieber, is a documentary photographer from South Africa. She studied photography at the Market Theatre photographic workshop and attended the World Press Masterclass in 1996. Between 1994 and 2004 she worked on a project that focused on youth living on the fringes of South African society. These images were assembled in the book entitled Dogs and Wolves - Growing up with South Africa. In 2010 she released her second monograph; Soweto. When thinking of Soweto one often refers to crime, poverty and problems with aids. The color photographs of Jodi are however a celebration and portrait of life in Soweto today. She represents the place how the inhabitants experience it, where they have their homes, do their shopping and live their lifes. Jodi is 2011 winner of the World Press Photo Award with the portrait of Aisha, an Afghan girl who's face was mutilated as retribution for fleeing her husband's house. She received several other World Press Awards in preceding years. Her work has been exhibited extensively throughout the world. The following images come from the series Soweto, Las Canas and A Weapon of War.Source 500 Photographers
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Latest Interviews

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Exclusive Interview with Carolyn Moore
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Exclusive Interview with Luca Desienna and Laura Estelle Barmwoldt
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Exclusive Interview with Luca Desienna and Laura Estelle Barmwoldt
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Exclusive Interview with Matthew Finley
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Exclusive Interview with Jan Janssen
Dutch photographer Jan Janssen explores universal human experiences through his long-term project It Matters, winner of the May 2025 Solo Exhibition. Begun in 2016, the series captures intimate moments of everyday life—love, loss, connection, and belonging—across Central and Eastern Europe. Working in countries such as Turkey, Azerbaijan, and Armenia, Janssen spends extended time within communities, building relationships based on trust and respect. His approach allows him to move beyond observation, revealing deeply human and authentic moments. Rooted in travel and personal discovery, It Matters reflects Janssen’s search for what connects us all in an increasingly divided world. The project is ongoing and will culminate in a photobook scheduled for publication in 2026.
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Exclusive Interview with Henk Kosche
German photographer Henk Kosche turns his lens toward the streets of Halle an der Saale, capturing everyday life in the late years of the former German Democratic Republic. At the time, Kosche was studying design and exploring the city with his camera, drawn to the atmosphere of its industrial landscape and the quiet rhythms of daily life. His series Street Photography at the End of the 80s, selected as the Solo Exhibition for July 2025, revisits a body of work created just before a period of profound change. Rediscovered decades later in a small box of 35mm negatives, these photographs offer glimpses of a city and its people at a moment suspended between the familiar and the unknown.
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Marijn Fidder is a Dutch documentary photographer whose work powerfully engages with current affairs and contemporary social issues. Driven by a deep sense of social justice, she uses photography to speak on behalf of the voiceless and to advocate for the rights of those who are most vulnerable. Her images have been widely published in major international outlets including National Geographic, CNN Style, NRC Handelsblad, Volkskrant, GUP New Talent, and ZEIT Magazin. Her long-term commitment to disability rights—particularly through years of work in Uganda—culminated in her acclaimed project Inclusive Nation, which earned her the title of Photographer of the Year 2025 at the All About Photo Awards. She is also the recipient of multiple prestigious honors, including awards from World Press Photo and the Global Peace Photo Award. We asked her a few questions about her life and work.
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Exclusive Interview with Josh S. Rose
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Josh S. Rose is a multidisciplinary artist working across photography, film, and writing. His practice bridges visual and performing arts, with a strong focus on movement, emotion, and the expressive potential of the image. Known for his long-standing collaborations with leading dance companies and performers, Rose brings together authenticity and precise composition—a balance he describes as “technical romanticism.” His work has been commissioned and exhibited internationally, appearing in outlets such as Vogue, at the Super Bowl, in film festivals, and most recently as a large-scale installation for Lincoln Center for the Performing Arts. A sought-after collaborator, he has worked with major artists, cultural institutions, and brands, following a previous career as Chief Creative Officer at Interpublic Group and the founder of Humans Are Social. We asked him a few questions about his life and work.
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Interview with Maureen Ruddy Burkhart
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Photographer Maureen Ruddy Burkhart brings a quietly attentive and deeply human sensibility to her exploration of the world through images. Shaped by a life immersed in photography, film, and visual storytelling, her work is guided by intuition, observation, and an enduring interest in the emotional undercurrents of everyday life. With a practice rooted in both fine art traditions and documentary awareness, she approaches her subjects with sensitivity, allowing subtle moments to emerge naturally rather than be imposed. Her series Til Death, selected as the Solo Exhibition for February 2025, reflects this long-standing commitment to photography as a space for reflection rather than spectacle. Drawn to moments that exist just outside the expected frame, Burkhart’s images suggest narratives without resolving them, leaving room for ambiguity, humor, and quiet connection. We asked her a few questions about her life and work.
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