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Last Call to Win a Solo Exhibition this February. Juror: Harvey Stein
Last Call to Win a Solo Exhibition this February. Juror: Harvey Stein
Frank Machalowski
Frank Machalowski
Frank Machalowski

Frank Machalowski

Country: Germany
Birth: 1971

"I'm Frank Machalowski, a german photographic artist and photographer, born in Berlin who lives and work in Leipzig today. After studying economics in Berlin and work as an business consultant for 14 years, I work as a freelance photographer and artist since 2011.

My majors are on the city and the countryside type of photography - two opposite fields, with all their major differences and their potential for a perfect interaction. I am currently a listed photographer at the Art Photo Index and LensCulture, and also a member of a permanent collection of the Bibliothèque Nationale de France in Paris.

Some of my photographs were shown in Germany, France, USA, India, UK and Italy at galleries and festivals.

For my artistic projects I work mainly with analogue photographic techniques."
 

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All About Photo Awards 2026
$5,000 Cash Prizes! Juror: Steve McCurry
 
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More Great Photographers To Discover

Eric Kim
United States
1988
Eric Kim is an international street photographer currently based in Los Angeles. Through his blog and workshops, he teaches others the beauty of street photography, how to find their own style and vision, as well as how to overcome their fear of shooting strangers. In the past he has done collaborations with Leica, Magnum, as well as Invisible Photographer Asia. He is currently an instructor at UC Riverside Extension, teaching a university-level street photography course. Last year he was also one of the judges for the London Street Photography Festival. He has exhibited his work at the Leica stores in Singapore, Seoul, and Melbourne. He has taught workshops in Beirut, Seoul, Tokyo, Amsterdam, Berlin, Hong Kong, San Francisco, Los Angeles, Chicago, Sydney, Melbourne, Zurich, London, Toronto, Mumbai, Singapore, Kuala Lumpur, and Kota Kinabalu.Source: Expert Photography Artist Statement "My first interest in street photography happened by chance. I was standing at a bus stop and I saw a man with horn-shaped glasses reading a book. There was something so genuine and unique about the moment. My heart was palpitating and the second I brought my camera to my eye, he looked directly at me and I instinctively clicked. My heart froze, but I made my first street photograph, without even realizing it. Being interested in both street photography and the approach, I started to experiment shooting street photography using my background knowledge studying sociology at UCLA. I started experimenting getting very close when shooting, and surprisingly never got punched in the face for taking photos (yet). Now through my blog and my workshops, I travel the world and teach others the beauty of street photography and how people can overcome their fear of shooting strangers. Teaching is my passion, and in the past I taught a photography class to under-privileged youth in Los Angeles, I taught a university-level online course at UC Riverside extension, and even a Sociology of Facebook and Online Social Networks while a student at UCLA. I also love participating in collaborations as I am currently a contributor to the Leica blog, I was one of the judges for the London Street Photography Contest 2011, and have done two collaborations with Samsung (I starred in a Samsung Galaxy Note 2 commercial and a campaign for the Samsung NX 20 camera). I have also been interviewed by the BBC about the ethics of street photography. I have had some of my work exhibited in in Los Angeles and at the Leica stores in Singapore, Seoul, and Melbourne. I have also taught street photography workshops in Beirut, Seoul, Tokyo, Amsterdam, Berlin, Hong Kong, San Francisco, Los Angeles, Chicago, Sydney, Melbourne, Zurich, London, Toronto, Mumbai, Singapore, Kuala Lumpur, and Kota Kinabalu (and more to come). My motto is always to shoot with a smile, and from the heart."
Rod Harbinson
United Kingdom
During the initial emergence of coronavirus in 2020, Rod published a photobook: Zen in the Time of Corona - A photographic homage to Japanese Buddhism during the Coronavirus pandemic: Writer, photographer and filmmaker, Rod often reports in Asia, drawing attention to critical environmental and human-rights issues. From deforestation in Borneo, to mining protests by Cambodian fisherfolk, his stories and investigations have appeared in books, documentaries and over fifty high-profile academic and media titles. Long engaged in climate change, forest, Indigenous rights and biodiversity issues, he has a record of working with non-profit, academic and media organisations and has a Masters in Environment and Development. He led the Environment and Climate Change Programmes at Panos London, was a founder of the Climate Change Media Partnership, and editor of seven magazines and academic journals. His 2014 documentary, 'Defenders of the Spirit Forest' explores efforts by Cambodian people to defend the last forests in the country. It premiered at Glasgow's Document international Human Rights film festival. During the Kosovan war, Rod led the Kosovan Information programme at the British Refugee Council. Here he produced a film about returning refugees and published a book about the conflict, which featured his photographic coverage of the war. He worked with several organisations in the 1990's to stop the global spread of genetically engineered crops, and to uphold the rights of Indigenous people and small farmers, over their land and genetic resources. This came during a global rise of social movements questioning the rapid acceleration of neo-liberal economic globalisation. Actively engaged, Rod photographed this period of dynamic social change. His forest investigations and campaigning, have profiled numerous concerns and highlighted environmental crimes. He has documented mineral mining conflicts in forest regions in Madagascar, Zambia, Laos and the Philippines, to name a few. He also co-produced a book on campaigns to save Europe's Forests. Agencies representing his photography, Zuma Press and Polaris Images, carry his news and feature stories. He shares his expertise through freelance and consultancy work. Born in the UK in 1966, when not publishing books, Rod explores the outside world with a camera and the inner world through meditation and yoga. Zen In The Time Of Corona
Scott Bourne
United States
Susi Belianska
Slovakia/Italy
1980
Susi Belianska is a photographer and artist with a passion for capturing visual stories, particularly through the art of portrait photography. Her fascination with the intricate details of the human face, the play of light and shadow that accentuates its contours, and the emotions it conveys drives her to create compelling and evocative portraits that tell unique narratives. With a background in the fashion industry, she transitioned into full-time photography in 2007, capturing diverse campaigns and catalogues for national and international brands. Her work has been featured in prominhotent publications like Condè Nast - Vogue Italia, GQ, Financial Times, Vrij Magazine, L’Officiel, D Repubblica, among others. She develops as well her personal projects within fine art. In 2013 she won the Nikon Talent Photo Contest presented and exhibited during the international contemporary art Artissima fair In 2012 she was in shortlist of the Sony World Photography Awards in fashion category. She actively participates in renowned photography festivals, including the Ancona Photo Festival 2021 and Grenze Photo Festival Verona 2022. Das Unheimliche: Das Unheimliche is a photographic project that explores the intersection between the human being and the artificial and invites us to reflect on the complex dynamics and emotional dilemmas that arise when confronted with the possibility that a man-made work can replace a living being. The photographs depict girls representing dolls, thus embodying the idea of the artificial figure hidden behind a human appearance. Each portrait captures the ambivalence of experience in front of these hybrid figures, who seem alive but lack genuine vitality. The expressions on the girls' faces convey a combination of fascination, unease and disquiet, inviting viewers to question the meaning and implications of this substitution. The idea that artificial creations can replace a person has ancient roots and can be traced across different cultures and historical periods. A significant example dates back to ancient Greece, where stories and myths have been documented involving statues or artifacts that come to life. Among these narratives, the myth of Pygmalion stands out, a famous sculptor who fell in love with his own creation: a statue of a woman. Through divine intervention, the statue came to life, highlighting the ability of artificial figures to enchant and involve human affections. Over the centuries, the idea of replacing an individual with an artificial figure has been explored in different forms of artistic expression such as in the film "Die Pupe" by Ernst Lubitsch or the short story "Sandman" by E.T.A. Hoffmann. In Lubitsch's film ,a shy young man decides to marry a mechanical doll to avoid a traditional marriage while in Hoffmann's story, a man becomes obsessed with a female automaton believing it to be alive.These works reflect on the tensions between desire, fear and the challenge of defining what is truly human. With the advent of modern technologies and artificial intelligence, the discussion around the possibility of replacing a human being has taken on a new meaning and relevance. Modern lifelike dolls and artificial intelligence interfaces, such as advanced chatbots, have become subjects of ethical and social debate. These creations raise profound questions about the nature of human relationships, affection and emotional connection, questioning our perceptions of what is authentic and genuine. Exploring the boundary between the human and the artificial has profound implications on a psychological level as well, as what approaches a living being but lacks vitality or completeness can elicit complex emotional reactions. Sigmund Freud's "Das Unheimliche" theory and Masahiro Mori's "Uncanny valley" hypothesis offer perceptive insight into these challenges and ambiguities. According to Freud's "Das Unheimliche" theory, the experience of what is familiar yet strange and disturbing can trigger a variety of psychological reactions, such as disgust or fear. When we are faced with artificial figures that resemble human appearance but without being alive, a feeling of unease can arise that challenges our understanding of what is considered authentic and genuine. Mori's "Uncanny Valley" hypothesis focuses on the concept of an emotional curve that describes our psychological responses based on the level of similarity of an artificial figure to human appearance. The project aims to capture the essence of these reflections, highlighting the contradictions and tensions that emerge. The girls portrayed represent a fascinating duality: on the one hand, they seem to reflect the dolls' ideal of perfection and control, with their delicate features and impeccable poses; on the other, they convey a feeling of foreboding and dissonance, which underlines the lack of authenticity and vitality. Each photograph is intended as an invocation of the need for a deeper connection with our own humanity and the complex emotional dynamics that emerge when we are faced with an artificial creature that seeks to emulate human affection and vitality. The project challenges us to investigate the meaning of humanity and our ability to deal with the complexities of affection, intimacy and replacement in an age characterized by rapid technological advances. It prompts us to explore our relationship to artifice and to deepen our understanding of ourselves. Stars: he focus of this project is to elevate women to a central place in the universe, symbolizing their importance, and to emphasize the need for equal treatment in social and occupational settings. The project features surreal images of women situated in an infinite cosmos surrounded by stars, emphasizing the timeless relevance of the message.The women depicted are captured without clothing to avoid association with any particular historical period, as passing time has no bearing in this context. The stars radiate upon their bodies, symbolizing the brilliance that women should exude in today's contemporary society. This project aims to celebrate those women who break the mold and call for questioning of stereotypes in a society often dominated by male culture. It highlights the strength and resilience of women who have defied non gender equal societal norms.Additionally, the project seeks to ignite discussions and raise awareness about gender inequality, addressing not only men but also women who may unknowingly undervalue their own worth, urging individuals to recognize and appreciate their own intrinsic value.
Peter Nitsch
Peter Nitsch was part of the late eighties of the German Skater scene. He studied communication design in Munich and graduated as a designer from the University of Munich, Department of Design (specializing in motion design). As an on-air designer, he worked for clients such as Universal Studios, ProSieben, 13th Street, SciFi Channel, and the United Nations. He then began to concentrate on corporate design and photography. Nitsch has won several international awards both as a designer (New York Festival, BDA) and photographer (Los Angeles International Photography Award, Hasselblad Masters semifinalist). He is co-founder of 'Playboard Magazine', 'RUPA' and the former culture blog 'get addicted to'. In 2020 Nitsch became a lifetime member of The Royal Photographic Society of Thailand. Tango in the Big Mango For me, my photography has always been related to people, stories, and life's journey. Tango In The Big Mango is an attempt in observing moments of people in dialogue with life. The series explores Bangkok as a city in which the coexistence of different cultures and people from different countries, despite their peculiarities, have found a way to live together. Tango in the Big Mango photo book is a mixture of documentary/street and conceptual images. The series consists of four parts: documentary/street photography, and conceptual themes of greed, growth, and angst. Tango in the Big Mango captures the intensity of urban life and barrage of consumption, culture, and eccentricity in Bangkok. More about Tango in the Big Mango photo book
Matt Wilson
United Kingdom
1969
Matt Wilson’s current body of work is part of an ongoing project, based upon a collection of transient observations, the landscapes of every day life and the people that call those landscapes home. It delves into the artist’s own history, his formative and current years within his home landscape and in the city he now resides and also, those of distant landscapes both literally and metaphorically he has traveled. A subtle, visually rich character study of what makes us who we are and the places we all inhabit and journey to, a chance to observe those looking outward whilst reflectively an opportunity to gaze inward.Source: Susan Inglett Gallery Matt Wilson photographed everywhere in Europe, starting with his native England, but also in France, with which it has its affinities, without omitting the Eastern countries where he still returns frequently between two stays Cuba. More recently, he ended his desire browse new territory: the United States where he lived for ten years. He could be afraid to touch this history, both American photographers are already loaded beautifully. But again, it gives us an amazing vision that reveals by snapshots of landscapes and men burnt by the sun that eventually, anyway, by lying down on this vast landscape to create ineffable moments that we may be fooling yourself and see it in watercolor. Then we could call this work “pictorial metaphor” even if the drift purely pictorial characters Matt Wilson were not so rooted in their time and in their daily lives, although sometimes needy. Because somewhere, if Matt Wilson gives us what he sees through a poetic prism, it is also a reporter and reflects our contemporary society by its subjects but often raw deals at tragic nor misery. His watchful eye is rather benevolent view borrowing a tragicomic light behind the full extent of a deeply humanistic thought.Source: mattwilsonphotography.com
Hoang Long Ly
Vietnam
1965
Ly Hoang Long was born in 1965 in Dalat, a city located on the high plateaus of central Vietnam. Since childhood, the photographer has been fascinated by colours and images and began his professional career as a graphic designer. He discovered photography in 1993 through a friend, bought his first analogue reflex and two years later, made a dark room in his apartment. One thing led to another and he definitely abandoned design in order to devote his time to his images. With over twenty years experience to his name and 310 international prizes, including that of best travel photographer in 2014 (TFOTY). Several of his pictures also won awards in the same year at the CBRE Urban Photographer of the Year and from National Geographic. Mud wrestling Mud wrestling with a ball was a traditional game organized every four year in Van village, Bac Ninh province, the north of Vietnam. Like basket ball, but instead of the baskets hanging up, here there were two holes (like a goal) and the playing ground was filled up with wet mud, there were 16 players divided into two teams, they competed vigorously to score by putting the heavy wooden ball in their competitors's hole. The audiences supported all the teams, they were screamming and laughing because the game looked so amusing; it was not easy at all to seized a ball, keep it in arms and run on the slippery surface and cross a barrier of competitors. After three day-competing, the both teams would gather in the courtyard of the temple to worship their ancestors, the game completely ended in peace and happiness.
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All About Photo Awards 2026
Win a Solo Exhibition in February
All About Photo Awards 2026

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Marijn Fidder is a Dutch documentary photographer whose work powerfully engages with current affairs and contemporary social issues. Driven by a deep sense of social justice, she uses photography to speak on behalf of the voiceless and to advocate for the rights of those who are most vulnerable. Her images have been widely published in major international outlets including National Geographic, CNN Style, NRC Handelsblad, Volkskrant, GUP New Talent, and ZEIT Magazin. Her long-term commitment to disability rights—particularly through years of work in Uganda—culminated in her acclaimed project Inclusive Nation, which earned her the title of Photographer of the Year 2025 at the All About Photo Awards. She is also the recipient of multiple prestigious honors, including awards from World Press Photo and the Global Peace Photo Award. We asked her a few questions about her life and work.
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Call for Entries
All About Photo Awards 2026
$5,000 Cash Prizes! Juror: Steve McCurry