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FINAL DAYS TO WIN A SOLO EXHIBITION IN MAY 2026
FINAL DAYS TO WIN A SOLO EXHIBITION IN MAY 2026
Frank Machalowski
Frank Machalowski
Frank Machalowski

Frank Machalowski

Country: Germany
Birth: 1971

"I'm Frank Machalowski, a german photographic artist and photographer, born in Berlin who lives and work in Leipzig today. After studying economics in Berlin and work as an business consultant for 14 years, I work as a freelance photographer and artist since 2011.

My majors are on the city and the countryside type of photography - two opposite fields, with all their major differences and their potential for a perfect interaction. I am currently a listed photographer at the Art Photo Index and LensCulture, and also a member of a permanent collection of the Bibliothèque Nationale de France in Paris.

Some of my photographs were shown in Germany, France, USA, India, UK and Italy at galleries and festivals.

For my artistic projects I work mainly with analogue photographic techniques."
 

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More Great Photographers To Discover

Simon Roberts
United Kingdom
1974
Simon Roberts is a British photographic artist based in Brighton, UK. Often employing expansive landscape photographs, his approach is one of creating wide-ranging surveys of our time, which communicate on important social, economic and political issues. Roberts has been exhibited widely with We English touring to over thirty national and international venues. He’s had solo shows at the National Media Museum, Bradford, Museum of Contemporary Photography, Chicago, and Museum of Contemporary Art, Shanghai, and been included in numerous group exhibitions. Recent shows include Observers: British Photography and the British Scene (From the 1920s to Now) at Galeria de Arte SESI, Brazil, and Landmark: The Fields of Photography at Somerset House, London. His photographs reside in major public and private collections, including the George Eastman House, Deutsche Börse Art Collection and Wilson Centre for Photography. In recognition for his work, Roberts has received several awards including the Vic Odden Award (2007) - offered for a notable achievement in the art of photography by a British photographer, along with bursaries from the National Media Museum (2007), John Kobal Foundation (2008) and grants from Arts Council England (2007, 2010, 2011, 2014). He was commissioned as the official Election Artist by the House of Commons Works of Art Committee to produce a record of the 2010 General Election on behalf of the UK Parliament. In 2012 he was granted access by the International Olympic Committee to photograph the London Olympics and most recently was made an Honorary Fellow of the Royal Photographic Society, UK (2013). He has published three critically acclaimed monographs, Motherland (Chris Boot, 2007), We English (Chris Boot, 2009) - voted by Martin Parr as one of the best photography books of the past decade - and Pierdom (Dewi Lewis Publishing, 2013). One commentator has described his photographs as “subtle in their discovery and representation of forms of cultural character, which, upon closer inspection, reveal a richness of detail and meaning. They exhibit a disciplined compositional restraint, a richness of palette, and a wealth of narrative incident. Also represented by MC2 Gallery
Carrie Mae Weems
United States
1953
Considered one of the most influential contemporary American artists, Carrie Mae Weems has investigated family relationships, cultural identity, sexism, class, political systems, and the consequences of power. Determined as ever to enter the picture—both literally and metaphorically—Weems has sustained an on-going dialogue within contemporary discourse for over thirty years. During this time, Carrie Mae Weems has developed a complex body of art employing photographs, text, fabric, audio, digital images, installation, and video. In a New York Times review of her retrospective, Holland Cotter wrote, ''Ms. Weems is what she has always been, a superb image maker and a moral force, focused and irrepressible." Weems has participated in numerous solo and group exhibitions at major national and international museums including the Metropolitan Museum of Art, The Frist Center for Visual Art, Solomon Guggenheim Museum in New York, and the Centro Andaluz de Arte Contemporáneo in Seville, Spain. Weems has received numerous awards, grants, and fellowships, including the prestigious Prix de Roma, The National Endowment of the Arts, The Alpert, The Anonymous was a Woman, and The Tiffany Awards. In 2012, Weems was presented with one of the first US Department of State’s Medals of Arts in recognition for her commitment to the State Department’s Art in Embassies program. In 2013 Weems received the MacArthur “Genius” grant as well as the Congressional Black Caucus Foundation’s Lifetime Achievement Award. She has also received the BET Honors Visual Artist award, the Lucie Award for Fine Art photography, was one of four artists honored at the Guggenheim’s 2014 International Gala, a recipient of the ICP Spotlights Award from the International Center of Photography, The WEB Dubois Award from Harvard University, as well as Honorary Degrees from: California College of the Arts, Colgate University, Bowdoin College, the School of Visual Arts and Syracuse University. She is represented in public and private collections around the world, including the Metropolitan Museum of Art, NY; The Museum of Fine Arts, Houston; the Museum of Modern Art, NY; Museum of Contemporary Art, Los Angeles; and The Tate Modern, London. Weems has been represented by Jack Shainman Gallery since 2008, and is currently Artist in Residence at the Park Avenue Armory. She lives in Syracuse, New York, with her husband Jeffrey Hoone who is Executive Director of Light Work.
Amy Anderson
United States
1977
Amy Anderson is an award-winning portrait photographer living in Minneapolis, Minnesota. Her work has been exhibited internationally and hangs in local and national galleries, museums and private collections. She has had works acquired by the Museum of Fine Arts, Houston and the Florida Photographic Museum. She has received the prestigious Minnesota State Arts Board grant in 2012 and again in 2018 resulting in several solo shows. Funded again in 2021 by the state of Minnesota, she is currently working on a new body of portraits exploring ways to encourage reconnection in her own community after a time of isolation and unrest. Statement I strive to impact my community by creating authentic portraits that explore the universal themes that connect us as humans. My practice has been to live alongside a community and create connection with the people I photograph in hopes of presenting a meaningful image of a an individual to our larger collective community. I have completed several large, multi-year projects including At Risk, With Promise ; a series exploring the challenges and triumphs of at-risk youth in Minnesota. Over the course of this project I explored themes like marginalization and resilience, adolescence and personal growth, disconnection and intersecting identities. At Risk, With Promise culminated in a full and completed body of work that received recognition and was included in many local and national exhibitions. In 2018 with funding from the Minnesota State Arts Board, I began a new body of work exploring these and other themes in the context of several different communities, most significantly the elderly. Working closely with one woman, Rose Kaprelian, allowed me to dig deeper into the everyday realities of this nearly invisible marginalized group. As a nonagenarian in a culture increasingly connected by technologies that are foreign and largely inaccessible, women like Rose face isolation and stagnation as they age. This work is developing to encompass many universal themes from a unique perspective as well as preserving voices that are fading from our collective conversations. During the isolation and uprising in my city in 2020 I continued to make portraits as a way to document and explore the events that changed our world. From window portraits of those who were isolated to protest photos of those who marched, each image was an attempt to connect with my community and explore the changing landscape in which we found ourselves. I continue this exploration daily.
Jonathan Chritchley
United Kingdom
Jonathan Chritchley is one of the foremost fine art photographers in the world today. His instantly recognizable work is seen around the world in exhibitions, galleries, magazines and books, and form part of many fine art collections internationally. His regular clients include Ralph Lauren, Hilton International, Fortuny and P&O Luxury Cruises. Jonathan also speaks and presents his work at photography and sailing events worldwide, and is the founder and owner of Capture Earth and Ocean Capture, two companies specializing in luxury photography workshops & tours. Born in London, England, Jonathan became infatuated with the sea after moving to the famous sailing town of Lymington on the country's south coast at the age of 14. Years later, having moved to the South of France, he gave up a successful career as a marketing and brand director in order to return to his true passion; a combination of the sea and fine art photography. He has now worked in over 35 countries, including Mozambique, Japan, China, Cambodia, Chile, Greenland and South Africa. Jonathan was named one of the 'Top 100 Photographers of All Time' by the Sunday Times. His first book, SILVER, a 136 page fine art art edition, was published in 2014, and in 2016 he was made a Fellow of the Royal Geographical Society (FRGS). An active supporter of ocean conservation, Jonathan currently resides in the South of France with his wife and young family. Source: www.jonathanchritchley.com Jonathan Chritchley is a detail-obsessed perfectionist of black-and-white photography. Sections and details of his work allow us to delve into landscapes of the soul and are both relaxing and contemplative. Natural beauty does not mean perfection: to him it means uniqueness. And accordingly his photographs look like visions of the unknown and new. The atmosphere of his landscapes is not loud or spectacular but rather teases out a picturesque silence while playing with the power of nature, which he encounters in clearings in the forest, in the middle of the sea, or the panorama of a seascape. He explores the scene with his camera like a hiker and captures forces of nature – a stormy collection of clouds and treetops bent by the winds, or the tautly pulled and suddenly billowing sails – in impressive images. We can truly inhale the landscape in Chritchley’s works – sense the wind, the cold, the distance, the resistance – because he has confronted them confidently and persistently with his camera. Chritchley learned to sail as a boy on the south coast of England. He still preserves his excitement for the sport as well as sailing’s creativity and his inherent love of discovery, and he lives these actively in his photos. He abstractly choreographs the play of the wind in the sails. Billowing, cleverly cropped, sometimes full-bodied like a sculpture and momentarily rising to formidable heights, they can then in a split second give way in a windless sky. This creates an exciting scenario and offers aesthetic moments that fascinate more than just passionate sailors. He does not necessarily see himself as the “master of images” but rather as a curious observer of the canvas’s unpredictable moods. As a globetrotter, Chritchley has been a guest not only on all continents but also on the pages of many magazines and in many galleries. His singular sailing portraits are known and loved internationally. The landscapes and sailing scenes specially selected for LUMAS attest to the photographer’s creative diversity, above all in the realm of abstraction. Source: LUMAS
Caterina Bernardi
I was born in a town called Orkanger on the north-west coast of Norway, the land of the northern lights and long winters. This is where I draw a lot of my inspiration from, with its incredibly dramatic scenery and landscapes, and fairytales I grew up with; stories of moody and mystical Nordic environments brimming with depictions of trolls, princesses and nature.My connection with photography first blossomed in Rio de Janeiro, Brazil where I lived in the very early 1990’s. There, I learned Portuguese, encountered very passionate people and discovered my own passion for photography. A friend had found a producer to make her first CD, and I took pictures of her recording music with famous Brazilian artists in the studio. It was an incredible experience that compelled me to pursue photography, which eventually led me to San Francisco, a magnificent city to go to live and work. There, I got my Bachelors of Fine Arts and ventured out on my own to shoot.In the past decade I have created images for clients such as Merck, Genentech, Reebok, The Times of London, Pasolivo, Gilead, Bristol-Myers Squibb, KQED TV., Yoga Journal, Vodafone, and Warner Bros, while my work has appeared in photo publications such as Communication Arts, PDN, Graphis, APA Shows, and Graphic Design USA. Currently I am located in San Francisco, CA, but once a year the northern winds call upon me and I go back home and visit Norway, to feel the breeze and see the midnight sun. Artist StatementI think artists in general have an innate appetite for life, and speaking for myself, I find that curiosity and passion drive me to explore and create, to be mesmerized by life and it’s constant flux of magical encounters, fears and achievements; my vehicle of expression is the art and craft of photography. In this process I aim to intimately connect the subject and me and ultimately the viewer to a dialogue and to linger, to inspire and to create, and to preserve intense moments of emotion and beauty and mystery.What I strive for in an image is to get genuine emotion and expressions from the subject. Sometimes it happens very naturally, and sometimes it is a real challenge to put a person at ease, to make them feel comfortable and enjoy having a camera pointed at them. It is a sensitive moment I share with my subjects while photographing, and establishing a connection with the talent is very important in order to capture striking images, and I work hard to make them comfortable and excited so they give their best. With great collaborations everyone wins and walks away with a sense of achievement.Photography gives my life a purpose and a meaning, to further explore and discover myself, the arts and science, and our mysterious existence.
Beverly  Conley
United States
Beverly Conley is a documentary photographer in Benicia, California. She has found true satisfaction in long-term self assigned projects that have focused on individuals and contemporary society. Her quest has allowed her to enter the private world of Gypsies in England, the Cherokee Nation in Northeastern Oklahoma, steelworkers in Weirton, West Virginia and the Cape Verdean Communities in Boston and the Cape Verde Islands. Solo exhibitions include the Fort Smith Regional Art Museum in Arkansas, the Black Arts Center in Kalamazoo, Michigan, the Museum of Native American History and Culture in Bentonville, Arkansas, the Boston Public Library and the George Meany Center for Labor. Her work has been featured in juried exhibitions and group shows such as the Festival of American Folklife at the Smithsonian Institution and the Cleveland Museum of Art. She is represented in numerous permanent collections including the Smithsonian's National Museum of African American History and Culture, the Toledo Museum of Art, the Cleveland Museum of Art, the Museum of London, the New York Public Library, the Schomburg Center for Research in Black Culture, the Boston Public Library, the Museum of Native American History and Culture in Bentonville, Arkansas and the Cleveland Public Library. Beverly is the recipient of a 2002 Michigan Creative Artist Grant and she has received awards from the Utah Press Association, the International Regional Magazine Association and an excellence award by Black and White Magazine for their 2017 Special Issue. She is a member of the American Society of Media Photographers (ASMP). Life in the Ozarks: An Arkansas Portrait My ongoing project began in 2003 with a drive down a rural country road. I had recently moved to Fayetteville and was anxious to explore my new surroundings. The resulting images tell the stories of people, events and everyday life in and around small towns in the rugged Ozark Mountains. They represent different aspects of these communities – young and old, recent immigrants, preachers, cowboys, farmers and those whose families have lived in the Ozarks for generations. I am interested in documenting the vestiges of an older Ozarks. There is a sense of timelessness that I want to convey in my work. I am drawn to the less travelled back roads where catfish are caught bare-handed, folks gather on porches to play bluegrass and subsistence farming is still in existence. Living and photographing in the same place gave me the opportunity to observe the changes of a region in transition. Northwest Arkansas experienced tremendous growth in the last decade with rural communities inching closer and closer to cities. I really imagined this unique Arkansas heritage would be lost. What I have since discovered is the resilience and self- sufficiency of a complex culture that stands with one foot in the present and the other in the past. An individual might have a day job at a Walmart but returns to a hand built home and the traditions of the 'holler' at night. Through these photographs and words it is my intention to preserve and share the richness of this Southern way of life with a broader audience. Life in the Ozarks: An Arkansas Portrait Appleby Horse Fair: The Annual Gathering of Gypsies & Travellers Smithfield Market
Cristina García Rodero
Cristina García Rodero (born 14 October 1949) is a Spanish photographer and member of Magnum Photos and Agence Vu photo agencies. García Rodero was born in Puertollano, Spain, in 1949, and studied painting at Complutense University of Madrid. She has worked as a teacher. Rodero photographs the persistence of rural traditions in modern times, such as religious rites and festivals in Spain. In Spain she is among the most celebrated documentary photographers. García Rodero joined Magnum Photos in 2005 and became a full member in 2009. The city of Puertollano, where she was born, inaugurated the Cristina García Rodero Museum in 2018. A large part of the photographer's work is exhibited there. The Cristina García Rodero Museum is located in the old municipal museum of Puertollano. There are more than 2,100 square meters distributed over three floors in which are displayed about 200 photographs of the artist.Source: Wikipedia Cristina García Rodero was born in Puertollano, Spain. She studied painting at the School of Fine Arts at the University of Madrid, before taking up photography. She then qualified as a teacher and worked full-time in education. For the next 16 years, she also dedicated her time to researching and photographing popular and traditional festivities – religious and pagan – principally in Spain but also across Mediterranean Europe. This project culminated in her book España Oculta published in 1989, which won the “Book of the Year Award” at the Arles Festival of Photography. The same year, García Rodero also won the prestigious W. Eugene Smith Foundation Prize. The documentary and ethnological value of her work are considerable, but the aesthetic quality of her photography makes it more than a simple visual record. In recent years, Cristina García Rodero has traveled around the world in search of other cultures with particular traditions. Over a period of four years, she went several times to Haiti, where she has documented voodoo rituals, producing a series of expressive portraits and moving scenes flanked by engaging documentary observations. Rituals in Haiti was shown for the first time in the 2001 Venice Biennale. Cristina García Rodero has received many prizes, including the Premio Nacional de Fotografía in 1996 in Spain. Her work has been widely published and exhibited internationally. She has published several books and has been a member of the Vu agency for more than 15 years. García Rodero joined Magnum in 2005 and became a full member in 2009.Source: Magnum Photos
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AAP Magazine #57 Portrait
Win a Solo Exhibition in May
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