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FINAL DAYS TO WIN A SOLO EXHIBITION IN MAY 2026
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Jim Ferguson
Jim Ferguson
Jim Ferguson

Jim Ferguson

Country: United States
Birth: 1954

Recently I "remerged" back into the fine art photography world, but this is my second round of showing and selling work. Years back I received a BFA from San Francisco Art Institute and MFA from the School of the Art Institute of Chicago. After getting my BFA, I started contacting galleries. I was successful from the very start with three galleries representing my work and acquisitions by major museums and numerous private collections.

In the fall of 2017 I re-emerged into the fine art world full time, introducing my work again to galleries and museums. Since "reemerging" I’ve had a number of successes. I was in an exhibition at Catherine Edelman Gallery and am represented in their Chicago Project. I’ve been included in exhibitions curated by April Watson, Elizabeth Houston, Douglas Beasley and Robert Klein. I’ve also had a One Person exhibition at Workspace Gallery, and was selected for the Top 200 in Critical Mass 2018.

Wide Range Statement
Traveling through the Southwest for the first time I was photographically hot. My imagery gelled into the beginning of a body of work. This first trip was truly life changing. The Southwest appealed to me so much that I moved to Albuquerque. It served as home base for travels in the West; thus beginning my Wide Range series.

I call this series Wide Range because of the open range nature of the American West and the wide variety of subjects I choose to photograph. Man's isolated impacts on the environment stood out more in the broad expanses of the landscape. I sought not to highlight the negative impacts but to utilize the man-made objects to create my images. The juxtaposition of these man-made objects vs. dramatic backgrounds allowed me to visually compact space into layered unity. This series began the visual journey I've traveled with my photography.

Unfamiliar Places Statement
Unfamiliar Places is a body of autobiographical memories that have been altered by the passage of time rather than by a proactive chemical or digital process. The images were stored on undeveloped film for 20 years, resulting in the degradation of the "latent" image. This work reflect the serendipity that is unique to working with the analogue process and highlights its inherent materiality. The unique process of the degradation of the film over 20 years mirror the historical content of the images.

The images are a result of my photographic journey, the degradation of the emulsion in the negatives and the layering of history with the film wrapper's film numbers and dots. They were taken in France Mexico and the U.S.

Over the past two decades I continued to photograph, standing guard against the instinct for gratification and instead allowing the pictures to rest peacefully in a dark place. It is now thrilling to finally see that the choice to wait offers its rewards: here are the both subtle diminishments and vital revelations in the aging process. Time has left marks on these images just as the events of a life do.

Website

www.jimfphoto.com

 

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More Great Photographers To Discover

Ayanava Sil
Ayanava Sil
India
I am Ayanava Sil a resident of Kolkata, India. By education I hold a degree of Master Of Business Administration in Marketing. Photography to me is an exemption to see things differently. I am a Street and Documentary photographer, with an objective of documenting everyday life. The uncertainty and the suspense drives me the most towards these genres of Photography. Documenting people over the years has provided me with the invaluable opportunity to explore the unknown and to embrace the conglomerate realities of people. I am one of the administrators and curator of Streets Of Calcutta which is the oldest and the largest Street Photography archive of Kolkata. My works has been published and recognized by different platforms like National Geographic, National Geographic Traveller India, CNN America, Getty Images, Business Standard, World-Street-Photography Book 5, APF Street Photography Magazine, Better Photography India, Asian Photography, Chiiz Magazine etc. I have been awarded by The Andrei Stenin International Press Photo Awards, News Times, Eye Win Awards, Golden Orchid International Photography Awards etc. My works has also been exhibited in multiple photography exhibition, to name a few, Jaipur Art Summit 2016, Ariano International Film Festival 2017, Kolkata International Photography Festival 2019, Wlasnymi Slowami Film Festival 2019. Where I Bloom As the world combats with an invisible enemy, many of our lives have come to a standstill now. A month ago our lives were pretty foreseeable with simple daily conventional work that all of us were looking forward to. The coronavirus pandemic has changed the whole scenario, today countries are under locked down, schools and universities have been closed, events are cancelled and many people have been asked to work from home. We have seen the Government enforcing every preventive measure to slow the spread of the virus and flatten the curve. During this critical time, it is essential that everyone stays at home and helps to prevent the spread of this virus. In these tough times, photography is one of the major businesses that has been affected a lot by this pandemic. All studios have been shut down, weddings have been postponed, all the sports events have been cancelled and presently more than half of the world is locked down and there is no possibility of travelling. I am a photographer who loves to roam around the city unwearyingly to document life on the streets but due to the pandemic it is impossible to go out of my house to shoot now. So to keep myself in practice and to keep my sanity I chose to document my house but with a definite objective as this work of mine will have a different approach from the rest of my works. Also, I challenged myself to shoot everything through my phone only. So I started shooting every corner of my house from the ground floor to the terrace, through the windows and the doors, the plants in my house to the birds which flies above my terrace. I decide not to include any human subject and the only reason behind this decision is because we often feel like we are the most important species, but the fact is that we will fade away with time but we will leave behind a lot of things when we are gone. I tried to portray those moments keeping the photographs minimalist and graphical in form and ambiguous in nature. During all this time I had an interesting observation and I discovered that sunlight creates fascinating graphical shadow movements in different parts of my house during each phase of the day. I think that the only positive outlook amidst the COVID-19 pandemic outbreak is that nature has started healing. I do not remember when I last saw such timely Norwesters in the past few years. The Norwesters generally hit during the months of April and May. It mostly occurs late in the evening when thick, dark and black clouds start appearing in the sky. It generally moves from west to east bringing torrential rain often with strong wind and lasts only for a short period of time. The Norwesters are beneficial for cultivation purposes in West Bengal and Bangladesh. This year, the Norwesters bought different and beautiful cloud patterns and I tried to weave them within my work as well.
Paul Hart
Paul Hart
United Kingdom
1961
Paul Hart studied at the London College of Printing (UK) and Nottingham Trent University (UK), graduating with a BA (Hons) in Photography in 1988. He works solely with the black and white analogue process using large and medium format cameras on long-term self initiated projects. Hart is most well known for his Fenland series made as a three-part series over a ten year period from 2009 - 2018. For this work he was awarded the inaugural Wolf Suschitzky Photography Prize Residency 2018 (UK/Austria) and shortlisted for the Mark Rothko Memorial Trust Award Residency (Latvia) in the same year. He has exhibited and published widely ; recent solo exhibitions include; Land Lines (Fen Ditton Gallery, Cambridge, UK. 2019), The Fenland Series (The Austrian Cultural Forum, London, UK. 2019), Poetry of Place (The Photographers' Gallery, London, UK. 2018) and group shows at The Royal Academy of Arts (London, UK. 2018) The Royal Photographic Society(Bristol, UK. 2018), The Cultural Foundation ARCADE (Dijon, France. 2017) as well as Photo London, Paris Photo and the AIPAD show (USA). He has published four monographs - RECLAIMED (2020), DRAINED (2018), FARMED (2016) and TRUNCATED (2009) with Dewi Lewis. Hart's work resides in a growing number of important collections including the V&A Museum (London), the Ivor Braka Collection (London), MoMA Library Collection (NYC) and the Martin Parr Foundation Library (Bristol, UK).
Andrea Galluzzo
Andrea Galluzzo
United States
1980
Andrea Galluzzo is a photographer living and working in Portland, OR. Coming from years of experience working with medium and large format cameras, she began experimenting with the digital darkroom three years ago. Her knowledge and experience with chemical printing has influenced the quality and craft of her current projects that push the boundries of the photographic medium. Her recent project, “Know Myself in all My Parts”, has been published in Black and White Magazine, and received the Ultimate Eye Foundation Grant in 2009. She has also exhibited her work in group and solo shows around the country including the Peninsula Museum of Art, Rayko Photo Gallery, and The Spiva Arts Center.
Natalya Saprunova
Natalya Saprunova
France/Russia
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Natalya Saprunova, originally from the Arctic region of Russia on the Kola Peninsula in Murmansk, is a documentary photographer based in Paris. During her higher studies to become a French teacher in Russia, she worked as a photojournalist for the daily newspaper Murmansk Messenger. After arriving in France in 2008, she studied and worked in marketing as part of her journey toward acquiring French citizenship. Eight years later, she left her permanent contract to fully return to photography. Graduated in Documentary Photojournalism from the EMI-CFD School in Paris in 2020, Natalya now pursues an ethnographic approach exploring contemporary issues such as identity, environment, climate change, youth, femininity, and spirituality. Passionate about knowledge sharing, she has been teaching photography since 2016 at Graine de Photographe school in Paris and has also led photo journeys in Russia, including in Saint-Petersburg and at Baikal Lake. She also speaks at conferences and works with young audiences to raise awareness about the environmental, cultural, and social issues she documents. Since 2019, Natalya has been retracing the Great North route of her childhood. As a teenager, she was fascinated by the legends and history of the Indigenous Saami reindeer herders. Today, she travels alone between Siberia, Mongolia, Canada and Europe, adopting local ways of life wherever she goes. Once in the field, she builds connections with communities who, moved by her project, welcome her and share with her their culture, their concerns, their hopes, and their daily lives. She works on long-term projects, regularly returning to these extreme environments, facing temperatures that can drop below –60°C or rise beyond +35°C.
Anna Laza
Anna Laza
Romania
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Terry Barczak
Terry Barczak
United States
1950
Terry Barczak is a Minneapolis based photographer who began her career as a street photographer in the late 70's. Largely self taught she also studied at Visual Studies Workshop in Rochester NY and Lightworks in Minneapolis Mn. Though cities still provide her with subject matter, Terry's other projects look into landscape, abstraction, portraiture, and religion. In addition to numerous exhibitions of her photographs, she has served as art director with filmmaker Shelli Ainsworth on short and feature films, taught photography at a variety of institutions and worked in the photography department at Walker Art Center in Minneapolis. Her work can be viewed at terrybarczak.com and she is on Instagram as Terry Barczak. Statement Set Piece is a series of pictures that raise questions of what is happening, or what is real. Playing with illusion, deception, and ambiguity, the photographs, as always, document what lies in front of the camera, but I believe they offer more. Assembling the visual puzzle of light, color, and the jumble of the world, the pictures in Set Piece seek to have the viewer pause... to look, to see, and to imagine.
Dotan Saguy
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Dotan Saguy was born in a small kibbutz five miles south of Israel's Lebanese border. He grew up in a diverse working-class Parisian suburb, lived in Lower Manhattan during 9/11, and moved to Los Angeles in 2003. In 2015, Saguy decided to focus on his lifelong passion for photography after a successful career as a high-tech entrepreneur. Since then Saguy attended the prestigious Eddie Adams Workshop, Missouri Photo Workshop and studied photojournalism at Santa Monica College. Saguy's award-winning photographs have been published by National Geographic, The Guardian, The Los Angeles Times, among many other publications. Saguy teaches street photography and documentary workshops for Leica Akademie and Momenta Workshops. In 2018 Saguy's first monograph about the endangered culture of Venice Beach, CA was published by Kehrer Verlag and received a Bronze award by the prestigious Deutscher Fotobuchpreis 2018-19. Saguy lives in Los Angeles with his wife and two children. Statement I met the Reis, a Mormon family from Brazil, the day they arrived in Los Angeles in October 2018 in the yellow school bus they call home. They had come to the United States two years prior to chase the American Dream and although they had quickly found financial success, happiness proved much more elusive with long work hours and material acquisitions leaving them unsatisfied. This body of work documents the trials and tribulations of the Reis family over their 10-month stay in the City of Angels while they struggle as vehicle dwellers, improvised mechanics, unconventional parents, experimenting breadwinners while seeking happiness as a family. The interviews conducted as part of the project also raise subjects such as immigrants chasing the American dream, modern parenting, the growing urban phenomenon of people living in vehicles and rebelling against a strong religious identity in the Internet era. Articles About Nowhere to go but Everywhere Dogtown
Anders Petersen
Anders Petersen
Sweden
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Anders Petersen was born 1944 in Stockholm, Sweden. 14 years old his family moved to Karlstad in Värmland, where he met the artists ?Karin Bodland and Lars Sjögren.In 1961 he stayed for some time in Hamburg in order to learn German and trying to write and paint. He didn’t take any pictures. Five years later he met Christer Strömholm and became a student at his School of Photography in Stockholm. Strömholm was not just his teacher but also a close friend. Their friendship influenced him for life. In 1967 he starts photographing a bar called Café Lehmitz in Hamburg, close to Zeughausmarkt. He was photographing there for a period of almost three years and in 1970 he had his first soloexhibition over the bar in Café Lehmitz with 350 photographs nailed to the wall. In 1973 he published his first book ”Gröna Lund”, about people in an amusementpark in Stockholm. In 1974 he graduated from the Swedish Filmschool,Dramatiska Institutet, in Stockholm. In 1978 he published ”Café Lehmitz ” in Germany. In 1984 the first book in a trilogy about locked instituations was published. The three books were about people in a prison, a nursing house, and a mental hospital. After photographing the mental hospital for three years he oriented himself towards a more free approach in a kind of diarylike photography. During 2003 and 2004 Anders Petersen was appointed Professor of Photography in the School of Photography and Film at the University of Göteborg, Sweden. He regularly has workshops and exhibitions throughout Europe, Asia and in the USA. He has received numerous grants and rewards since the seventies. In 2003 Anders Petersen was elected the ”Photographer of the Year” by the International Photofestival in Arles.In 2006 he was shortlisted as one of four for the ”Deutsche Börse Photography Prize”. In 2007 he received the ”Special Prize of the Jury” for his exhibition ”Exaltation of Humanity” by the third International Photofestival in Lianzhou, China. In 2008 he received the ”Dr. Erich Salomon Award” by Deutsche Gesellschaft für Photographie, Germany. ”The Arles Contemporary Book Award for 2009? went to JH Engström and ?Anders Petersen’s collaborative book ”From Back Home” by Max Ström.?The book was nominated to ”The Best Photographic Book in Sweden, ?year 2009? and also Winner of Design Bronze Lion in Cannes. In 2010, he was in the jury for the BMW Prize at Paris Photo. In 2012, nominated to the Swedish Photo Book Prize in Stockholm for ”SOHO”, and PhotoBook of the Year award for "City Diary" Paris Photo and the Aperture Foundation. Anders Petersen has his darkroom in Stockholm, Sweden. Source: www.anderspetersen.se Anders Petersen, one of Sweden’s most influential auteur photographers, sensitively blurs the boundaries between madness and normality in his artwork “Mental Hospital”. Petersen, who won international renown with his Hamburg Café Lehmitz series (1967-1970), spent several years photographing patients at a psychiatric hospital just south of Stockholm. His gaze is one of raw tenderness, conveying naked emotions with insightful poetry. Carried by a deep integrity, he takes the viewer to the limits of normality. "It is the naked encounter, the raw, piercing confrontation with the Other and therefore with myself," Petersen said, describing his intention. "I photograph people with whom I can identify and I feel attracted by people who live outside society. In all my photographs, I try, essentially, to create self-portraits." He is neither sentimental nor sensational. Instead, his images show a great respect for that which is enigmatic in people, for that which is hidden under the surface. Petersen’s works have marked the history of photography. In 2003, he won the award “Photographer of the Year” at the festival "Rencontres de la Photographie" in Arles, and he was honored with the German Photography Society’s Dr.-Erich-Salomon prize in 2008 for his life’s work. Source: Grundemark Nilsson Gallery
Roberta Dall’Alba
Roberta Dall'Alba
Italy
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My name is Roberta Dall'Alba, and I'm a passionate food and travel photographer. When I work with companies my goal is to create for them authentic images that truly connect with people and spark a desire for their products and services. Photography brings immense fulfillment to my life because it allows me to express myself, capture emotions, and tell stories. My deep appreciation for aesthetics and attention to details and feelings helps me create images that are not only beautiful but also meaningful.. Through my photography, I strive to show others the beauty of the world, inspiring happiness and appreciation for our surroundings. By doing what I do, I hope to encourage a sense of wonder and connection that can make the world a better place. I am multi-passionate and cannot stand the idea of dedicating my time to only one type of photography, which is why I love capturing a wide range of subjects
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