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France Leclerc
France Leclerc
France Leclerc

France Leclerc

Country: Canada

France Leclerc, born in Quebec, Canada, is an independent photographer who currently lives in Chicago. Her early career was in academia, teaching at MIT and the University of Chicago, but her true passion for documentary photography has now taken over. The curiosity and hunger for learning that had motivated her academic research career did not vanish. France now uses photography as a vehicle to understand and help depict issues that puzzle her, and satisfy her passion for learning. Among her most prominent themes are culture (especially disappearing ones), religion and social inequality, always focusing on the human element. Her images have now been shown in curated exhibitions and have won numerous awards including PDN World-in-Focus Competition in the Travel Portrait Category (2017), and in the Photo-Essay Category (2018), the APA National in the PhotoJournalism Category (2017), and the Julia Margaret Cameron Award in the Culture and Daily Life Category (2019).

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More Great Photographers To Discover

Tom Schifanella
Tom Schifanella
United States
1958
Tom Schifanella has a passion for capturing images that tell visual stories and document the vibrant world around us. His photography has been published online and in print by National Geographic Traveler, Southern Living, and The Washington Post. Recently, he was one of only 25 photographers selected by National Geographic Your Shot for an international photo exhibition, Planet or Plastic? devoted to raising awareness of the global crisis in plastic waste.
Susan Worsham
Susan Worsham
United States
1969
Susan Worsham is a photography-based visual artist blurring the lines between autobiographical and documentary work. Susan Worsham captures the relationships and particularly difficult experiences she’s had while growing up in the American South, combining intimate portraiture, recorded oral history, and still life photography to create a multi-dimensional archeology of the recent past. Susan Worsham took her first photography class while studying graphic design. In 2009 she was nominated for the Santa Fe Prize for Photography, and her book Some Fox Trails in Virginia won first runner up in the fine art category of the Blurb Photography Book Now International Competition. In 2010 Susan Worsham was awarded the first TMC/ Kodak Film Grant, and was an Artist-in-Residence at Light Work. Susan Worsham’s photography is held in private collections, and has been exhibited at the Corcoran Museum during FotoWeek DC, The Photographic Center Northwest, Settle, Dean Jensen Gallery, Milwaukee, and the Danville Museum, Virginia. Her solo shows include: Candela Books + Gallery in Richmond, Virginia, Light Work in Syracuse, New York, and The Ogden Museum of Southern Art, New Orleans.Source: Jackson Fine Art The Southbound Project - Photographs of and about the New South Southbound project website
Jim Goldberg
Jim Goldberg
United States
1953
Jim Goldberg (born 1953) is an American artist and photographer, whose work reflects long-term, in-depth collaborations with neglected, ignored, or otherwise outside-the-mainstream populations. Among the many awards Goldberg has received are three National Endowment of the Arts Fellowships in Photography, a Guggenheim Fellowship, the Henri Cartier-Bresson Award, and the Deutsche Börse Photography Prize. His works have been exhibited, published, and collected internationally. Goldberg is Professor Emeritus at the California College of the Arts, and has been a member of the Magnum Photos agency since 2002. He currently lives and works in the greater Bay Area. Goldberg is best known for his photography books, multi-media exhibitions, and video installations, among them: Rich and Poor (1985), Nursing Home, Raised by Wolves (1995), Hospice, and Open See (2009). His work often examines the lives of neglected, ignored, or otherwise outside-the-mainstream populations through long-term, in depth collaborations that investigate the nature of American myths about class, power, and happiness. Goldberg is part of an experimental documentary movement in photography, using a straightforward, cinéma vérité approach, based on a fundamentally narrative understanding of photography. The individuality of the subjects emerges in his works, "forming a context within which the viewer may integrate the unthinkable into the concept of self. Thus portrayed, this terrifying other is restored as a universal." Goldberg's work was featured with that of Robert Adams and Joel Sternfeld in a 1984 exhibition at the Museum of Modern Art entitled "Three Americans"; the exhibition was described as "a show of politically charged and socially conscious images." His 1985 book Rich and Poor, re-released by Steidl in an expanded edition in 2014, includes photographs of people in their homes along with handwritten comments by them about their lives. For example, the handwriting under the photograph reproduced on the front cover reads "I keep thinking where we went wrong. We have no one to talk to now, however, I will not allow this loneliness to destroy me,— I STILL HAVE MY DREAMS. I would like an elegant home, a loving husband and the wealth I am used to. Countess Vivianna de Bronville." Although the book received one mixed review shortly after publication, other reviews were positive, and it was later selected as one of the greatest photobooks of the 20th century. The photographs in a 1986 exhibition of Goldberg's The Nursing Home Series were accompanied by handwritten text by the nursing home residents who were the subjects of the photographs. A review of a 1990 exhibition Shooting Back: Photography by and About the Homeless at the Washington Project for the Arts characterized the exhibition as "Issue Art" and characterized Goldberg as "a superior Issue Artist because he's a superior artist." A major mixed-media exhibition by Goldberg concerning at risk and homeless youth in California entitled Raised by Wolves began traveling in 1995 and was accompanied by a book of the same title. A review of the exhibition at the Corcoran Gallery of Art noted that Goldberg made reference to other artists and photographers; used photographs, videos, objects, and texts to convey meaning; and "let his viewers feel, in some corner of their psyches, the lure of abject lowliness, the siren call of pain." Although the accompanying book received one mixed review shortly after publication, it was described as "a heartbreaking novel with pictures", and in The Photobook: A History, Martin Parr and Gerry Badger praised it as "complex and thoughtful." A 1999 mixed media installation at the San Francisco Arts Commission gallery entitled "57/78/97" explored race relations in the United States, including the Little Rock Crisis of 1957, the 1978 Regents of the University of California v. Bakke decision, and the year following the passage of California Proposition 209 (1996) concerning affirmative action. Selected photographs from a series by Goldberg called "Open See," concerning refugees, immigrants, and trafficked people, were first exhibited in San Francisco in 2007. One review stated that the photographs may leave the viewer "paralyzed by uncertainty about what might alleviate the injustices" depicted. Part of the series came to be known as "Open See", and Goldberg's book of that title was published in 2009 by Steidl. In 2013 Goldberg was an artist in residence at Yale University Art Gallery with Donovan Wylie. They each created a body of work based in New Haven. In Candy, Jim Goldberg, a New Haven native, creates a multilayered photo-novel of aspiration and disillusionment, interspersing Super 8 film stills, images of New Haven’s urban landscape, annotated Polaroid portraits, and collaged archival materials to explicate the rise and fall of American cities in the 20th century. Goldberg considers New Haven’s quest to become a “model city” of America, contrasting its civic aspirations with its citizens’ lived realities.Source: Wikipedia Jim Goldberg’s innovative use of image and text make him a landmark photographer of our times. He has been working with experimental storytelling for over forty years, and his major projects and books include Rich and Poor (1977-85), Raised by Wolves (1985-95), Nursing Home (1986), Coming and Going (1996-present), Open See (2003-2009), The Last Son (2016), Ruby Every Fall (2016), Candy (2013-2017), Darrell & Patricia (2018), and Gene (2018). His work is in numerous private and public collections including the Museum of Modern Art, the San Francisco Museum of Modern Art, the Whitney Museum of American Art, the Getty, and the Los Angeles County Museum of Art. He is the recipient of numerous awards including three National Endowment for the Arts Fellowships, a Guggenheim Fellowship (1985), the Henri Cartier-Bresson Award (2007), and the Deutsche Börse Photography Prize (2011). Goldberg is Professor Emeritus at the California College of the Arts and is a member of Magnum Photos.Source: Magnum Photos An heir to such social documentarians as Walker Evans and Robert Frank, Goldberg is inspired and informed by his ongoing interest in people and their positions in society as a function of broader cultural policies and practices. His work is the aesthetic embodiment of Frank’s opinion that “the truth is somewhere between the documentary and the fictional.”Source: Pace/MacGill Gallery
James Van Der Zee
James Van Der Zee
United States
1886 | † 1983
James Van Der Zee was an American photographer best known for his portraits of black New Yorkers. He was a leading figure in the Harlem Renaissance. Aside from the artistic merits of his work, Van Der Zee produced the most comprehensive documentation of the period. Among his most famous subjects during this time were Marcus Garvey, Bill "Bojangles" Robinson and Countee Cullen. Born in Lenox, Massachusetts, Van Der Zee demonstrated an early gift for music and was initially aspired to a career as a professional violinist. Van Der Zee's second interest was in photography. He bought his first camera when he was a teenager, and improvised a darkroom in his parents' home. He took hundreds of photographs of his family as well as his hometown of Lenox. Van Der Zee was one of the first people to provide early documentation of his community life in small-town New England. In 1906, he moved with his father and brother to Harlem in New York City, where he worked as a waiter and elevator operator. By now Van Der Zee was a skilled pianist and aspiring professional violinist. He would become the primary creator and one of the five performers in a group known as the Harlem Orchestra. In March 1907, Van Der Zee married Kate L. Brown and they moved back to Lenox to have their daughter, Rachel, born in September. Soon after, they moved to Phoebus, Virginia. In 1908, their son, Emile, was born but died within a year from pneumonia. In 1915, he moved to Newark, New Jersey, where he took a job in a portrait studio, first as a darkroom assistant and then as a portraitist. That same year, he converted to Catholicism and began taking assignments from the Church. He returned to Harlem the following year, just as large numbers of Black immigrants and migrants were arriving in that part of the city. He set up a studio at the Toussaint Conservatory of Art and Music with his sister, Jennie Louise Van de Zee, also known as Madame E Toussaint, who had founded the conservatory in 1911. In 1916, Van Der Zee and Gaynella Greenlee launched the Guarantee Photo Studio on West 125th Street in Harlem. They married in 1918. His business boomed during World War I, and the portraits he shot from this period until 1945 have demanded the majority of critical attention. In 1919, he photographed the victory parade of the returning 369th Infantry Regiment, a predominantly African American unit sometimes called the "Harlem Hellfighters." During the 1920s and 1930s, he produced hundreds of photographs recording Harlem's growing middle class. Its residents entrusted the visual documentation of their weddings, funerals, celebrities and sports stars, and social life to his carefully composed images. Quickly Van Der Zee became the most successful photographer in Harlem. Among his many renowned subjects were poet Countee Cullen, dancer Bill ("Bojangles") Robinson, Charles M. "Daddy" Grace, Joe Louis, Florence Mills, and black nationalist leader Marcus Garvey. By the early 1930s, Van Der Zee found it harder to make an income from his work in photography, partly because of the strained economic circumstances of many of his customers and partly because the growing popularity of personal cameras reduced the need for professional photography. Van Der Zee worked predominantly in the studio and used a variety of props, including architectural elements, backdrops, and costumes, to achieve stylized tableaux vivant in keeping with late Victorian and Edwardian visual traditions. Sitters often copied celebrities of the 1920s and 1930s in their poses and expressions, and he retouched negatives and prints heavily to achieve an aura of glamour. He also created funeral photographs between the wars. These works were later collected in The Harlem Book of the Dead (1978), with a foreword by Toni Morrison. In 1982, at age 96, Van Der Zee photographed 21-year-old painter Jean-Michel Basquiat for the January 1983 issue of Interview magazine. Van Der Zee died in Washington, D.C. on May 15, 1983. Ten years later the National Portrait Gallery exhibited his work as a posthumous tribute. In 1984 Van Der Zee was inducted into the International Photography Hall of Fame and Museum. It’s a hard job to get the camera to see it like you see it. Sometimes you have it just the way you want it, and then you look in the camera and you don’t have the balance. The main thing is to get the camera to see it the way you see it. -- James Van Der Zee Works by Van Der Zee are artistic as well as technically proficient. His work was in high demand, in part due to his experimentation and skill in double exposures and in retouching negatives of children. One theme that recurs in his photographs was the emergent black middle class, which he captured using traditional techniques in often idealistic images. Negatives were retouched to show glamor and an aura of perfection. This affected the likeness of the person photographed, but he felt each photo should transcend the subject. His carefully posed family portraits reveal that the family unit was an important aspect of Van Der Zee's life. "I tried to see that every picture was better-looking than the person ... I had one woman come to me and say 'Mr. VanDerZee my friends tell that's a nice picture, but it doesn't look like you.' That was my style", said VanDerZee. Van Der Zee sometimes combined several photos in one image, for example by adding a ghostly child to an image of a wedding to suggest the couple's future, or by superimposing a funeral image upon a photograph of a dead woman to give the feeling of her eerie presence. Van Der Zee said, "I wanted to make the camera take what I thought should be there." Van Der Zee was a working photographer who supported himself through portraiture, and he devoted time to his professional work before his more artistic compositions. Many famous residents of Harlem were among his subjects. In addition to portraits, Van Der Zee photographed organizations, events, and other businesses.Source: Wikipedia
Didier Massard
Didier Massard
France
1953
"Twenty years ago I was involved in traditional landscape photography. There were many places in the world that I wished to visit and photograph, but I realized that they would not match my perception of them. Reality was different from imagination. This disillusionment inspired me to create my own indoor landscapes-to fabricate dioramas and to photograph in a studio what I had in mind. Over the years I have developed my secret and still theater, always in the same place, same space. The scenes I create and photograph cannot be pinpointed on a map, but it is essential for me that these fictions are real in some way, and to believe and make believe that I have been "there." This practice of illusion generates a special relationship with objects and materials, as I constantly search for meaning other than their usual one. Although I prefer to work in paper, which is both a versatile and a time honored medium, I use absolutely anything that suits my purpose: glass, Plexiglas, aluminum foil, electric wire, fabric, pearls, modeling resin, food, feathers, pigments, and so on. I try to bring sophistication to the way children transform an object into something else when they play. My work succeeds when it reaches the border of truth and lie, when it drifts from reality to dream and back."
Marvin Anani
Marvin Anani
United States
1984
Marvin Anani is a photographer from Denver, CO. His work straddles architecture, landscape photography, urban exploration and american road travel culture. After working as a freelance photojournalist for many Colorado news outlets, he has turned his cameras away from the people and towards their environment and the places and spaces that we all inhabit, sharing unassuming minimalism and everyday modernism as his primary visual instrument.
Olivier Unia
Olivier Unia
France
1969
I'm French and I've been living in Morocco for 15 years. I like to say that my work is music and everything else is my passion. I discovered photography at a young age via album covers, storm thorgerson, the square format. but I'd never dared try. In the early days of covid, we had so much free time that I watched a lot of videos on the internet about photo techniques, the triangle, etc. I borrowed a camera and went out, in the rare moments I was allowed, to shoot at the skatepark. It took me 10 minutes to set up and trigger the first shot, the skateboard levitating, in focus, the sun behind, I had, thanks to a lot of luck, succeeded in taking my first photo. What a shock, if I'd missed it I'd have put the camera away in my bag forever, but since then I've done almost nothing else, since then I've had my first solo exhibition, I've been lucky enough to win a few prizes, to be published in a magazine and I travel for photography and the craziest thing is that I get paid for it. Statement I look out the window, what's the weather like? Is it raining? How's the sky? And the light?... especially the light. I prepare the bag, the camera, the lenses, which ones to choose? Who am I going to meet? What will I run into? I take several, I take too many, I know... but you never know. I set off at random, music in my ears, I look for beauty, architecture, the street, people, a look, a cat, shadows and light... especially light. I go out photographing like others go fishing, not because I like fish, but because I love these moments, the silence inside me, and if I come back with a beautiful photo or a 50-kilo trout, that's fine with me, but if I come back empty-handed? I still come back happy.
Isa Leshko
Isa Leshko
United States
1971
Isa Leshko is a fine art photographer living in Philadelphia, PA. She has had solo exhibitions at the Corden|Potts Gallery, the Galveston Arts Center, the Griffin Museum of Photography, the Houston Center for Photography, the Silver Eye Center for Photography, and the Richard Levy Gallery. Her prints are in numerous private and public collections including the Boston Public Library, the Harry Ransom Center, Haverford College, and the Museum of Fine Arts, Houston. Her images have been published in print and/or online editions of The Atlantic, The Boston Globe, Frankfurter Allgemeine Sonntagszeitung, The Guardian, Harper’s Magazine, The New York Times, Photo District News and Süddeutsche Zeitung Magazin.In 2012, Isa received both the Houston Center for Photography Fellowship and the Silver Eye Center for Photography Keystone Award for her Elderly Animals project. She was nominated for the 2011 Santa Fe Prize for Photography and was named a finalist for the 2011 New Orleans Photo Alliance Clarence John Laughlin Award.Isa grew up in Carteret, NJ and received her BA from Haverford College, where she studied cognitive psychology and neurobiology. She spent the 1990s working for dot.com startups as a project manager and software engineer before she discovered her passion for photography. She has lived in Houston, TX, Salem, MA and Providence, RI.
Teri Havens
Teri Havens
United States
Originally from Lubbock, Texas, Teri has been photographing fragments of American culture as a way of connecting with the world around her for the past twenty-five years. After studying photojournalism at the University of Texas and serving as an intern at the Magnum photo agency in New York, Teri developed her printmaking skills in darkrooms improvised in kitchens and motel rooms across the country.In 2012, after years of being primarily a “daylight” photographer, Teri started experimenting with night photography. Using moonlight or available streetlight she began a series of social landscapes that reveal a lonely, yet enduring portrait of a nearly forgotten America. Teri currently lives in rural Colorado with her husband Mike. When not lost in the backcountry, or in her darkroom producing palladium prints, she can be found in her beloved ’88 Ford Van on the track of the perfect roadside bar. Her work has been exhibited internationally, and published in The Huffington Post, The London Sunday Times, The Sun Magazine, Photo District News and on the NPR website. Teri is immensely grateful for the funding she has received through the Puffin Foundation and Dave Bown Projects.
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Latest Interviews

Exclusive Interview with Anastasia Samoylova
Interview
Exclusive Interview with Anastasia Samoylova
Anastasia Samoylova is an American artist whose photographic practice is shaped by close observation and a deep attentiveness to place. Working between documentary and formal exploration, she photographs landscapes, architecture, and everyday scenes with a sensitivity to light, structure, and atmosphere. Since relocating to Miami in 2016, her work has increasingly focused on how environments—both natural and built—carry social, cultural, and emotional traces. We asked her a few questions about her practice and her way of seeing, to better understand the thoughts and experiences that shape her work—while allowing the images themselves to remain open and speak in their own time.
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Exclusive Interview with Marijn Fidder
Interview
Exclusive Interview with Marijn Fidder
Marijn Fidder is a Dutch documentary photographer whose work powerfully engages with current affairs and contemporary social issues. Driven by a deep sense of social justice, she uses photography to speak on behalf of the voiceless and to advocate for the rights of those who are most vulnerable. Her images have been widely published in major international outlets including National Geographic, CNN Style, NRC Handelsblad, Volkskrant, GUP New Talent, and ZEIT Magazin. Her long-term commitment to disability rights—particularly through years of work in Uganda—culminated in her acclaimed project Inclusive Nation, which earned her the title of Photographer of the Year 2025 at the All About Photo Awards. She is also the recipient of multiple prestigious honors, including awards from World Press Photo and the Global Peace Photo Award. We asked her a few questions about her life and work.
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Exclusive Interview with Josh S. Rose
Interview
Exclusive Interview with Josh S. Rose
Josh S. Rose is a multidisciplinary artist working across photography, film, and writing. His practice bridges visual and performing arts, with a strong focus on movement, emotion, and the expressive potential of the image. Known for his long-standing collaborations with leading dance companies and performers, Rose brings together authenticity and precise composition—a balance he describes as “technical romanticism.” His work has been commissioned and exhibited internationally, appearing in outlets such as Vogue, at the Super Bowl, in film festivals, and most recently as a large-scale installation for Lincoln Center for the Performing Arts. A sought-after collaborator, he has worked with major artists, cultural institutions, and brands, following a previous career as Chief Creative Officer at Interpublic Group and the founder of Humans Are Social. We asked him a few questions about his life and work.
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Interview with Maureen Ruddy Burkhart
Interview
Interview with Maureen Ruddy Burkhart
Photographer Maureen Ruddy Burkhart brings a quietly attentive and deeply human sensibility to her exploration of the world through images. Shaped by a life immersed in photography, film, and visual storytelling, her work is guided by intuition, observation, and an enduring interest in the emotional undercurrents of everyday life. With a practice rooted in both fine art traditions and documentary awareness, she approaches her subjects with sensitivity, allowing subtle moments to emerge naturally rather than be imposed. Her series Til Death, selected as the Solo Exhibition for February 2025, reflects this long-standing commitment to photography as a space for reflection rather than spectacle. Drawn to moments that exist just outside the expected frame, Burkhart’s images suggest narratives without resolving them, leaving room for ambiguity, humor, and quiet connection. We asked her a few questions about her life and work.
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Exclusive Interview with Peter Ydeen
Interview
Exclusive Interview with Peter Ydeen
Winner of AAP Magazine #45 Travels, his series reflects this unique vision—capturing the spirit of place through subtle layers of light, color, and emotion. Whether traveling abroad or observing the rhythms of his own surroundings, Ydeen creates images that feel both grounded and enchanted, inviting viewers into a world where reality and reverie meet.
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Exclusive Interview with Julie Wang
Interview
Exclusive Interview with Julie Wang
Chinese-born photographer Julie Wang brings a poetic, contemplative sensitivity to her visual exploration of the world. Having lived for nearly equal parts of her life in China, Europe, and the United States, she approaches her subjects with the nuanced perspective of someone shaped by many cultures. This blend of distance, curiosity, and emotional resonance infuses her work with a quiet depth, allowing her to reveal the fragile beauty and subtle tensions that often pass unnoticed.
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Exclusive Interview with Ghawam Kouchaki
Interview
Exclusive Interview with Ghawam Kouchaki
American photographer Ghawam Kouchaki brings a sharply observant and introspective gaze to the streets of Japan’s capital. Based in Los Angeles, he approaches Tokyo with the distance — and curiosity — of an outsider, allowing him to uncover the city’s subtle contradictions, quiet tensions, and fleeting gestures that often go unnoticed. His series Tokyo no no, selected as the Solo Exhibition for December 2024, explores the hidden undercurrents of urban life: the unspoken rules, the small ruptures in routine, the poetic strangeness found in everyday moments. Through muted tones, instinctive timing, and meticulous framing, Kouchaki reveals a Tokyo that exists somewhere between reality and imagination — both intimate and enigmatic. We asked him a few questions about his life and work.
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Exclusive Interview with Tommi Viitala
Interview
Exclusive Interview with Tommi Viitala
Tommi Viitala, winner of AAP Magazine #44: Street, is a Finnish photographer celebrated for his striking and cinematic street photography. With a keen eye for atmosphere and composition, he captures fleeting urban moments that reveal the poetry of everyday life. His work often explores the tension between solitude and connection within contemporary cityscapes, blending documentary realism with artistic sensibility. Viitala’s photographs have been exhibited internationally and recognized for their strong visual storytelling and emotional depth. We asked him a few questions about his life and work.
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Exclusive Interview with Robert Mack
Interview
Exclusive Interview with Robert Mack
Robert Mack is a California-based visual artist, photographer, and filmmaker. His fine art photography and films have been exhibited widely in the United States and Europe, with major shows at the Baltimore Museum of Art and the Reiss-Engelhorn Museum in Mannheim, Germany. Both institutions hold his work in their permanent collections. Working across different media, Mack has built a career exploring the complexities of human presence and representation. In 1981, while living in Baltimore, he produced The Perkins Project: Not Guilty by Reason of Insanity, a rare photographic and film study inside Maryland’s hospital for the criminally insane. These stark yet compassionate black-and-white portraits remain one of his most powerful and controversial bodies of work.
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