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FINAL Deadline Today: WIN A Solo Exhibition this December!
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France Leclerc
France Leclerc
France Leclerc

France Leclerc

Country: Canada

France Leclerc, born in Quebec, Canada, is an independent photographer who currently lives in Chicago. Her early career was in academia, teaching at MIT and the University of Chicago, but her true passion for documentary photography has now taken over. The curiosity and hunger for learning that had motivated her academic research career did not vanish. France now uses photography as a vehicle to understand and help depict issues that puzzle her, and satisfy her passion for learning. Among her most prominent themes are culture (especially disappearing ones), religion and social inequality, always focusing on the human element. Her images have now been shown in curated exhibitions and have won numerous awards including PDN World-in-Focus Competition in the Travel Portrait Category (2017), and in the Photo-Essay Category (2018), the APA National in the PhotoJournalism Category (2017), and the Julia Margaret Cameron Award in the Culture and Daily Life Category (2019).

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Matthew Brandt
United States
1982
Matthew Brandt (born 1958 in Los Angeles) is a American photographer and visual artist. Calling his approach "a little bit messy and experimental," Brandt produces large-scale photographs through labor-intensive processes recalling the 19th-century origins of photography, often incorporating the physical matter of the subject itself. Attuned to the history of his medium — and its resolute physicality — and inspired by classical American landscape photographs, Brandt traverses the West, photographing and collecting material samples from nature and cities. The reciprocal relationships that Matthew Brandt creates between his subjects and the materials used to represent them are always conceptually grounded, often in response to social and environmental issues. He is deeply inquisitive, even fearless, in his exploration of subjects, materials, and processes, reinvigorating the medium of photography with a sense of wonder.Source: The Lapis Press Matthew Brandt received his BFA from Cooper Union and MFA from UCLA. Brandt has been the subject of institutional solo shows at the Newark Museum, the Columbus Museum of Art, Virginia Museum of Contemporary Art and SCAD Museum of Art, Savannah. Recent group exhibitions include works in New Territory: Landscape Photography Today at the Denver Art Museum, The Magic Medium at the Los Angeles County Museum of Art; Light, Paper, Process: Reinventing Photography at the J. Paul Getty Museum, Los Angeles; Second Chances at the Aspen Art Museum; What is a Photograph? at the International Center of Photography, New York; and Land Marks at the Metropolitan Museum of Art, New York. Brandt was shortlisted for the prestigious Prix Pictet Award in 2015 and had his work showcased in an exhibition at the Musée d’Art Moderne de la Ville de Paris. His work can be found in the permanent collections of the Metropolitan Museum of Art, New York; National Gallery of Art, Washington, DC; J. Paul Getty Museum, Los Angeles; Guggenheim Collection, NY; Brooklyn Museum, New York; Art Gallery of South Wales, Sydney, Australia; Virginia Museum of Fine Arts, Richmond; Cincinnati Art Museum; Los Angeles County Museum of Art; Hammer Museum, Los Angeles; Royal Danish Library, National Museum of Photography, Copenhagen; Denver Art Museum, Colorado; High Museum, Georgia; Detroit Institute of Arts, Michigan; and the Columbus Museum of Art, among others. In 2014 a monograph devoted to Brandt’s work was published by Damiani. Matthew Brandt lives and works in Los Angeles.Source: matthewbrandt.com Matthew Brandt's photography conflates subject and material, incorporating physical elements from the sources he’s depicting to create unique compositions that are technically inventive and conceptually sly. For Lakes and Reservoirs, his landscapes were bathed in the water of their subjects; 2014’s Dust featured reproductions of historical photographs of demolished structures, rendered in pigments borne of debris collected from those buildings’ contemporary sites. For 1864, his first exhibition at Jackson Fine Art, Matthew Brandt again turns to the archives, reinterpreting George N. Barnard’s photographs of a post-Sherman Atlanta by making images of a shattered city into peach pie.Source: Jackson Fine Art
Davide Bertuccio
Davide was born in Messina in 1991. He is a photojournalist based in Milan. He graduated with honors in 2016 at IED (Istituto Europeo di Design) at the school of visual arts in photography. Since the end of 2016, he focused on the theme of globalization, looking for stories that would give voice to the small realities crushed by that indefatigable desire for equality. In 2019 He decided to follow his passion for science and environmental problems with the realization of a work about the problem of plastic pollution in the Mediterranean Sea. Davide, inserted in 2014 among the 10 best under 25 Italian talents and nominated in 2019 by 6X6 World Press Photo Global Talent Program, has been published by National Geographic USA, National Geographic Italia, Il Reportage and his works received national and international awards. Accross the River's Flow Saxons are a community with German roots. Since XI century, together with Hungarians and Romanians, they’ve been living in the green heart of Romania. From this very land, a major migration is now taking place which marks the decline of centuries of history. Saxons are disappearing and their culture, their tongue and traditions along with them. “Across the river’s flow” aims to be a work about the disappearing of ethnic minorities, overwhelmed by the pace of modern life and by an ever-growing globalization. Saxons are an example of how authenticity is wiped out to make room for a fictitious daily routine and how entire ethnic groups and populations must surrender to outside forces such as racism.
Rogan Coles
South Africa/United Kingdom
1954
I was born in 1954. Photography is what I do. The stories lie therein. In presenting this body of work I want to explore something that is often overlooked - as in the intrinsic value of photography. As one of his mantras, Jack Ma, the founder and now former CEO of Alibaba and a person whose tenacity I admire, said this, "I always look 10 years ahead". While I'm not going to suggested that this is what I do with my photography or when I am about to embark on a project. But and quite often, there's something prescient in what I do and how I approach my work as a photographer. When I set out to document Smithfield Market in London, this is more or less what happened. Besides all the talk of closing down the market, there were suggestions that the market was going to be refurbished and, in the process, brought up to European Union health standards. At around this time, I used to take a short cut through the market's precinct as I walked from one side of the city to the other. Of course, during the day, there was nothing there. Well, let me qualify, there were no people there. Working hours were from just around midnight until the early hours of the morning. With these various stories doing the rounds, I wanted to investigate. In the process I made contact with the market's management. As a result, I was granted to two week window to document the market and the activities there. This was back in April of 1991. Yes, nearly 30 years ago. This is what I mean, the "intrinsic value of photography". I don't know what these images are worth. I have never exhibited them or ever had them published in any form. No real reason. Then as now, perhaps I didn't have a compelling enough story that publications or curators could buy into. "Intrinsic value" is not going to see this work through to anything significant. Perhaps something like "British working class heroes", "End of an era" or "Times are a changing" may have done it. But, we live on in hope. I have long admired photography of Vivien Maier and see her work in much the same way - and that is, for its intrinsic value. Through her work, Maier more or less defined the Chicago of a particular era. Another photographer's work who I much admire is Max Yavno. Again, the strength of his work lies in its intrinsic value. Through his work, he more or less defined Los Angeles and San Francisco of an era and, to some degree, Cairo. His work is iconic - just as is Maier's.
Daniel Berehulak
Daniel Berehulak is an award-winning independent photojournalist based in Mexico City, Mexico. A native of Sydney, Australia, Daniel has visited over 60 countries covering history-shaping events including the Iraq war, the trial of Saddam Hussein, child labour in India, Afghanistan elections and the return of Benazir Bhutto to Pakistan, and documented people coping with the aftermath of the Japan Tsunami and the Chernobyl disaster. His work has been recognized with two Pulitzer prizes. In 2015, for Feature Photography for his coverage of the Ebola epidemic in West Africa and in 2017 for Breaking News Photography for his coverage of the so-called war on drugs in the Philippines, both for The New York Times. In 2011, he was also a Pulitzer finalist for his coverage of the 2010 floods in Pakistan. These are some of several honors his photography has earned including six World Press Photo awards, two Photographer Of The Year awards from Pictures of the Year International and the prestigious John Faber, Olivier Rebbot and Feature Photography awards from the Overseas Press Club amongst others. Born into a Ukrainian refugee family, Daniel grew up on a farm outside of Sydney, Australia. Their Ukrainian practicality did not consider photography to be a viable trade to pursue, so at an early age Daniel worked on the farm and at his father's refrigeration company. After graduating from The University of NSW with a degree in History, his career as a photographer started humbly: shooting sports matches for a guy who ran his business from his garage. In 2002 he started freelancing with Getty Images in Sydney shooting mainly sport. From 2005 Daniel was based in London and from 2009 in New Delhi, as a staff news photographer with Getty Images til June of 2013. As of July 2013, Daniel embarked upon a freelance career to focus on a combination of long-term personal projects, breaking news and client assignments. He is a regular contributor to The New York Times.
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