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Fabian Muir
Fabian Muir
Fabian Muir

Fabian Muir

Country: Australia

Fabian Muir is an award-winning Australian photographer based in Sydney. The principal motivation behind his projects and practice is visual storytelling with a focus on humanist issues.

He is an Eddie Adams alumnus (USA) and represented by Michael Reid in Sydney and Berlin.

He speaks fluent German, French and Spanish, while his Russian sputters with the determination of a Lada on a rather steep incline.

His images have featured in major solo and group exhibitions and festivals around the world and have been acquired by numerous significant collections. His fine art series addressing social challenges and injustice confronting refugees, entitled 'Blue Burqa in a Sunburnt Country' (2014) and 'Urban Burqa' (2017), as well as his two-year survey of daily life in the DPRK (North Korea) have attracted global press, television and radio coverage. He has also spent years surveying the legacy of the Soviet Union in the aftermath of its disintegration.

Outlets include The Guardian / The Atlantic / VICE / BBC World TV / CNN International TV / LensCulture / SPIEGEL / Frankfurter Allgemeine Zeitung / BBC Asian Network / BBC Digital / FotoEvidence / PDN / Vogue Entertaining + Travel / Sueddeutsche Zeitung / Channel 9 Australia / BuzzFeed / World Photography Organisation Blog / Leica Magazine / Vision (China) / ZEISS Lenspire / France Culture (Radio France) / Photographic Museum of Humanity (PHmuseum) / Marie Claire / CNU (China) / El Observador (Portugal) / The Sydney Morning Herald / Fotoblogia (Poland) / LIFO / Bird in Flight / FAHRENHEITº Magazine / MindFood Magazine / Ampersand Magazine / Studio Magazine / Bios Monthly (Taiwan) / La Repubblica / Lenta.ru / The Age / Black + White Magazine / Konbini / Capture Magazine / Photojournalink / Expert-Russkiy Reporter / Street Photography Magazine / Feature Shoot / Gulf News (UAE) / The National (UAE) / PhotogrVphy Magazine / Musée Magazine New York / Forbes Magazine / London Telegraph / Lenscratch / Aesthetica Magazine / Portrait of Humanity book published by Hoxton Mini Press, London / The Independent / London Times / Huck Magazine / British Journal of Photography

Gallery

Michael Reid

Websites

www.fabianmuir.com

@fabianmuir

 

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More Great Photographers To Discover

Clark James Mishler
Clark James Mishler
United States
1948
I was introduced to photography while studying Advertising Design at the Los Angeles Art Center. My life as a photographer has was supplemented by book design and photo editing, including two years as a layout editor for the National Geographic Magazine in Washington D.C. My work has appeared in national and international publications including: Entrepreneur, GEO, National Geographic, National Geographic Traveler, National Geographic World, National Geographic Books, Newsweek, Smithsonian Air & Space, Sunset, Time, and U.S. News and World Report. I am now semi-retired and devoting my time to personal work with emphasis on black and white documentary projects. AAP Competitions All About Photo Awards 2025 AAP Magazine 55 Women Articles: Documenting The Alaska State Fair Traveling Circus American Christmas
Betina La Plante
Betina La Plante
Argentina
Betina La Plante is an independent portrait photographer who mainly shoots for editorial and personal projects. Born and raised in Buenos Aires, Argentina, La Plante began her career in film and television production, before focusing on photography in 2009. She now divides her time between Los Angeles, California, Europe and Argentina, working on assignments for different clients in the editorial field, as well as private commissions. Her work has garnered international acclaim, and has become known for her soulful and emotional portrayal of her subjects. Recently she has also returned to the film industry as on set stills photographer. She has been published in numerous international fashion, editorial and fine art publications.
Joakim Strömholm
Joakim Strömholm
Sweden
1947
Joakim Strömholm is a Swedish photographer, well-known for documentations of music, film and TV-productions, theater, musicals and showbiz. His father Christer Strömholm wanted him to become a restaurant chef or a doctor. "As such, you will always find a job. You can not survive as a photographer.” But he gave him a Leica and access to his darkroom, and Joakim has worked with photography since then! He has also tried professions such as guide in Paris, swimming instructor, darkroom printer, photography teacher and has worked as a "jack of all trades" on movie sets. Among other things, Joakim was Brigitte Bardots personal driver during a film shoot in Sweden 1972. Finally he became a film-set photographer and photo editor for the Swedish TV-news. He made some documentaries and photographed a lot of rock n´roll in the 80´s and 90´s. Joakim has travelled much, to do his own photo reports and on assignments for Swedish daily, weekly and specialized press. He is the CEO for ”Christer Strömholm Estate”, and curates their book publishing and photography exhibitions.
Jost Franko
Jost Franko
Slovenia
1993
Jošt Franko is a young documentary photographer born in Slovenia in 1993. His work is mostly focused on long term projects exploring domestic and international social issues, and his themes often touch on the loss of traditional values in the modern world. Franko’s vision in photography is to document the world, and to thereby unfold, discover and understand it. He believes that his youth and curiosity drive him to pick up themes that are easily and often overlooked.
Renée Munn
Renée Munn
Australia/Canada
Australian-born, Toronto-based photographer Renée Munn has a BFA from Ryerson University School of Image-Arts in photography. Her artwork has been acquisitioned by Ryerson and accepted into the Bibliothèque Nationale de France. She has received awards including 1st place in the San Francisco International Photography Exhibition, 3rd place at Grand Prix de la Decouverte in Paris and the Jim P. Shea Memorial Award for Best Overall Submission at SNAP. In 2013, Munn debut her first solo show titled The Looking-glass Self at the CONTACT Festival in Toronto. Munn is represented by Exhibit No.9 gallery for contemporary experimental photography and art. About The Work Munn is best known for her large-scale fragmented female portraits. Composed from multiple negatives, her artistic play on reality manipulates time and space, allowing the viewer to transcend the frame and undergo the multiple dimensions of appearance and experience of oneself. As a photographer Munn is interested in the expressive possibilities of the medium. In her work she explores numerous analogue and darkroom techniques such as double and triple exposure, photogram’s, combination printing and cliché verre to alter her figures and create a single image which is both real and imagined. Munn’s collages are finished with beeswax and resins and are exhibited unframed and tangible.
Gary Beeber
Gary Beeber
United States
1951
Gary Beeber is an award-winning American photographer/filmmaker who has exhibited in galleries and museums throughout the United States and Europe. His documentary films have screened at over 75 film festivals. Solo (photography) exhibitions include two at Generous Miracles Gallery (NYC), the Griffin Museum of Photography (Wincester, MA), and upcoming exhibitions at PRAXIS Photo Arts Center, and the Rhode Island Center for Photographic Arts. Beeber’s work has also been included in juried exhibitions throughout the world. Among Fortune 500 companies who collect his work are Pfizer Pharmaceutical, Goldman Sachs and Chase Bank. Sylvester Manor, Shelter Island As an artist I am drawn to subjects I find to be incongruous, and always like to experiment with composition, lighting and perspective. As I'm taking pictures I think a lot about the passage of time and how things evolve over the decades. When living in Sag Harbor, NY one of my great pleasures was taking the 10 minute ferry trip to Shelter Island (whose sleepy beauty starkly contrasts with the glitz and glamor of the Hamptons) and exploring/documenting Sylvester Manor. The island was originally inhabited by indigenous peoples, but was officially established as a slave holding provisioning plantation in 1652 by Nathaniel Sylvester, a sugar merchant from Barbados, who purchased the entire island for 1600 pounds of sugar. Sylvester Manor has been in the Sylvester family for 11 generations. Descendants of Nathaniel Sylvester used slaves to work the plantation until early in the 19th century when slavery was abolished in the north. People relate to this series because of Sylvester Manor's history and mystery. I was drawn to it for those same reasons, and of course it's sad, dark haunting beauty.
Chris Yan
Chris Yan
China
1981
Chris Yan, photographer, Creative Director, was born in Beijing, China in 1981. After graduating from Communication University of China with a degree in art and design, he began to work in international advertising agencies such as Dentsu, JWT, and Leo Burnett as art director and creative director. In 2013 he founded his own company, focusing on commercial design and art creation, and began photography. He mainly explores humanities and street photography. For the past ten years, he has been photographing in different countries and currently he lives and works in Beijing. AAP Magazine B&W #41 Women #46
Walker Evans
Walker Evans
United States
1903 | † 1975
Walker Evans was an American photographer best known for documenting the effects of the Great Depression for the Farm Security Administration (FSA). The large-format, 8x10-inch camera was used extensively by Evans during the FSA period. As a photographer, he aspired to create images that are "literate, authoritative, transcendent". Many of his works are in museum permanent collections, and he has had retrospectives at places like the Metropolitan Museum of Art or George Eastman House. Walker Evans was born into a wealthy family in St. Louis, Missouri, to Jessie (née Crane) and Walker. His father worked as an ad executive. He grew up in Toledo, Chicago, and New York City. In 1922, he graduated from Phillips Academy in Andover, Massachusetts. He attended Williams College for a year, studying French literature and spending most of his time in the library, before dropping out. In 1926, he returned to the United States to join the edgy literary and art crowd in New York City after spending a year in Paris. Among his friends were John Cheever, Hart Crane, and Lincoln Kirstein. From 1927 to 1929, he worked as a stockbroker's clerk on Wall Street. Evans began photographing in 1928, while living in Ossining, New York. In 1930, he published three photographs (Brooklyn Bridge) in Hart Crane's poetry collection The Bridge. Dock-worker, Havana, Cuba, 1932© Walker Evans Archive, The Metropolitan Museum of Art After spending a year in Paris in 1926, Walker Evans returned to the United States to join the edgy literary and art crowd in New York City. John Cheever, Hart Crane, and Lincoln Kirstein were among his friends. He was a clerk for a stockbroker firm in Wall street from 1927 to 1929. Evans took up photography in 1928 around the time he was living in Ossining, New York. In 1930, he published three photographs (Brooklyn Bridge) in the poetry book The Bridge by Hart Crane. Lincoln Kirstein sponsored a photo series of Victorian houses in the Boston area in 1931. In 1933, he photographed the revolt against dictator Gerardo Machado in Cuba for the publisher of Carleton Beals' then-upcoming book, The Crime of Cuba. Evans briefly met Ernest Hemingway in Cuba.  With the camera, it’s all or nothing. You either get what you’re after at once, or what you do has to be worthless. -- Walker Evans Evans began a two-month photographic campaign for the Resettlement Administration (RA) in West Virginia and Pennsylvania in 1935. From October to December, he continued to photograph for the RA and, later, the Farm Security Administration (FSA), primarily in the South. While still working for the FSA, he and writerJames Agee were sent on assignment to Hale County, Alabama, by Fortune magazine for a story that the magazine later decided not to run. Allie Mae Burroughs, 1935 or 1936© Walker Evans Archive, The Metropolitan Museum of Art Let Us Now Praise Famous Men, a groundbreaking book published in 1941, featured Evans' photographs and Agee's text detailing the duo's stay with three white tenant families in southern Alabama during the Great Depression. Its detailed account of three farming families paints a heartbreaking picture of rural poverty. In her 1980 book Diana & Nikon: Essays on the Aesthetic of Photography, critic Janet Malcolm noted a similarity to the Beals' book, pointing out the contradiction between Agee's prose and the quiet, magisterial beauty of Evans' photographs of sharecroppers. The three families, led by Bud Fields, Floyd Burroughs, and Frank Tingle, lived in the Hale County town of Akron, Alabama, and the landowners told them that Evans and Agee were "Soviet agents," though Allie Mae Burroughs, Floyd's wife, later recalled her dismissing that information. Evans' photographs of the families immortalized their misery and poverty during the Great Depression. For its 75th anniversary issue, Fortune returned to Hale County and the descendants of the three families in September 2005. When Evans and Agee visited the Burroughs family, Charles Burroughs, who was four years old at the time, was "still angry" at them for not even sending the family a copy of the book; Floyd Burroughs' son was also reportedly angry because the family was "cast in a light that they couldn't do any better, that they were doomed, ignorant." The secret of photography is, the camera takes on the character and personality of the handler. -- Walker Evans Walker Evans remained with the FSA until 1938. An exhibition, Walker Evans: American Photographs was on display at Museum of Modern Art in New York that year. This was the museum's first exhibition devoted solely to the work of a single photographer. The catalogue also included an essay by Lincoln Kirstein, whom Evans had met in his early days in New York. Evans took his first photographs in the New York subway in 1938, with a camera hidden in his coat. Many are Called was a book that collected these stories in 1966. Evans collaborated with and mentored Helen Levitt in 1938 and 1939. Evans, like such other photographers as Henri Cartier-Bresson, rarely spent time in the darkroom creating prints from his own negatives. He only loosely supervised the printing of most of his photographs, sometimes only attaching handwritten notes to negatives with printing instructions. Evans was an avid reader and writer who joined Time Magazine's staff in 1945. He then worked as an editor at Fortune magazine until 1965. That same year, he joined the faculty of the Yale University School of Art as a photography professor. Evans completed a black and white portfolio of Brown Brothers Harriman's offices and partners for publication in Partners in Banking, which was published in 1968 to commemorate the private bank's 150th anniversary. He also shot a long series with the then-new Polaroid SX-70 camera in 1973 and 1974, after age and poor health made it difficult for him to work with elaborate equipment. In 1971, the Museum of Modern Art held another exhibition of his work, simply titled Walker Evans. Walker Evans died in 1975 at his home in Lyme, Connecticut. The Estate of Walker Evans donated its holdings to New York City's The Metropolitan Museum of Art in 1994. The Metropolitan Museum of Art is the sole owner of all Walker Evans works of art in all media. The only exception is a group of about 1,000 negatives in the Library of Congress collection that were created for the Resettlement Administration (RA) / Farm Security Administration (FSA). Evans's RA / FSA works are free to use. Evans was inducted into the St. Louis Walk of Fame in 2000. Images: © Walker Evans Archive, The Metropolitan Museum of Art
Martine Franck
Martine Franck
Belgium
1938 | † 2012
Franck was born in Antwerp to the Belgian banker Louis Franck and his British wife, Evelyn. After her birth the family moved almost immediately to London. A year later, her father joined the British army, and the rest of the family were evacuated to the United States, spending the remainder of the Second World War on Long Island and in Arizona. Franck's father was an amateur art collector who often took his daughter to galleries and museums. Franck was in boarding school from the age of six onwards, and her mother sent her a postcard every day, frequently of paintings. Ms. Franck, attended Heathfield School, an all-girls boarding school close to Ascot in England, and studied the history of art from the age of 14. "I had a wonderful teacher who really galvanized me," she says. "In those days she took us on outings to London, which was the big excitement of the year for me." Franck studied art history at the University of Madrid and at the Ecole du Louvre in Paris. After struggling through her thesis (on French sculptor Henri Gaudier-Brzeska and the influence of cubism on sculpture), she said she realized she had no particular talent for writing, and turned to photography instead. In 1963, Franck's photography career started following trips to the Far East, having taken pictures with her cousin’s Leica camera. Returning to France in 1964, now possessing a camera of her own, Franck became an assistant to photographers Eliot Elisofon and Gjon Mili at Time-Life. By 1969 she was a busy freelance photographer for magazines such as Vogue, Life and Sports Illustrated, and the official photographer of the Théâtre du Soleil (a position she held for 48 years). From 1970 to 1971 she worked in Paris at the Agence Vu photo agency, and in 1972 she co-founded the Viva agency. In 1980, Franck joined the Magnum Photos cooperative agency as a "nominee", and in 1983 she became a full member. She was one of a very small number of women to be accepted into the agency. In 1983, she completed a project for the now-defunct French Ministry of Women's Rights and in 1985 she began collaborating with the non-profit International Federation of Little Brothers of the Poor. In 1993, she first traveled to the Irish island of Tory where she documented the tiny Gaelic community living there. She also traveled to Tibet and Nepal, and with the help of Marilyn Silverstone photographed the education system of the Tibetan Tulkus monks. In 2003 and 2004 she returned to Paris to document the work of theater director Robert Wilson who was staging La Fontaine's fables at the Comédie Française. Nine books of Franck's photographs have been published, and in 2005 Franck was made a chevalier of the French Légion d'Honneur. Franck continued working even after she was diagnosed with bone cancer in 2010. Her last exhibition was in October 2011 at the Maison Européenne de la Photographie. The exhibit consisted of 62 portraits of artists "coming from somewhere else" collected from 1965 through 2010. This same year, there were collections of portraits shown at New York's Howard Greenberg Gallery and at the Claude Bernard Gallery, Paris. Franck was well known for her documentary-style photographs of important cultural figures such as the painter Marc Chagall, philosopher Michel Foucault and poet Seamus Heaney, and of remote or marginalized communities such as Tibetan Buddhist monks, elderly French people, and isolated Gaelic speakers. Michael Pritchard, the Director-General of the Royal Photographic Society, observed: "Martine was able to work with her subjects and bring out their emotions and record their expressions on film, helping the viewer understand what she had seen in person. Her images were always empathetic with her subject." In 1976, Frank took one of her most iconic photos of bathers beside a pool in Le Brusc, Provence. By her account, she saw them from a distance and rushed to photograph the moment, all the while changing the roll of film in her camera. She quickly closed the lens just at the right moment, when happened to be most intense. She cited as influences the portraits of British photographer Julia Margaret Cameron, the work of American photojournalist Dorothea Lange and American documentary photographer Margaret Bourke-White. In 2010, she told The New York Times that photography "suits my curiosity about people and human situations." She worked outside the studio, using a 35 mm Leica camera, and preferring black and white film. The British Royal Photographic Society has described her work as "firmly rooted in the tradition of French humanist documentary photography." Source: Wikipedia Born in Belgium, Martine Franck (1938-2012) grew up in the United States and in England. She studied art history at the University of Madrid and at the École du Louvre in Paris. In 1963, she went to China, taking her cousin's Leica camera with her, and discovered the joys of documenting other cultures. Returning home via Hong Kong, Cambodia, India, Afghanistan and Turkey, and bought her first camera while on the trip. Returning to France, she worked as a photographic assistant at Time-Life where she developed her own technique. In 1966, Franck met Henri Cartier-Bresson, whose photographs epitomized Magnum's tradition of humanitarian photography. Franck was adamant that she would neither bask in his reflection nor disappear in his shadow and she joined the Vu agency in 1970. Her first solo exhibition was planned for the ICA in London that year; when she saw that the invitations were embossed with the information that her husband would be present at the launch, she cancelled the show. With Vu's demise, Franck co-founded the Viva agency in 1972. It also collapsed and it was not until 1980 that Franck joined Magnum, becoming a full member in 1983. She was one of the few women to be accepted into the agency and served as vice-president from 1998 to 2000. Eschewing the war/human tragedy reportage that characterized Magnum's reputation, Franck continued her projects on marginal or isolated lives throughout the rest of her life. Source: Howard Greenberg Gallery
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Latest Interviews

Exclusive Interview with Matthew Finley
Interview
Exclusive Interview with Matthew Finley
American photographer Matthew Finley turns inward, using photography as a way to explore identity, memory, and emotional truth. Based in Los Angeles, his practice moves between performance, gesture, and found imagery, creating a visual language that is both intimate and deeply personal
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Exclusive Interview with Jan Janssen
Interview
Exclusive Interview with Jan Janssen
Dutch photographer Jan Janssen explores universal human experiences through his long-term project It Matters, winner of the May 2025 Solo Exhibition. Begun in 2016, the series captures intimate moments of everyday life—love, loss, connection, and belonging—across Central and Eastern Europe. Working in countries such as Turkey, Azerbaijan, and Armenia, Janssen spends extended time within communities, building relationships based on trust and respect. His approach allows him to move beyond observation, revealing deeply human and authentic moments. Rooted in travel and personal discovery, It Matters reflects Janssen’s search for what connects us all in an increasingly divided world. The project is ongoing and will culminate in a photobook scheduled for publication in 2026.
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Exclusive Interview with Henk Kosche
Interview
Exclusive Interview with Henk Kosche
German photographer Henk Kosche turns his lens toward the streets of Halle an der Saale, capturing everyday life in the late years of the former German Democratic Republic. At the time, Kosche was studying design and exploring the city with his camera, drawn to the atmosphere of its industrial landscape and the quiet rhythms of daily life. His series Street Photography at the End of the 80s, selected as the Solo Exhibition for July 2025, revisits a body of work created just before a period of profound change. Rediscovered decades later in a small box of 35mm negatives, these photographs offer glimpses of a city and its people at a moment suspended between the familiar and the unknown.
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Exclusive Interview with Anastasia Samoylova
Interview
Exclusive Interview with Anastasia Samoylova
Anastasia Samoylova is an American artist whose photographic practice is shaped by close observation and a deep attentiveness to place. Working between documentary and formal exploration, she photographs landscapes, architecture, and everyday scenes with a sensitivity to light, structure, and atmosphere. Since relocating to Miami in 2016, her work has increasingly focused on how environments—both natural and built—carry social, cultural, and emotional traces. We asked her a few questions about her practice and her way of seeing, to better understand the thoughts and experiences that shape her work—while allowing the images themselves to remain open and speak in their own time.
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Exclusive Interview with Marijn Fidder
Interview
Exclusive Interview with Marijn Fidder
Marijn Fidder is a Dutch documentary photographer whose work powerfully engages with current affairs and contemporary social issues. Driven by a deep sense of social justice, she uses photography to speak on behalf of the voiceless and to advocate for the rights of those who are most vulnerable. Her images have been widely published in major international outlets including National Geographic, CNN Style, NRC Handelsblad, Volkskrant, GUP New Talent, and ZEIT Magazin. Her long-term commitment to disability rights—particularly through years of work in Uganda—culminated in her acclaimed project Inclusive Nation, which earned her the title of Photographer of the Year 2025 at the All About Photo Awards. She is also the recipient of multiple prestigious honors, including awards from World Press Photo and the Global Peace Photo Award. We asked her a few questions about her life and work.
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Exclusive Interview with Josh S. Rose
Interview
Exclusive Interview with Josh S. Rose
Josh S. Rose is a multidisciplinary artist working across photography, film, and writing. His practice bridges visual and performing arts, with a strong focus on movement, emotion, and the expressive potential of the image. Known for his long-standing collaborations with leading dance companies and performers, Rose brings together authenticity and precise composition—a balance he describes as “technical romanticism.” His work has been commissioned and exhibited internationally, appearing in outlets such as Vogue, at the Super Bowl, in film festivals, and most recently as a large-scale installation for Lincoln Center for the Performing Arts. A sought-after collaborator, he has worked with major artists, cultural institutions, and brands, following a previous career as Chief Creative Officer at Interpublic Group and the founder of Humans Are Social. We asked him a few questions about his life and work.
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Interview with Maureen Ruddy Burkhart
Interview
Interview with Maureen Ruddy Burkhart
Photographer Maureen Ruddy Burkhart brings a quietly attentive and deeply human sensibility to her exploration of the world through images. Shaped by a life immersed in photography, film, and visual storytelling, her work is guided by intuition, observation, and an enduring interest in the emotional undercurrents of everyday life. With a practice rooted in both fine art traditions and documentary awareness, she approaches her subjects with sensitivity, allowing subtle moments to emerge naturally rather than be imposed. Her series Til Death, selected as the Solo Exhibition for February 2025, reflects this long-standing commitment to photography as a space for reflection rather than spectacle. Drawn to moments that exist just outside the expected frame, Burkhart’s images suggest narratives without resolving them, leaving room for ambiguity, humor, and quiet connection. We asked her a few questions about her life and work.
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Exclusive Interview with Peter Ydeen
Interview
Exclusive Interview with Peter Ydeen
Winner of AAP Magazine #45 Travels, his series reflects this unique vision—capturing the spirit of place through subtle layers of light, color, and emotion. Whether traveling abroad or observing the rhythms of his own surroundings, Ydeen creates images that feel both grounded and enchanted, inviting viewers into a world where reality and reverie meet.
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Exclusive Interview with Julie Wang
Interview
Exclusive Interview with Julie Wang
Chinese-born photographer Julie Wang brings a poetic, contemplative sensitivity to her visual exploration of the world. Having lived for nearly equal parts of her life in China, Europe, and the United States, she approaches her subjects with the nuanced perspective of someone shaped by many cultures. This blend of distance, curiosity, and emotional resonance infuses her work with a quiet depth, allowing her to reveal the fragile beauty and subtle tensions that often pass unnoticed.
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