All about photo.com: photo contests, photography exhibitions, galleries, photographers, books, schools and venues.
Enter AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Enter AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
  1. Home
  2. All Photographers
  3. Modern Photographers
  4. Isabelle Chapuis
Isabelle Chapuis
Isabelle Chapuis
Isabelle Chapuis

Isabelle Chapuis

Country: France

Isabelle Chapuis was born in 1982 in Paris. Since her childhood, her practice of dance and naked sketches directs her art towards the human body. In 2005, after graduating from Penninghen in graphic arts, she chose photography as a means of expression. Isabelle's work ranges from artistic photography to therapeutic photography. These two dimensions nourish and reinforce each other.

In 2010, she won the Picto Price. Two years later, her work was awarded by the Bourse du Talent and was exhibited at the French National Library François Mitterrand, and are now part of its photographic collection. Since then, her creations have been regularly exhibited in galleries and institutions, including the 110 Galerie (Paris, 2022), the Palais Galliera (Paris, 2018), the Planches Contact festival (Deauville, 2018), Le Grand Musée du Parfum (Paris , 2016), the Bettina Gallery (Paris, 2013, 2015), the Contemporary Art Center of the Château des Adhémar (Montélimar, 2016). Her work is also exhibited in the United States at Snap Space (2015), as well as in Asia at the Galerie Paris 1839 (Hong Kong, 2016), within the Franco-Chinese Month of Environment (China, 2016 ) and the French May (Hong Kong, 2013).

Websites

isabellechapuis.com

@isabelle_chapuis

 

Isabelle Chapuis's Video

Inspiring Portfolios

Thomas Vijayan
© Thomas Vijayan
Julie Wang
© Julie Wang
Pedro Jarque Krebs
© Pedro Jarque Krebs
Call for Entries
AAP Magazine #54 Nature
Publish your work in AAP Magazine and win $1,000 Cash Prizes
© Hozzography
 
Stay up-to-date  with call for entries, deadlines and other news about exhibitions, galleries, publications, & special events.

More Great Photographers To Discover

Jill Freedman
Jill Freedman
United States
1939 | † 2109
Jill Freedman was a highly respected New York City documentary photographer whose award-winning work is included in the permanent collections of the Museum of Modern Art, the International Center of Photography, George Eastman House, the Smithsonian American Art Museum, the New York Public Library, the Museum of Fine Arts, Houston, and the Bibliothèque Nationale de France, Paris, among others. She appeared in solo and group exhibitions throughout the world, and contributed to many prominent publications. Jill Freedman was best known for her street and documentary photography, recalling the work of André Kertész, W. Eugene Smith, Dorothea Lange, and Cartier-Bresson. She published seven books: Resurrection City; Circus Days; Firehouse; Street Cops; A Time That Was: Irish Moments; Jill’s Dogs; and Ireland Ever. Jill Freedman lived and worked on the Upper West Side of New York City. The Joy of Photography "When I was seven I found old Life Magazines in the attic. My parents had kept the ones from the war and for a year I used to go up there after school, look at the pictures, cry, then go play softball. When my parents realized that I had found them and how they affected me, they burned them, but it was too late, those pictures had burned into my brain. Outwardly I was normal, but those images were always with me, and in my dreams. Even now I can see them, the man who had tried to escape the burning barn, the concentration camp. I majored in Sociology in college, then spent a few years traveling around Europe singing for my supper. I’d spend the days wandering around, searching for adventure, meeting all kinds of eccentric characters and loving their stories. When I ran out of money I’d sing again. I settled in New York, got a job, tried to figure out what I wanted to do. Something meaningful, not just work. I was starting to worry. Then one day I woke up and wanted a camera. I borrowed one. I had never taken a picture before, and as soon as I held it in my hands it felt good. I never had the sense of holding a machine. I read the instructions, went out into the street, shot two rolls, had them developed. I was thunderstruck. It were as though I had been taking pictures for years, but in my head, without a camera. “That’s it,” I said. “I’m a photographer.” What a relief. Photojournalism was always it for me. Those pictures in the attic had set my course. Those, and all the characters I’d met. To tell a story in the blink of an eye, have it printed so that millions of people could see it and wrap their fish in it, to have my pictures reach people the way those Life magazines had reached me, now that was doing something. I am self taught. I got a copywriting job to support myself and I started learning, devouring books and looking at good work, walking a lot, and shooting. Those early years were fired with an intensity and passion I had never felt before. I was obsessed and driven. I thought about photography all of the time. And my pictures, if no one else had liked them, it wouldn’t have mattered, I loved them. Sometimes I’d look at them and think, What if I wake up one day and it’s gone? What if it goes away like it came? With each paycheck I bought equipment and built a darkroom and when I finally made my first print, I was hooked for good. It was the first time that I had ever finished something I had started. My father used to say, “You blow hot and cold.” But it was magic, watching it come up in the developer. I still feel it. I worked hard, learning my craft. I like to work two ways, either on a specific idea or just wandering around, getting lost, snapping. Eventually, all the wanderings go together, and then I find out what I’ve been doing. Photography is magic. You can stop time itself. Catch slivers of moments to savor and share time and again. Tell beautiful silver stories, one photo alone, or many playing together to form a book. A photograph is a sharing, it says “Hey, look at this!”, it’s a miracle, is what it is. And when you’re going good and you get a new picture you love, there’s nothing better. That’s the joy of photography, and the fun." -- Jill Freedman Source: www.jillfreedman.com Freedman was born in Pittsburgh in 1939 to a traveling salesman and a nurse. After college, she traveled to Israel and England before taking up copywriting jobs in New York to sustain herself. She had not grown up taking photographs, but she said in New York one day she “woke and wanted a camera,” according to an essay she published on her website. She wrote that she was inspired by copies of Life Magazine she had pored over as a child. Looking back on a photograph from the early years of her career in a 2017 interview with The Guardian, Freedman said activism and protests had been the catalysts for her photography: "I studied sociology and anthropology and now realise that what I’ve been doing with my camera all these years is documenting human behavior. But I was taking pictures in my head long before I became a photographer. It was the Vietnam war that changed everything for me. I was angry and wanted to photograph anti-war demonstrations, so got my first camera." After her stint in activism, Freedman joined the circus for several months, taking mesmerizing photographs of clowns, chained elephants, and beartamers. Freedman applied a similar level of vigor and rigor to documenting the lives of public servants, photographing intimate moments of firefighters’ and policemen’s work. She followed firefighters in Harlem and the South Bronx for two years at a time women tended to not be allowed in these environments, offering her an unguarded view of their lives. She also took a positive view of cops and thought they faced unfair criticism. “I set out to deglamorize violence,” Freedman told the New York Times in 2015. In the 1980s, Freedman started to work less due to health complications, receiving a breast cancer diagnosis in 1988 and breaking her pelvis later. She had hoped to create one last photobook before she died, to be titled Madhattan, and was featured in the street photography documentary Everybody Street (2013), alongside the likes of Bruce Davidson and Joel Meyerowitz. The Steven Kasher Gallery organized an exhibition spanning four decades of her career in 2015 and, in 2017, a show devoted to her Resurrection City photographs.Source: Artsy
Georgi Zelma
Georgi Zelma
Russia
1906 | † 1984
Georgi Zelma (1906-1984) is best known for his photographs of Central Asia in the 1920s, of major industrial projects in the early days of the Soviet Union, and of World War II (especially the Battle of Stalingrad). Zelma was a major contributor to the Constructivist photography movement through the 1920s and 30s, working alongside such masters as Aleksandr Rodchenko, El Lissitzky and Boris Ignatovich.Source: Nailya Alexander Gallery Georgi Zelma was born in Tashkent in 1906. The family moved to Moscow in 1921 and Zelma eventually found work at the Proletkino film studios. Later he joined the Russfoto Agency and from 1924 to 1927 was their correspondent in Uzbekistan, Afghanistan, Iran and Central Asia. A large number of his photographs appeared in Pravda. Zelma served in the Red Army (1927-29) before working briefly in Tashkent. In 1930 Zelma joined Souizfoto Agency and his assignments included taking photographs of collective farms and military exercises. His pictures often appeared in the propaganda magazine, USSR in Construction. During the Second World War Zelma worked for Izvestia and took photographs in Moldova, Odessa and the Ukraine. He also covered the battle of Stalingrad. Source: Spartacus Educational Born in Tashkent, Uzbekistan, in 1906, Georgii Anatolevich Zelma moved to Moscow with his family in 1921, where he began taking pictures with an old 9 x 12 Kodak camera. His first experiences as a photographer took place at the Proletkino film studios and during theater repetitions for the magazine Teatr. He soon joined the Russfoto agency. From 1924 to 1927, he returned to his homeland as a correspondent for Uzbekistan, Afghanistan, Iran and Central Asia in order to document Islamic culture being reformed by Soviet socialist reconstruction. This work was published in Pravda Vostoka. In 1927, Zelma was enlisted in the ranks of the Red Army, serving in Moscow. After the demobilization in 1929, he returned to Tashkent and worked briefly for the Uzbek cinema chronicles. In Moscow, he entered the team of Soiuzfoto and received a Leica. Through the 1930s, he was sent on assignment to the mines and factories in the Donbass region, to Collective Farms in Tula province and to the Soviet Military maneuvers in the Black Sea region. He worked with Roman Karmen on the stories The USSR from the Air and Ten Years of the Soviet Socialist Republic of Iakutia, which were published in the propaganda magazine “USSR in Construction”. For this magazine he also collaborated with Max Alpert and Aleksandr Rodchenko. During World War II, he was a correspondent for Isvestiia stationed at the front-line campaigns in Moldova, Odessa, and Ukraine. His most memorable photographs are of the Battle of Stalingrad, where he spent the severe winter of 1942-43. After the war, Zelma worked for the magazine Ogonek and from 1962 for the Novosti press agency. He died in 1984. Source: Lumiere Gallery
Erika Zolli
Erika Zolli
Italy
1986
Erika Zolli is a photographer specialized in Fine Art. Currently she lives and works in Milan. She holds workshops of creative photography in Italy and in Spain. In her photos new worlds and new realities are created, in order to show and explore the invisible dreamlike dimension that lies in the human mind. Her works have been mentioned in several magazines and newspapers including: Fotografia Reflex, Il Fotografo, L'Espresso, L'OEil de la photographie, La Repubblica, ANSA.it, Creathead (VICE), Art Parasites, Click Blog, Bored Panda, Fubiz, Creative Boom etc. She won the first prize of the 'My City' competition organized by the European Environment Agency and the T2gE Conference award during the Transition to the Green Economy (T2gE) conference held in Bratislava. Metamorphosis of Self: The art of Erika Zolli's Self-Portrait Surreal, geometric and figurative photographic shots assemble the latest series by the Italian artist Erika Zolli. In this new project, Metamorphosis of Self, the photographer shows a representation of herself made of symbolism that acts as a bridge towards a deep observation of conscious and unconscious feelings. In these images, creativity intertwines with a dreamlike and surreal world: origamis that surround the subject, gears that move head and heart, crystal glasses that reflect a face, a silver metamorphosis taking place, and skies that connect with geometric shapes harmoniously. "In this project, I wanted to create thirteen representations of myself. Each image expresses a concept that is fundamental to me: strengths and weaknesses which, through photographic art, are laid bare to be observed by an eye that retracts. The self-portrait invites us to get out of ourselves. During this process, we become foreigners ourselves, and through this movement, we want to identify by creating a sort of zone of blindness. Here, the opposition between sensible and intelligible overcomes and acts as a bridge between the two sides, allowing a better knowledge of one's unconscious. These thirteen images are characterized by vivid and strong colors to further enhance the subject which, despite being immobile and posing, maintains stability imbued with dynamic force".
Davide Monteleone
Davide Monteleone
Italy
1974
Davide Monteleone is a photographer, researcher, and a National Geographic Fellow. He works on long-term project using photography video and text, exploring the relation between structures of Power and individuals. Known for his specific interest in the post-soviet countries, he published five books: Dusha, Russian Soul in 2007, La Linea Inesistente, in 2009, Red Thistle in 2012 and Spasibo in 2013, The April Theses, 2017. His projects have brought him numerous awards, including several World Press Photo prizes, and grants such as the Aftermath Grant, European Publishers Award and Carmignac Photojournalism Award. He regularly contributes for leading publications all over the world, and his projects have been presented as installations, exhibitions and screenings at festivals and galleries worldwide including the Nobel Peace Center in Oslo, Saatchi Gallery in London, MEP in Paris and Palazzo delle Esposizioni in Rome. He is engaged with educational activities, regularly lecturing at universities and teaching workshops internationally. Italian photographer born in 1974, member of VU’ Agency since 2017, based in Zürich (Switzerland) After beginning engineering studies, David Monteleone quickly turned to journalism and photography. Holding a Master research in Art and Politics from the Goldsmiths University in London, he first worked as an agency correspondent in Moscow from 2001 to 2003. Since 2003, Davide Monteleone’s documentary photographic writing has enabled him to carry out, between Italy and Russia, numerous editorial assignments and regular collaborations with prestigious international press titles (TIME Magazine, The New Yorker, National Geographic, etc.). He also develops long-term personal projects focused on social issues and conflictual relationship between Power and individuals. Particularly committed to documenting the survivals and new aspirations of the post-Soviet world, he published his first book Dusha, Russian Soul in 2007, followed by La Liena Inesistente in 2009, Red Thistle in 2012, Spasibo in 2013 , « The April Theses » in 2017 and « In The Russian East » in 2019. In 2014, he goes beyond the borders of the post-Soviet territories and initiates a work – still in progress – about geopolitical, socio-economic, and environmental impact of the New Silk Roads (“Yi Dai Yi Lu”) and thus about Chinese expansion on several continents. Exhibited in many countries, his work has received prestigious awards, among which several World Press Photo awards (2007, 2009, 2011), the Aftermath Project award (2010), the European Publishers Award for Photography (2011), the European Photo Exhibition Award (2012), the Carmignac Prize for photojournalism (2013), the Asia Society Fellowship (2016) or the National Geographic Storytelling Fellowship (2019-2020).Source: VU' l'agence
Paula Aranoa
Paula Aranoa
Argentina
1966
I was born in Buenos Aires, Argentina, in 1966 and had the privilege of living in cities like São Paulo, Mexico City, and Barcelona. Each of those places has left an indelible mark on me. I love them. They are my second homes. I discovered my passion for photography after exploring studies in philosophy, fashion design, and landscaping. Everything I received back then continues to pulse in my works. Currently, I reside and develop my projects in Buenos Aires. I have actively participated in fairs and exhibitions, both nationally and internationally. The UN has exhibited some of my photos on three occasions. I had the honor of seeing my work published in different internationally renowned books and magazines. I have also collaborated with Sony Alpha Latin seminars. My work focuses on the unnoticed with the intention of making it noticed, and my terrain is the everyday. Introspection and silence are, along with my camera, my best allies when it comes to questioning reality and allowing myself to be questioned by it. I pursue the veiled, not to unveil it, but to point out its mystery. I go after the traces, not the evidence. That which begs to be seen and whose secrets I hear while looking. Photography places me at the threshold of the thousands of half-open doors that I encounter in my routine. Its mystery attracts me for what it suggests as a clue, not for what it holds in darkness. My joy: that the viewer stops at its threshold. STATEMENT I photograph the unnoticed, and my terrain is the everyday. Introspection and silence are, along with my camera, my best allies when it comes to questioning reality and allowing it to question me. My work seeks to capture what words lack. I pursue the veiled, not to unveil it, but to point out its mystery. I go after the traces, not the evidence. That which begs to be seen and whose secrets I hear while looking. Photography places me at the threshold of the thousands of half-open doors that I encounter in my routine. Its mystery attracts me for what it suggests as a clue, not for what it holds in darkness.
Dejan Mijović
Dejan Mijović
Slovenia
1976
Slovenian freelance photography journalist Dejan Mijović, born on 18 September 1976 and based in Ljubljana, is assistant photo editor of the Delo.si web portal. Mijović has been involved in photography for the past 20 years, ever since undertaking studies of graphic technology at the Faculty of Natural Sciences and Engineering. In 2010, Mijović sustained an injury and was left completely paralysed from the neck down. Through amazing luck, strong willpower and lengthy rehabilitation, and driven by his as yet unfulfilled desire to pursue photography, the tetraplegic was back in the saddle, and has since held several one-man shows and participated in a number of group exhibitions in Slovenia and abroad. Recently, he has been polishing his photography skills with Klavdij Sluban, a French photographer of Slovenian descent based in Paris. Developing his photographic idiom, Mijović first focused on the wide landscapes of the Caribbean and South America, the poetic Tuscany, the magical Lake Cerknica, and explored hidden gems in his immediate vicinity and further afield. Mijović's great flair for composition and light contrasts renders his portraits of random individuals far more than simply frozen moments in time but, rather, perceptive accounts of his life stories. His black-and-white photographs, a preoccupation of recent years, aim to capture diverse moods of his closest family and long-standing friends also in their most intimate moments. All photos in this project were taken after the injury. About 9 years 9 months "The greatest desire of most couples around the world is to start a family. Unfortunately, this is a big problem in developed countries today, as every sixth couple suffers from infertility. These data also apply to Slovenia. Our story began ten years ago when I became quadriplegic after falling on a slippery ramp which led to the sea and was overgrown with algae. After spinal surgery and a six-month recovery in the Rehabilitation Center Soča, I returned home on crutches. A good year after the accident, my wife and I began to think intensely about starting a family. Due to my medical condition (spastic quadriplegia, also known as spastic tetraplegia), we had to seek medical help. We decided for the infertility clinic in Postojna. This is where our nine-year odyssey began, full of ups and downs, joy, tears, mental distress, depression but most of all, getting to know each other and learning about life. Our relationship was put to the test for the entire period, but we realised time and time again that each painful experience created an even stronger bond between us and we were even more determined to succeed sooner or later. In Postojna, the first three attempts with IVF, better known as in vitro fertilization, were unsuccessful. This was a very painful experience for both of us. Naturally for women this is much more traumatic as all the processes take place in their body. Men can only support them, but in reality we do not experience the whole process as intensely as women do. In one phase, the procedure is also physically extremely painful for women (puncture of follicles or removal of eggs from the ovaries). After the doctor performs the artificial insemination (he usually inserts a five-day-old embryo into the uterus which developed in the laboratory under the watchful eye of an embryologist), a long fourteen-day wait begins before a pregnancy test can be done. When the moment of truth comes and you see a minus instead of a much desired plus, your heart breaks. It seems like a piece of you dies with every negative pregnancy test. The bad news was followed by a depressing break of several months, during which we decided to try our luck at an infertility clinic in Maribor. Each clinic has its own methods. They are basically the same, with minor differences. Despite eight embryo transfers, all attempts were unsuccessful here as well. We were especially crushed after the first pregnancy which unfortunately ended in miscarriage in the initial phase. When, after years of unsuccessful attempts, you finally see the desired plus on a pregnancy test, you instantly forget about all previous painful experiences. All of a sudden you are overwhelmed by positive energy and you come to life again, both emotionally and physically. But as the saying goes, life is not a box of chocolates. Suddenly, the joy was over and a time of great sorrow and crocodile tears came instead. Such events cut into your heart forever. Despite the pain, we did not give up and we tried to move on. In order to forget the past events, full of distress and failures, but also because a symbolic wedding had already been quietly planned all along, we decided to get married unofficially in Thailand. After a few more relaxed months, it was time for action again. But what could we do after having used all the six free procedures (multiple transfers are possible in each procedure, depending on the amount of embryos) provided by our healthcare system? We had no choice but to find an infertility clinic abroad on our own which is, among other things, also a big financial burden. However, which clinic to choose and where? A shorter period of research followed. In the Czech Republic alone, which is a very interesting and quite affordable destination for Slovenian couples, there are about 40 such clinics. We decided for an infertility clinic in Brno. After two more unsuccessful attempts and eight extremely exhausting years, my wife gave up. She simply could no longer see the light at the end of the tunnel. We started thinking about adoption more and more intensely. However, this procedure also required a lot of energy and research. Above all, the social work center first had to obtain a certificate proving that we were a suitable candidates for adoption. At the same time we had to obtain a psychological assessment from a psychologist. It took more than ten hearings at the social work center and a visit from a social worker at our home to obtain the certificate. We also found out during the procedure that in most countries where adoptions take place, applicants are required to be officially together for at least ten years before they apply for adoption. In addition, they must be officially married. We therefore had to get married officially, this time in Slovenia. With all the papers we obtained and with the help of our acquaintances, a possibility arose to adopt a child in one of the African countries. We were the tenth on the waiting list. It would have taken at least a year before we could adopt a child. However, since we still had some frozen embryos in Brno, we decided to try our luck in Brno for the last time while waiting for the adopted child. We thought that we would only be able to get the desired child through adoption and that we would soon become parents in any case. Finally, the wheel of fortune was on our side. After nine long years our biggest wish came true. My dear wife got pregnant and despite a risky pregnancy and a long nine-month wait, our son was born and we named him Lev (Lion in English). He was born healthy in mid-March, during the coronavirus pandemic. We can proudly say that we are the happiest parents in the world. We wish to share the story with others to encourage all the couples who are facing a similar situation as we did last 9 years." -- Dejan Mijović
Sajedeh Zarei
Sajedeh Zarei
Iran
1983
I am an Iranian documentary photographer based in Shiraz, Iran. I was born in 1983 and have a MSc degree in Geology. Being a photographer has been my lifelong goal so I started photography since March 2018 and I left my job as an associate research director to focus all my attention on visual storytelling. As part of my career, I have performed some researches in water management and climate change. That is why my photography projects focus on environmental issues and their social impacts. In addition, cultural and social themes attract my curiosity. My aim is to photograph people and create stories that witness the multiplicity of human experience. The Longest Paths Begin With A Step Patrilineal is one of the important indicators of male superiority over women that is observed in all patriarchal societies such as Iran. The patriarchy considers the continuation of the generation through men. This project is about a rural mother who has been trying to change this belief and tradition since her pregnancy and provide an environment free of discrimination between her six-year-old daughter and her son. Although maintaining this balance in the village is difficult due to group life, but the mother's efforts have been so successful that the girl's relationship with her brother is sincere and away from jealousy. This project has started since the mother's pregnancy, about 17 months ago, and is a continuation of the project that started about 2 years ago in one of the remote villages of Fars province in southwestern Iran. This project is still ongoing. Under the Roof of the Davar
Jean-Michel Clajot
Jean-Michel Clajot
Belgium
1971
Jean-Michel Clajot is an independent documentary photographer based in Brussels. For nearly 25 years, he has focused on intimate stories about African and Asian families and subcultures. As of July 2006, He joined Cosmos Photo Agency (Paris) for 12 years. In 2019, He joined the great Redux Pictures agency (New-York) as a worldwide represented photographer, to focus on a combination of long-term personal projects, breaking news and client assignments. Jean-Michel's work has been published in multiple press media such as Le Monde, CNN.com, National Geographic, Newsweek, Time, Grands Reportages, China News... In 2008, the three years project "Scarifications", photographing the Scarifications Culture in Benin, has been published in a book by Yovo Editions and shown in galleries in Brussels, Paris and Italy. The book was selected in 2008 by National Geographic for the LOOK3 Exhibit in Charlottesville, in the USA. In 2014, "Born To be a Woman" was exhibited at the Hirado Trading Post Museum in Japan. His photography is featured in art galleries worldwide, including Cosmos Gallery in Paris, Ikono in Brussels, the Arte Foto Festival in Italy and Visa Pour l'Image International Festival of Photojournalism.
Callie Eh
Callie Eh
Malaysia
1972
Callie is a Switzerland-based Malaysian. Her travels ignited her love for photography, and what started as a hobby has now become an integral part of her life. Callie’s works mostly refer to life “In the moment”. Emphasizes the honesty and authenticity of people through her unique perspective and optimistic outlook on life. She aspires to convey the beauty she sees in the world and share it with others through her photography. For Callie, photography is not just about creating memories but also about connecting and communicating with others. Callie's work has received recognition through exhibitions, awards, and publications in international magazines and books. The Door to a Brighter Future My time at Sambhali (NGO) has taught me a lot and opened my eyes to the inequalities in this world. In this male-dominated country - India, most of these women have no social value and they are expected to be a housekeeper. Many women are still trapped in the veil - Ghoonghat, a symbol of identity is observed by Hindu women across castes, classes, and walks of life, in and outside Rajasthan, they have been worn for decades. Sambhali Trust, whose focus provides underprivileged Rajasthan women and kids with an education in English, Hindi, Math, and social skills, to support them in developing confidence and self-esteem and help them work towards financial independence. The majority of the girls and women at the centers are from low castes and some have difficult backgrounds. These women are so hungry for knowledge and have to fight so hard to get it, most of the Sambhali women were so bright and naturally intelligent. I’ve come away with a better understanding of real lives and society in India, as well as the freedom and responsibility that comes with it. These women live in a world where their every move is dictated by men, and to break that tradition by pursuing an education and skill. You may look at this a simple sewing machine and education, but is the door opening up to these women and children to fulfill their dream to be able to change their life in the future. Awarded Photographer of the Week - Week 41
Advertisement
AAP Magazine #54 Nature
Win a Solo Exhibition this January
AAP Magazine #54 Nature

Latest Interviews

Exclusive Interview with Julie Wang
Interview
Exclusive Interview with Julie Wang
Chinese-born photographer Julie Wang brings a poetic, contemplative sensitivity to her visual exploration of the world. Having lived for nearly equal parts of her life in China, Europe, and the United States, she approaches her subjects with the nuanced perspective of someone shaped by many cultures. This blend of distance, curiosity, and emotional resonance infuses her work with a quiet depth, allowing her to reveal the fragile beauty and subtle tensions that often pass unnoticed.
Read the full interview
Exclusive Interview with Ghawam Kouchaki
Interview
Exclusive Interview with Ghawam Kouchaki
American photographer Ghawam Kouchaki brings a sharply observant and introspective gaze to the streets of Japan’s capital. Based in Los Angeles, he approaches Tokyo with the distance — and curiosity — of an outsider, allowing him to uncover the city’s subtle contradictions, quiet tensions, and fleeting gestures that often go unnoticed. His series Tokyo no no, selected as the Solo Exhibition for December 2024, explores the hidden undercurrents of urban life: the unspoken rules, the small ruptures in routine, the poetic strangeness found in everyday moments. Through muted tones, instinctive timing, and meticulous framing, Kouchaki reveals a Tokyo that exists somewhere between reality and imagination — both intimate and enigmatic. We asked him a few questions about his life and work.
Read the full interview
Exclusive Interview with Tommi Viitala
Interview
Exclusive Interview with Tommi Viitala
Tommi Viitala, winner of AAP Magazine #44: Street, is a Finnish photographer celebrated for his striking and cinematic street photography. With a keen eye for atmosphere and composition, he captures fleeting urban moments that reveal the poetry of everyday life. His work often explores the tension between solitude and connection within contemporary cityscapes, blending documentary realism with artistic sensibility. Viitala’s photographs have been exhibited internationally and recognized for their strong visual storytelling and emotional depth. We asked him a few questions about his life and work.
Read the full interview
Exclusive Interview with Robert Mack
Interview
Exclusive Interview with Robert Mack
Robert Mack is a California-based visual artist, photographer, and filmmaker. His fine art photography and films have been exhibited widely in the United States and Europe, with major shows at the Baltimore Museum of Art and the Reiss-Engelhorn Museum in Mannheim, Germany. Both institutions hold his work in their permanent collections. Working across different media, Mack has built a career exploring the complexities of human presence and representation. In 1981, while living in Baltimore, he produced The Perkins Project: Not Guilty by Reason of Insanity, a rare photographic and film study inside Maryland’s hospital for the criminally insane. These stark yet compassionate black-and-white portraits remain one of his most powerful and controversial bodies of work.
Read the full interview
Exclusive Interview with Alan Schaller About Irys
Interview
Exclusive Interview with Alan Schaller About Irys
Alan Schaller is a London-based photographer best known for his striking black-and-white street photography and as co-founder of Street Photography International, one of the largest online communities dedicated to the genre. With years of experience both behind the camera and in building platforms that give visibility to photographers, Schaller has now turned his focus to creating a new digital space for photography itself. His latest venture, Irys, is a photography app designed by photographers, for photographers, with the aim of offering a dedicated platform where images are respected as works of art rather than treated as disposable content.
Read the full interview
Exclusive Interview with Guillaume Bonn
Interview
Exclusive Interview with Guillaume Bonn
With his latest book Paradise, Inc., celebrated documentary photographer Guillaume Bonn takes us deep into the heart of East Africa, where the promises and failures of wildlife conservation collide. Far from offering a romanticized vision of nature, Bonn’s work confronts us with urgent realities: the tensions between local communities and conservation policies, the sacrifices of rangers on the frontlines, and the long-lasting impact of human activity on fragile ecosystems. Spanning more than two decades of fieldwork, the project blends powerful imagery with investigative depth, raising difficult but necessary questions about transparency, accountability, and the Western-led models that dominate conservation. Enriched by the voices of those too often left out of the conversation—including a preface by Maasai leader Ezekiel Ole Katato and an introduction by journalist Jon Lee Anderson—Paradise, Inc. is both a stunning visual journey and a call to action. In the following interview, Guillaume Bonn reflects on the making of Paradise, Inc., the ethical dilemmas at the heart of his work, and the urgent need to rethink our approach to conservation in East Africa and beyond.
Read the full interview
Exclusive Interview with Sander Vos
Interview
Exclusive Interview with Sander Vos
Sander Vos is a fine art photographer based in London whose work seamlessly blends elements of Surrealism with portraiture. Drawing inspiration from his background in design, Vos embraces light and contrast to sculpt striking, graphic compositions. His photographs invite the viewer into a world where revelation and concealment coexist, leaving space for imagination and interpretation.
Read the full interview
Exclusive Interview with Tomasz Trzebiatowski Editor-in-chief FRAMES Magazine
Interview
Exclusive Interview with Tomasz Trzebiatowski Editor-in-chief FRAMES Magazine
Founded in 2020 by photographer, publisher, and classical pianist Tomasz Trzebiatowski, FRAMES Magazine has quickly established itself as a thoughtful space for photography lovers who believe that powerful images deserve to live on paper. Known for its beautifully printed quarterly issues and dynamic international community, FRAMES bridges the gap between tradition and innovation in the photographic world. As editor-in-chief, Trzebiatowski has created not only a publication but a platform that celebrates diverse genres, nurtures dialogue, and champions the tactile experience of print in a digital age. In this interview, he reflects on the journey from founding FRAMES to building a global membership, the challenges of independent publishing, and the future of photography in both print and digital forms.
Read the full interview
Exclusive Interview with Manuel Besse
Interview
Exclusive Interview with Manuel Besse
French photographer Manuel Besse is known for his compelling black-and-white imagery, which blends portraiture, documentary, and poetic narrative into a singular visual voice. With a career spanning several decades and continents—from the gold mines of Serra Pelada to the Arctic Circle—his work reflects a deep commitment to authenticity, human connection, and the preservation of cultural and natural landscapes. His series Macadam, winner of AAP Magazine #41 B&W, offers a contemplative look at fleeting urban encounters, rendered in his signature monochrome style. We asked him a few questions about his life and work.
Read the full interview
Call for Entries
AAP Magazine #54 Nature
Publish your work in AAP Magazine and win $1,000 Cash Prizes
© Anup Shah
Explore All About Photo
All About Photo
About Us
Contact Us
Link Back
Press
Blog
Newsletter
Terms of Use
Privacy Policy
Competitions
All About Photo Competitions
Our Jurors
All Photo Contests
Open Photo Contests
Amateur Photo Contests
Professional Photo Contests
Portfolio Reviews
Photo Competition News
Artists
Photographers A-Z
Masters of Photography
Modern Photographers
Rising Photographers
Articles
Interviews
Inspirational
Photography Exhibitions
Photography Festivals
Photo Fairs
Photo Museums
Galleries & Centers
Photographer Monographs
Technique Books
History of Photography
Miscellaneous
Paper Magazines
Online Magazines
Resources
Schools and Classes
Photography Agencies
Equipment Rentals
Studio Rentals
Photo Labs
Camera Repairs
Framing Stores
Photo Tips & Tools
Photo Gear
© 2025 © All-About-Photo.com, All Rights Reserved  •  Photographs © the Respective Artists, All Rights Reserved.