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Kevin Lyle
Kevin Lyle
Kevin Lyle

Kevin Lyle

Country: United States
Birth: 1951

I am, for the most part, self taught. I first became interested in art around the age of 12. Art class became the most interesting part of school. After high school I attended the Cleveland Institute of Art for one semester before realizing that art school was not for me at that time. After moving to Chicago my first job turned into a career in computers and systems management and I did little or no art for many years. I've always had an inclination to collect. Collecting African masks and the process of photographing them for documentary purposes led to a broader interest in photography. When I began going for long walks to search for photographic material I soon realized the exercise and fresh air were an added bonus to this pursuit of collecting images.

Artist Statement

As long as I can remember, I've been curious about incidental objects and environments and their potential for a sort of extraordinary/ordinary beauty. I find this quality in the work of photographer Eugene Atget, composer Erik Satie and singer-songwriter Woody Guthrie. These great artists are a constant source of inspiration. My process is fueled by an innate hunter/gatherer impulse. Most of my images are collected within walking distance of my home on Chicago's north side. Contemplative wandering in the urban analog world, away from the preponderance of drama delivered digitally via television and the Internet, reveals evidence of real life - evidence of what may be, may have happened or may yet occur. Sometimes mundane, sometimes oblique, askew or atypical. Mostly overlooked, until documented.
 

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More Great Photographers To Discover

Jon Enoch
United KIngdom
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Jon Enoch discovered his love of photography on a round-the-world-trip, which he won in a competition while in his first year of university, studying geography. He bought a simple point-and-shoot camera and discovered a passion and a skill for portrait and lifestyle photography - looking for an unusual shot, rather than a standard tourist snap. He returned to university to complete his degree in geography, but was still out every weekend working on his own portraiture projects. After he left university, he did a one year course in newspaper photography and began a career in press photography. Jon started developing his bold portraiture style while freelancing at The Times, and now specialises in photo shoots for CEOs, sportspeople and celebrities, as well as advertising and lifestyle shoots. Describing his work as 'bold and uncomplicated', Jon loves playing with light, and how it affects the mood of the work. Jon still works on his own personal projects, and his 'Bikes of Hanoi' set of street images of moped delivery drivers earned him numerous industry accolades and awards, including the, Sony World Photography Awards 2020, Smithsonian Grand Prize Winner 2020, Portraits of Humanity 2020; Lens Culture Portrait Prize 2020 and a gold at the Prix de la Photographie Paris. Statement Jon said: "I continue to develop my skills and my style at every opportunity I get. I had some great personal photography projects in the planning before Covid-19 hit, so hopefully I will get to pick up those plans again before long. During the UK lockdown, I spent my time developing my directing skills. Mixing stills and moving images is something clients increasingly want and I find it an interesting creative challenge. The two worlds are in many ways so similar but at times so different. Being able to tackle both is something I really enjoy. Essentially I want to take stunning images that people connect with. " Exclusive Interview with Jon Enoch
Costanza Rossi
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Betty Press is a documentary fine art photographer, well-known for photographs taken in Africa where she lived and traveled for many years. Now living in Mississippi she has just completed a project called “Finding Mississippi” recording "real life" in small communities throughout Mississippi with black-and-white film and toy and vintage cameras. She taught photography at University of Southern Mississippi from 2003 to 2015. She is twice the recipient of a Visual Artist Grant from the Mississippi Arts Commission. Her photographs have been widely-exhibited as well as selected for many juried competitions. In addition, her photographs have been featured in publications such as Shots, Silvershotz, South x Southeast, Lenscratch, ACurator, RfotoFolio, and Don't Take Pictures. Her work is held in a number of public collections including Beinecke Library at Yale University, The National Museum of Women in the Arts, Washington, DC, The Harry Ransom Center for the Humanities, The University of Texas, Austin, Mississippi Museum of Art and The Do Good Fund of Southern Photography. In 2011 Betty published a photobook I Am Because We Are: African Wisdom in Image and Proverb that portrayed a stunning, life-affirming portrait of the African people and culture. For this book she received a statewide award in photography, from the Mississippi Institute of Arts & Letters and was selected for Critical Mass Top 50. Her other books/zines include La Dolce Vista, Hub City Impressions and Finding Mississippi. In August 2019 she moved to Nairobi, Kenya to photograph urban culture and social injustice, but returned to the USA in April 2020 due to the Covid-19 outbreak. Her most recent project They Were Us: Stories of Victims and Survivors of Police Brutality in Kenya, was selected for Photo Lucida Critical Mass Top 50. Betty was invited by Lenscratch to curate the States Project for Mississippi. She also helped bring the Do Good Fund Exhibition of southern fine art photography to USM Art Gallery and organized several simultaneous local exhibitions. Most recently, she co-curated an online show Virtual Photography 20:20 for One Off Contemporary Art Gallery, Nairobi, Kenya. She is represented by Panos Pictures, London; International Visions, Washington, DC; Fischer Galleries, Jackson, Mississippi; Treehouse Gallery, Oxford, Mississippi and One Off Contemporary Art Gallery, Nairobi, Kenya. As a former educator, journalist, and avid traveler Press brings a wide-ranging perspective and appreciation of diverse photographic styles, genres and mediums. Services Offered: The African Urban landscapeEye-catching, colorful and hand-painted! Popular creative signage, found on small shops started by mostly young entrepreneurs, livens up what would otherwise be a drab environment in the poorer, densely-populated areas of third world cities like Freetown, Nairobi, or Monrovia. Services, such as hairdressing, tailoring, phone charging, food stalls and video games are advertised. The designs, drawn from traditional as well as contemporary pop culture, are bold, simple and use primary colors and funky fonts. The sign painters are mostly young and self-taught. With more mobile smart-phone usage the signage reflects the modern world on an African canvas. I have spent more than 15 years living in various African countries. In 2019 I moved back to Kenya. My main focus was to document the social justice movement in Nairobi's urban settlements (formerly called slums), resulting in They Were Us: Stories of Police Brutality in Kenya which was selected for the 2020 Photo Lucida Critical Mass Top 50. On the side I would stop to photograph the colorful shops which I found so artful, refreshing and safer to photograph. Now back home in Mississippi, after being evacuated from Nairobi due to the pandemic, I continue working on my Mississippi projects which deal with how place, race and religion have played a part in the complicated history of the state and still affect black lives today.
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Call for Entries
AAP Magazine #58 B&W
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