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FINAL DAYS TO WIN A SOLO EXHIBITION IN MAY 2026
FINAL DAYS TO WIN A SOLO EXHIBITION IN MAY 2026
Trevor Messersmith
Trevor Messersmith
Trevor Messersmith

Trevor Messersmith

Country: United States
Birth: 1971

Trevor Messersmith is an award-winning photographer and graphic designer based in New York's Hudson Valley. Trevor provides creative direction to a wide variety of online and print projects through 80east Design, a studio he started in 2002. Among other venues, Trevor's artwork has been exhibited at the California Museum of Photography, the Florida Museum of Photographic Arts, the Los Angeles Center for Digital Art, the Morean Arts Center, the Orange County Center for Contemporary Art, and the Center for Photographic Art.

He has been featured in AIGA's New York State of Design, Print Magazine's Typography and Lettering Awards, the Mobile Photography Awards, the Pollux Awards, Tumblr Radar, Print Magazine's Regional Design Annual, the International Design Awards, Creative Quarterly, and Graphic Design USA. Trevor earned a B.A. from Bard College in photography. He also studied graphic design at Rhode Island School of Design.

About The City Wears a Hop Hat
"The City Wears a Hop Hat" is a series of high-contrast street photographs that attempts to capture the glamour and grit of city life in the face of the homogenization of urban culture in the United States. I have always loved the rhythm and jolt of city life and its vitality. I'm trying to show how I feel about cities and the shared human experience of those who live there." -- Trevor Messersmith
 

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Michael Young
United States
Michael Young is a New York-based photographer. His work has been shown internationally in Switzerland and Australia as well as nationally in New York City, Kentucky, Colorado, Oregon and Massachusetts. His work will be on display this coming spring at Fotofestival Lenzburg's Search for Beauty open-air show. He was a finalist in Shoot the Frame's Shoot the Face competition this past January and won 2nd place in color photography from the Plymouth Center for the Arts in Massachusetts. His work will be published later this year in the first annual Feature Shoot's The Print Swap book. Additionally, his work has previously been published in Spunk [arts] Magazine, Taking Pictures (Black Box Gallery), and The Literate Image (Plymouth Center for the Arts). Michael has a MA in Teaching from New York University and a BA in Spanish Language & Literatures from Yale University. Statement Starla, Photographer in Her Studio is part of of the series Ashes to Ashes/Dust to Dust that I began eight years ago when I first visited my partner's family, the Groves, in western Kentucky. Since I grew up in the northeast, my upbringing was different from my partner's, and initially I thought that I had little in common with his family. As an outsider I received a lukewarm welcome by many, but I remained intrigued by his family. It was my camera that afforded me an invitation into their lives and helped me build meaningful relationships with his relatives. As the project has continued, not only have I become closer to my partner's family, but I have also been fortunate to document a part of the US that has been ignored by many and deemed 'flyover country'. The Groves, who have lived in Muhlenberg County for generations, are a microcosm for Muhlenburg county. Most are hardworking coal miners, farmers, nurses, and entrepreneurs looking to better their lives. Sadly, however, some have lost parents to addiction and others have passed due to overdoses. Like many rural towns in the Bible Belt, industry continues to leave the area. While well-paying jobs in the coal industry disappear, miners must travel about an hour to find lucrative work. When Trump announced promises to rollback legislation restricting coal emissions, many in the community grew excited for a return to the prosperous past that has for many years been slipping away. These images show the dichotomy between the current stark realities and flickers of hope and beauty as the county works to rebuild and redefine itself. "
 Jonk
France
1985
Jonk discovers photography at the age of 11 when his parents send him for a language exchange to the USA, where each of the ten children forming the group lives with a different host family. The few souvenir pictures shot with the famous disposable orange cameras were his firsts. For the following six years, he travels each winter to a new family in a different state, and in the meantime upgrades his gear with a basic analogue camera. After having swapped it for a pocket numeric device, he realizes his first solo trip, at the age of 19. This trip to Barcelona changes his life, and he comes back with two passions that won't leave him: travels (he has since visited more than 70 countries) and urban art (street art and graffiti), whose discovery gave him his first photographic subject that still occupies him today. Living in Paris, he discovers urban exploration at the end of years 2000 through rooftops, subways and the city's unofficial catacombs. At that time, he finds another subject: documenting the unseen side of the city and invest in his first digital reflex camera, an APS-C. Climbing roofs to see her from the top, going at night in subway tunnels or spending whole days underground in the catacombs exploring the tens of kilometers of galleries looking for beautiful carved rooms: he finds in that activity a thrill, the adrenaline that he looks for in his life. These urban explorations, and his search for unseen graffiti, bring him to abandoned places, where graffiti artists often go to paint, to be alone and able to take time to make bigger and better paintings. After some time frequenting these artists, he starts himself to paint there and adopts the nickname “Jonk”. At that time, he also sticks his travel pictures on the walls in the streets. Visiting abandoned places looking for graffiti, he realizes the intensity of the atmospheres and the beauty of the spectacle of time passaging: rust, decaying and peeling painted walls, broken windows, Nature taking over create unbelievable, highly photogenic sceneries. For him, such sceneries feel like infinite poetry. Traveling, painting, sticking, photographing, roaming on roofs, metros and catacombs, a very time-consuming job don't leave him enough time to do everything. At the hour of choices, he drops the spray, the pot of glue, the height and the undergrounds to stay with the photography of lost places, even if he could not get rid of his nickname, symbol of his graffiti artist times, highly important to him. He then continues to travel, almost exclusively looking for abandoned locations to shoot, with or without graffiti. He upgrades his gear again with one, then two, full-frame reflex. Today, he has visited more than one thousand and five hundreds of them in around fifty countries on four continents. With time, his interest focuses on what appears to him to be the strongest in this vast subject of abandonment: Nature taking over. It is poetic, even magic, to see this Nature retaking what used to be hers, reintegrating through broken windows, cracks on the walls, spaces built by Man and then neglected, until sometimes guzzling them up entirely. This topic naturally imposed itself to him due to the ecologic consciousness that moves him since his youngest age and to the strength of the message it carries: the question of the place of Man on Earth and its relationship with Nature. She is stronger, and whatever happens to Man, She will always be there. In March 2018, he releases the book Naturalia on the topic and currently works on volume II for which Yann Arthus-Bertrand wrote the preface. In June 2018, at age 33, he quits his job in the finance to fully dedicate himself to this project. With this series, as a photographer Jonk tries to humbly contribute to make people aware of the critical ecological situation we are all in. Since, four other books were released. His work has been featured in prestigious paper publications (Der Spiegel, Corriere della Sera, Lonely Planet, Le Monde, GQ, Telerama…) as well as on prestigious web platforms (National Geographic, New York Post, Smithsonian, ArchDaily, AD, BBC, The Guardian…). He received various distinctions in recognized international contests with Honorable Mentions (International Photography Awards, ND Awards), nominations (Fine Art Photography Awards), Silver Awards (Tokyo International Foto Awards, Moscow International Foto Awards), places in shortlists (Arte Laguna Prize, Environmental Photographer of the Year, Royal Photography Society, Felix Schoeller Photo Award, Siena International Photo Awards), places of finalist (InCadaquès International Photo Festival, Nature Photographer Of The Year, Umbra Awards) and winner of the Chelsea International Photography Competition and the Earth Photo 2020 Photo Competition. His work has been part of many group shows across the world (Paris, London, Lisbon, Rome, Athens, Budapest, Moscow, Seoul, Tokyo, Singapore, Los Angeles, Palm Springs, New York…) as well as many solo shows in Paris, the main ones being in Paris 20th district City Hall “Salon of Honor”, at the OECD, the Forum des Halles and the Nicolas Hulot Foundation for Nature and Man. In October 2020, Jonk realizes his first solo shows abroad. The first one is the central show of Home Expo in Luxembourg, the most important Fair of the country. Consisting of 91 photos, this exhibition is also his biggest show to date. He simultaneously conducts five solos show in China for the Franco-Chinese Environmental Month. They take place at the Park View Gallery of the magnificent Design Society in Shenzhen, the French Institute of Beijing, the Kingold Century Center of Guangzhou, the Westred Art Museum of Harbin and the Parc Hongmei of Shenyang. Jonk had set a first foot in China the year before by giving a conference on his Naturalia series in Shenzhen. It was his second after a TEDx given in Paris in 2018. Several exhibitions of Naturalia are planned for 2021 and 2022. Naturalia: Chronicle of Contemporary Ruins As a child, I saw a wildlife documentary that marked my life. It focused on the melting of the ice caps and its consequences on polar bears' life. I still remember this bear that struggled to swim and find a piece of ice floe. It seems that "children are like wet cement. Whatever falls on them makes an impression." (Dr Haim Ginott). This vision marked me so much that during all my childhood, every time any of my parents did anything that seemed bad for the environment, it told them this sentence: «Watch out, you kill the bears!!" This ecological consciousness, that moves me since my youngest age, has little by little focused my interest on abandoned places reclaimed by Nature. She is stronger, and whatever happens to Man, She will always be there. Moreover, Naturalia: Chronicle of Contemporary Ruins asks a fundamental question: that of the place of Man on Earth and his relationship with Nature. Far from being pessimistic, and at a time when Man's domination of Nature has never been so extreme, it aims to wake our consciousness. Man builds, Man abandons. Every time for his own peculiar reasons. Nature does not care about those reasons. But one thing is for sure, when Man leaves, She comes back and She takes back everything. In his poem Eternity of Nature, brevity of Man, Alphonse de Lamartine writes "Triumph, immortal Nature! / Whose hand full of days / Lends unlimited strengths / Times that always rise again!" In her inexorable progression, She starts reclaiming the outsides of a Taiwanese reservoir (Picture 1) before infiltrating the insides of a Croatian castle (2) or a Belgian greenhouse (7). Then, She grows in the atrium of a Polish palace (8) or a Cuban theater (9) before invading a Montenegrin castle (10). Then, given more time, imprisons a Taiwanese mansion with her strong roots (20). The next steps? Collapse and burial. French poet Léo Ferré said "With Time goes, everything goes". So, when Nature and Time will have taken back what Man abandons, what will be left of our civilization?
Sandy Hill
United States
Sandy Hill grew up in a small town in Northeastern Ohio. The natural beauty as well as the rustic farms in the area provided the inspiration for her interest in photography. She earned a Bachelors degree in Photography at RIT before moving to Massachusetts where she was a freelance photographer for daily newspapers and a wire service in the greater Boston area. Her current work in portraiture has grown out of her interest in people and learning about different cultures as well as a general curiosity about others. She is also enjoying learning more about fine art photography and exploring that branch of her craft. Her photographs have been shown in multiple curated exhibits, two solo exhibitions and her news photos have been published in publications around the world. AMERICAN LAWN DÉCOR After a tumultuous year filled with isolation and conflict I decided to search for the innocence and optimism that I’ve always associated with our country, even as we hold different views, beliefs or backgrounds. I found signs of this in the joy of yards adorned with unique decorations. The many different perspectives on what constitutes beauty or humor continue to intrigue and draw me to a door to find out who lives or works there. Rarely have the residents turned down my request for a quick portrait, and they stand with dignity and pride, humor or mystery, near a fictional world created for us to enjoy. My intention was to avoid judgment. Rather I felt the need to search for a connection to people who share my country, and regardless of beliefs, views or background chose to celebrate life during a pandemic and beyond. This work was inspired by a desire to renew my own hopes and optimism for our country by looking beyond the headlines and finding a positive commonality. It is also my hope that these photographs can perhaps help us realize that we can find connections even during times that seem to be driving us apart.
Loretta Lux
Germany
1969
Loretta Lux was born in Dresden, East Germany and is a fine art photographer known for her surreal portraits of young children. She currently lives and works in Monaco. Lux graduated from the Academy of Visual Arts in Munich in the 1990s, and debuted at the Yossi Milo gallery, New York in 2004. The show put both Yossi Milo and Loretta Lux on the map, selling out and setting prices never before seen from a new gallery. In 2005, Lux received the Infinity Award for Art from the International Center of Photography. Her work has since been exhibited extensively abroad, including solo exhibitions in 2006 at the Fotomuseum Den Haag, The Netherlands, and the Sixth Moscow Photobiennale. Her work is included in numerous museums collections worldwide, including the Solomon R. Guggenheim Museum; J.Paul Getty Museum, Los Angeles, San Francisco Museum of Modern Art; Museum of Contemporary Art, Los Angeles; Los Angeles County Museum of Art; Art Institute of Chicago; Israel Museum, Jerusalem; Fotomuseum, den Haag; Museo Nacional Centro de Arte Reina Sofia, Madrid and Musée de l’Elysée, Lausanne, Switzerland, and National Museum of Art, Osaka, Japan. She has had portfolios featured in numerous fine art magazines. The artist executes her compositions using a combination of photography, painting and digital manipulation. Lux's work usually features young children and is influenced by a variety of sources. She originally trained as a painter at Munich Academy of Art, and is influenced by painters such as Agnolo Bronzino, Diego Velázquez, Phillip Otto Runge. Lux also owes a debt to the famous Victorian photographic portraitists of childhood such as Julia Margaret Cameron and Lewis Carroll. Source: Wikipedia Loretta Lux was born in Dresden, Germany, in 1969. In 1989 she left East Germany for Munich, a few months before the fall of the Berlin Wall. From 1990–96, she studied at the Akademie der Bildenden Künste in Munich. Trained as a painter, Lux began taking photographs in 1999. Although Lux first experimented with self-portraits in works like The Hush (1999) and Self-Portrait (2000), she soon transitioned to images of children and adolescents, typically the offspring of friends who she often used as models. Her subjects, with gazes ambiguously empty yet psychologically activated, assume formal poses and appear in calculated garb and hairstyles. Employing photography, painting, and computer manipulation, Lux alters the images, extracting extraneous details, distorting proportions, and setting the children against mediated backgrounds that exist somewhere between Old Master paintings and cheesy studio-portrait backdrops. Lux's earliest works set children against icy blue skies, for example in Troll (2000), Lois (2000), and Isabella (2001). In 2001, while the skies continued to serve as backdrops in some works, Lux began to increasingly stage her images within barren pale pink interiors; such images include Hidden Rooms (2001) and Study of a Girl (2002). In several works including The Book (2003), Lux borrowed poses from Balthus, endowing those works with the rigidity and sense of perversion that characterized the French artist's oeuvre. Lux moved to Ireland in 2004 and increasingly depicted pairs of children rather than the solitary figures that occupied her earlier work. In her images of siblings like The Walk (2004), The Irish Girls (2005), and Hugo and Dylan (2006), the figures are psychologically isolated and physically interact quite gingerly with minimal and half-hearted gestures, perhaps an arm around a shoulder. Lux photographed the twins Sasha and Ruby (2005), girls who again sat for multiple images the artist produced in 2008. In 2007 Lux created her first self-portrait in seven years, this time occupying the pale blue and pink world of the children and bearing their ambiguous, confounding expression. Solo exhibitions of Lux's work have been organized by Stadtmuseum in Muenster (2003), Fotomuseum den Haag in The Hague (2005), Museo de Arte Contemporaneo de Monterrey (2008), and Kulturhuset in Stockholm (2009), among others. Lux's work has also been included in major exhibitions such as Arbeit an der Wirklichkeit, German Contemporary Photography at the National Museum of Modern Art in Tokyo (2005–06), Global Feminisms at the Brooklyn Museum (2007), Family Pictures at the Solomon R. Guggenheim Museum in New York (2007), and the Havana Biennale (2009). In 2005 she received the Infinity Award for Art from The International Center of Photography in New York. Lux lives and works in Monaco. Source: Guggenheim
Athina Alkini
Greece
2004
Athina Alkini is a visual artist, born in Athens, Greece in 2004. She is currently studying in the Athens School of Fine Arts. Alkini utilizes various media in her artistic practice such as photography and sculpting. She has participated in art exhibitions in Greece and Malta, and has been awarded by the Museum of Cycladic Art in Athens. Her photography series MAMA has been exhibited at the Visual Arts International Festival of Thessaloniki in 2024. In 2025, Alkini was selected for the ΕΚΕΙΝΕΣ: The Women of Greek Photography exhibition by Photometria Photography Center and Photometria Festival, on the occasion of the International Women’s Day, with her photography series MAMA. Since 2023, she has been writing and editing cultural and art related content for the Athens Center for Indian and Indo-Hellenic Studies of the Hellenic-Indian Society for Culture and Development. In her conceptual photography, Alkini explores scenarios linked to emotional states and interpersonal relationships. About the Series: MAMA MAMA is a series of photographs referring to a mother-daughter relationship through the lens of loss. This series is based on the duality of that bond; profound love and immense sorrow. It aims to express the incomplete restoration of moments and images of childhood time and space, combining the contexts of motherhood and loss. Alkini utilizes specific objects, places and people to form memory-like scenarios, based on her journey of reflecting on the relationship and reconnecting with her mother in the present. Every image in this series corresponds to a specific memory or emotion, functioning as part of a diptych: the past and present of this relationship. The visual elements used are deeply personal, but also serve as symbols, linked to loss, grief, childhood, and family. Alkini strives for the series to become part of a collective memory and shared journey, inviting viewers to reflect on their own connections to love and loss. Awarded Photographer of the Week - Week 12
Ralph Milewski
Germany
1968
Ralph Milewski is an artist from Germany who works with photography. His work moves between documentary observation and conceptual approaches and engages with spaces, transitions, and traces of human presence. At the center of his artistic practice is the ongoing project Rear Seat Diaries. The images are created from the back seat of a VW Caddy and photographed through the side window. The window frame forms a constant visual system: the world moves through this fixed frame while the perspective remains unchanged. Within this structure, Milewski works with repetition and variation. Everyday situations, passing scenes, and fleeting encounters appear under the same visual conditions and gradually form a coherent body of work over time. Alongside these observational images, conceptual works also emerge within the project. They explore questions of movement, time, and perception and expand the original visual system. His working method is deliberately reduced. Milewski works with minimal equipment and uses existing situations and lighting conditions as the starting point for his images. His photographs emerge from scarcity, not from abundance. Rear Seat Diaries: Rear Seat Diaries is an ongoing photographic project that began in 2022 from a simple observation: the side window of my vehicle became the fixed frame of my images. Over time, this frame developed into a visual system. While places, situations, and light constantly change, the frame remains constant and structures each photograph. Within this system, both observed moments and deliberately staged situations emerge. Everyday encounters, interventions, experiments with movement, or longer exposures are brought together through the same fixed frame. Rear Seat Diaries is not a finished project but an open working process. The recurring frame becomes a constant structure within which different forms of observation, time, and intervention unfold.
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AAP Magazine #57 Portrait
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Exclusive Interview with Luca Desienna and Laura Estelle Barmwoldt
For over seven years, Of Lilies and Remains has explored the depths of the goth and darkwave underground, unfolding in Leipzig—a city long associated with a vibrant and enduring subcultural scene. Moving between iconic gatherings such as Wave-Gotik-Treffen and more intimate moments on the fringes, the project offers a rare and immersive glimpse into a world often misunderstood, yet rich in expression and community. Created by Luca in collaboration with Laura Estelle Barmwoldt, the work embraces a cinematic and deeply personal approach. Rather than documenting from a distance, it moves within the scene itself, capturing its atmosphere, its codes, and its quiet contradictions. The title Of Lilies and Remains hints at this duality—where beauty and darkness, fragility and strength coexist. As the book prepares for its release, we spoke with both artists about the origins of the project, their process, and what it means to document a subculture that continues to evolve while remaining true to its spirit.
Exclusive Interview with Matthew Finley
American photographer Matthew Finley turns inward, using photography as a way to explore identity, memory, and emotional truth. Based in Los Angeles, his practice moves between performance, gesture, and found imagery, creating a visual language that is both intimate and deeply personal
Exclusive Interview with Jan Janssen
Dutch photographer Jan Janssen explores universal human experiences through his long-term project It Matters, winner of the May 2025 Solo Exhibition. Begun in 2016, the series captures intimate moments of everyday life—love, loss, connection, and belonging—across Central and Eastern Europe. Working in countries such as Turkey, Azerbaijan, and Armenia, Janssen spends extended time within communities, building relationships based on trust and respect. His approach allows him to move beyond observation, revealing deeply human and authentic moments. Rooted in travel and personal discovery, It Matters reflects Janssen’s search for what connects us all in an increasingly divided world. The project is ongoing and will culminate in a photobook scheduled for publication in 2026.
Exclusive Interview with Henk Kosche
German photographer Henk Kosche turns his lens toward the streets of Halle an der Saale, capturing everyday life in the late years of the former German Democratic Republic. At the time, Kosche was studying design and exploring the city with his camera, drawn to the atmosphere of its industrial landscape and the quiet rhythms of daily life. His series Street Photography at the End of the 80s, selected as the Solo Exhibition for July 2025, revisits a body of work created just before a period of profound change. Rediscovered decades later in a small box of 35mm negatives, these photographs offer glimpses of a city and its people at a moment suspended between the familiar and the unknown.
Exclusive Interview with Anastasia Samoylova
Anastasia Samoylova is an American artist whose photographic practice is shaped by close observation and a deep attentiveness to place. Working between documentary and formal exploration, she photographs landscapes, architecture, and everyday scenes with a sensitivity to light, structure, and atmosphere. Since relocating to Miami in 2016, her work has increasingly focused on how environments—both natural and built—carry social, cultural, and emotional traces. We asked her a few questions about her practice and her way of seeing, to better understand the thoughts and experiences that shape her work—while allowing the images themselves to remain open and speak in their own time.
Exclusive Interview with Marijn Fidder
Marijn Fidder is a Dutch documentary photographer whose work powerfully engages with current affairs and contemporary social issues. Driven by a deep sense of social justice, she uses photography to speak on behalf of the voiceless and to advocate for the rights of those who are most vulnerable. Her images have been widely published in major international outlets including National Geographic, CNN Style, NRC Handelsblad, Volkskrant, GUP New Talent, and ZEIT Magazin. Her long-term commitment to disability rights—particularly through years of work in Uganda—culminated in her acclaimed project Inclusive Nation, which earned her the title of Photographer of the Year 2025 at the All About Photo Awards. She is also the recipient of multiple prestigious honors, including awards from World Press Photo and the Global Peace Photo Award. We asked her a few questions about her life and work.
Exclusive Interview with Josh S. Rose
Josh S. Rose is a multidisciplinary artist working across photography, film, and writing. His practice bridges visual and performing arts, with a strong focus on movement, emotion, and the expressive potential of the image. Known for his long-standing collaborations with leading dance companies and performers, Rose brings together authenticity and precise composition—a balance he describes as “technical romanticism.” His work has been commissioned and exhibited internationally, appearing in outlets such as Vogue, at the Super Bowl, in film festivals, and most recently as a large-scale installation for Lincoln Center for the Performing Arts. A sought-after collaborator, he has worked with major artists, cultural institutions, and brands, following a previous career as Chief Creative Officer at Interpublic Group and the founder of Humans Are Social. We asked him a few questions about his life and work.
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Photographer Maureen Ruddy Burkhart brings a quietly attentive and deeply human sensibility to her exploration of the world through images. Shaped by a life immersed in photography, film, and visual storytelling, her work is guided by intuition, observation, and an enduring interest in the emotional undercurrents of everyday life. With a practice rooted in both fine art traditions and documentary awareness, she approaches her subjects with sensitivity, allowing subtle moments to emerge naturally rather than be imposed. Her series Til Death, selected as the Solo Exhibition for February 2025, reflects this long-standing commitment to photography as a space for reflection rather than spectacle. Drawn to moments that exist just outside the expected frame, Burkhart’s images suggest narratives without resolving them, leaving room for ambiguity, humor, and quiet connection. We asked her a few questions about her life and work.
Exclusive Interview with Peter Ydeen
Winner of AAP Magazine #45 Travels, his series reflects this unique vision—capturing the spirit of place through subtle layers of light, color, and emotion. Whether traveling abroad or observing the rhythms of his own surroundings, Ydeen creates images that feel both grounded and enchanted, inviting viewers into a world where reality and reverie meet.
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