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Oleksandr Rupeta
Oleksandr Rupeta
Oleksandr Rupeta

Oleksandr Rupeta

Country: Ukraine
Birth: 1981

Oleksandr Rupeta is a documentary photographer from Ukraine working worldwide. He is a member of the Independent Media Trade Union Of Ukraine and the International Federation of Journalists from 2016 and a member of the Ukrainian Association of Professional Photographers and Federation of European Photographers from 2018.

As a news and reportage photographer, Oleksandr carries out short and long-term projects about political, cultural, and social life in Europe, Africa, the Middle East, and Asia. His works highlight Ukrainian-Russian conflict, Afghan Red Crescent Society, the life of Iranian Jews community, Sufi Community in Northern Cyprus, people with disabilities in Southern African countries, ethnic minorities in Azerbaijan, LGBT community in the Balkans, elephant conservation in Laos, robotics in Japan, etc.

The photos appeared in The New York Times, The Financial Times, The Times, The Guardian, The Economist, Time, Nature, Forbes, National Geographic Traveler and others.

His news photos were chosen numerous times as a photo of the day, a photo of the month and a photo of the year in agencies such as NurPhoto, Zuma Press and GettyImages reportage.

About Someone in your corner

From the middle of the XX century, the tendency of keeping animals as pets has been increased in their number and variety. There are many reasons for this phenomenon. First of all, the technological development improved the overall standard of living. Human attitudes towards animals are becoming of increasing importance and less pragmatic. When a man moves away from nature he begins to use animals as compensation for the lost connection. As a result, animals are engaged in social relations with a human. As family members, pets are changing not only their behavior but also the behavior of the owners. They build complex interdependent relationships.

In Ukraine, like the entire post-Soviet space, this tendency has become widespread with gaining independence. Open borders facilitated the transportation of exotic animals and their purchase became quite easy. Keeping unusual animals ceased to be the prerogative of a privileged few. Instead of this came out a problem of the pet owners' ignorance who may have a lack of knowledge of proper exotic pet care.

The idea for the project was to explore the mutuality and relationship of the human-animal bond in the modern world, to see and pay attention to the conditions of their interaction and coexistence.

The project was created in the summer-fall 2019, throughout Ukraine. The primary eligibility criteria for choosing characters was the exclusion of all occasional owners, zoos, circuses and using animals in entertainment spectacles. But everything turned out to be more complicated than expected. Odd owners often saved their pets from death and mostly they showed true love to the pets.

Other characters were chosen from people with a passion for animals. In addition to owning exotic animals as house pets, these people frequently try to link their lives with animals. Some of them organize private or home zoos, some work in pet shops, others try to find work at animal shelters or wildlife sanctuary.

The project turned out wider than I planned but each shot in the series elucidates the special human-animal connection.

Website

rupeta.com

 

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Erberto Zani
Italy
1978
Erberto Zani (Parma, Italy, 1978) is a journalist and documentary photographer who specializes in human rights issues. Graduate at school of applied Arts Paolo Toschi in graphic design, after the studies in History of Art at University of Parma he worked as a photographer in advertisement sector (1998-2004). Journalist and photographer for the newspaper Gazzetta di Parma (2004-2007) and editor in chief for some local magazines, he becomes freelance in 2008. During these years he documented the destruction created by the earthquake in Haiti, the climate crises in Sahel, the Maha Kumbh Mela in India, the daily life inside the ship breaking yards in Bangladesh, the exodus of Rohingya from Myanmar, the refugee camps in Lebanon, Greece and Uganda, the effects of the war in Marawi city / Philippines. Actually, Zani is working on two long term documentary projects, both around the world: Dark World, about the illegal mineral's extraction, and Survivors, about acid attack victims. Awarded in several international contests, his images are published on several books and dozens of international magazines. He lives in Basel, Switzerland. Books Urban Visions (ed. Blurb, 2021), Elemental Fashion (ed. Blurb,2019), Exodus (ed. Blurb, 2018), Kied Pologo (ed. Stamperia, 2017), Aftermath (ed. Stamperia, 2016), Black World (ed. Stamperia, 2015), Maha Kumbh Mela (ed. Stamperia, 2014), Tsiry (ed. Stamperia, 2014), Babanagar-Colombia (ed. Stamperia, 2013), Sahel (ed. Stamperia, 2012), Hope (ed. Stamperia, 2011), Haiti, fragments (ed. Stamperia, 2010), Drops of Life (ed. Stamperia, 2010), Da Borgo San Donnino al Passo della Cisa (ed. Publiprint, 2006). Publications WHO (World Health Organization), UNESCO (United Nations Educational Scientific and Cultural Organization), USAID (United States Agency for International Development), AMURT Global Network, John Hopkins Bloomberg School of Public Health, Development Gateway, Id21 (Institute of Development Studies University of Sussex), Planeta Salud, ICF Macro, GTZ (Deutsche Gesellschaft für Technische Zusammenarbeit), UNIPID (Finnish University Partnership for International Development), March (Maternal Reproductive & Child Health), The Appalachian Voice, AIP (Journal of Chemical Physics), Gazzetta di Parma, L'Informazione di Parma, Diario, Africa, Nigrizia, Popoli, Redattore Sociale, Repubblica.it, Treatment Action Campaign, CORE Group, Solidarietà e Cooperazione CIPSI, Witness Journal, Tsiry Parma Onlus, E gli Altri? 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Janne Korkko
Photography means more to me than just doing it: it is as important as breathing and living. I switched in documentary shooting 10 years ago. Image has always been an important form of narrative but I wanted it to show the touch of life and humanity that define my ideas. Socially important and difficult topics that are approachable make me work. I feel I have a mission. I am proud and humbled as well as grateful. Things that have touched me, touched them, too. That is the stories, the interaction with people that developed to the eye to see. Night River We need to understand where we are and how we got here. Once we are clear on these issues we can move forward... (Thomas Berry) Rivers have river rights as well as humans have human rights. People, communities, environments, and nature have deep interrelated connection. A connection that is more complex than an ownership of land, a fishing permit, a cottage on the riverside, or a beautiful sundown on the opposite shore of the river. The name of the river in these photos is Iijoki. The name comes from an ancient word of Sami ('iddja', 'ijje'), which means 'night'. So, the name of this river is Night. Night-River flows through Yli-Ii, the riverside village, which belongs now to bigger city of Oulu. It means that there are no public services any more. The village is disappearing. Night-River is full of songs of memories, and its riverbanks are full of people with these memories. Some of them are sacred, silenced, or even untold. Usually it seems that nobody wants to remember the song of the unforgotten village - and the blocked river. But some of the songs are still alive, or they are waking up through the people, who are starting to re-member the song of the wild, free-flowing river. The landscape of the village, and the diversity and ecology of native nature, changed totally during the 1960s, when the river was dammed - and there were built many hydroelectric power-plants in it. The damming of the river was one of the biggest eco catastrophes in the area of North Finland. But it was also catastrophic for the whole society of the village and its families in many - maybe still unidentified and unconscious - ways. Nowadays the eco catastrophes is still going strong - in clearcutting and swamp ditching. But the second longest river in Finland - with its 150 rapids - is still alive under all the constructions, destructions of riverbeds, and hydroelectric dams. It lives also in peoples' minds and bodies, in their eyes and destinies, and maybe in their most hidden memories. It is singing its unique song. "Virpi Alise Koskela"
Helmut Newton
Germany/Australia
1920 | † 2004
Helmut Newton was a German-Australian photographer. The New York Times described him as a "prolific, widely imitated fashion photographer whose provocative, erotically charged black-and-white photos were a mainstay of Vogue and other publications." Newton was born in Berlin, the son of Klara "Claire" (née Marquis) and Max Neustädter, a button factory owner. Newton attended the Heinrich-von-Treitschke-Realgymnasium and the American School in Berlin. Interested in photography from the age of 12 when he purchased his first camera, he worked for the German photographer Yva (Elsie Neuländer Simon) from 1936. Any photographer who says he’s not a voyeur is either stupid or a liar. -- Helmut Newton The increasingly oppressive restrictions placed on Jews by the Nuremberg laws meant that his father lost control of the factory in which he manufactured buttons and buckles; he was briefly interned in a concentration camp on Kristallnacht, 9 November 1938, which finally compelled the family to leave Germany. Newton's parents fled to Argentina. He was issued with a passport just after turning 18 and left Germany on 5 December 1938. At Trieste, he boarded the Conte Rosso (along with about 200 others escaping the Nazis), intending to journey to China. After arriving in Singapore, he found he was able to remain there, first briefly as a photographer for the Straits Times and then as a portrait photographer. Newton was interned by British authorities while in Singapore and was sent to Australia on board the Queen Mary, arriving in Sydney on 27 September 1940. Internees travelled to the camp at Tatura, Victoria by train under armed guard. He was released from internment in 1942 and briefly worked as a fruit picker in Northern Victoria. In August 1942, he enlisted with the Australian Army and worked as a truck driver. After the war in 1945, he became a British subject and changed his name to Newton in 1946. In 1948, he married actress June Browne, who performed under the stage name June Brunell. Later she became a successful photographer under the ironic pseudonym Alice Springs (after Alice Springs, the town in Central Australia). In 1946, Newton set up a studio in fashionable Flinders Lane in Melbourne and worked on fashion, theatre and industrial photography in the affluent postwar years. He shared his first joint exhibition in May 1953 with Wolfgang Sievers, a German refugee like himself, who had also served in the same company. The exhibition of New Visions in Photography' was displayed at the Federal Hotel in Collins Street and was probably the first glimpse of New Objectivity photography in Australia. Newton went into partnership with Henry Talbot, a fellow German Jew who had also been interned at Tatura, and his association with the studio continued even after 1957, when he left Australia for London. The studio was renamed Helmut Newton and Henry Talbot. Newton's growing reputation as a fashion photographer was rewarded when he secured a commission to illustrate fashions in a special Australian supplement for Vogue magazine, published in January 1956. He won a 12-month contract with British Vogue and left for London in February 1957, leaving Talbot to manage the business. Newton left the magazine before the end of his contract and went to Paris, where he worked for French and German magazines. He returned to Melbourne in March 1959 to a contract for Australian Vogue. Newton and his wife finally settled in Paris in 1961 and work continued as a fashion photographer. His images appeared in magazines including the French edition of Vogue and Harper's Bazaar. He established a particular style marked by erotic, stylized scenes, often with sadomasochistic and fetishistic subtexts. A heart attack in 1970 reduced Newton's output, nevertheless his wife's encouragement led to his profile continuing to expand, especially with a big success, the 1980 studio-bound stark infinity of the Big Nudes series. His Naked and Dressed portfolio followed and in 1992 Domestic Nudes which marked the pinnacle of his erotic-urban style, these series all underpinned with the prowess of his technical skills. Newton also worked in portraiture and more fantastical studies. Newton shot a number of pictorials for Playboy, including pictorials of Nastassja Kinski and Kristine DeBell. Original prints of the photographs from his August 1976 pictorial of DeBell, "200 Motels, or How I Spent My Summer Vacation" were sold at auctions of Playboy archives by Bonhams in 2002. I just had a bellyful and realized I had shot enough nudes to last a lifetime. In fact, although I have no idea of the number, I think I photographed too many naked women. -- Helmut Newton In 2009, June Browne Newton conceptualized a tribute exhibition to Newton, based on three photographers that befriended Newton in Los Angeles in 1980: Mark Arbeit, Just Loomis, and George Holz. All three had been photography students at The Art Center College of Design in Pasadena, California. All three became friends with Helmut and June Newton and to varying degrees assisted Helmut Newton. Each went on to independent careers. The exhibit premiered at the Helmut Newton Foundation in Berlin and combined the work of all three with personal snapshots, contact sheets, and letters from their time with Newton. Since the 1970s Newton regularly used Polaroid cameras and film for instant visualization of compositions and lighting situations, especially for his fashion photography. By his own admission, for the shoot of Naked and Dressed series that started in 1981 for the Italian and French Vogue he used Polaroid film “by the crate”. These polaroids also served as a sketchbook, where he scribbled notes with regard to the model, client or location and date. In 1992 Newton published Pola Woman, a book consisting only of his Polaroids. Over 300 works based on the original Polaroids were shown at 2011 exhibition Helmut Newton Polaroids at the Museum für Fotografie in Berlin. In his later life, Newton lived in both Monte Carlo and Los Angeles, California where he spent winters at the Chateau Marmont, which he had done every year since 1957. On 23 January 2004, he suffered a serious heart attack while driving his automobile down Marmont Lane from the Chateau Marmont to Sunset Boulevard. He was taken to Cedars-Sinai Medical Center; doctors were unable to save him, and he was pronounced dead. His ashes are buried at the Städtischer Friedhof III in Berlin.Source: Wikipedia
Margo Davis
United States
1944
Margo Baumgarten Davis is a photographer, educator and author of several photographer's books. Margo was raised in Connecticut and has lived for over 30 years in Palo Alto, California. She attended Bennington College, spent time at the Sorbonne studying French literature, and graduated from University of California, Berkeley. It was at UC Berkeley where she met her first husband Gregson Davis and traveled frequently to his home country of Antigua. She has a daughter, Anika and a son, Julian. Davis has produced photography in Paris, Italy, Nigeria and in the Caribbean, and has done a significant amount of portraiture. Davis has photographed Saul Bellow, Maxine Kingston, Tillie Olsen, Ursula K. Le Guin, Diane Johnson, and Kay Boyle. In Nigeria, Davis produced a number of photographs of the Fula people. Davis has spent time lecturing at Stanford on photojournalism with the communications department. She has also taught photography at University of California, Berkeley, and University of California, Santa Cruz. In 2017, Margo's book Antigua: Photographs 1967-1973 was published by Nazraeli Press. At interview, Margo said she produced the book after hearing interest expressed at an exhibit in Antigua. Antigua As young artists, we are drawn to projects that help us understand truths about who we are and what we want to become. When we are just starting out, that process is intuitive, at times random; it is also intense and thrilling. This was my experience when I began photographing in Antigua in 1967. It was the very beginning of a long journey in photography that is evolving to this day, 40 years later. From my first days in Antigua, I was overwhelmed by the timeless beauty of the place and especially by the strength of its people. I was born on the East Coast of the United States, a few thousand miles to the north. I was welcomed into a world and culture different from my own. Starting with the Antigua photographs in this exhibit, my life's journey has been with a camera and with an eye for the landscape of the human face. Although I was often moved to photograph the beaches and sunsets, and the shapely old sugar mills and estate houses of the island, I am primarily a portraitist. Drawn to the people of the villages that dotted the island, my early inspirations came from the faces you see here. Whenever possible, I asked permission to photograph - because the power of my portrait style depended on the comfort of the people that I was photographing. Since those early years, my interest in humanistic photography has propelled me into the world of various cultures. I have exhibited those photographs internationally and produced four books. However, it was on the island of Antigua where my passion for photography first began to flourish. Antigua Black; Portrait of an Island People was created and published in 1973. I want to thank again all the Antiguans who helped make this collection possible. Margo Davis Discover All American
Kantaya New
Singapore
Kantaya New is a Thai–Singaporean photo artist based in Singapore. Her works span conceptual and street photography. Her street photography work focuses on overlooked, serendipitous moments in daily life, while her conceptual work uses staged scenes and objects to invite reflection. She is currently working on A Modern Day Affair among other work. Notable awards and recognition include SONY Alpha: MX Street Photo Contest (1st Prize, 2025), LensCulture Critics’ Choice (Winner, 2023), Fujifilm Moment Street Photo Awards (2nd Prize, 2024), Women Street Photographers Artist Residency (Shortlist, 2025) and the Sony World Photography Awards (Shortlist, 2022 — Open Competition and Alpha Female Awards). Media features include LENSCRATCH (2025). A Modern Day Affair (2023–ongoing) This series began at home: my husband was with me, but always on his phone. I felt the screen had stolen my place. That feeling began A Modern Day Affair. The work looks at how the phone reshapes our relationship. Many images are self- portraits; others focus on small details—a cracked screen protector on a cake, or notes on a door. Some are drawn from real moments; others are imagined, but the emotions are real. In a surreal and staged style, the photographs mix a myriad of emotions such as humor, sadness, and anger to show how two people drift apart even when sitting side by side. I am not blaming phones; rather, I am asking how often we choose screens over connection without noticing. The Little Prince (2021–ongoing) This series started out as a chance meeting between me, the mural artist Yip Yew Chong, and a little boy named Akkun. I trace crossings—between being and performance, between child and character, between the art of one person and the dream of another. These photographs are fleeting windows into how a child moves through imagination—how play becomes reality, and how the ordinary becomes unforgettable. It is both play and portrait, and I document how a child steps into the art of another person and makes it his own. ARTICLE: Uncovering the hidden gems in Life through the lens of Photography
Stephen Albair
United States
1942
Stephen Albair was born in Massachusetts and raised in New Hampshire. He currently lives and works in San Francisco. Educated at Illinois State University in Design, he is a self-taught photographer, lecturer and a college teacher, for over 40 years. His work in tableau photography began in 1974 with the purchase of a 35mm Nikkormat, which has remained the only camera for his work. Numerous exhibitions and installations have been staged in the US and Thailand. He has authored three books with a fourth book currently in progress. The images are mostly rooted in memoir built on found objects with Art Historical references. The focus is not so much on a series of images but rather a board range of subject matter, from early memories, to the current political landscape. His photos represent intuitive responses to ideas through self-reflection. By mastering the techniques of tableaux photography he has created a significant body of work that have enhanced his skill as an artist and storyteller. Statement Photography is a unique way of seeing the world. Life's ambiguities, love, loss, and longing, are my subject matter. These ideas evolve through a meaningful search for content, with no specific audience in mind. Ultimately, an audience perceives all content based on their own personal experiences. Familiar objects trigger our memory, reminding us of how we understand the world. I constantly search for unique objects that speak to me. My set-ups are arranged to illustrate an intention, an action that something has just happened -or is about to. Tableau photography provides the stage, much like actors in a play. The procedure of building a photograph creates an air of playfulness that allows for a different way of thinking about common human experiences. The audience is delivered thought-provoking ideas tinged with humor in a fabricated world. This process playfully exposing the surreal nature of reality and questions what is real or simply realistic—leaving the viewer to decide. Articles: Hidden Gardens - Secret Views SPECTACLES: A Memoir of Jewelry and Photography Miss Nude World For the Love of DOGS
Lois Bielefeld
United States
1978
Lois Bielefeld's trajectory starts in Milwaukee, WI. She received her BFA in photography from Rochester Institute of Technology afterwards relocating to New York City until 2010. Most recently her and her wife relocated to the San Francisco Bay area. Besides photography, she feels passionate about traveling, hiking, swimming, urban gardening and bicycling adventures. Her work is in the permanent collections of the Leslie-Lohman Museum of Gay and Lesbian Art in New York City, the Museum of Wisconsin Art, and The Racine Art Museum in Wisconsin. Bielefeld has shown at The International Center of Photography in New York City, The Museum of Contemporary Photography in Chicago, the Museum of Wisconsin Art, The Charles Allis Art Museum, ArtStart, Portrait Society Gallery, UW-Milwaukee, UW-Parkside, UW-La Crosse, and Walker's Point Center. In 2015 Lois had a ten-week artist residency in Bourglinster, Luxembourg through the Museum of Wisconsin Art and the Luxembourg Ministry of Culture. Bielefeld is represented by Portrait Society Gallery in Milwaukee. Statement: Lois Bielefeld is a series based artist working in photography, audio, video, and installation. Her work continually asks the question of what links routine and ritual to the formation of identity and personhood. Weeknight Dinners, New Domesticity, and Celebration examine the connective ties people share within our private and public spaces with food, perceptions of home, and community. Reaching through 5 1/2 yards, Reaching Across 8497 miles is a collaboration with interdisciplinary artist Nirmal Raja exploring identity and belonging within Milwaukee, WI.
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