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Svetlin Yosifov
Svetlin Yosifov
Svetlin Yosifov

Svetlin Yosifov

Country: Bulgary

I was born in Bulgaria, and I had the privilege of living in this beautiful country all my life. My employment is in a private sports club, focused on extreme sports, which involves a lot of travelling and keeps my life dynamic and interesting. Apart from this, I love travelling abroad and do this once a year for a period of two months. I always associate these trips with diving in the unknown, meeting new people and experiencing something new. My adventurous spirit is my main drive, the inner flame, that keeps me going!

Not a professional freelance photographer. I define myself as a travel-documentary-art photographer. For almost 20 years now photography has been part of my life. My passion is catching street portraits and trying to figure out my object's character.Portrait photography is the most compelling genre for me. The impact of a single photo, comes from the emotion it reflects.My Point of interest - traditions in primal and natural places like India, Ethiopia, Kenya, Indonesia, Vietnam, Laos, Cambodia, Cuba and more. I consider good photography to be much more than a snapshot or a memory, it is something that tells a story, strong enough to influence the world we live in and raise more awareness. Throughout the years my interviews and photographs have been published in many magazines and websites.

About Mursi People
Mursi People is a series of photos that were taken during my visits to Ethiopia and are part of the albums "Ethiopian tribes expedition 2018" and the "Second Ethiopian tribes expedition 2019"

The African tribe of Mursi people is isolated in Omo valley - South Ethiopia near the border with Sudan. They are one of the most fascinating tribes in Africa with their lives being a combination of brutal reality and amazing beauty. What was really appealing to me, as a photographer, was to capture and recreate the perplexing nature of their culture and way of life. Suffering from extreme drought in the past few years has made their life cruel and sometimes dangerous, but has not left a single mark on their traditions. Living among them gave the sense of extreme authenticity and in the same time felt like an illusion. Their faces filled my insatiable passion for capturing pure, untouched souls of a culture on the brink of extinction."

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Joaquín Pastor Genzor
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Helen Levitt
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Helen Levitt was an American photographer and cinematographer. She was particularly noted for her street photography around New York City. David Levi Strauss described her as "the most celebrated and least known photographer of her time." Helen Levitt was most well known and celebrated for her work taking pictures of children playing in the streets. She also focused her work in areas of Harlem and the Lower East side with the subjects of her work many of which were minorities. There is a constant motif of children playing games in her work. She stepped away from the normal practice set by other established photographers at the time by giving a journalistic depiction of suffering. She instead chose to show the world from the perspective of her children by taking pictures of their chalk art. She usually positions the camera and styles the photo in a way that gives the focus of her photography power. Her choice to display children playing in the street and explore street photography fights against what was going on at the time. Legislation being passed in New York at the time was limiting many of the working classes' access to these public spaces. Laws were passed that directly targeted these communities in an attempt to control them. New bans on noise targeted working-class and minority communities. There was a movement to also try to keep children from playing on the street believing it is unsafe for them out there. Instead encouraging safe new areas that were usually built more in upper and middle-class areas. Helen Levitt instead exploring the narrative of those who lived in these areas and played in these streets was a way further to empower the subjects of her photos. Levitt was born in Bensonhurst, Brooklyn, New York, the daughter of May (Kane), and Sam Levitt. Her father and maternal grandparents were Russian Jewish immigrants. She went to New Utrecht High School but dropped out in 1931. She began taking photography when she was eighteen and in 1931 she learned how to develop photos in the darkroom when she began working for J. Florian Mitchell, a commercial portrait photographer in the Bronx. She also attended many classes and events hosted by Manhattan Film and Photography League. This was also around the time she was exposed to the work of Henri Cartier-Bresson at the Julien Levy Gallery, who she was also able to meet through the league. His work became a major influence for her photography as it inspired her to change from her current more journalistic and commercial approach to photography to a more personal one. In 1936, she purchased a Leica camera (a 35 mm range-finder camera). In While teaching art classes to children in 1937 for the New York City's Federal Art Project, Levitt became intrigued with the transitory chalk drawings that were part of the New York children's street culture of the time. 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In 1959 and 1960, she received two grants from the Guggenheim Foundation for her pioneering work in color photography. In 1965 she published her first major collection, A Way of Seeing. Much of her work in color from 1959 to 1960 was stolen in a 1970 burglary of her East 12th Street apartment. The remaining photos, and others taken in the following years, can be seen in the 2005 book Slide Show: The Color Photographs of Helen Levitt. A second solo exhibit, Projects: Helen Levitt in Color, was held at the Museum of Modern Art, New York in 1974. Her next major shows were in the 1960s; Amanda Hopkinson suggests that this second wave of recognition was related to the feminist rediscovery of women's creative achievements. In 1976, she was a Photography Fellow of the National Endowment for the Arts. Levitt lived in New York City and remained active as a photographer for nearly 70 years. However, she expressed lament at the change of New York City scenery: "I go where there's a lot of activity. Children used to be outside. Now the streets are empty. People are indoors looking at television or something." She had to give up making her own prints in the 1990s due to sciatica, which also made standing and carrying her Leica difficult, causing her to switch to a small, automatic Contax. She was born with Ménière's syndrome, an inner-ear disorder that caused her to "[feel] wobbly all [her] life." She also had a near-fatal case of pneumonia in the 1950s. Levitt lived a personal and quiet life. She seldom gave interviews and was generally very introverted. She never married, living alone with her yellow tabby Blinky. Levitt died in her sleep on March 29, 2009, at the age of 95.Source: Wikipedia
Anna Hayat and Slava Pirsky
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Arnold Newman
United States
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Arnold Abner Newman was an American photographer, noted for his "environmental portraits" of artists and politicians. He was also known for his carefully composed abstract still-life images. Born in Manhattan, Newman grew up in Atlantic City, New Jersey, and later moved to Miami Beach, Florida. In 1936, he studied painting and drawing at the University of Miami. Unable to afford to continue after two years, he moved to Philadelphia to work for a studio, making 49-cent portraits in 1938. Newman returned to Florida in 1942 to manage a portrait studio in West Palm Beach. Three years later, he opened his own business in Miami Beach. In 1946, Newman relocated to New York, opened Arnold Newman Studios and worked as a freelance photographer for Fortune, LIFE, and Newsweek. Though never a member, Newman frequented the Photo League during the 1940s. Newman found his vision in the empathy he felt for artists and their work. Although he photographed many personalities—Marlene Dietrich, John F. Kennedy, Harry S. Truman, Piet Mondrian, Pablo Picasso, Arthur Miller, Marilyn Monroe, Ronald Reagan, Mickey Mantle, and Audrey Hepburn—he maintained that even if the subject is not known, or is already forgotten, the photograph itself must still excite and interest the viewer. Arnold Newman is often credited with being the photographer who articulated and who consistently employed the genre of environmental portraiture, in which the photographer uses a carefully framed and lit setting, and its contents, to symbolize the individual's life and work; a well-known example being his portrait of Igor Stravinsky in which the lid of his grand piano forms a gargantuan musical note representative of the melodic structure of the composer's work. Newman normally captured his subjects in their most familiar surroundings with representative visual elements showing their professions and personalities. A musician for instance might be photographed in their recording studio or on stage, a Senator or other politician in their office or a representative building. Using a large-format camera and tripod, he worked to record every detail of a scene. Newman's best-known images were in black and white, although he often photographed in color. His 1946 black and white portrait of Stravinsky seated at a grand piano became his signature image, even though it was rejected by Harper's Bazaar, the magazine that gave the assignment to Newman. He was one of the few photographers allowed to make a portrait of the famously camera-shy Henri Cartier-Bresson. Among Newman's best-known color images is an eerie portrait from 1963 that shows former Nazi industrialist and minister of armament Alfried Krupp in one of Krupp's factories. Newman admits his personal feelings influenced his portrayal of Krupp. On December 19, 2005, Newman made his last formal portrait of director James (Jimmy) Burrows at the NBC studio on the Saturday Night Live stage. This session was particularly special for Newman because he had photographed Jimmy's father Abe Burrows several times.Source: Wikipedia Arnold Newman (1918-2006) is acknowledged as one of the great masters of the 20th and 21st century and his work has changed portraiture. He is recognized as the “Father of Environmental Portraiture.” His work is collected and exhibited in the major museums around the world including the Metropolitan Museum of Art, New York; The Museum of Modern Art, New York; The Chicago Art Institute; The Los Angeles Museum of Art; The Philadelphia Museum; The Tate and the National Portrait Gallery, London; The Israel Museum, Jerusalem; and many other prominent museums in Europe, Japan, South America, Australia, etc. Newman was an important contributor to publications such as The New Yorker, Newsweek, Vanity Fair, LIFE, Look, Holiday, Harper's Bazaar, Esquire, Town and Country, Scientific American, New York Times Magazine, and many others. There are numerous books published of Newman’s work in addition to countless histories of photography, catalogues, articles and television programs. He received many major awards by the leading professional organizations in the U.S. and abroad including the American Society of Media Photographers, The International Center of Photography, The Lucie Award, The Royal Photographic Society Centenary Award as well as France’s “Commander of the Order of Arts and Letters.” In 2005, Photo District News named Newman as one of the 25 most influential living photographers. In 2006, Newman was awarded The Gold Medal for Photography by The National Arts Club. He is the recipient of nine honorary doctorates and has lectured and conducted workshops throughout the country and the world. Arnold Newman died on June 6, 2006 in New York City. He was 88 years old.Source: arnoldnewman.com Arnold Newman is widely renowned for pioneering and popularizing the environmental portrait. With his method of portraiture, he placed his sitters in surroundings representative of their professions, aiming to capture the essence of an individual’s life and work. Though this approach is commonplace today, his technique was highly unconventional in the 1930s when began shooting his subjects as such. He is also known for his carefully composed, abstract still lifes.Source: Howard Greenberg Gallery "We do not take pictures with our cameras, but with our hearts and minds,” so said Arnold Newman, one of the world's best-known and most admired photographers to have ever lived. Known for his “environmental portraits” of artists and politicians, he captured the essence of his subjects by showing them in their natural surroundings. As he said, “I didn't just want to make a photograph with some things in the background. The surroundings had to add to the composition and the understanding of the person. No matter who the subject was, it had to be an interesting photograph. Just to simply do a portrait of a famous person doesn't mean a thing.” Newman was a master at composition and was meticulous about his work. He even used a large-format camera and tripod to ensure that every detail of a scene was recorded. His signature image, the one most will remember him by, is the last one in this post. It's a beautiful, black and white portrait of Russian Composer Igor Stravinsky seated at a grand piano. Look closely and you'll notice that the piano was strategically silhouetted against a blank wall, creating an illusion that the lid is an abstract musical note.Source: My Modern Met
Dominik Schulze
Dominik Schulze
Germany
1993
Dominik Schulze is a 29 year old enthusiastic amateur photographer from Dresden, Germany. He has been shooting street photography for about seven years, but prefers to call it capturing unposed moments in our daily urban environment. Besides strong light/shadow situations, the integration of people into architecture, he also likes to experiment with abstract perspectives on everyday things. To get new impressions of street life, he likes to travel and combine this with his photography. Photographers such as Thomas Leuthard, Alex Webb, Siegfried Hansen and Josef Koudelka have particularly influenced his style. Currently, a Pixel 4a is his main camera.
Judi Iranyi
Judi Iranyi
Hungary/United States
1943
Judi Iranyi was born in Hungary (1943). After World War II, she and her family lived in a displaced persons camp in Germany for a few years before emigrating to Venezuela, where she lived until she finished high school. She has also lived in Trinidad, Barbados, Germany, and Okinawa before moving to San Francisco in 1971. Ms. Iranyi became interested in photography in the sixties. She earned a BA degree in Art/Photography from San Francisco State University. Later she received an MA degree in Visual Design from U.C. Berkeley; completed a master!s level museum studies program at John F. Kennedy University; and an MSW Degree in Social Work at San Francisco State University. Ms. Iranyi has worked as a freelance photographer taking environmental portraits. She was also a staff photographer at the Judah L. Magnes Museum in Berkeley and worked at the San Francisco Fine Arts Museums. She also worked as a California Licensed Clinical Social Worker until her retirement. After retirement, Ms Iranyi dedicated her time to photography. Her work includes portraits, travel photography, documentary, and street photography. Recently she has shifted her emphasis to botanicals and still life photography. Three of her life passions are traveling, literature, and photography, which have broadened her view of the world. Flowers for Klara On the 40th anniversary of my mother’s death, I decided to create a series of floral bouquets to honor her memory. She had a difficult life, living during WWII, living in displaced peoples’ camps and two emigrations one to Venezuela and then to Germany where she died in her mid fifties after a long illness. Exclusive Interview with Judi Iranyi and Remembering Michael
Kojo Leon
Kojo Leon
United States
1990
Kojo Leon, is a Physicist by profession and a passionate lover of both the intricate world of Physics and the captivating realm of Street Photography and Fine Arts. He perceives Street Photography as peaceful and a way of seeing the world in its rawest, most unfiltered form. It is about capturing the poetry of everyday life—the fleeting moments of connection, solitude, humor, and humanity that often go unnoticed. Kojo is drawn to the streets because they are alive with stories. Every passerby, every shadow, every reflection holds a narrative waiting to be discovered. His protect work is an exploration of light, composition, and emotion. He is challenged to be present on the streets, to observe deeply, and capture the most unfiltered and dramatic moments. Through his most recent project “Waves and Lives” that document the livelihood of fishermen in Winneba, a Coastal City in Central Ghana, he hopes to inspire others to look closer, to notice the extraordinary in the ordinary, and to appreciate the rawest moments unfolding around us every day. Awarded Photographer of the Week - Week 31, 2025
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Call for Entries
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