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FINAL CALL TO ENTER AAP MAGAZINE PORTRAIT: PUBLICATION AND $1,000 CASH PRIZES
FINAL CALL TO ENTER AAP MAGAZINE PORTRAIT: PUBLICATION AND $1,000 CASH PRIZES
Michel Kameni
Michel Kameni in his studio 2018 © Benjamin Hoffman
Michel Kameni
Michel Kameni

Michel Kameni

Country: Cameroon
Birth: 1935 | Death: 2020

The work of Michel Papami Kameni tells a unique story of post colonial Cameroon, a period of transition in the wake of a new found independence like in so many other African countries. In his studio in the Briqueterie district of Yaounde, it was the whole of Cameroonian society that passed before his lens.

A mix of stunning portraits and subjects from all social circles and different cultural backgrounds, Christians and Muslims, urban socialites to provincial farmers all travelling through this great city. We see in his images the dreams and aspirations of a nation in transition, new musical influences and western fashions, a natural fusion between the tradition and the modern.

The work of Michel Kameni explores the rapid evolution of a postcolonial Yaounde (from 1963) by portraying its inhabitants with an incredible kindness and passion, these images are more than just a document, they are an intimate study of the relationship between the photographer and his subject.

Studio Kameni is a project that aims to explore, discover and give new life to the photographic archives of this unique body of work brought into public view for the very first time.
 

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More Great Photographers To Discover

Annette LeMay Burke
United States
1964
Annette LeMay Burke (b. 1964) is a photographic artist and Northern California native who lives in the heart of Silicon Valley. Numerous family road trips throughout California and the West honed her eye for observing the landscape. By eight years old, she had her own Instamatic camera and graduated to a Minolta X-700 as a teen. While earning a BA in Earth Science from the University of California at Berkeley, she took her first darkroom class. After a career in high-tech, and studying design, Annette has now merged her interests. Her artistic practice focuses on how we interact with the natural world and the landscapes constructed by the artifacts of technology. Annette's first book, Fauxliage (Daylight Books, Spring 2021), documents the proliferation of disguised cell phone towers in the American West and how new technologies are modifying our landscapes with idiosyncratic results. Her work has been exhibited at institutions such as Center for Photographic Arts, Colorado Photographic Arts Center, Griffin Museum of Photography, Texas Photographic Society, The Center for Fine Art Photography, and Photographic Center Northwest. In 2017, she was a finalist for Photolucida's Critical Mass. Fauxliage - Disguised Cell Phone Towers of the American West Fauxliage documents the proliferation of disguised cell phone towers in the American West. For me, the fake foliage of the trees draws more attention than camouflage. The often-farcical tower disguises belie the equipment's covert ability to collect all the phone calls and digital information passing through them, to be bought and sold by advertisers and stored by the NSA. From the very start, cell towers were considered eyesores. Plastic leaves were attached in an attempt to hide the visual pollution. Over time, the disguises have evolved from primitive palms and evergreens into more elaborate costumes. The towers now masquerade as flagpoles, crosses, water towers, and cacti. Over time, as our demand for five bars of connectivity has increased, the charade has remained. I was initially drawn to the towers' whimsical appearances. The more I photographed, the more disconcerted I felt that technology was clandestinely modifying our environment. I explore how this manufactured nature is imposing a contrived aesthetic in our neighborhoods. My photographs expose the towers' idiosyncratic disguises, highlight the variety of forms, and show how ubiquitous they are in our daily lives. Their appearance is now an inescapable part of the iconic western road trip and the eight states I visited for this project. As the fifth generation (5G) of cellular technology continues to roll out, the cell tower terrain will be changing. 5G utilizes smaller equipment that is easier to hide - think fat streetlight poles. Perhaps elaborately disguised 'fauxliage' towers will begin disappearing and be considered an anachronism of the early 21st century. The decorated towers could join drive-up photo kiosks, phone booths, news stands, and drive-in movie theaters as architectural relics of the past. More about Fauxliage More about Memory Building
Szymon Barylski
Poland
1984
Szymon Barylski Polish freelance photographer born in 1984 based in Ireland. He has been published, among others, The Irish Times, National Geographic Poland, The Eye of Photography, Edge of Humanity Magazine. He has had a number of exhibitions in many countries including 3rd Documentary Photography Days in Istambul, MIFA Photography, The SE Centre for Photography- Documentary Photography. His pictures were awarded in many competitions. Szymon is involved in documentary photography and photo essays. Photographing for he is a tool for exploring and learning about the world. He tries to tell a story and show it directly. In his opinion, people are an inexhaustible topic and a source of inspiration. Szymon said: „When traveling, I meet people; as a result, I create the image of my relation with them. The exploration of the environment where I take photos allow me to create emotional and convincing scenes.“ He thinks you cannot photograph the things you do not know well. That is why he prepares himself for each project individually, accurately, going into detail in the newspapers and on the Internet. Next, he looks for an inspiration in other photographer’s photos and conversations, as a result, he can create real pictures. His own narrative presented in his photos are at the same time very personal and common. Szymon thinks that a lot of people can identify themselves with his works. Photographer wish his photos could increase individual and collective awareness about the social, political and economic need and urge people to act, be part of positive changes.
Dean West
Australia
1983
Dean West “one of the world’s best emerging photographers” (AFTER CAPTURE MAGAZINE), has a highly conceptual and thought-provoking style of contemporary portraiture. His body of work has been featured in top photography magazines, art galleries, and received numerous international awards.Born in small-town rural Australia in 1983, Dean’s love for photography began in his high school’s darkroom- one of the largest darkrooms in the country at the time- and blossomed at the Queensland College of Art, Griffith University, Brisbane, Australia. After graduating in 2007 with a Bachelor of Photography with majors in visual culture and advertising, Dean formed a partnership, Berg+West, which won nationwide acclaim as a high-end photography and post-production studio. Through clients like the QLD Government and SONY, Dean quickly learned to transform stick figure sketches into intricate composited photographs with immense detail and clarity.In 2008, Dean was included in Saatchi & Saatchi’s collection of the world’s top 100 emerging photographers and went on to win Advertising Photographer of the Year at the International Aperture Awards. With success in advertising and a growing list of collectors- Dean decided to dedicate more of his time to the world of art. In the following years, his series ‘Fabricate’ received worldwide recognition from top photography competitions, including: the International Colour Awards, the Lucie Awards, the Loupe Awards, and in 2009, Dean was the winner of the IV International Arte Laguna Prize, Venice, Italy. This final award being the most prestigious for emerging artists with over 5,000 applicants gunning for the top prize in photography, sculpture and painting. Zoom Magazine quickly nominated Dean in the ‘New Talent’ issue of 2010 and the Magenta Foundation awarded Dean an emerging Photographer of Canada.
Cole Weston
United States
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Cole Weston, born on January 30, 1919 in Los Angeles, was the fourth and youngest son of famed 20th Century photographer, Edward Henry Weston. Cole received his first camera, a 4 by 5 Autograflex, from his brother Brett in 1935. Cole graduated with a degree in theater arts from the Cornish School in Seattle in 1937 and then served in the Navy during World War II as a welder and photographer. After his discharge from the Navy in 1945 Cole worked for Life Magazine. In 1946 he moved to Carmel to assist his father Edward. During this time Eastman Kodak started sending their new color film, Kodachrome, for Edward to try out. Cole took this opportunity to experiment with this new medium and eventually became one of the world’s great masters of fine art color photography. In 1957 Cole began shooting his first color photographs of the magnificent Big Sur coast, Monterey Peninsula and central California. At this time he carried on his own portrait business while assisting his ailing father, who passed away in 1958. Edward had authorized Cole to print from Edward’s negatives after his death, so Cole continued printing Edward’s work while pursuing his own fine art photography. In 1975 Cole began lecturing and conducting workshops on his father’s photography as well as his own. With his work in the theater arts Cole was a natural when it came to teaching and lecturing and his many students still comment on what a great workshop he gave. He traveled throughout the United States, England, Europe, Russia, Mexico, New Zealand and the South Pacific photographing and inspiring others with his characteristic enthusiasm and charm. In 1988 after three decades devoted to printing his father’s work, Cole at last set aside his responsibility to Edward’s legacy and refocused on his own photography. Cole had his first solo exhibition in San Francisco in 1971. Since then, his work has been featured in more than sixty exhibitions worldwide and has been collected by museums throughout the United States and Europe. His work has been featured in numerous gallery shows and publications with three monographs and numerous articles having been published on his exquisite photography. Michael Hoffman from Aperture Publications once quoted, “In the history of photography there are but a few masters of color photography, Cole Weston is assuredly one of these masters of the medium whose dramatic powerful images are a source of great joy and pleasure”. Cole passed away from natural causes on April 20th, 2003. Like Cole, who once carried on the legacy of his father’s photography, his children have decided, as a tribute to their father, to carry on printing and offer Trust prints of Cole’s fine color photographs. Cole Weston was a dedicated artist and master of fine photography. Hopefully the availability of modern prints will make it possible for photographic enthusiasts everywhere to continue to enjoy his life’s work.
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United States
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