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Miho Kajioka
Self Portrait
Miho Kajioka
Miho Kajioka

Miho Kajioka

Country: Japan
Birth: 1973

Miho Kajioka was born February 21st, 1973 in Japan and studied at Concordia University and the San Francisco Art institute in the 1990s. Kajioka's artistic practice is in principal snapshot based; she carries her camera everywhere and intuitively takes photos of whatever she finds interesting. These collected images serve as the basic material for her work in the darkroom where she creates her poetic and suggestive image-objects through elaborate, alternative printing methods. Kajioka regards herself more as a painter/drawer than as a photographer. She feels that photographic techniques help her to create works that fully express her artistic vision. Her images evoke a sense of mystery in her constant search for beauty. The focused, creative and respectful way in which she uses the medium of photography to create her works seems to fit in the tradition of Japanese art that is characterized by the specifically Japanese sense of beauty: wabi sabi. Wabi has been described as 'serene attention to simple things' and sabi as 'beauty acquired through the patina of time'. The artist regards herself as a maker of objects rather than a maker of photographs, using moments of her everday life as both inspiration and material.

Source: Peter Fetterman Gallery



Miho Kajioka (b. 1973, Japan, lives in Kyoto) studied fine art in the United States and Canada and started her career as a journalist in her native country Japan. It was after the 2011 earthquake and tsunami that Kajioka was reconnected to her photographic art. Two months after the disaster, while reporting in the coastal city of Kamaishi, where over 800 people died, she found roses blooming beside a blasted building. That mixture of grace and ruin made her think of a Japanese poem:

In the spring, cherry blossoms,
In the summer the cuckoo,
In autumn the moon, and in
Winter the snow, clear, cold.

Written by the Zen monk Dogen, the poem describes the fleeting, fragile beauty of the changing seasons. The roses Kajioka saw in Kamaishi bloomed simply because it was spring. That beautiful and uncomplicated statement, made by roses in the midst of ruin, impressed her, and returned her to photography.

The photos presented, span Kajioka's adulthood, including pictures she took while living abroad, as well as scenes she captured in Japan after the disaster. The little pictures of a flower, or a running boy, are scenes from daily life, as it is. These fragments of her life, from various periods and against changing backdrops, are not so different from each other, and the differences that remain aren't important. Happiness, sadness, beauty and tragedy only exist in our minds. Things are just as they are.

Since 2013 Kajioka's work has been exhibited in France, the Netherlands, Colombia, the United Kingdom, Italy, Germany and Spain.

Source: IBASHO



Exhibitions
2020
tanzaku, The Photographers' Gallery Print Sales (February 7 to March 22)

2019
time travel (duo exhibition with Rens Horn), de ketelfactory, Schiedam, the Netherlands (September 28 to December 22)
And, where did the peacocks go?, International Photo Festival InCadaqués, Cadaqués, Spain (September 20 to 29)
And, where did the peacocks go?, Kunstenfestival Watou, Watou, Belgium (June 29 to September 1)
2018 (all solo)
So it goes, IBASHO Gallery, Antwerp, Belgium (September 9 to November 4, 2018)
So it goes, Caroline O'Breen Gallery, Amsterdam, Netherland (September 8 to October 13, 2018)
Half a dozen, Residency Program, Lisbon, Portugal (May 24 to August 31, 2018)
Unfinished spaces, The Photographers' Gallery, Print Sales, London, UK (Feb 23 to April 14)

2017
And, where did the peacocks go?, Corden Potts Gallery, San Francisco, US (March 23 to April 29)

2016
And, where did the peacocks go?, Galerie VU', Paris, France (June 8 to September 2 – Solo)
Et, où les paons sont-ils allés?, Festival La Gacilly Photo, France (June 3 to September 30)
Grace and Ruin, SeeLevel Gallery, Amsterdam, Netherland
And, where did the peacocks go?, Central Colombo Americano, Bogota, Colombia

2015
Renaissance Photography Prize, Getty Images Gallery, London, UK (Group)
And, did the peacocks go?, ARTBO, Bogota, Colombia (Solo)
And, where did the peacocks go?, Twenty 14 Contemporary, Milan, Italy (Solo)
UNREAL, M2 Gallery, Sydney, Australia (Group)

2014
LAYERS, Microprisma, Rome, Italy (Solo)
as it is, Fotografika Galerie, Gland, Switzerland (Solo)
Balade(s) Parcours Photographique, Galerie Le Neuf, Lodève, France (Group)
Boutographies, Montpellier, France (Group)
Catching tails, Linke, Milan, (Group)

2013
As It is, Centro Italiano della Fotografia d'Autore, Bibbiena, Italy (Group)
Reality and Emotion, Valid Foto BCN Gallery, Barcelona (Group)

Galleries

IBASHO, Antwerp, Belgium
The Photographers' Gallery, Print Sales, London, United Kingdom
Galerie Caroline o'Breen, Amsterdam, the Netherlands
Ira Stehmann Fine Art, Munich, Germany
Bildhalle, Zürich, Swizterland
Polka Galerie, Paris, France
Twenty14 Contemporary, Milan, Italy
Peter Fetterman Gallery, Santa Monica, United States

Agency

IBASHO

Website

@mihokajioka

 

Inspiring Portfolios

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Julia Margaret Cameron
Julia Margaret Cameron
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Julia Margaret Cameron (née Pattle; 11 June 1815 – 26 January 1879) was a British photographer. She became known for her portraits of celebrities of the time, and for photographs with Arthurian and other legendary themes. Cameron's photographic career was short, spanning eleven years of her life (1864–1875). She took up photography at the relatively late age of 48, when she was given a camera as a present. Although her style was not widely appreciated in her own day, her work has had an impact on modern photographers, especially her closely cropped portraits. Her house, Dimbola Lodge, on the Isle of Wight is open to the public. Julia Margaret Cameron was born Julia Margaret Pattle in Calcutta, India, to James Pattle, a British official of the East India Company, and Adeline de l'Etang. Adeline de l'Etang was the daughter of Chevalier Antoine de l'Etang, who had been a page and probable lover of Marie Antoinette and an officer in the Garde du Corps of King Louis XVI. 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Sergey Zubov
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Julie Blackmon
Julie Blackmon
United States
1966
Born in Springfield, Missouri, Julie Blackmon studied art education and photography at Missouri State University. She has received several national awards for her photographs, including commendation in the 2004 Santa Fe Center of Photography Project Competition, a merit award from the Society of Contemporary Photography, 2005 B& W Magazine Merit Award for Single Image Contest, 2006 1st Place for Domestic Vacations from the Santa Fe Center of Photograph Project Competition, 2006 Critical Mass Book Award Winner for Domestic Vacations, and recognized as American Photo’s Emerging Photographer of 2008. Her photographs are included in the permanent collections of the Kemper Museum of Contemporary Art, Kansas City, Museum of Fine Arts, Houston, Toledo Museum of Art, Portland Art Museum, Museum of Contemporary Photography, Chicago, among numerous others. About Domestic Vacations:The Dutch proverb “a Jan Steen household” originated in the 17th century and is used today to refer to a home in disarray, full of rowdy children and boisterous family gatherings. The paintings of Steen, along with those of other Dutch and Flemish genre painters, helped inspire this body of work. I am the oldest of nine children and now the mother of three. As Steen’s personal narratives of family life depicted nearly 400 yrs. ago, the conflation of art and life is an area I have explored in photographing the everyday life of my family and the lives of my sisters and their families at home. These images are both fictional and auto-biographical, and reflect not only our lives today and as children growing up in a large family, but also move beyond the documentary to explore the fantastic elements of our everyday lives, both imagined and real. The stress, the chaos, and the need to simultaneously escape and connect are issue that I investigate in this body of work. We live in a culture where we are both “child centered” and “self-obsessed.” The struggle between living in the moment versus escaping to another reality is intense since these two opposites strive to dominate. Caught in the swirl of soccer practices, play dates, work, and trying to find our way in our “make-over” culture, we must still create the space to find ourselves. The expectations of family life have never been more at odds with each other. These issues, as well as the relationship between the domestic landscape of the past and present, are issues I have explored in these photographs. I believe there are moments that can be found throughout any given day that bring sanctuary. It is in finding these moments amidst the stress of the everyday that my life as a mother parallels my work as an artist, and where the dynamics of family life throughout time seem remarkably unchanged. As an artist and as a mother, I believe life’s most poignant moments come from the ability to fuse fantasy and reality: to see the mythic amidst the chaos.
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Interview
Exclusive Interview with Asiya Al Sharabi
Asiya Al Sharabi is a Yemeni-American visual artist whose work has been recognized both nationally and internationally. She began her career as a journalist and photographer before shifting her focus to artistic photography, using her lens to explore the complexities of identity, culture, and migration. Now based in the U.S., her work is deeply rooted in the experiences of Middle Eastern women, young adults, and immigrants—themes that continue to shape her creative vision.
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Exclusive Interview with Members of Circulo Collective
Interview
Exclusive Interview with Members of Circulo Collective
Círculo Collective is a photography group dedicated to fostering unity and shared humanity during these challenging times. This exclusive collective brings together photographers from five countries: India, Tanzania, Iran, Brazil, and Poland. In a world increasingly defined by division and conflict, the mission of Círculo Collective holds profound significance. Through their work, they seek to remind us of the connections that bind us and the power of community in overcoming adversity. We reached out to them with a few questions to gain deeper insights into their project.
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Exclusive Interview with Manuela Federl
Interview
Exclusive Interview with Manuela Federl
Manuela Federl is a journalist and documentary filmmaker with over 15 years of experience. She studied languages, economics, and cultural studies, focusing on the Mapuche people in Chile, which became the subject of her published thesis. In 2016, she founded her company, bergjournalisten, and has since created award-winning documentaries like 100 Hours of Lesbos and THE GAME. Gambling Between Life and Death. For the past two years, she has traveled extensively, documenting social issues through photography and storytelling. Her series The Roma Princesses earned her the January 2024 Solo Exhibition.
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Exclusive Interview with Dona Ann McAdams about ’Black Box’
Interview
Exclusive Interview with Dona Ann McAdams about 'Black Box'
Black Box, a memoir by award-winning American photographer Dona Ann McAdams, combines fifty years of black and white photography with the photographer’s own short lyric texts she calls “ditties.” The book brings together McAdams’ striking historical images with personal reflections that read like prose-poems. Her photographs, taken between 1974 and 2024, document astonishing moments and people across decades of American life.
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