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Valerie Laney
Valerie Laney
Valerie Laney

Valerie Laney

Country: United States
Birth: 1964

Valerie Elizabeth Laney was born in sunny San Diego, California, and was raised in rural North Carolina, where she spent endless summers catching tadpoles and chasing fireflies and exploring the surrounding woods, creeks and tobacco fields. Growing up in and around nature inspired her to spread her wings, and she has spent years exploring and photographing our wondrous planet. Valerie holds a degree in Visual Design from North Carolina State University, College of Design which, when combined with a career as a Graphic Designer, enhances her skill in composition as well as visual story telling. Photography was a natural outcome of her love of nature and her skill as an artist; and it has become her passion to capture images of unique places, diverse landscapes and fascinating cultures.

A love of adventure sends her on photo expeditions to places like Iceland, Madagascar and the steppes of Mongolia, where her photographs capture majestic landscapes, native cultures, wildlife and underwater marine life. Valerie loves sharing her photography and hopes it inspires dreams, travel and memories for her growing audience.

Statement

Photography allows one to capture the world in a way that is unique to the beholder. Photos are visual story telling, but yet, everyone is left to their own interpretation of the story that is being told. So in that way, photography allows both the photographer and the onlooker to take part in the creative process. I compose photos to give a sense of what is happening in the shot: viewers should feel the cold, smell the air, and feel like they can anticipate the moments that followed as if they were present.

Website

www.valerielaneyphotography.com

 

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Dejan Mijović
Dejan Mijović
Slovenia
1976
Slovenian freelance photography journalist Dejan Mijović, born on 18 September 1976 and based in Ljubljana, is assistant photo editor of the Delo.si web portal. Mijović has been involved in photography for the past 20 years, ever since undertaking studies of graphic technology at the Faculty of Natural Sciences and Engineering. In 2010, Mijović sustained an injury and was left completely paralysed from the neck down. Through amazing luck, strong willpower and lengthy rehabilitation, and driven by his as yet unfulfilled desire to pursue photography, the tetraplegic was back in the saddle, and has since held several one-man shows and participated in a number of group exhibitions in Slovenia and abroad. Recently, he has been polishing his photography skills with Klavdij Sluban, a French photographer of Slovenian descent based in Paris. Developing his photographic idiom, Mijović first focused on the wide landscapes of the Caribbean and South America, the poetic Tuscany, the magical Lake Cerknica, and explored hidden gems in his immediate vicinity and further afield. Mijović's great flair for composition and light contrasts renders his portraits of random individuals far more than simply frozen moments in time but, rather, perceptive accounts of his life stories. His black-and-white photographs, a preoccupation of recent years, aim to capture diverse moods of his closest family and long-standing friends also in their most intimate moments. All photos in this project were taken after the injury. About 9 years 9 months "The greatest desire of most couples around the world is to start a family. Unfortunately, this is a big problem in developed countries today, as every sixth couple suffers from infertility. These data also apply to Slovenia. Our story began ten years ago when I became quadriplegic after falling on a slippery ramp which led to the sea and was overgrown with algae. After spinal surgery and a six-month recovery in the Rehabilitation Center Soča, I returned home on crutches. A good year after the accident, my wife and I began to think intensely about starting a family. Due to my medical condition (spastic quadriplegia, also known as spastic tetraplegia), we had to seek medical help. We decided for the infertility clinic in Postojna. This is where our nine-year odyssey began, full of ups and downs, joy, tears, mental distress, depression but most of all, getting to know each other and learning about life. Our relationship was put to the test for the entire period, but we realised time and time again that each painful experience created an even stronger bond between us and we were even more determined to succeed sooner or later. In Postojna, the first three attempts with IVF, better known as in vitro fertilization, were unsuccessful. This was a very painful experience for both of us. Naturally for women this is much more traumatic as all the processes take place in their body. Men can only support them, but in reality we do not experience the whole process as intensely as women do. In one phase, the procedure is also physically extremely painful for women (puncture of follicles or removal of eggs from the ovaries). After the doctor performs the artificial insemination (he usually inserts a five-day-old embryo into the uterus which developed in the laboratory under the watchful eye of an embryologist), a long fourteen-day wait begins before a pregnancy test can be done. When the moment of truth comes and you see a minus instead of a much desired plus, your heart breaks. It seems like a piece of you dies with every negative pregnancy test. The bad news was followed by a depressing break of several months, during which we decided to try our luck at an infertility clinic in Maribor. Each clinic has its own methods. They are basically the same, with minor differences. Despite eight embryo transfers, all attempts were unsuccessful here as well. We were especially crushed after the first pregnancy which unfortunately ended in miscarriage in the initial phase. When, after years of unsuccessful attempts, you finally see the desired plus on a pregnancy test, you instantly forget about all previous painful experiences. All of a sudden you are overwhelmed by positive energy and you come to life again, both emotionally and physically. But as the saying goes, life is not a box of chocolates. Suddenly, the joy was over and a time of great sorrow and crocodile tears came instead. Such events cut into your heart forever. Despite the pain, we did not give up and we tried to move on. In order to forget the past events, full of distress and failures, but also because a symbolic wedding had already been quietly planned all along, we decided to get married unofficially in Thailand. After a few more relaxed months, it was time for action again. But what could we do after having used all the six free procedures (multiple transfers are possible in each procedure, depending on the amount of embryos) provided by our healthcare system? We had no choice but to find an infertility clinic abroad on our own which is, among other things, also a big financial burden. However, which clinic to choose and where? A shorter period of research followed. In the Czech Republic alone, which is a very interesting and quite affordable destination for Slovenian couples, there are about 40 such clinics. We decided for an infertility clinic in Brno. After two more unsuccessful attempts and eight extremely exhausting years, my wife gave up. She simply could no longer see the light at the end of the tunnel. We started thinking about adoption more and more intensely. However, this procedure also required a lot of energy and research. Above all, the social work center first had to obtain a certificate proving that we were a suitable candidates for adoption. At the same time we had to obtain a psychological assessment from a psychologist. It took more than ten hearings at the social work center and a visit from a social worker at our home to obtain the certificate. We also found out during the procedure that in most countries where adoptions take place, applicants are required to be officially together for at least ten years before they apply for adoption. In addition, they must be officially married. We therefore had to get married officially, this time in Slovenia. With all the papers we obtained and with the help of our acquaintances, a possibility arose to adopt a child in one of the African countries. We were the tenth on the waiting list. It would have taken at least a year before we could adopt a child. However, since we still had some frozen embryos in Brno, we decided to try our luck in Brno for the last time while waiting for the adopted child. We thought that we would only be able to get the desired child through adoption and that we would soon become parents in any case. Finally, the wheel of fortune was on our side. After nine long years our biggest wish came true. My dear wife got pregnant and despite a risky pregnancy and a long nine-month wait, our son was born and we named him Lev (Lion in English). He was born healthy in mid-March, during the coronavirus pandemic. We can proudly say that we are the happiest parents in the world. We wish to share the story with others to encourage all the couples who are facing a similar situation as we did last 9 years." -- Dejan Mijović
Anton Corbijn
Anton Corbijn
Netherlands
1955
Anton Corbijn (born 20 May 1955) is a Dutch photographer, music video director, and film director. He is the creative director behind the visual output of Depeche Mode and U2, having handled the principal promotion and sleeve photography for both for almost 3 decades. Some of his works include music videos for Depeche Mode's "Enjoy the Silence" (1990), U2's "One" (version 1) (1991), Bryan Adams' "Do I Have to Say the Words? and Nirvana's "Heart-Shaped Box" (1993), as well as the Ian Curtis biopic Control (2007), George Clooney's The American (2010), and A Most Wanted Man (2013) based on John le Carré's 2008 novel of the same name. Anton Corbijn was born on 20 May 1955 as Anton Johannes Gerrit Corbijn van Willenswaard in Strijen, the Netherlands, where his father had been appointed as parson to the Dutch Reformed Church the previous year. Father Anton (Hilversum, 12 Nov 1917 - Amersfoort, 9 Mar 2007) would take up the same position in Hoogland (1966) and Groningen (Diakonessenhuis, 1972) moving his wife and four children with him. His mother, Marietje Groeneboer (11 Sep 1925 - Hoogland, 15 Sep 2011), was a nurse and was raised in a parson's family. Photographer and director Maarten Corbijn (Strijen, 1960) is a younger brother. Grandfather Anton Johannes (Corbijn) van Willenswaard (Schoonhoven, 24 Nov 1886 - Hilversum, 16 Aug 1959) was an art teacher at Christian schools in Hilversum and an active member in the local Dutch Reformed church in Hilversum. Corbijn started his career of music photographer when he saw the Dutch musician Herman Brood playing in a café in Groningen around 1975. He took a lot of photos of the 'rising star' Herman Brood & His Wild Romance. Because of the pictures taken by Corbijn, Brood's fame rose quickly, and as a result Corbijn's own exposure increased. Corbijn has photographed Joy Division, Depeche Mode, Tom Waits, Pr?ta V?tra, David Bowie, Peter Hammill, Miles Davis, Björk, Captain Beefheart, Kim Wilde, Robert De Niro, Stephen Hawking, Elvis Costello, Siouxsie and the Banshees, Morrissey, Simple Minds, Clint Eastwood, The Cramps, Roxette and Herbert Grönemeyer, amongst others. Perhaps his most famous, and longest standing, association is with U2, having taken pictures of the band on their first US tour, as well as taking pictures for their Joshua Tree and Achtung Baby albums (et al) and directing a number of accompanying videos. From the late 70s the London based NME, (New Musical Express), a weekly music paper, featured his work on a regular basis and would often feature a photograph of his as the front page. One such an occasion was a portrait of David Bowie back stage in New York at his play The Elephant Man in nothing more than a loin cloth. In the early years of London based The Face, a glossy monthly post-punk life style / music magazine, Anton Corbijn was a regular contributor. He made his name working only in black and white. In May 1989 he began taking pictures in colour using filters: his first try was done for Siouxsie Sioux. Between 1998 through 2000, in collaboration with the painter Marlene Dumas, he worked on a project called "Stripping Girls", which took the strip clubs and peep shows of Amsterdam as their subject; while Corbijn later exhibited photographs, Dumas took Polaroids which she then used as sources for her paintings. Corbijn has photographed album covers for U2, working with sleeve designer Steve Averill and Peter Hammill, Depeche Mode, The Creatures (the second band of Siouxsie Sioux), Nick Cave, Bryan Adams, Metallica, Therapy?, The Rolling Stones, Simple Minds, R.E.M., The Bee Gees, Saybia and Moke.Source: Wikipedia
C.E. Morse
C.E. Morse
United States
1952
"I was born in Camden, Maine and loved vintage cars since I can remember; I bought my 1936 Pontiac at age 15 as soon as I had my driver's license. I didn't pick up a camera until I was in college at Rhode Island School of Design. I remembered all the incredible images that I used to see in vintage auto boneyards while I was sourcing parts for my '36 Pontiac and various other classic cars that I had collected,including a '29 Essex, a'41 Packard & 'a 54 Nash, so I started to bring my camera to the boneyards instead of my wrenches and shot abstract details of dented car fenders, old safety glass, rusty doors, and old chrome. I was so excited by this photography that I switched majors from sculpture to photography and was fortunate enough to study with Aaron Siskind; graduating with a BFA in photography in 1974. I also attended The Maine Photographic Workshops (now Maine Media Workshops), where I mentored with Paul Caponigro, Arnold Gassen and John Loengard. later on I took courses in digital printing at MECA (Maine College of Art). I hunt "Wild Art" : abstract details of found objects. I particularly like the contradictions of what I capture: the images are abstract, yet they are real the images are painterly, yet they are photographs the images are beautiful, yet come from discarded deteriorating derelict objects the images are from seemingly permanent subjects yet the are prone to disappear overnight (often my photographs are all that is left). I also appreciate the mystery of the unknown history of my various discoveries as well as acknowledging their wabi sabi nature. When people view my work they have to reach deep into personal experience and imagination. Being abstract and virtually unrecognizable my images may evoke a memory, an emotion, or a reminder of something visually similar and are sure to beg the question: 'what is it?', thereby starting the conversation..." -- C.E. Morse "It's not what you look at that matters, it's what you see." -- Henry David Thoreau
Josef Hoflehner
Josef Hoflehner
Austria
1955
Josef Hoflehner (born 1955 in Wels) is an Austrian photographer known for his black-and-white landscape images. He was voted Nature Photographer of the Year 2007, and his photographs are regularly exhibited in New York City, Los Angeles, Paris, Berlin, London and other world cities. Nature Photographer of the Year 2007.
Mikhail Potapov
Mikhail Potapov
Russia Federation
1983
Mikhail Potapov is an accomplished art photographer who is constantly searching to discover something new. Potapov Mikhail was born in Russia in 1983, the city of Rostov-on-don. By education the teacher, I work as the judo coach. I got interested in photography in 2014, it's a great hobby for me. I consider myself an artist rather than a photographer. I shoot in different styles and it is important for me to constantly search for new things. When I started to take pictures, I realized that I was resting doing that, I was distracted from everything, I was moving into another dimension, this is a great hobby, my camera is my friend!
Arlene Gottfried
Arlene Gottfried
United States
1950 | † 2017
Arlene Harriet Gottfried was a New York City street photographer who was known for recording the candid scenes of ordinary daily life in some of the city's less well-to-do neighborhoods; her work was not widely known until she was in her 50s. Born in Coney Island, she was the daughter of Lillian (Zimmerman), a homemaker, and Max Gottfried, who ran a hardware store with his own father, above which the family lived. Gottfried was the older sister of comedian and actor Gilbert Gottfried (1955–2022). When she was 9, Arlene moved to Crown Heights, where she became heavily influenced by the nearby, fast-growing Puerto Rican community. Later in the 70s, she moved with her Jewish immigrant family to the neighborhoods of Alphabet City and the Lower East Side. When Gottfried was a teenager, her father gave her an old 35 mm camera, which she eventually took to Woodstock, even though she said, "I had no clue what I was doing". She credited her upbringing for giving her the ability to get intimate photographs of strangers: "We lived in Coney Island, and that was always an exposure to all kinds of people, so I never had trouble walking up to people and asking them to take their picture." Gottfried graduated from the Fashion Institute of Technology taking photography courses. She worked as a photographer for an advertising agency before freelancing for publications such as The New York Times Magazine, Fortune, Life, the Village Voice, and The Independent (London). She was a habitué of Nuyorican Poets Café, a friend of Miguel Piñero, and on the Lower East Side sang gospel with the Eternal Light Community Singers. In 1991 while on assignment Gottfried photographed the Eternal Light Community Singers, eventually singing with them, as well. Gottfried also sang gospel with the Jerriese Johnson East Village Gospel Choir. In her later years, she published five books of her work: The Eternal Light (Dewi Lewis Publishing, 1999), Midnight (powerHouse 2003), Sometimes Overwhelming (2008), Bacalaitos and Fireworks (powerHouse 2011), and Mommie: Three Generations of Women (powerHouse 2015). Her photographs and archives have been exhibited at the Leica Gallery in New York and Tokyo, the Smithsonian Institution in Washington, D.C., the European House of Photography (MEP), the Brooklyn Museum of Art, and the New York Public Library. Gottfried died on August 8, 2017, from complications of breast cancer at her home in Manhattan at the age of 66 surrounded by friends and family.
Nadia De Lange
Nadia De Lange
South Africa
1985
Nadia was born in Johannesburg, South Africa. From an early age she found her peace and joy in nature. She would immerse herself in the wild landscapes of South Africa: the African bush was her haven. While her love for nature could not be abated, she had an affinity for numbers and ended up in a career as an actuary. In 2012 she received her first DSLR, and a new world opened up to her. She was suddenly drawn to the power of creating art from behind a lens. She was fortunate to have the opportunity to relocate to Switzerland in 2013, and it was there that her passions combined into what has now become her photographic style: black and white fine art landscape and architecture photography. The mountains of Switzerland became her inspiration, and have moulded her into the photographer she is today. She is still an actuary during the day, but in her free time her creative soul is released and the photographer in her comes to life.
Michele Zousmer
Michele Zousmer
United States
Michele Zousmer is a humanitarian and fine art photographer. The camera is her tool to give voice to marginalized communities and witness the human experience. Michele's work celebrates each individual's strength and beauty, as well as their vulnerability and spirit, going beyond how one presents oneself to the world. They are infused with her almost overwhelming empathy. Michele believes a photograph can create a lasting impression of emotion, curiosity, love, and ultimately hope of mankind. It can help people heal, give them dignity, and feel empowered. Her photographs reveal insights into the lives of people we wouldn't otherwise meet. Through her world travels, Michele meets people from different walks of life, listening to their stories and sharing intimate moments with them. The permission they grant and openness they offer by inviting them into their world never ceases to move Michele. The soulfulness of her images comes from developing relationships with the people she engages with. Michele truly believes that even though we may have differences on the outside, inside we are all the same. The images are infused with her almost overwhelming empathy. Artist Statement "My mind, my eyes, and my heart have been opened by my experiences. My life has been forever changed. I hope my work inspires others to feel we all matter and to care more profoundly. Engaging in the world and becoming open to different cultures and traditions allows for more conversation on diversity and equality. Photographs hold the power to connect people and create understanding. This is why I do what I do." Article Mis(s)Understood
Oleg Dou
Oleg Dou
Russia
1983
As his mother was a painter and his father was a dress designer, in his childhood Oleg Dou used to gather with the artists and to spend a lot of time reading is father’s fashion magazines. At the age of 13, his parents offered him his first computer set up with an old version of Photoshop with which he already began to transform his schoolfriends or teachers faces. After studying design, he worked as a web designer. In 2005, he buys his first professional camera. Discovered in 2006 by Liza Fetissova, Oleg Dou is represented today by galleries in France, Belgium, Netherlands, Spain, Russia and United States. His worked has been published in a lot of international reviews. He is one of the most promising artist of his generation. In 2011, the Artprice company, leader of the information on art value, has graded Oleg Dou in the top 3 of the under 30 years old photographers the best saled in public auctions. One of his images will make the cover of an extensive " Frozen Dream, contemporary art from Russia" book, from TransGlobe Publishing and Thames & Hudson. Oleg Dou lives and works in Moscow. From Art and Haze Oleg Dou grew up in an artistic environment, with a mother and a father as artists. With 13 years, the young man gets a computer with Photoshop. He then begins to transform photographs, especially the faces of his classmates and teachers. After studying design in 2005 he bought his first professional camera. In a very short time, the artist attracted professionals from the world of art and collectors with a specific and recognizable universe. It is also noticed in 2006 by Liza Festissova, gallery to the Russian Tea Room. Between 2007 and 2008, he won the 1st prize of the International Photography Awards with his Toy Story series, doing portraits of children with extreme whiteness and exposed during the FIAC in 2008. Represented by galleries around the world, Oleg Dou is surely one of the most promising young Russian artists . In 2011, the company information on the art market on Artprice ranks him as one of the top three photographers under 30. “A game,” said Oleg Dou, 28, while summarizing his new exhibition titled “Another Face”. Very comfortable, this Muscovite in silhouette – editing pictures with a software to sublimate his thoughts. And these faces cover a multitude of dressings graceful as a plastic surgeon on acid looking for indulgence. These digital collages, quite confusing when watched closely, causing some embarrassment.Source: RTR Gallery
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Exclusive Interview with Susan Anthony
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Exclusive Interview with Trevor Cole: Pastoral Peoples and Practices
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Publication
Exclusive Interview with Luca Desienna and Laura Estelle Barmwoldt
For over seven years, Of Lilies and Remains has explored the depths of the goth and darkwave underground, unfolding in Leipzig—a city long associated with a vibrant and enduring subcultural scene. Moving between iconic gatherings such as Wave-Gotik-Treffen and more intimate moments on the fringes, the project offers a rare and immersive glimpse into a world often misunderstood, yet rich in expression and community. Created by Luca in collaboration with Laura Estelle Barmwoldt, the work embraces a cinematic and deeply personal approach. Rather than documenting from a distance, it moves within the scene itself, capturing its atmosphere, its codes, and its quiet contradictions. The title Of Lilies and Remains hints at this duality—where beauty and darkness, fragility and strength coexist. As the book prepares for its release, we spoke with both artists about the origins of the project, their process, and what it means to document a subculture that continues to evolve while remaining true to its spirit.
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Exclusive Interview with Matthew Finley
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Exclusive Interview with Matthew Finley
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Exclusive Interview with Jan Janssen
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Exclusive Interview with Jan Janssen
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Exclusive Interview with Henk Kosche
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German photographer Henk Kosche turns his lens toward the streets of Halle an der Saale, capturing everyday life in the late years of the former German Democratic Republic. At the time, Kosche was studying design and exploring the city with his camera, drawn to the atmosphere of its industrial landscape and the quiet rhythms of daily life. His series Street Photography at the End of the 80s, selected as the Solo Exhibition for July 2025, revisits a body of work created just before a period of profound change. Rediscovered decades later in a small box of 35mm negatives, these photographs offer glimpses of a city and its people at a moment suspended between the familiar and the unknown.
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