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JB Russell
JB Russell
JB Russell

JB Russell

Country: France/United States
Birth: 1961

Born in Long Beach, California in 1961, J.B. Russell is a Paris-based documentary photographer, filmmaker and educator. After receiving a Bachelor of Science degree in Geology and Geography and working for two years as a geologist, J.B. decided to take a year or two off to pursue a passion for photography and to satisfy a genetic predisposition for wanderlust. Once on the road however, he never looked back. He has worked extensively throughout Europe, Africa, the Middle East, Asia and Latin America focusing on current events, the human consequences of conflict, human rights, the environment and development issues. His work appears regularly in major print and on-line publications worldwide, including: Time, Newsweek, The New York Times, French GEO, Paris Match, Le Monde, Stern, Der Spiegel, Corriere della Sera magazine, The Daily Telegraph, The Guardian, El Mondo magazine and many more.

J.B. collaborates frequently with international humanitarian organizations such as Doctors Without Borders, Save The Children, Mines Advisory Group, The Global Fund and others to produce images, video and written material on critical humanitarian issues for their communication needs.

His work has received numerous accolades, including the Public Prize at the Bayeux War Correspondents Competition, 1st place in the News Picture Story category of the POYi competition, his images have been selected on multiple occasions for the American Photography anthology, he received the Saint Brieuc Photoreporter Grant and his work has been exhibited and frequently featured at Visa Pour L'Image in Perpignan, France, among many other festivals and venues.

J.B.'s career has spanned the transition from analogue to digital photography and the profound changes that the Internet and Social Media have had on journalism and the press. He believes that honest, engaged journalism remains crucial to public information in today's media landscape. J.B produces independent documentary photography and video projects, embracing diverse story-telling forms and platforms. He is a dedicated teacher of photography, teaching and speaking regularly in diverse university programs, workshops and photography courses.

J.B. Russell is member of the Panos Pictures Agency and a core member of the Instagram collective #EverydayClimateChange.

Agency

Panos Pictures

Website

www.jbrussellimages.com

 

Inspiring Portfolios

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Umberto Verdoliva
© Umberto Verdoliva
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More Great Photographers To Discover

Leigh Ann Edmonds
Leigh Ann Edmonds
United States
1980
Leigh Ann is a freelance photographer located in a small town just north of Birmingham, Alabama. Her freelance career spans over 20 years as a professional with portrait, commercial and documentary/editorial work for publications and the entertainment industry. Her work has been in ROLLING STONE, VINTAGE GUITAR and B&W MAGAZINE. She is also an award-winning photographer for her portrait titled 'RODEO'. She is an avid trail runner married to a full-time working musician and her work often reflects that of her lifestyle, showcasing her love of adventure, people and the great outdoors. She received a BA in Studio Art and minor in Journalism from the University of Alabama in 2004 and considers photography more about her visual journey than a professional destination. STATEMENT Over the years I have noticed a pattern with my personal works. I often seek out the road less traveled rather it be within my living environment and community or during my travels. The isolation feels comforting and safe for me, as it allows me to slow down, it is here in these moments, when photography becomes my therapy. I've always been intrigued by the unplanned photograph and my work never is pre-conceptualized. I typically don't know what I will end up photographing and often feed off the energy I am given within that moment when I decide to take the image. The act of shooting is more important to me than the image I capture because it is about the connection I have found with the individual or space I come across. I tend to shoot more on sporadic intuition than thinking the shot through. If I feel something, I don't hesitate and click the shutter only to discover the image later, which can add to the excitement of this experience with my camera. The days I find myself inspired to shoot are days that I long for a connection, rather it be connection with others or the space I am in. I have found that over the years, my photography has become more about a glimpse into who I am more than a means to make a living as a professional. The pattern of my work tends to primarily focus on portraits of locals and the environment of small towns documented in black and white. This approach is to give the sense of isolation and nostalgia of small-town living. I don't want my work to feel 'dated' as I hope those viewing my work will also connect them to that place or person without feeling dated or current. I want my work to gather a sense of timelessness to the viewer and to me. I consider my personal works a journal of my life, my adventures, and a sense of belonging somewhere as I hope others will stumble across and 'read' my photographs when I am gone.
Gueorgui Pinkhassov
Gueorgui Pinkhassov
France / Russia
1953
Gueorgui Pinkhassov is a photographer, born in Moscow in 1953. He is a member of Magnum Photos. Pinkhassov began his interest in photography in his teens, and enrolled at the Moscow Institute of Cinematography (VGIK) in 1969. Following college and two years in the army, he joined the film crew at Mosfilm. Continuing his interest in still photography he became a set photographer at the studio. His work was noticed by the film director Andrei Tarkovsky, who invited Pinkhassov to work on the set of his film Stalker. Being awarded independent artist status by the Moscow Union of Graphic Arts in 1978 allowed Pinkhassov far more freedom to travel, allowing him to exhibit his work internationally. In 1979 his work was noticed outside of Russia for the first time, in a group exhibition of Soviet photographers held in Paris. Previously, his work had mainly been seen in a number of Russian magazines, including L'artiste Sovietique. His acceptance by the Magnum Photos agency in 1988 opened up his work to a wider audience. He worked for the international media covering major events in Lithuania, Mongolia, Indonesia, and Africa. Returning to Moscow to cover the 1991 Coup, for the New York Times. In 1995, he received a photographic scholarship from the city, and in 1998, he published the book Sightwalk, photographs of Japan. Pinkhassov is now a French citizen, living in Paris.Source: Wikipedia Gueorgui Pinkhassov is known for his vivid art-reportage, which elevates the everyday to the extraordinary. His richly-colored images are absorbing, complex and poetic—sometimes bordering on an abstraction which embraces the visual complexity of contemporary life. As well as his global documentary work, Pinkhassov has photographed iconic cultural events from Cannes Film Festival to backstage at Paris Fashion Week. “It is foolish to change the vector of chaos. You shouldn’t try to control it, but fall into it” he says of his approach. Born in Moscow in 1952, Pinkhassov’s interest in photography began while he was still at school. After studying cinematography at the VGIK (The Moscow Institute of Cinematography), he went on to work at the Mosfilm studio as a cameraman and then as an on-set photographer. He joined the Moscow Union of Graphic Artists in 1978, which allowed him more freedom to travel and exhibit internationally. His work was soon noticed by the prominent Russian filmmaker Andrei Tarkovsky, who invited him to make a reportage about his film Stalker (1979). Recent work includes his study of Blackpool Illuminations in 2018, an ongoing series of city portraits illuminating places as varied as Beirut, Lisbon, Venice, Moscow and Nancy, and his coverage of the clashes between Anti-government protesters and police in the Ukrainian capital, Kyiv in 2014. Today, he works regularly for the international press, particularly for Geo, Actuel and The New York Times Magazine. He joined Magnum Photos in 1988.Source: Magnum Photos
Philippe Chancel
Philippe Chancel
France
1959
Over the past twenty years Philippe Chancel’s photography has explored the complex, shifting and fertile territory where art, documentaries and journalism meet. His is a constantly evolving project, focusing on the status of images when they are confronted with what constitutes “images” in the contemporary world.Born in 1959, Philippe Chancel now works and lives in Paris. He was introduced to photography at a very young age, took an economics degree at the University of Paris (Nanterre) followed by a post-graduate diploma in journalism at the Cfpj in Paris.Philippe Chancel’s work has been widely exhibited and published in France and abroad in a number of prestigious publications. These include « Regards d’artistes » – portraits of contemporary artists –, « Souvenirs » – a series of portraits of great capital cities (Paris, London, New York, Tokyo, Brussels) glimpsed through shop windows - produced in collaboration with Valérie Weill, and, lastly, his North Korean project, which brought him international recognition.« DPRK », in which Chancel offers a revealing and original vision of North Korea, was first shown in 2006 at the « Rencontres d’Arles », then at the C/O Berlin. It was also exhibited at the Photographers’ Gallery in London, as part of the Deutsche Borse photography prize exhibition, where it won the visitors’ poll. « DPRK » also appeared in book form, published by Thames and Hudson. His Emirates project was initially presented at the 53rd Venice Biennale in the Abu Dhabi pavilion, curated by Catherine David, and was part of the « Dreamlands » exhibition at the Pompidou Centre from May 2010 followed by many others all over the world. « Desert sprit » published by Xavier Barral and « Dubai » published by be-pôles already present this project in book form. « Workers Emirates », published by Bernard Chauveau Editeur, is his latest photo essay book.Philippe Chancel is currently working on a new long-term project entitled « Datazone » that aims to explore the many-faceted aftermaths within the documentary field, revealing some of the world’s most singular lands which are recurrently in the news or, conversely, hardly ever picked up by the media radar. This visionary quest has already taken him from Port au Prince to Kabul via Fukushima, Niger's delta, Pyongyang or Astana. His work is included in many permanent public collections as well as private collections.
John Thomson
John Thomson
Scotland
1837 | † 1921
John Thomson, one of the great figures of nineteenth century photography, is known for the unusual and exotic nature of his chosen subject matter. Born in Edinburgh, Scotland in 1837, Thomson took up photography as a profession in his early twenties. For ten years, from 1862, he traveled and explored the Far East, visiting Hong Kong, Singapore, Penang and the Malay Peninsula, Siam, Cambodia, Vietnam, Formosa and especially China. Utilizing a large wooden box-type camera capable of accommodating a glass plate of up to 12 x 16 inches, John Thomson photographed commoners and kings, attempting to capture the individual behind the veneer of social status. His photographic record of the Far East documented a complete panorama of the cultures and people of the Far East at a time when Westerners were a few and curious lot. John Thomson not only created a photographic history, but also wrote numerous articles and books on his travels and views of life in the Far East. There is no doubt that it was Thomson’s sympathetic approach to his subjects, and the dignity with which he embued them, as much as his great technical expertise, which enabled him to produce such an outstanding photographic documentary. It is this marriage between sensitivity, technical expertise and sheer professionalism, not to mention his voluminous literary output and descriptions of the scenes and people, which he photographed, that has earned Thomson the title of the ‘first of the great photo-journalists’. His work, which has only recently gained full recognition, represents one of the great photo-historical records in the history of documentary photography. Source Westwood Gallery
Dr Kumar Bishwajit Sutradhar
Dr Kumar Bishwajit Sutradhar
Bangladesh
1987
Dr. Kumar Bishwajit Sutradhar is an award-winning documentary photographer from Bangladesh whose work powerfully foregrounds marginalized voices and unseen social realities. Rooted in social justice, environmental crises, women’s empowerment, and humancentered narratives, his photography goes beyond documentation to inspire awareness, empathy, and change. For over a decade, he has participated in more than 50 national and international exhibitions, with his work showcased across Australia, Japan, the United States, the United Kingdom, India, Spain, Turkey, Italy, Portugal, Montenegro, and Bangladesh. His compelling visual storytelling has reached global audiences and earned widespread critical recognition. Dr. Kumar’s work has received numerous prestigious awards, including the Grand Winner of the International Save Water Competition (Australia, 2013) and the Peoples and Planet International Award (2013). More recently, his photography was recognized at the Bangladesh Press Photo Contest (Politics, 2025), the World Environment Day Photography Contest by ICDDR,B (Climate Change, 2025), and “Framing Possibilities” by UNICEF–UNFPA (Child Marriage, 2025). His earlier recognitions include the Sony World Photography Awards (London, 2015), International Filter Photo Competition (Japan, 2013 – Special Merit Award), the Humanity Photo Awards (HPA, 2013), the Spanish Photography Competition (2014), and multiple accolades across Spain, Turkey, India, and Bangladesh. He believes the role of a photographer extends beyond aesthetics to making invisible voices visible. Through his work, he challenges dominant narratives and advocates for education, human rights, and gender equity. Alongside his photographic practice, Dr. Kumar is an educator and mentor, having served as a lecturer, workshop instructor, competition judge, and mentor to emerging photographers. During his PhD at UNSW Sydney, he was also recognized for his work in scientific photography, earning an award from the Electron Microscopy Unit at UNSW for imaging ultrasmall nanoparticles, a ground-breaking visual achievement later exhibited in Australia and Italy (2025). He has also completed multiple internationally recognized certifications from the University of Birmingham (UK), University of Nebraska Medical Center (UNMC, USA), Procter & Gamble (USA), the British Orthodontic Society (UK), and the Institute of Digital Dentistry (New Zealand), specializing in Advanced Clinical Dental Photography. Currently, he serves as a Mentor at Tooth Tomorrow Bangladesh (TTBD), supporting dental professionals nationwide through advanced visual documentation and communication. Beyond photography, he remains actively engaged in social and humanitarian initiatives with organizations such as HOPES Foundation, JAAGO Foundation, and Bangladesh Youth Environmental Initiative (BYEI) and Community Action, advancing education, environmental advocacy, and community development. Awarded Photographer of the Week - Week 02, 2026
Mauro De Bettio
Mauro De Bettio
Italy
I was born and raised in a little village in the Italian Alps, now based in Barcelona. Although it is difficult to express, I think that the photograph represents my way of speaking and what I try to do through my language is to capture the sense of what I breathe. Not only in appearance but also, and especially, in the essence; trying to express nuances and subtleties contained in a single frame. I think that's part of my personality and my work fully expresses what I am. My story, my soul. Despite often the conditions and situations in which I am, are not easy, I always do my best to capture smiles and glances. It's extremely important for me to show those particular emotions because they represent strength and resilience. I am convinced It's a source of inspiration for all of us because it shows that anything is possible when you face something with the hearth and the courage from within. The determination these people show, in the images I take, is an extraordinary example of how every challenge can be converted into opportunity. Reproducing all these different moods into images is to evoke an emotion in someone else. Draw public attention to real-life situations. Stop people and make them think. His pictures are a visual story able to highlight unseen or ignored realities. A vital tool that can help bring about social changes. Photography is a fantastic storytelling medium. Just ask yourself what story you want to tell and photography can bring you there.
Michael Ernest Sweet
Michael Ernest Sweet
Canada
Michael Ernest Sweet is a Canadian photographer and arts writer. He is the author of two photography monographs, The Human Fragment and Michael Sweet's Coney Island, both from Brooklyn Arts Press in New York. Michael is best known for his gritty black and white images of people composed at odd angles, which often omit people's faces. His work has been praised by such master photographers as Roger Ballen, Martin Parr, and Jay Maisel. A recipient of many awards, Michael holds both a Prime Minister's Award and a Queen Elizabeth II Medal from Canada for significant contributions to education and the arts. In 2018, Michael appeared in the film, Garry Winogrand: All Things Are Photographable, and again in 2021 in the film, Fill The Frame. Michael is a senior contributing writer for Photo Life Magazine and a former writer for HuffPost. He holds several degrees including a Master of Liberal Arts from The Johns Hopkins University. Michael lives and teaches in New York City. Statement: My photography is about pleasing myself. I do not photograph for an audience. Quite frankly, that would be too hard for me. I make photographs of things that interest me. I like weird angles and odd compositions because they tend to tell a better story. As a writer, I look for the story, not just the image. Photographs need to be able to be read from left to right, all across the frame, just like a good book. Everything in the frame matters. Everything that is not in the frame matters. Most people don't get my work. They don't try hard enough. My photos cannot be consumed in 10 seconds on an iPhone. Those who put in the effort get to see what I saw, get to feel what I felt, and, most importantly get to enjoy the moment as I did when I made the image. For me, a photo that is easy to look at and quick to understand is a boring, pedestrian photograph. I am not here to photograph aunt Betty's Birthday party.
Beth Moon
Beth Moon
United States
1956
San Francisco Bay Area artist, Beth Moon, has gained international recognition for her large-scale, richly toned platinum prints. Since 1999, Moon’s work has appeared in more than sixty solo and group exhibitions in the United States, Italy, England, France, Israel, Brazil, Dubai, Singapore, and Canada. Her work is held in numerous public and private collections, including the Museum of Fine Arts, Houston, the Museum of Photographic Arts in San Diego, and the Fox Talbot Museum in Wiltshire, England. In 2013, Between Earth and Sky, the first monograph of her work, was published by Charta Art Books of Milan. In 2014, Abbeville Press published, Ancient Trees: Portraits of Time, with a third book to follow that same year from Galerie Vevais, La Lange Verte. Moon studied fine art at the University of Wisconsin before moving to England where she experimented with alternative photographic processes and learned to make platinum prints. Source: www.vervegallery.com Beth Moon was born in Neenah, Wisconsin and studied fine art at the University of Wisconsin. Classes in painting, life drawing, sculpture, and design would set the groundwork for her work in photography, which was to come years later. Moving to England, a country with a love for all things arboreal, gave her a fresh look at a land that boasts the largest concentration of ancient trees. Inspired by these trees she decided to make a series of their portraits. Unhappy with the photographic tonality and stability of ink-jet printing, she started to experiment with alternative printing processes, learning platinum/palladium printing, an ideal process for her vision. She concentrated on mastering this printing technique, doing all of her own printing. “By using the longest lasting photographic process, I hope to speak about survival, not only of man and nature’s but to photography’s survival as well. For each print I mix ground platinum and palladium metals, making a tincture that is hand-coated onto heavy watercolor paper and exposed to light. There are many steps involved in creating the final print and these are as important to me as the capturing of the image," said Moon. A platinum print can last for centuries, drawing on the common theme of time and survival, pairing photographic subject and process. Source: www.josephsaxton.com
Jaime Nisenbaum
Jaime Nisenbaum
United States
1959
I am an experimental photographer based in Berkeley, California. The camera has been a faithful companion throughout my life; however, over the past 20 years, my photography slowly began shifting from documenting life to being a more intentional form of self-expression. The wide expanses of the California coast, its rugged terrain, wide vistas, and thunderous waves were my first entry point into that process. Concurrently, I was discovering and getting inspired by Edward Weston, Ansel Adams, Minor White, Ann Brigman, and several other pioneers whose work celebrated and exalted the natural environment. The quiet and intimate botanical images by Imogen Cunningham, the simplicity of Harry Callaham's nature shots, along with the moody atmosphere of the early 20th-century Pictorialists like Edward Steichen, Alfred Stieglitz, and Gertrude Kasebier, have also found their way into how I think and imagine photography. The textural and sculptural properties of natural elements are a main source and inspiration for my photography. I like to think of my images as inhabiting a world between the representational and the abstract, revealing the hidden beauty and simplicity of natural forms while evoking a sense of reverence and wonderment. My photographs have won awards through the Marin County Society of Artists (CA) and Louisville Art Association National Photography Show (CO), and have been exhibited at the A.Smith Gallery (TX), Arts Square Gallery (NY), Black Box Gallery (OR), d’Art Center in Norfolk (VA), Praxis Gallery (MN), Si Gallery in Austin (TX).
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Latest Interviews

Exclusive Interview with Trevor Cole: Pastoral Peoples and Practices
Interview
Exclusive Interview with Trevor Cole: Pastoral Peoples and Practices
For this interview, we wanted to focus specifically on The Face of the Mundari and the wider Pastoral Peoples and Practices series. We spoke with Trevor about his long-term work among the Mundari, what continues to draw him back to their cattle camps, and the experience of documenting a culture whose identity remains deeply connected to livestock, tradition, and the natural environment.
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Exclusive Interview with Frank Meo
Interview
Exclusive Interview with Frank Meo
In our latest exclusive feature for All About Photo, I speak with veteran photography representative Frank Meo about what it truly takes to build a sustainable creative career today. Frank brings decades of experience working with Fortune 500 companies, major agencies, and documentary photographers to the table. We dive into the critical business skills often left out of art school curriculums, the power of mentorship, and the inspiring evolution of PROJECTIONS—his international salon platform for visual storytellers. It’s an essential read for anyone navigating the commercial or editorial photography landscape today.
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Exclusive Interview with Carolyn Moore
Interview
Exclusive Interview with Carolyn Moore
American photographer Carolyn Moore explores the inner landscape of emotion, memory, and personal transformation through a deeply intuitive photographic practice. Her work unfolds as a quiet dialogue between artist and viewer, where images become a space for reflection, vulnerability, and connection.
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Exclusive Interview with Luca Desienna and Laura Estelle Barmwoldt
Interview
Publication
Exclusive Interview with Luca Desienna and Laura Estelle Barmwoldt
For over seven years, Of Lilies and Remains has explored the depths of the goth and darkwave underground, unfolding in Leipzig—a city long associated with a vibrant and enduring subcultural scene. Moving between iconic gatherings such as Wave-Gotik-Treffen and more intimate moments on the fringes, the project offers a rare and immersive glimpse into a world often misunderstood, yet rich in expression and community. Created by Luca in collaboration with Laura Estelle Barmwoldt, the work embraces a cinematic and deeply personal approach. Rather than documenting from a distance, it moves within the scene itself, capturing its atmosphere, its codes, and its quiet contradictions. The title Of Lilies and Remains hints at this duality—where beauty and darkness, fragility and strength coexist. As the book prepares for its release, we spoke with both artists about the origins of the project, their process, and what it means to document a subculture that continues to evolve while remaining true to its spirit.
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Exclusive Interview with Matthew Finley
Interview
Exclusive Interview with Matthew Finley
American photographer Matthew Finley turns inward, using photography as a way to explore identity, memory, and emotional truth. Based in Los Angeles, his practice moves between performance, gesture, and found imagery, creating a visual language that is both intimate and deeply personal
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Exclusive Interview with Jan Janssen
Interview
Exclusive Interview with Jan Janssen
Dutch photographer Jan Janssen explores universal human experiences through his long-term project It Matters, winner of the May 2025 Solo Exhibition. Begun in 2016, the series captures intimate moments of everyday life—love, loss, connection, and belonging—across Central and Eastern Europe. Working in countries such as Turkey, Azerbaijan, and Armenia, Janssen spends extended time within communities, building relationships based on trust and respect. His approach allows him to move beyond observation, revealing deeply human and authentic moments. Rooted in travel and personal discovery, It Matters reflects Janssen’s search for what connects us all in an increasingly divided world. The project is ongoing and will culminate in a photobook scheduled for publication in 2026.
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Exclusive Interview with Henk Kosche
Interview
Exclusive Interview with Henk Kosche
German photographer Henk Kosche turns his lens toward the streets of Halle an der Saale, capturing everyday life in the late years of the former German Democratic Republic. At the time, Kosche was studying design and exploring the city with his camera, drawn to the atmosphere of its industrial landscape and the quiet rhythms of daily life. His series Street Photography at the End of the 80s, selected as the Solo Exhibition for July 2025, revisits a body of work created just before a period of profound change. Rediscovered decades later in a small box of 35mm negatives, these photographs offer glimpses of a city and its people at a moment suspended between the familiar and the unknown.
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Exclusive Interview with Anastasia Samoylova
Interview
Exclusive Interview with Anastasia Samoylova
Anastasia Samoylova is an American artist whose photographic practice is shaped by close observation and a deep attentiveness to place. Working between documentary and formal exploration, she photographs landscapes, architecture, and everyday scenes with a sensitivity to light, structure, and atmosphere. Since relocating to Miami in 2016, her work has increasingly focused on how environments—both natural and built—carry social, cultural, and emotional traces. We asked her a few questions about her practice and her way of seeing, to better understand the thoughts and experiences that shape her work—while allowing the images themselves to remain open and speak in their own time.
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Exclusive Interview with Marijn Fidder
Interview
Exclusive Interview with Marijn Fidder
Marijn Fidder is a Dutch documentary photographer whose work powerfully engages with current affairs and contemporary social issues. Driven by a deep sense of social justice, she uses photography to speak on behalf of the voiceless and to advocate for the rights of those who are most vulnerable. Her images have been widely published in major international outlets including National Geographic, CNN Style, NRC Handelsblad, Volkskrant, GUP New Talent, and ZEIT Magazin. Her long-term commitment to disability rights—particularly through years of work in Uganda—culminated in her acclaimed project Inclusive Nation, which earned her the title of Photographer of the Year 2025 at the All About Photo Awards. She is also the recipient of multiple prestigious honors, including awards from World Press Photo and the Global Peace Photo Award. We asked her a few questions about her life and work.
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