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JB Russell
JB Russell
JB Russell

JB Russell

Country: France/United States
Birth: 1961

Born in Long Beach, California in 1961, J.B. Russell is a Paris-based documentary photographer, filmmaker and educator. After receiving a Bachelor of Science degree in Geology and Geography and working for two years as a geologist, J.B. decided to take a year or two off to pursue a passion for photography and to satisfy a genetic predisposition for wanderlust. Once on the road however, he never looked back. He has worked extensively throughout Europe, Africa, the Middle East, Asia and Latin America focusing on current events, the human consequences of conflict, human rights, the environment and development issues. His work appears regularly in major print and on-line publications worldwide, including: Time, Newsweek, The New York Times, French GEO, Paris Match, Le Monde, Stern, Der Spiegel, Corriere della Sera magazine, The Daily Telegraph, The Guardian, El Mondo magazine and many more.

J.B. collaborates frequently with international humanitarian organizations such as Doctors Without Borders, Save The Children, Mines Advisory Group, The Global Fund and others to produce images, video and written material on critical humanitarian issues for their communication needs.

His work has received numerous accolades, including the Public Prize at the Bayeux War Correspondents Competition, 1st place in the News Picture Story category of the POYi competition, his images have been selected on multiple occasions for the American Photography anthology, he received the Saint Brieuc Photoreporter Grant and his work has been exhibited and frequently featured at Visa Pour L'Image in Perpignan, France, among many other festivals and venues.

J.B.'s career has spanned the transition from analogue to digital photography and the profound changes that the Internet and Social Media have had on journalism and the press. He believes that honest, engaged journalism remains crucial to public information in today's media landscape. J.B produces independent documentary photography and video projects, embracing diverse story-telling forms and platforms. He is a dedicated teacher of photography, teaching and speaking regularly in diverse university programs, workshops and photography courses.

J.B. Russell is member of the Panos Pictures Agency and a core member of the Instagram collective #EverydayClimateChange.

Agency

Panos Pictures

Website

www.jbrussellimages.com

 

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More Great Photographers To Discover

Yann Arthus-Bertrand
Yann Arthus-Bertrand
France
1946
Yann Arthus-Bertrand, born in 1946, has always had a passion for the animal world and the natural environment. At the age of 20, he settled in central France and became the director of a nature reserve. When he was 30, he travelled to Kenya with his wife with whom he carried out a three-year study on the behaviour of a family of lions in the Massaï Mara reserve. He quickly started using a camera as a visual aid to capture his observations and enhance the written reports they compiled. While in Africa, he earned his living as a hot-air balloon pilot. This was when he really discovered the earth from above and the advantages of viewing what he was studying from afar to gain an overall picture of an area and its resources. He discovered his calling: to demonstrate the Earth’s beauty and show the impact of mankind on the Planet. His first book, Lions, was born of this adventure – he likes to call these lions his "first photography teachers." Little by little, Yann became a reporter focusing on environmental issues, and collaborating with Geo, National Geographic, Life, Paris Match, Figaro Magazine etc. He then started a personal work on the relationship mankind/ animal, which led to the books Good Breeding and Horses. In 1991, he founded the first aerial photography agency in the world. For the First Rio Conference in 1992, Yann decided to prepare a big work for the year 2000 on the state of the planet: it is The Earth From the Air. This book encountered a great success and over 3 million copies were sold. The outdoor exhibitions have been seen so far by about 200 Million people. Yann then created the Goodplanet Foundation that aims to raise public awareness of environmental issues, implement carbon offset programmes and fight deforestation with local NGOs. Within the Foundation, he developed the 6 billion Others project, that has just changed names and become 7 billion Others. More than 6000 interviews were filmed in 84 countries. From a Brazilian fisherman to a Chinese shopkeeper, from a German performer to an Afghan farmer, all answered the same questions about their fears, dreams, ordeals, hopes: "What have you learned from your parents? What do you want to pass on to your children? What difficult circumstances have you been through? What does love mean to you?" Forty or so questions that help us to find out what separates and what unites us. Due to this involvement, Yann Arthus-Bertrand is today considered more an environmentalist and activist than a photographer. It is because of this commitment that Yann Arthus-Bertrand was designated Goodwill Ambassador for the United Nations Environment Programme on Earth Day (April 22nd, 2009). In 2006, Yann started the series Vu Du Ciel, a television documentary series of several one-and-a-half hour episodes, each dealing with a particular environmental problem. It was shown on French public television and is currently being distributed for broadcast in 49 countries. Encouraged by his television experiment, Yann Arthus-Bertrand undertook the production of a full-length feature film, HOME, that deals with the state of our planet. The film was released on the 5th of June 2009 on television, on the Internet, on DVD and in cinemas simultaneously worldwide, almost entirely free of charge to the public. More than 600 million people have seen it so far. In 2011, Yann directed two films for the United Nations : the film Forest, official film of the 2011 International Year of the Forest, and the film Desertification. Both were screened during UN General Assemblies. Yann founded a non-profit production company, Hope. For the World Water Forum in March 2012, Yann, Thierry Piantanida and Baptiste Rouget-Luchaire directed a film narrating the history of water and reminding us that reasoned management of water is a crucial challenge for our century. This documentary was broadcast on French national television on the 20 th of March 2012. For Rio + 20, Yann directed the film Planet Ocean with Michael Pitiot. This film aims to promote understanding of the importance of oceans in the ecosystem. In the same time, the GoodPlanet Foundation initiated a “Ocean Programme”, to raise awareness of the importance of marine ecosystems. At the heart of this programme, the publication of the book “L’Homme et la Mer” by the Editions de la Martinière, available in bookstores from the 18 th of October 2012.All the films produced by HOPE are available free of charge to NGOs, nonprofits and schools in the frame work of environmental education. Source: www.yannarthusbertrand.org
Haikun Liang
Haikun Liang
China
1973
Liang Haikun has been engaged in photography for 22 years and is a national second level photographer in China; The work has won 185 awards in various well-known international photography competitions, has been exhibited nearly 1600 times, and has been exhibited over 300 times worldwide. Some of the works have been published in well-known magazines and official websites around the world, including the famous British magazine Breath, the authoritative South Asian photography magazine Better Photography, Sony Photography World's official website, and the Royal Society of Photography's official website. The largest market in Liangshan, China Liangshan Prefecture is one of the poorest regions in China. Long ago, market gatherings were the main way for local Yi people to trade and socialize.
Anastasia Sierra
Anastasia Sierra
United States
Anastasia Sierra is a photographer based in Cambridge, MA. Her work explores the themes of motherhood, womanhood, and the body from a feminist perspective. Sierra’s photographs have been shown in solo and group exhibitions at the Griffin Museum of Photography, Danforth Art Museum, Emerson Contemporary Gallery, Photographic Resource Center, Vermont Center of Photography, Kathryn Schulz Gallery, and Soho Gallery in New York. Her work has been supported by grants and awards from the Cambridge Art Association, Photographic Resource Center and Griffin Museum of Photography. Sierra’s work has been featured in numerous publications, including Lenscratch, Lensculture, Musée Magazine, Artscope Magazine and What Will You Remember. Sierra holds a BA in Linguistics and is currently an MFA candidate at the Massachusetts College of Art and Design.
Matt Wilson
Matt Wilson
United Kingdom
1969
Matt Wilson’s current body of work is part of an ongoing project, based upon a collection of transient observations, the landscapes of every day life and the people that call those landscapes home. It delves into the artist’s own history, his formative and current years within his home landscape and in the city he now resides and also, those of distant landscapes both literally and metaphorically he has traveled. A subtle, visually rich character study of what makes us who we are and the places we all inhabit and journey to, a chance to observe those looking outward whilst reflectively an opportunity to gaze inward.Source: Susan Inglett Gallery Matt Wilson photographed everywhere in Europe, starting with his native England, but also in France, with which it has its affinities, without omitting the Eastern countries where he still returns frequently between two stays Cuba. More recently, he ended his desire browse new territory: the United States where he lived for ten years. He could be afraid to touch this history, both American photographers are already loaded beautifully. But again, it gives us an amazing vision that reveals by snapshots of landscapes and men burnt by the sun that eventually, anyway, by lying down on this vast landscape to create ineffable moments that we may be fooling yourself and see it in watercolor. Then we could call this work “pictorial metaphor” even if the drift purely pictorial characters Matt Wilson were not so rooted in their time and in their daily lives, although sometimes needy. Because somewhere, if Matt Wilson gives us what he sees through a poetic prism, it is also a reporter and reflects our contemporary society by its subjects but often raw deals at tragic nor misery. His watchful eye is rather benevolent view borrowing a tragicomic light behind the full extent of a deeply humanistic thought.Source: mattwilsonphotography.com
Chris Ha
Chris Ha
Canada
1985
Chris Ha is a travel and portrait photographer from Canada, now based in Miami, Florida. His work captures the beauty of diverse landscapes and human connection, blending technical skill with a passion for storytelling. From sweeping natural vistas to vibrant cityscapes, his photography evokes emotion and a deep sense of place. His work has gone viral on social media, where audiences are drawn to his stunning visuals and the stories they tell. His portfolio spans breathtaking travel scenes, intimate portraits, and aerial perspectives, blending artistry with a deep appreciation for the world around him. Through his photography, Chris aims to transport viewers into the heart of the stories he tells, inspiring them to see the beauty in both the extraordinary and the everyday. You can see more of his work on Instagram.
Michelle Frankfurter
Michelle Frankfurter
United States
1961
Born in Jerusalem, Israel Michelle Frankfurter is a documentary photographer, currently living in Takoma Park, Maryland. A graduate from Syracuse University with a bachelor’s degree in English, Michelle has been recognized, published and exhibited worldwide. Before settling in the Washington, DC area, Frankfurter spent three years living in Nicaragua, where she worked as a stringer for the British news agency, Reuters and with the human rights organization Witness For Peace documenting the effects of the contra war on civilians. In 1995, a long-term project on Haiti earned her two World Press Photo awards. Since 2000, Frankfurter has concentrated on the border region between the United States and Mexico and on themes of migration. She is a 2013 winner of the Aaron Siskind Foundation grant, a 2011 Top 50 Critical Mass winner, a finalist for the 2011 Aftermath Project and the 2012 Foto Evidence Book Award for her project Destino, documenting the journey of Central American migrants across Mexico. Her first book, Destino was published in September 2014 by Foto Evidence. About Destino Meaning both "destination" and "destiny" in Spanish, Destino portrays the perilous journey of undocumented Central American migrants along the network of freight trains lurching inexorably across Mexico, towards the hope of finding work in the United States. It is the odyssey of a generation of exiles across a landscape that is becoming increasingly dangerous, heading towards a precarious future as an option of last resorts. Unlike Mexican migration to the United States that dates back to the 1880's, the unprecedented wave of Central American migration began a full century later, the consequence of bloody civil wars, U.S. Cold War-era intervention in the region and crippling international trade policies. Those regional conflicts left a legacy of drug and gang related violence, a high incidence of domestic abuse, and unrelenting poverty. Migration as an issue is current; the story of migration is timeless. Having grown up on the adventure tales of Jack London and Mark Twain, and then later on Cormac McCarthy's border stories, there is no storyline more compelling to me than one involving a youthful odyssey across a hostile wilderness. With a singularity of purpose and a kind of brazen resilience, migrants traverse deadly terrain, relying mostly on their wits and the occasional kindness of strangers. In documenting a journey both concrete and figurative, I convey the experience of individuals who struggle to control their own destiny when confronted by extreme circumstances, much like the anti-hero protagonists of the adventure tales I grew up reading. About The Island I made five trips to Haiti between 1993 and 1995. During that time, a de facto government held the island nation captive, while an international trade embargo intended to oust the regime made life miserable for Haiti's poor. An American-led military intervention restored exiled president, Jean Bertrand Aristide to power. This series depicts the recycled repression, regional isolation, imprisonment, and liberation throughout Haiti's turbulent history.
Evan Murphy
Evan Murphy
United States
2000
I was born and raised in Las Vegas; ever since I can remember, my parents would get my twin brother and I cameras, and they always pushed us to be creative. We just fell in love with it. We grew up making movies, doing photoshoots, and creating stuff with our friends. Living in a vibrant and cinematic city, storytelling grew into this passion that both of us had for visual art, which has guided us throughout our entire life. As I continued to get older, photography grew more and more personal to me. My eye for photography truly stemmed from my twin brother. I am completely self taught. I never took any photography or editing classes. Since moving to New York City two years ago at 21 years old, my fuel of inspiration has been endless. My true goal with photography at this point in my life is to perfect my craft. My eye has developed based on experience, inspiration, and studying. In the past two years I’ve participated in group exhibitions in Paris, New York, and most recently pieces from my photographic series “I.D.” were shown in Venice, Italy during Venice Biennale. I plan to continue to develop my skill set and storytelling abilities with photography in New York City.
Annie Leibovitz
Annie Leibovitz
United States
1949
Annie Leibovitz is an American portrait photographer best known for her engaging portraits, particularly of celebrities, which often feature subjects in intimate settings and poses. Leibovitz's Polaroid photo of John Lennon and Yoko Ono, taken five hours before Lennon's murder, is considered one of Rolling Stone magazine's most famous cover photographs. The Library of Congress declared her a Living Legend, and she is the first woman to have a feature exhibition at Washington's National Portrait Gallery.Source: Wikipedia Annie Leibovitz was born on October 2, 1949, in Waterbury, Connecticut. While studying painting at the San Francisco Art Institute, she took night classes in photography, and in 1970, she began doing work for Rolling Stone magazine. She became Rolling Stone’s chief photographer in 1973. By the time she left the magazine, 10 years later, she had shot 142 covers. In 1983, she joined the staff at Vanity Fair, and in 1998, she also began working for Vogue. In addition to her magazine editorial work, Leibovitz has created influential advertising campaigns for American Express and the Gap and has contributed frequently to the Got Milk? campaign. She has worked with many arts organizations, including American Ballet Theatre, the Brooklyn Academy of Music, and the Mark Morris Dance Group, and with Mikhail Baryshnikov. Her books include Annie Leibovitz: Photographs (1983), Photographs: Annie Leibovitz 1970–1990 (1991), Olympic Portraits (1996), Women (1999), American Music (2003), A Photographer’s Life: 1990–2005 (2006), Annie Leibovitz at Work (2008), Pilgrimage (2011), Annie Leibovitz: Portraits 2005-2016 (2017), The Early Years, 1970–1983 (2018), and Wonderland (2021). Exhibitions of her images have appeared at museums and galleries all over the world, including the National Portrait Gallery and the Corcoran Gallery, in Washington, D.C.; the International Center of Photography, in New York; The Brooklyn Museum; the Stedelijk Museum in Amsterdam; the Centre National de la Photographie, in Paris; and the National Portrait Gallery in London. Leibovitz has been designated a Living Legend by the Library of Congress and is the recipient of many other honors, including the Barnard College Medal of Distinction and the Infinity Award in Applied Photography from the International Center of Photography. She was decorated a Commandeur in the Ordre des Arts et des Lettres by the French government. She lives in New York with her three children, Sarah, Susan, and Samuelle.Source: Vanity Fair Leibovitz became Rolling Stone’s chief photographer in 1973, and by the time she left the magazine, she had amassed 142 covers and published photo essays on scores of stories, including the 1975 Rolling Stones tour. Moments of freedom and an unyielding imagination fed the evolution of Leibovitz’s photography. The monumental body of work taken during her thirteen-year tenure at Rolling Stone blurred the lines between celebrity and civilian, interviewer and interviewee, artist and subject, dissolving the boundary separating Leibovitz from those captured in her photographs. Documenting fellow reporters and photographers in addition to their subjects, Leibovitz highlighted those hidden behind the camera and brought them to the forefront. Leibovitz recorded major political moments of the Seventies in the United States, including the 1972 presidential campaign, which she covered with the writer Hunter S. Thompson. In a haunting photograph taken when President Richard Nixon resigned, on August 9, 1974, Leibovitz’s camera records his helicopter as it takes off from the White House lawn. Her immersion within the political landscape extended to photographs from the 1976 election, when figures such as Jerry Brown and Jimmy Carter seized national attention. The artist photographed the Democratic National Convention in New York City, showcasing candid moments with Dianne Feinstein and journalists such as Sally Quinn and Dan Rather. Leibovitz’s unobtrusive lens implicates both the photographer and her colleagues as significant actors and contributors to cultural moments. When traveling with the Rolling Stones to document their tour of the Americas in the summer of 1975, Leibovitz entered the band’s world to such a degree that only her camera served as a reminder of her identity. It was Leibovitz’s distinct ability to immerse herself in varying environments that enabled a direct engagement with her subjects, revealing their true, honest, and perhaps most vulnerable selves. Leibovitz began using a medium-format camera that produced square photographs and was appropriate for shooting set-up portraits with a strobe light. The planned portraits were based on a straightforward idea often stemming from a deeply personal collaboration with her subjects. Evidencing a level of uncanny intimacy and an uncommon depth of engagement, this relationship can be seen in one of her most celebrated photographs, in which a naked John Lennon clutches Yoko Ono. The portrait, made on December 8, 1980, was meant to serve as an intimate emblem of the couple’s relationship. When Lennon was killed just hours after the photo was taken, the image became a powerful visual memorial. In 1983, when Leibovitz joined the staff of the revived Vanity Fair, she was established as the foremost rock-music photographer and an astute documentarian of the social landscape. At Vanity Fair, and later at Vogue, she developed a large body of work – portraits of actors, directors, writers, musicians, athletes, and political and business figures, as well as fashion photographs. Leibovitz’s portraiture reflects a signature technique she developed early in her career, as she consciously and consistently fit style to subject through collaborating with her subjects, photographing them in their homes or in a location that meant something to them, where friends, lovers, children, and other personal markers might appear. Annie Leibovitz’s prolific output and her inventive approach to photography itself position her distinctly within the traditions and trajectory of American portraiture during the twentieth century. Her unique photographic language dovetailed with – and advanced – the medium’s evolution as a force for art making. The singularity of her vision, which included combining portraiture with photojournalism that captured historical and cultural touchstones throughout the United States and abroad, places her within a lineage of some of her personal heroes – artists like Andy Warhol and Richard Avedon, both innovators of their mediums. Influences such as Robert Frank and Henri Cartier-Bresson inspired Leibovitz to turn the tide on photography’s reception. Combining Frank’s highly personal and emotional style of photographic reportage with Cartier-Bresson’s Surrealist and even sculptural art photography, Leibovitz embraced her own inclination toward personal journalism. The artist’s large and distinguished body of work encompasses some of the most well-known portraits of our time.Source: Hauser & Wirth
Yusheng Jiang
Yusheng Jiang
China
1999
Born in Shanghai, Yusheng Jiang was deeply captivated by the allure of photography from a young age. His father, a photojournalist from the 1990s, left him with precious visual records, igniting his profound interest in photography, especially the transformation of cities and the vibrant rhythms within. Yusheng's academic journey began at the Shanghai Institute of Visual Arts, where he majored in photography and uniquely explored human desires through 3D software. Subsequently, he pursued his MFA at the School of Visual Arts (SVA) in New York, specializing in photography, video, and related media. He further expanded his artistic horizons there, particularly delving deep into the relationship between cities and their inhabitants through interdisciplinary studies. To Yusheng, photography is not merely about capturing images but represents a unique perception and understanding of the world. He believes that behind the mechanical and alienating modern urban life lies a deeper spiritual sanctuary for people. Through installations, animation, and sculptures, he unveils every nook and cranny of urban transformations. What stands out is Yusheng's aspiration to fuse technology and art, offering audiences an entirely fresh aesthetic experience. He hopes that viewers are not just recipients but active participants in his works, interacting and crafting their distinct artistic expressions. ARTIST STATEMENT "The series of documentary photography focuses on the giant development of Shanghai after ‘The Open Door Policy’ in 1979. As time goes by, it is slowly surrounded by the bustling business district and finally disappears into the river of urban construction. The exposed bricks and crisscrossing scaffolding reached Shanghai at the peak of development by the working class. Long Tang is a unique form of residential house in Shanghai. It is also the place where I grew up in childhood. With the demolition and reconstruction, the memory of my life has been sealed up by the metropolis. In this series of photos, I present the process of urban evolution and think about the link between me, space, history, and Shanghai." Awarded Photographer of the Week - Week 35, 2025
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Call for Entries
All About Photo Awards 2026
$5,000 Cash Prizes! Juror: Steve McCurry
© Fernando Morales Roca
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