All about photo.com: photo contests, photography exhibitions, galleries, photographers, books, schools and venues.
Enter AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Enter AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Arnaud Montagard
Arnaud Montagard
Arnaud Montagard

Arnaud Montagard

Country: France
Birth: 1991

Arnaud Montagard is a French photographer, he currently resides in Brooklyn, NY.

His photography focuses on composition and details, creating an atmosphere that is often referred to the work of American realistic painters. With emphasis on a minimalist aesthetic, his photography creates a new angle to an ordinary detail.
Selected Books on Available on Amazon
The Road Not Taken
 

Selected Books

Inspiring Portfolios

Call for Entries
AAP Magazine #54 Nature
Publish your work in AAP Magazine and win $1,000 Cash Prizes
 
Stay up-to-date  with call for entries, deadlines and other news about exhibitions, galleries, publications, & special events.

More Great Photographers To Discover

José Ramón Bas
In 1979 José Ramón Bas was teaching himself photography when he met photographer Florencio García Méndez, who gave him a helping hand. In 1985 he began formal studies at the Escuela de la Imagen y el Diseño (IDEP) in Barcelona, where he was quickly attracted to contemporary forms of expression and the theme of travel memories. In 1989 he moved definitively to Barcelona and in 1997 he won the La Caixa Foundation’s Fotopress Award for young artists. He began working with the Berini Gallery in Barcelona and in 1998 moved into a studio in the Centro de Arte Contemporáneo Piramidón. After joining Galerie VU’ in 2001, he won the Federico Vender Prize in Italy in 2003, followed by the Arena Foundation Prize in 2004. In 2005 he began teaching the Masters in Creative Photography at EFTI in Madrid. He has exhibited in Holland, Boston, Lisbon and elsewhere.Source: www.rencontres-arles.com "He is an incurable traveller. He is a poet; to him it's like breathing. He is unclassifiable and, being in love with spaces and people, he invents objets that preserve the memory of his experiences and his emotions. He is not concerned about building a body of work but rather endeavors to reproduce times spent traveling in Africa, Cuba or Brazil. During his travels, he photographs, in a playful, compulsive way. Then, when he gets back to Barcelona, he looks at his contact sheets and decides to transform the images that he has recorded into objets. He prints them, with little interest for technique, and then he works on them: he may write on the proof, scratch it, or mistreat it, depending on the mood or inspiration of the moment, before setting it in a resin inclusion and dedicating it, between imagery and sculpture, to its status as an objet. For him, each negative is an opening onto infinite possibilities, which he will realize in various formats, from the square to the panoramic, and which are to convey his memory of the travel experience. Then, his parallelepipeds, which are lighter than air, occupy the wall with subtlety and encourage us to dream and be at peace."-- Christian Caujolle, Agence VU’ Galerie Source: Galerie VU
Derry Ainsworth
United Kingdom
1991
Cole Weston
United States
1919
Cole Weston, born on January 30, 1919 in Los Angeles, was the fourth and youngest son of famed 20th Century photographer, Edward Henry Weston. Cole received his first camera, a 4 by 5 Autograflex, from his brother Brett in 1935. Cole graduated with a degree in theater arts from the Cornish School in Seattle in 1937 and then served in the Navy during World War II as a welder and photographer. After his discharge from the Navy in 1945 Cole worked for Life Magazine. In 1946 he moved to Carmel to assist his father Edward. During this time Eastman Kodak started sending their new color film, Kodachrome, for Edward to try out. Cole took this opportunity to experiment with this new medium and eventually became one of the world’s great masters of fine art color photography. In 1957 Cole began shooting his first color photographs of the magnificent Big Sur coast, Monterey Peninsula and central California. At this time he carried on his own portrait business while assisting his ailing father, who passed away in 1958. Edward had authorized Cole to print from Edward’s negatives after his death, so Cole continued printing Edward’s work while pursuing his own fine art photography. In 1975 Cole began lecturing and conducting workshops on his father’s photography as well as his own. With his work in the theater arts Cole was a natural when it came to teaching and lecturing and his many students still comment on what a great workshop he gave. He traveled throughout the United States, England, Europe, Russia, Mexico, New Zealand and the South Pacific photographing and inspiring others with his characteristic enthusiasm and charm. In 1988 after three decades devoted to printing his father’s work, Cole at last set aside his responsibility to Edward’s legacy and refocused on his own photography. Cole had his first solo exhibition in San Francisco in 1971. Since then, his work has been featured in more than sixty exhibitions worldwide and has been collected by museums throughout the United States and Europe. His work has been featured in numerous gallery shows and publications with three monographs and numerous articles having been published on his exquisite photography. Michael Hoffman from Aperture Publications once quoted, “In the history of photography there are but a few masters of color photography, Cole Weston is assuredly one of these masters of the medium whose dramatic powerful images are a source of great joy and pleasure”. Cole passed away from natural causes on April 20th, 2003. Like Cole, who once carried on the legacy of his father’s photography, his children have decided, as a tribute to their father, to carry on printing and offer Trust prints of Cole’s fine color photographs. Cole Weston was a dedicated artist and master of fine photography. Hopefully the availability of modern prints will make it possible for photographic enthusiasts everywhere to continue to enjoy his life’s work.
Hannah Price
United States
1986
Raised in Fort Collins, Colorado, Hannah Price (b. 1986) is a photographic artist and filmmaker primarily interested in documenting relationships, race politics, social perception and misperception. Price is internationally known for her project City of Brotherly Love (2009-2012), a series of photographs of the men who catcalled her on the streets of Philadelphia. In 2014, Price graduated from the Yale School of Art MFA Photography program, receiving the Richard Benson Prize for excellence in photography. Over the past eight years, Price's photos have been displayed in several cities across the United States, with a few residing in the permanent collection of the Philadelphia Museum of Art. Currently, Ms. Price lives and works in Philadelphia, PA.Source: www.hannahcprice.com Born in Annapolis, Maryland; raised in Fort Collins, Colorado; and now based in Philadelphia, photographer and documentary filmmaker Hannah Price has spent years capturing the nuances of racial identities and societal perceptions. Her work is a critique of the negative and destructive powers of visual representation in determining the realities of black people and other racialized groups. For Price, image-making also offers a strategy of recuperating different ways of relating to other people and the world around us. To date, her projects have included: the internationally-renowned City of Brotherly Love— a visual survey of catcallers she encountered in Philadelphia; Resemblance— a series of portraits of inner-city high schoolers in Rochester New York; Cursed By Night, made in 2012-2013, on the perceived threat of black masculinity; and 2018’s Semaphore, exploring how individuals signal their identities. Price’s photos evince a rare attention to the subjectivities of those she photographs, even as she probes the validity and significance of the social constructs that operate around them. She has previously exhibited in several cities across the United States, with solo shows at Milwaukee Institute of Art and Design, Philadelphia Photo Arts Center, and the Silver Eye Center for Photography, Pittsburgh, while several of her photographs reside in the permanent collection of the Philadelphia Museum of Art. Now, as a 2020 Magnum nominee, Price discusses the political and aesthetic concerns that inform her work, as well as some of the problems and possibilities to be found in using visual communication as a means of fighting racism.Source: Magnum Photos Price moved to Philadelphia in 2009 from Colorado and noticed for the first time that she was getting catcalled. The photographer, who's currently working toward an MFA in photography at Yale, decided to turn the camera on the people who approached her on the Philly streets. This resulted in the series City of Brotherly Love (Philly's nickname). Ambiguity might be one of this project's most prevalent themes. It's been mistakenly referred to as "My Harassers" on some blogs, which Price does not like. Her series doesn't take an aggressive stance on catcalling; it's not meant to incite social action, she says. Rather, it's an observation, a way to react behind the camera lens. Price's portraits leave much to interpretation. Not only do we not know the situations in which she crossed paths with these men, but we also have no idea of their relationship. The photos are framed in a variety of ways; the lighting, composition and even positioning of the subjects themselves vary so much that viewers have plenty of freedom to interpret them.Source: npr
Kevin Lyle
United States
1951
I am, for the most part, self taught. I first became interested in art around the age of 12. Art class became the most interesting part of school. After high school I attended the Cleveland Institute of Art for one semester before realizing that art school was not for me at that time. After moving to Chicago my first job turned into a career in computers and systems management and I did little or no art for many years. I've always had an inclination to collect. Collecting African masks and the process of photographing them for documentary purposes led to a broader interest in photography. When I began going for long walks to search for photographic material I soon realized the exercise and fresh air were an added bonus to this pursuit of collecting images. Artist Statement As long as I can remember, I've been curious about incidental objects and environments and their potential for a sort of extraordinary/ordinary beauty. I find this quality in the work of photographer Eugene Atget, composer Erik Satie and singer-songwriter Woody Guthrie. These great artists are a constant source of inspiration. My process is fueled by an innate hunter/gatherer impulse. Most of my images are collected within walking distance of my home on Chicago's north side. Contemplative wandering in the urban analog world, away from the preponderance of drama delivered digitally via television and the Internet, reveals evidence of real life - evidence of what may be, may have happened or may yet occur. Sometimes mundane, sometimes oblique, askew or atypical. Mostly overlooked, until documented.
Rachel Nixon
United Kingdom/Canada
Rachel Nixon is a British-Canadian fine art photographer – and former journalist – based in Vancouver. Having lived and worked across continents and cultures, she explores issues such as a desire for connection with one’s heritage, as well as secrecy, isolation and memory. She is intrigued by the visual poetry of everyday life and intuitively seeks out images speaking to beauty and broader messages in the seemingly mundane. In 2019, Rachel graduated with honours from the VanArts professional photography program. Since then, her work has been exhibited nationally and internationally, and she has received a number of accolades including being a four-time category winner in the Julia Margaret Cameron Awards. In 2024, she was named among Dodho Magazine’s top 100 fine art photographers. Rachel has earned attention for her series ''The Garden of Maggie Victoria'', which revives the story of her forgotten great-grandmother through collages integrating archive and contemporary images. In 2023, the series was selected for Blue Sky Gallery’s Pacific Northwest Drawers, and designated a finalist in Critical Mass and the Royal Photographic Society’s IPE 165. Before committing full-time to visual art, Rachel had a 20-year career as a journalist in the UK, US and Canada for the BBC, CBC and Microsoft where she developed and ran digital news services that reached millions. Her passion for storytelling, love of innovation and experimentation, and drive for excellence now extend to her photographic work. Rachel holds a first-class degree from the University of Oxford in Modern Languages. Her wide-ranging international experience offers a unique perspective on identity, place and belonging, and the connections we share despite polarized times.
Advertisement
AAP Magazine #54 Nature
Win a Solo Exhibition this January
AAP Magazine #54 Nature

Latest Interviews

Exclusive Interview with Julie Wang
Chinese-born photographer Julie Wang brings a poetic, contemplative sensitivity to her visual exploration of the world. Having lived for nearly equal parts of her life in China, Europe, and the United States, she approaches her subjects with the nuanced perspective of someone shaped by many cultures. This blend of distance, curiosity, and emotional resonance infuses her work with a quiet depth, allowing her to reveal the fragile beauty and subtle tensions that often pass unnoticed.
Exclusive Interview with Ghawam Kouchaki
American photographer Ghawam Kouchaki brings a sharply observant and introspective gaze to the streets of Japan’s capital. Based in Los Angeles, he approaches Tokyo with the distance — and curiosity — of an outsider, allowing him to uncover the city’s subtle contradictions, quiet tensions, and fleeting gestures that often go unnoticed. His series Tokyo no no, selected as the Solo Exhibition for December 2024, explores the hidden undercurrents of urban life: the unspoken rules, the small ruptures in routine, the poetic strangeness found in everyday moments. Through muted tones, instinctive timing, and meticulous framing, Kouchaki reveals a Tokyo that exists somewhere between reality and imagination — both intimate and enigmatic. We asked him a few questions about his life and work.
Exclusive Interview with Tommi Viitala
Tommi Viitala, winner of AAP Magazine #44: Street, is a Finnish photographer celebrated for his striking and cinematic street photography. With a keen eye for atmosphere and composition, he captures fleeting urban moments that reveal the poetry of everyday life. His work often explores the tension between solitude and connection within contemporary cityscapes, blending documentary realism with artistic sensibility. Viitala’s photographs have been exhibited internationally and recognized for their strong visual storytelling and emotional depth. We asked him a few questions about his life and work.
Exclusive Interview with Robert Mack
Robert Mack is a California-based visual artist, photographer, and filmmaker. His fine art photography and films have been exhibited widely in the United States and Europe, with major shows at the Baltimore Museum of Art and the Reiss-Engelhorn Museum in Mannheim, Germany. Both institutions hold his work in their permanent collections. Working across different media, Mack has built a career exploring the complexities of human presence and representation. In 1981, while living in Baltimore, he produced The Perkins Project: Not Guilty by Reason of Insanity, a rare photographic and film study inside Maryland’s hospital for the criminally insane. These stark yet compassionate black-and-white portraits remain one of his most powerful and controversial bodies of work.
Exclusive Interview with Alan Schaller About Irys
Alan Schaller is a London-based photographer best known for his striking black-and-white street photography and as co-founder of Street Photography International, one of the largest online communities dedicated to the genre. With years of experience both behind the camera and in building platforms that give visibility to photographers, Schaller has now turned his focus to creating a new digital space for photography itself. His latest venture, Irys, is a photography app designed by photographers, for photographers, with the aim of offering a dedicated platform where images are respected as works of art rather than treated as disposable content.
Exclusive Interview with Guillaume Bonn
With his latest book Paradise, Inc., celebrated documentary photographer Guillaume Bonn takes us deep into the heart of East Africa, where the promises and failures of wildlife conservation collide. Far from offering a romanticized vision of nature, Bonn’s work confronts us with urgent realities: the tensions between local communities and conservation policies, the sacrifices of rangers on the frontlines, and the long-lasting impact of human activity on fragile ecosystems. Spanning more than two decades of fieldwork, the project blends powerful imagery with investigative depth, raising difficult but necessary questions about transparency, accountability, and the Western-led models that dominate conservation. Enriched by the voices of those too often left out of the conversation—including a preface by Maasai leader Ezekiel Ole Katato and an introduction by journalist Jon Lee Anderson—Paradise, Inc. is both a stunning visual journey and a call to action. In the following interview, Guillaume Bonn reflects on the making of Paradise, Inc., the ethical dilemmas at the heart of his work, and the urgent need to rethink our approach to conservation in East Africa and beyond.
Exclusive Interview with Sander Vos
Sander Vos is a fine art photographer based in London whose work seamlessly blends elements of Surrealism with portraiture. Drawing inspiration from his background in design, Vos embraces light and contrast to sculpt striking, graphic compositions. His photographs invite the viewer into a world where revelation and concealment coexist, leaving space for imagination and interpretation.
Exclusive Interview with Tomasz Trzebiatowski Editor-in-chief FRAMES Magazine
Founded in 2020 by photographer, publisher, and classical pianist Tomasz Trzebiatowski, FRAMES Magazine has quickly established itself as a thoughtful space for photography lovers who believe that powerful images deserve to live on paper. Known for its beautifully printed quarterly issues and dynamic international community, FRAMES bridges the gap between tradition and innovation in the photographic world. As editor-in-chief, Trzebiatowski has created not only a publication but a platform that celebrates diverse genres, nurtures dialogue, and champions the tactile experience of print in a digital age. In this interview, he reflects on the journey from founding FRAMES to building a global membership, the challenges of independent publishing, and the future of photography in both print and digital forms.
Exclusive Interview with Manuel Besse
French photographer Manuel Besse is known for his compelling black-and-white imagery, which blends portraiture, documentary, and poetic narrative into a singular visual voice. With a career spanning several decades and continents—from the gold mines of Serra Pelada to the Arctic Circle—his work reflects a deep commitment to authenticity, human connection, and the preservation of cultural and natural landscapes. His series Macadam, winner of AAP Magazine #41 B&W, offers a contemplative look at fleeting urban encounters, rendered in his signature monochrome style. We asked him a few questions about his life and work.
Call for Entries
AAP Magazine #54 Nature
Publish your work in AAP Magazine and win $1,000 Cash Prizes