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Sirli Raitma
Sirli Raitma
Sirli Raitma

Sirli Raitma

Country: Estonia
Birth: 1975

Sirli Raitma is a London based photographer. She was born and grew up in Suure-Jaani in Estonia. Sirli's images span portraiture, landscapes and interiors, but portraiture - especially involving ambiguity via costume or displacement - is her heartland.

Project - Eha

EHA is a series of portraits of my mother, portrayed in a series of unusual situations, poses and attire. Eha was born in Estonia in 1950. Widowed, suffering from epilepsy and lacking great command of English, Eha stayed tightly involved in our lives. In 2015 Eha began to suffer from depression. Life became bleaker. Something had to be done. I came up with a plan to give her something new to focus on, beyond her new procession of doctor's appointments and medications. The 'EHA' project was born.

'Eha revealed herself to be a natural model, happy to play along with my increasingly imaginative visual fantasies. The 'EHA' project has had an effect on both of us. It is encouraging to see that the results for us are also having a resonance for others. The project has featured in UK and Estonian magazines. The feedback from readers has been fantastic and is consistent it that it has prompted many to look at their own family situations and how they treat each other.'

Websites

www.sirliraitma.com

www.instagram.com/sirliraitma

 

Inspiring Portfolios

Aleksander Rodchenko
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More Great Photographers To Discover

Cally Whitham
Cally Whitham
New Zealand
Taking an idealistic view of the world, Cally Whitham records the ordinary, transforming it into a surreal image, reflecting the way things are perceived and altered through nostalgia and memory. Driven by a desire to remember, Whitham uses her camera to collect images, which allows her to preserve her surroundings forever. At the age of 11, she spent Christmas using her first roll of film shooting her favourite things, including her aunt's farm, an old house she wanted to live in and a big tree at the beach. As an adult she returns to similar subjects recaptured in shadows of times past. Based in New Zealand, Whitham finds the subtle, forgotten and overlooked in these locations, which are touched with beauty through their ordinariness and familiarity. Layering her photographs with emotion, the works explore the ways in which personal milieus are captured. Source: www.cally.co.nz The New Zealand photographer Cally Whitham focuses her artistic research on the depiction of everyday life She began photography at 11 years old when accompanying her father who was a painter. He roamed the countryside to do sketches of forests and farms. From an early age she therefore had painting as an artistic reference and mastered the techniques of the Beaux Arts. Source: Yellow Korner Interview With Cally Whitham: AAP: When did you realize you wanted to be a photographer? "When I was about 16 I think. I took a class at school and was hooked." AAP: Where did you study photography? "I studied at the Design School, which has since become Unitech." AAP: How long have you been a photographer? "21 years, with a few years break in the middle." AAP: Do you remember your first shot? What was it? "The first photo I ever took was of my grandparents and brother at a beach. I couldn't believe I was allowed to take a photo!" AAP: What or who inspires you? "Light inspires me. When the quality of light is just right anything seems possible; the unworthy becomes photogenic." AAP: How could you describe your style? "Pictorialism" AAP: Do you have a favorite photograph or series? "Wow, too hard to choose!" AAP: Do you spend a lot of time editing your images? "Yes I do. The initial photo is just a part of the process in creating an image. Post production is the place where the image and the vision I had come together. I don't photograph reality but rather create a potential or ideal reality and that potential is added in post production." AAP: Favorite(s) photographer(s)? "Alfred steiglitz in his early days and Julia Margaret Cameron." AAP: What advice would you give a young photographer? "Have a back job to pay the bills - it's a tough industry now to try to pay a mortgage on." AAP: What mistake should a young photographer avoid? "Not understanding the business, tax and admin side of being a photographer." AAP: Your best memory has a photographer? "The moments I have realized I was on to something during a shoot."
Marc Gordon
Marc Gordon
United States
Marc Gordon is a photographer who focuses on unposed portraiture and photo documentary. He was trained at the International Center for Photography in New York City and studied street photography with Harvey Stein. He spent several years doing advertising photography at Kripalu, a yoga retreat center in the Berkshires, starting in 2009. Afterwards he turned to documentary and portraiture. All of his photographs try to capture unposed expressive moments, and to show people as they are without interpretation. A documentary series on the Gay Pride Parades in New York City has appeared in L'Oeil de la Photographie and was featured on the Social Documentary Network in late 2020. In addition to documentary and portraiture, Marc also explores landscape photography. As in portraiture, he tries to avoid interpretation and seeks instead to reveal Nature's complex patterns. He currently lives in New Mexico and will exhibit a series of landscapes at the Abiquiu Inn as soon as it is safe again to gather indoors. Marc was trained as a research mathematician and worked for many years on quantitative trading strategies before becoming a photographer. Joy and Confrontation These photos attempt to capture the spirit of the Gay Pride parades in New York City in the years since gay marriage was legalized in the United States. The collection begins with portraits of people encountered in the streets around the parades. Their joyful celebration is challenged by Christian demonstrators carrying offensive and provocative signs who came to condemn homosexuality and warn of divine retribution. Reactions range from mockery to dancing, heated argument, lewd gestures, outrage, and anger. I am grateful to have spent time with these young gay people and to have had the chance to photograph them. For any questions, you can contact Marc Gordon at marcgor@msn.com.
Jo Fields
Jo Fields
United States
1956
Jo Fields is a fine art photographer based in Nashville, Tennessee. Although her career is in healthcare information systems, Jo's first love was the expressive interpretation of music as a flutist. Photography has gradually taken over as the primary passion with the colors, shapes and details in the ‘music’ of nature. Photography became a cathartic and therapeutic personal journey that is a fusion of emotional, technical, and creative processes. Her work revolves around themes of revealing beauty in the ordinary, and highlighting the conflicts and interdependence of humanity and nature. Some series represented in the selected images are: True North, Musica Notturna, A Chance Encounter, Empathy of Angels, ET Wickham and Blackberry Season. Jo's work has been selected for over 80 juried exhibits in art galleries in seven states. Her work was an RFOTOFOLIO 2019 Work of Merit selection, and received honorable mentions in the 17th and 18th Juliet Margaret Cameron Awards.
Charles Nègre
Charles Nègre
France
1820 | † 1880
Charles Nègre (French: 9 May 1820 - 16 January 1880) was a pioneering photographer, born in Grasse, France. He studied under the painters Paul Delaroche, Ingres and Drolling before establishing his own studio at 21 Quai Bourbon on the Île Saint-Louis, Paris. Delaroche encouraged the use of photography as research for painting; Nègre started with the daguerreotype process before moving on to calotypes. His "Chimney-Sweeps Walking", an albumen print taken on the Quai Bourbon in 1851, may have been a staged study for a painting, but is nevertheless considered important to photographic history for its being an early instance of an interest in capturing movement and freezing it forever in one moment. Having been passed over for the Missions Héliographiques which commissioned many of his peers, Nègre independently embarked on his own remarkably extensive study of the Midi region. The interesting shapes in his 1852 photograph of buildings in Grasse have caused it to be seen as a precursor to art photography. In 1859, he was commissioned by Empress Eugénie to photograph the newly established Imperial Asylum in the Bois de Vincennes, a hospital for disabled workingmen. He used both albumen and salt print, and was known also as a skilled printer of photographs, using a gravure method of his own development. A plan commissioned by Napoleon III to print photographs of sculpture never came to fruition, and in 1861 Nègre retired to Nice, where he made views and portraits for holiday makers. He died in Grasse in 1880.Source: Wikipedia
Dennis Stock
Dennis Stock
United States
1928 | † 2010
Dennis Stock (July 24, 1928 – January 11, 2010) was an American photojournalist and documentary photographer and a member of Magnum Photos. He was born in New York City and died in Sarasota, Florida. Stock served in the United States Army from 1947-1951. Following his discharge, he apprenticed under photographer Gjon Mili. In 1951, he won a first prize in a Life magazine competition for young photographers. That same year, he became an associate member of the photography agency Magnum. He became a full partner-member in 1954. In 1955, Stock met the actor James Dean and undertook a series of photos of the young star in Hollywood, Dean's hometown in Indiana and in New York City. He took a photograph of Dean in New York's Times Square in 1955 (the year Dean died) that became an iconic image of the young star. It appeared later in numerous galleries and on postcards and posters and was one of the most reproduced photographs of the post-war period. The black and white photograph shows the actor with a pulled up collar on a casual jacket and a cigarette in his mouth on a rain-soaked, gray day. From 1957 until the early 1960s, Stock aimed his lens at jazz musicians, photographing such people as Louis Armstrong, Billie Holiday, Sidney Bechet, Gene Krupa and Duke Ellington. With this series of photographs he published the book Jazz Street. In 1962, he received the first prize at the International Photo Competition in Poland. In 1968, Stock left Magnum to start his own film company, Visual Objectives Inc., and made several documentaries, but he returned to the agency a year later, as vice president for new media and film. In the mid-1970s, he traveled to Japan and the Far East, and also produced numerous features series, such as photographs of contrasting regions, like Hawaii and Alaska. In the 1970s and 1980s he focused on color photography of nature and landscape, and returned to his urban roots in the 1990s focusing on architecture and modernism.(Source: en.wikipedia.org) Dennis Stock was born in 1928 in New York City. At the age of 17, he left home to join the United States Navy. In 1947 he became an apprentice to Life magazine photographer Gjon Mili and won first prize in Life's Young Photographers contest. He joined Magnum in 1951. Stock managed to evoke the spirit of America through his memorable and iconic portraits of Hollywood stars, most notably James Dean. From 1957 to 1960 Stock made lively portraits of jazz musicians, including Louis Armstrong, Billie Holiday, Sidney Bechet, Gene Krupa and Duke Ellington for his book Jazz Street. In 1968 Stock took a leave of absence from Magnum to create Visual Objectives, a film production company, and he shot several documentaries. In the late 1960s he captured the attempts of California hippies to reshape society according to ideals of love and caring. Then throughout the 1970s and 1980s he worked on color books, emphasizing the beauty of nature through details and landscape. In the 1990s he went back to his urban origins, exploring the modern architecture of large cities. His recent work was mostly focused on the abstraction of flowers. Stock generated a book or an exhibition almost every year since the 1950s. He taught numerous workshops and exhibited his work widely in France, Germany, Italy, the United States and Japan. He worked as a writer, director and producer for television and film, and his photographs have been acquired by most major museum collections. He served as president of Magnum's film and new media division in 1969 and 1970.(Source: Magnum Photos)
Bruce Weber
Bruce Weber
United States
1946
Bruce Weber (born March 29, 1946) is an American fashion photographer and occasional filmmaker. He is most widely known for his ad campaigns for Calvin Klein, Ralph Lauren, Pirelli, Abercrombie & Fitch, Revlon, and Gianni Versace, as well as his work for Vogue, GQ, Vanity Fair, Elle, Life, Interview, and Rolling Stone magazines. Weber was born in Greensburg, Pennsylvania, to a Jewish family. His fashion photography first appeared in the late 1970s in GQ magazine, where he had frequent cover photos. Nan Bush, his longtime companion and agent, was able to secure a contract with Federated Department Stores to shoot the 1978 Bloomingdales mail catalog. He came to the attention of the general public in the late 1980s and early 1990s with his advertising images for Calvin Klein, and his portrait of the then young actor Richard Gere. His straightforward black-and-white shots, featuring an unclothed heterosexual couple on a swing facing each other, two clothed men in bed, and model Marcus Schenkenberg barely holding jeans in front of himself in a shower, catapulted him into the national spotlight. His photograph for Calvin Klein of Olympic athlete Tom Hintnaus in white briefs is an iconic image. He photographed the winter 2006 Ralph Lauren Collection. Some of Weber's other earliest fashion photography appeared in the SoHo Weekly News and featured a spread of men wearing only their underwear. The photos became the center of controversy and Weber was told by some that he would never find work as a fashion photographer again. This reputation stuck with him, as he says: "I don't really work editorially in a large number of magazines because a lot of magazines don't want my kind of photographs. It's too risky for them". After doing photo shoots for and of famous people (many of whom were featured in Andy Warhol's Interview magazine), Weber made short films of teenage boxers (Broken Noses), his beloved pet dogs, and later, a longer film entitled Chop Suey. He directed Let's Get Lost, a 1988 documentary about jazz trumpeter Chet Baker. Weber's photographs are occasionally in color; however, most are in black and white or toned shades. They are gathered in limited edition books, including A House is Not a Home and Bear Pond, an early work that shows Eric Nies from MTV's The Real World series, among other models. Weber began collaborating with crooner Chris Isaak in the mid-1980s, photographing Isaak in 1986 for his second album, Chris Isaak. In 1988, Weber photographed a shirtless Isaak in bed for a fashion spread in Rolling Stone. Isaak appeared in Let's Get Lost and Weber has directed a music video for Isaak. Weber photographed Harry Connick, Jr. for his 1991 album Blue Light, Red Light. In 1993, Weber photographed singer-songwriter Jackson Browne for his 1993 album I'm Alive.Source: Wikipedia
Thomas James Parrish
Thomas James Parrish
Australia
1993
Based in Sydney, Thomas is an Australian photojournalist and travel photographer driven by a passion for exposing and championing environmental and humanitarian issues that exist in today’s societies, all over the world. Thomas’ work explores current social issues; combining his passion for creative storytelling with a desire to inspire positive social change. Working closely with local NGOs, charities and communities, this work has taken him across the world where he has founded projects and campaigns with refugees, religious groups, environmental agencies and education programs. His photographic journey began in 2016 when he spent 6 months documenting the north of India as part of his project ‘Oh India’ which, after first being released as an exhibition in Sydney, has since become a photobook and has raised over $10,000 for a remote education program in West Bengal. In 2017 Thomas travelled across Italy documenting the refugee crisis, working closely with volunteer groups and NGOs to tell the stories of those seeking asylum for his ongoing project ‘A Voice for a Refugee’. After spending a year studying at the Speos International Photographic Institute in London in 2018/19 and obtaining his diploma in professional photography, Parrish then went on to document the Camino del Norte, an 850km pilgrimage across Spain, as a way of raising money through sponsorship and prints sales for Amazon Watch as part of his project ‘Camino for the Amazon’ which aided in the recovery program for indigenous communities most affected by the fires in the Amazon in 2019, raising over $4,000. Thomas has since returned home to Australia where he recently released his latest body of work ‘A Place Called Manly, A Place Called Home’, which celebrates the everyday beauty of his hometown in Sydney Australia and was exhibited in Paddington, Sydney. Thomas’s work has featured in multiple international photographic publications such as Suitcase Magazine, Lodestars Anthology, Australian Photography Magazine, Dodho Mag, Stade and Ernest Journal and more. Statement “With my work I try to emphasise our responsibility as humans to care for the world, and to express the importance of identity, through engaging storytelling. I hope I ensure a positive impact for humanity and the natural world and that my photographs can act as an instrument for inspiration and change.”
Younes Mohammad
Younes Mohammad
Iraq
1968
Younes Mohammad is Born in 1968 in Dohuk, Iraq. He's a Kurdish freelance photographer mostly active on assignments for newspapers, magazines, etc. He spent his life in Iran as a refugee from 1974 - 1998 and graduated with an MBA University of Tehran. Photography was his passion but he had no chance to follow it while the war situation was still continuing Under Saddam's time. In 2011 he quits his job and starts his journey as a photographer. His work has been exhibited internationally and published widely in publications. He has received numerous awards. He is now based in Erbil, Iraq. About Open Wounds "I start to work on a long-term project documenting the sacrifices of Kurdish Peshmerga in the fight to put down ISIS. Speaking with hundred Peshmerga, taking intimate portraits of the wounded fighters, their families, and documenting both the stories in the battle and their ongoing struggles to navigate post-conflict life. Through the work, I found stories of immense suffering. Fighters who took up arms, not because they were required to do so, but because it was right and it was what had to be done. These men, often fighting side by side with brothers, uncles, cousins, fathers, and sons, knew that the freedom and survival of their people were at stake. As they retold stories of watching family and friends killed in front of them and of battles they did not expect to survive, they simultaneously shed tears for the losses and for the pride they had in what their comrades and they had done. Almost all of the men showed severe physical injury. Arms, legs, and eyes lost. Bodies so riddled with bullet and shrapnel wounds that simple movement created wincing pain. These men also showed the signs of the heavy burdens of the mental traumas, of PTSD, and of memories that would not leave them. Despite all they suffered, they often said they would go back to the fight again if ever called. They would do this for their children, their families, their people, and for the wider world. Tragically, their suffering does not end having returned home. The men face new challenges, such as getting prosthetic limbs, ongoing care, providing for their families despite their debilitating injuries, and more. They wonder, if they would give everything to help protect the world, will the world help them or forget them now that they have put down their guns. I have hope that, through this work exploring conflict and post-conflict humanitarian issues, the World may better understand what these men and their families have given for the Kurdish people, the region, and, in fact, the world. " -- Younes Mohammad
Alessandro Deluigi
Alessandro Deluigi
Italy
1975
I was born in Rimini, Italy, where I live. I have always been a silent observer of life and people with a strong passion for the visual arts. I worked for years as an advertising graphic designer and now, for the last 10 years or so, I have been working in healthcare. At the age of 25, I attended a photography course at the European Institute of Design in Turin. As an amateur photographer I have experimented with several photographic genres and since 2018 I have approached street photography, a genre I prefer: I find it stimulating and at the same time I have a lot of fun. I like capturing those moments of everyday life, hidden from distracted eyes, sometimes surreal and poetic, sometimes funny and grotesque, always with an eye on composition. In short, I think I have found my way on the road. Since 2023 I have been a member of Collettivo.21, an Italian collective of street photographers. Some of my works have been selected by magazines and competitions in Italy and abroad, winning awards including third place at Moment Street Photo Awards 2022, best author at City of Follonica Trophy, second place at Kaaf Photography Contest (street category), Special Mention “photo of the year” at Paris Street Photo Awards in 2023, first place at Dublin Street Photography Festival 2024.
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Exclusive Interview with Trevor Cole: Pastoral Peoples and Practices
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Exclusive Interview with Trevor Cole: Pastoral Peoples and Practices
For this interview, we wanted to focus specifically on The Face of the Mundari and the wider Pastoral Peoples and Practices series. We spoke with Trevor about his long-term work among the Mundari, what continues to draw him back to their cattle camps, and the experience of documenting a culture whose identity remains deeply connected to livestock, tradition, and the natural environment.
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Exclusive Interview with Frank Meo
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Exclusive Interview with Carolyn Moore
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Exclusive Interview with Carolyn Moore
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Exclusive Interview with Luca Desienna and Laura Estelle Barmwoldt
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Exclusive Interview with Luca Desienna and Laura Estelle Barmwoldt
For over seven years, Of Lilies and Remains has explored the depths of the goth and darkwave underground, unfolding in Leipzig—a city long associated with a vibrant and enduring subcultural scene. Moving between iconic gatherings such as Wave-Gotik-Treffen and more intimate moments on the fringes, the project offers a rare and immersive glimpse into a world often misunderstood, yet rich in expression and community. Created by Luca in collaboration with Laura Estelle Barmwoldt, the work embraces a cinematic and deeply personal approach. Rather than documenting from a distance, it moves within the scene itself, capturing its atmosphere, its codes, and its quiet contradictions. The title Of Lilies and Remains hints at this duality—where beauty and darkness, fragility and strength coexist. As the book prepares for its release, we spoke with both artists about the origins of the project, their process, and what it means to document a subculture that continues to evolve while remaining true to its spirit.
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Exclusive Interview with Jan Janssen
Dutch photographer Jan Janssen explores universal human experiences through his long-term project It Matters, winner of the May 2025 Solo Exhibition. Begun in 2016, the series captures intimate moments of everyday life—love, loss, connection, and belonging—across Central and Eastern Europe. Working in countries such as Turkey, Azerbaijan, and Armenia, Janssen spends extended time within communities, building relationships based on trust and respect. His approach allows him to move beyond observation, revealing deeply human and authentic moments. Rooted in travel and personal discovery, It Matters reflects Janssen’s search for what connects us all in an increasingly divided world. The project is ongoing and will culminate in a photobook scheduled for publication in 2026.
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Exclusive Interview with Henk Kosche
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Exclusive Interview with Anastasia Samoylova
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Exclusive Interview with Marijn Fidder
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