All about photo.com: photo contests, photography exhibitions, galleries, photographers, books, schools and venues.
Win a Solo Exhibition in April 2026 + An Exclusive Interview!
Win a Solo Exhibition in April 2026 + An Exclusive Interview!
Roman Vishniac
Roman Vishniac
Roman Vishniac

Roman Vishniac

Country: Russia/United States
Birth: 1897 | Death: 1990

Roman Vishniac was a Russian-American photographer, best known for capturing on film the culture of Jews in Central and Eastern Europe before the Holocaust. A major archive of his work was housed at the International Center of Photography until 2018, when Vishniac's daughter, Mara Vishniac Kohn, donated it to The Magnes Collection of Jewish Art and Life at the University of California, Berkeley.

Vishniac was a versatile photographer, an accomplished biologist, an art collector and teacher of art history. He also made significant scientific contributions to photomicroscopy and time-lapse photography. Vishniac was very interested in history, especially that of his ancestors, and strongly attached to his Jewish roots; he was a Zionist later in life.

Roman Vishniac won international acclaim for his photos of shtetlach and Jewish ghettos, celebrity portraits, and microscopic biology. His book A Vanished World, published in 1983, made him famous and is one of the most detailed pictorial documentations of Jewish culture in Eastern Europe in the 1930s. Vishniac was also remembered for his humanism and respect for life, sentiments that can be seen in all aspects of his work.

In 2013, Vishniac's daughter Mara (Vishniac) Kohn donated to the International Center of Photography the images and accompanying documents comprising ICP's Roman Vishniac Rediscovered travelling exhibition.

In October, 2018, Kohn donated the Vishniac archive of an estimated 30,000 items, including photo negatives, prints, documents and other memorabilia that had been housed at ICP to the Magnes Collection of Jewish Art and Life, a unit of the University of California at Berkeley's library system.

Source: Wikipedia


As the Nazis rose to power in Berlin, Vishniac photographed the ominous changes in the city and also worked to document Germany-Jewish relief and social service organizations. In 1935, the American Jewish Joint Distribution Committee (AJDC) hired Vishniac to travel to Eastern Europe and take photographs documenting Jewish poverty and relief efforts to be used in its fundraising campaigns. In 1939, Vishniac pursued other AJDC assignments in Western Europe and worked as a freelance photographer there. After the German invasion of France, he was arrested and sent to an internment camp. With help from the AJDC and the remainder of his family’s resources, he secured the release and immigrated with his wife and two children to the United States via Portugal in December 1940. They settled in New York, where Vishniac worked as a photographer, making portraits and documenting Jewish refugees and American-Jewish community life.

In 1947, Vishniac returned to Europe to document the aftermath of the war and the plight of refugees and those living in displaced persons camps. Back in the United States, Vishniac continued his work as photographer and scientist and became a pioneer in the new field of photomicroscopy.

Vishniac’s photographs of Jewish life in prewar Eastern Europe gained renown in the aftermath of the Holocaust and were used to illustrate numerous books. Many people today are familiar with his work from his book A Vanished World (1983). However, the public saw only a small fraction of Vishniac’s work before his daughter, Mara Vishniac Kohn, entrusted his images to ICP and the Museum. This project makes them available to the public at large in hopes of learning more about the subjects of his photographs.

Source: Unites States Holocaust Memorial Museum


As an amateur photographer, Roman Vishniac took to the streets with his camera throughout the 1920s and ’30s, offering an astute, often humorous visual commentary on his adopted city and experimenting with new and modern approaches to framing and composition. Documenting the rise of Nazi power, he focused his lens on the signs of oppression and doom that soon formed the backdrop of his Berlin street photography.

From 1935 to 1938, while living in Berlin and working as a biologist and science photographer, he was commissioned by the American Jewish Joint Distribution Committee (JDC), then the world’s largest Jewish relief organization, to photograph impoverished Jewish communities in Central and Eastern Europe. On New Year’s Eve, 1940, he arrived in New York and soon opened a portrait studio. At the same time, he began documenting American Jewish communal and immigrant life and established himself as a pioneer in the field of photomicroscopy.

In 1947, Vishniac returned to Europe and documented Jewish displaced persons camps and the ruins of Berlin. During this time, he also recorded the efforts of Holocaust survivors to rebuild their lives and the work of the JDC and other Jewish relief organizations in providing them with aid and emigration assistance.

Source: International Center of Photography


 

Selected Books

Inspiring Portfolios

Call for Entries
AAP Magazine #56 Shadows
Publish your work in our printed magazine and win $1,000 cash prizes
 
Stay up-to-date  with call for entries, deadlines and other news about exhibitions, galleries, publications, & special events.

More Great Photographers To Discover

Stephen Wilkes
United States
1957
Since opening his studio in New York City in 1983, photographer Stephen Wilkes has built an unprecedented body of work and a reputation as one of America's most iconic photographers, widely recognized for his fine art, editorial and commercial work. His photographs are included in the collections of the George Eastman Museum, James A. Michener Art Museum, Houston Museum of Fine Arts, Dow Jones Collection, Carl & Marilynn Thoma Art Foundation, Jewish Museum of NY, Library of Congress, Snite Museum of Art, The Historic New Orleans Collection, Museum of the City of New York, 9/11 Memorial Museum and numerous private collections. His editorial work has appeared in, and on the covers of leading publications such as the New York Times Magazine, Vanity Fair, Time, Fortune, National Geographic, Sports Illustrated , and many others. Wilkes' early career interpretations of Mainland China, California's Highway One, and impressionistic "Burned Objects" set the tone for a series of career-defining projects that catapulted him to the top of the photographic landscape. In 1998, a one-day assignment to the south side of Ellis Island led to a 5-year photographic study of the island's long abandoned medical wards where immigrants were detained before they could enter America. Through his photographs and video, Wilkes helped secure $6 million toward the restoration of the south side of the island. A monograph based on the work, Ellis Island: Ghosts of Freedom, was published in 2006 and was named one of TIME magazine's 5 Best Photography Books of the Year. The work was also featured on NPR and CBS Sunday Morning. In 2000, Epson America commissioned Wilkes to create a millennial portrait of the United States, "America In Detail," a 52-day odyssey that was exhibited in New York, Chicago, Los Angeles, and San Francisco. Day to Night , Wilkes' most defining project, began in 2009. These epic cityscapes and landscapes, portrayed from a fixed camera angle for up to 30 hours capture fleeting moments of humanity as light passes in front of his lens over the course of a full day. Blending these images into a single photograph takes months to complete. Day to Night has been featured on CBS Sunday Morning as well as dozens of other prominent media outlets and, with a grant from the National Geographic Society , was extended to include America's National Parks in celebration of their centennial anniversary and Bird Migration for the 2018 Year of the Bird. Most recently a new grant was extended for Canadian Iconic Species and Habitats at Risk in collaboration with The Royal Canadian Geographic Society. Day to Night : In the Field with Stephen Wilkes was exhibited at The National Geographic Museum in 2018. Day to Night was published by TASCHEN as a monograph in 2019. Wilkes' work documenting the ravages of Hurricanes Katrina and Sandy has brought heightened awareness to the realities of global climate change. He was commissioned by the Annenberg Space for Photography to revisit New Orleans in 2013 after documenting Hurricane Katrina for the World Monuments Fund. And, his images were exhibited with his photographs on Hurricane Sandy in the 2014 Sink or Swim, Designing for a Sea of Change exhibition. Wilkes directorial debut, the documentary film, Jay Myself , world premiered at DOCNYC in November 2018. The film is an in depth look into the world of photographer Jay Maisel and his move out of his 35,000 sq. foot building at 190 Bowery. Oscilloscope Laboratories has acquired the North American rights and the film opened at Film Forum in New York in July, 2019 Wilkes was a speaker at the TED2016: Dream Conference on his Day to Night series. The talk has over 1.6 million views. In 2017 Wilkes was commissioned by the US Embassy, Ottawa to create a Day to Night photograph of Canada's 150th anniversary of Confederation. Despite his intense dedication to personal projects, Wilkes continues to shoot advertising campaigns for the world's leading agencies and corporations, including: Netflix, OppenheimerFunds, SAP, IBM, Capital One, The New Yorker, Johnson & Johnson, DHL, American Express, Nike, Sony, Verizon, IBM, AT&T, Rolex, Honda. He has a robust following on Instagram of more than 500,000. Wilkes' extensive awards and honors include the Alfred Eisenstaedt Award for Magazine Photography, Photographer of the Year from Adweek Magazine, Fine Art Photographer of the Year 2004 Lucie Award, TIME Magazine Top 10 Photographs of 2012, Sony World Photography Professional Award 2012, Adobe Breakthrough Photography Award 2012 and Prix Pictet, Consumption 2014. His board affiliations include the Advisory Board of the S.I. Newhouse School of Communications; Save Ellis Island Board of Directors, on which he served for 5 years; and the Goldring Arts Journalism Board. Wilkes was born in 1957 in New York. He received his BS in photography from Syracuse University S.I. Newhouse School of Public Communications with a minor in business management from the Whitman School of Management in 1980. Wilkes, who lives and maintains his studio in Westport, CT, is represented by Bryce Wolkowitz Gallery, New York; Fahey Klein Gallery, Los Angeles; Monroe Gallery of Photography, Santa Fe and Holden Luntz Gallery, Palm Beach..
Myriam Boulos
Lebanon
1992
I was born in 1992 in Lebanon, right after the end of the war, in a fragmented country that had to reinvent itself. At the age of 16 I started to get closer to Beirut and used my camera to question the city, its people, and my place among them. I graduated with a master degree in photography from the Academie Libanaise des Beaux Arts in 2015. Today I use photography to explore, defy and resist society. It is my way of constantly reinventing myself in the body and the city I live in. Statement The revolution started in Lebanon on the 17th of October 2019. Since then everything has been emotionally and physically draining and confusing but also beautiful, sad and awakening. It all feels as if we were coming out of an abusive relationship and to finally say: No, this is not normal. When the revolution started in Lebanon, it was the most natural thing for me to take my camera and go to the streets. Photography has always been my way of participating to life as it is today my way of taking part in the revolution. In the ongoing socio-political context it felt to me like there was no choice: the subject of my photography imposed itself on me. It was more a question of need and necessity than a question of desire. The slow documentary that normally constitutes my approach was ever so naturally replaced by something else something new, and within the revolution I let myself carry by the big wave coming towards me, big wave much bigger than me. My project is about documenting the different facettes of the Lebanese revolution from a local point of view. My approach is characterized by the direct flash I use in this project but also in others. This potentially comes from my need to make things real. The direct flash also helps me work on textures, bodies and skins. In the context of the revolution, the proximity between the bodies says a lot about the situation. It is the first time that we claim our public spaces, our streets, our country. It is the first time that different social classes mix together in the streets. In our streets. In parallel to the photographic documentation, I am also documenting the evolution of my emotions during the revolution. It is sort of a diary that accompanies the pictures. Example: Monday, 20 Jan Beirut, Lebanon Tonight in the teargas I took all my pictures with eyes closed. They say the moment of a picture is a black out. I wonder if I don't look at these emotions, will they disappear?
Peter van Agtmael
United States
1981
Peter van Agtmael (born 1981) is a documentary photographer based in New York. Since 2006 he has concentrated on the wars in Iraq and Afghanistan, and their consequences in the United States. He is a member of Magnum Photos. Van Agtmael's photo essays have been published in The New York Times Magazine, TIME Magazine, The New Yorker and The Guardian. He has published three books. His first, 2nd Tour Hope I Don't Die, was published by Photolucida as a prize for winning their Critical Mass Book Award. He received a W. Eugene Smith Grant from the W. Eugene Smith Memorial Fund to complete his second book, Disco Night Sept. 11. His third, Buzzing at the Sill, was published by Kehrer Verlag in 2016. He has twice received awards from World Press Photo, the Infinity Award for Young Photographer from the International Center of Photography and a grant from the Pulitzer Center on Crisis Reporting. Van Agtmael was born in Washington D.C. and grew up in Bethesda, Maryland. He studied history at Yale, graduating in 2003. He became a nominee member of Magnum Photos in 2008, an associate member in 2011, and a full member in 2013. After graduation he received a fellowship to live in China for a year and document the consequences of the Three Gorges Dam. He has covered HIV-positive refugees in South Africa; the Asian tsunami in 2005; humanitarian relief efforts after Hurricane Katrina's effects on New Orleans in 2005 and after the 2010 Haiti earthquake, the filming of the first season of TV series Treme on location in New Orleans in 2010; the Deepwater Horizon oil spill in 2010, Hurricane Sandy in 2012 and its aftermath, Nabi Salih and Halamish in the West Bank in 2013 and the 2014 Israel–Gaza conflict and its aftermath. Since 2006 he has concentrated on the wars in Iraq and Afghanistan, and their consequences in the United States. He first visited Iraq in 2006 at age 24 and has returned to Iraq and Afghanistan a number of times, embedded with US military troops. Later he continued to investigate the effects of those wars within the US. In 2007 his portfolio from Iraq and Afghanistan won the Monograph Award (softbound) in Photolucida's Critical Mass Book Award. As part of the prize Photolucida published his first book, 2nd Tour, Hope I Don’t Die. With work made between January 2006 and December 2008, this "is a young photojournalist’s firsthand experience: the wars’ effects on him, on the soldiers and on the countries involved." The 2012 W. Eugene Smith Grant for Humanistic Photography provided $30,000 to work on his second book, Disco Night Sept. 11, which "chronicles the lives of the soldiers he has met in the field and back home."Source: Wikipedia
Andrea Bettancini
I was born in a small seaside town in the northern Adriatic (Italy). A place crowded with tourists in the summer, deserted and abandoned in the foggy winters. In short, a place of contrasts. Contrast is what fascinates me the most in photography. All of my schooling was focused on creativity, starting with attending an art high school and then studying fashion design at the European Institute of Design in Milan. I worked as a designer for several clothing brands in Milan and collaborated with an architecture magazine under the Mondadori publishing group. Photography has always been a passion of mine, starting from the days spent in the darkroom. I prefer photojournalism, street photography, and in general, visual storytelling through the merging and contamination of images that develop a symbolic language rather than an analytical one. I am attracted to human interactions that generate unpredictable, complex, dramatic, or humorous situations. It often happens that people, even strangers, connect for a single moment, they are unaware, but a photograph can "freeze" that ephemeral moment, full of meaning. I was a finalist in the professional documentary section of the Sony Awards 2022, winner of the ND Awards 2022 for long exposure photography, a finalist in the Urban Photo Awards 2022 and 2023 (portfolio), a finalist in the Siena Awards 2022, a finalist in the World Water Day 2022 contest, a finalist in the Siena Awards 2023, and a finalist in the Leica Street Photography Contest 2023 and All About Photo Awards 2023. I have also won Best Author at major Italian FIAF competitions (Follonica, Truciolo d'oro, Cameri, Murlo, Brugine, etc.)
Yves Léonard
Belgium
1970
"Professional photographer located in Belgium, I am now 52 years old with a practical experience of photography for twenty years. I am a lover of life. My optimistic and positive temperament and my joy of living allow me to meet very nice people. I started photography in the early 2000s, mainly family reports. It was in 2015 that I really fell in love with photography with the purchase of my first reflex camera, a Nikon D5100. Self-taught, I perfected myself throughout my daily practice and by following training given by professional photographers: Photoshop (Olivier Rocq), packshot photography (Quentin Décaillet), understanding light in photography (Julien Apruzzese), empara. Fr... As I love architectural photography, I will soon be taking professional training on this subject. Having become a professional since 2021, my photographic expertise is mainly at the service of companies but also individuals in order to sublimate their project and their know-how. The artistic side of photography is also very important to me. I love to sublimate flowers, nature, landscapes... The landscape photo "The Enchanted Forest" was the winner of the largest photo competition in the world 2021 of the prestigious site www.photo.fr in the landscape category and won the prize for the best photo of the Brussels Art Vue 2022 art competition. The 'Trio' photo was a finalist in the 2021 World's Biggest Photo Contest resumes above. Several of my photos were included in the selection of the month on the Facebook page of the Sigma France site. I particularly like the minimalist side of photography. It is not uncommon to stay 3-4 hours in my packshot studio and take more than 300 photos to create an artistic photo of a flower and thus find the best angle of view and the best lighting. I have participated in several photo exhibitions in my region and hope to "export" myself abroad."
Antonin Kratochvil
Czech Republic/United States
1947
Antonin is a founder of the VII photo agency. As photojournalists go, Antonin Kratochvil has sunk his teeth into his fair share of upheaval and human catastrophes whilst going about his documentation of the time in which he lives. As people go, Kratochvil's own refugee life has been much in the way the same as what he has rendered on film. Kratochvil's unique style of photography is the product of personal experience, intimate conditioning and not privileged voyeurism. Over the years his fluid and unconventional work has been sought by numerous publications stretching across widely differing interests. From shooting Mongolia's street children for the magazine published by the Museum of Natural History to a portrait session with David Bowie for Detour, from covering the war in Iraq for Fortune Magazine to shooting Deborah Harry for a national advertising campaign for the American Civil Liberties Union, Kratochvil's ability to see through and into his subjects and show immutable truth has made his pictures not facsimiles but uncensored visions. And yet, what set his kind apart from the many is his consistency and struggle to carry on. For Kratochvil this fact comes in the form of his numerous awards, grants and honorable mentions dating back to 1975. The latest of these are his two, first place prizes at the 2002 World Press Photo Awards in the categories of general news and nature and the environment. The next is the 2004 grant from Aperture publishing for Kratochvil's study on the fractious relationship between American civil liberties and the newly formed Homeland Security since the World Trade Center bombings. In addition, Kratochvil's fifth book Vanishing was presented in April 2005 and marks another significant milestone for the craft to which he belongs. Vanishing represents a collection of natural and human phenomena that on the verge of extinction. What makes this book so innovative is the twenty years it has taken to produce, making it not only historical from the onset, but a labor of love and a commitment to one man's conscience.
B Jane Levine
United States
B Jane Levine was raised in the suburbs of New Jersey, a short bus ride from New York City. She has a PhD in Biochemistry from Columbia University, but left the field of molecular biology research to raise her family. After leaving research, she took an interest in photography and began taking classes at ICP and other online platforms. She further honed her skills through many photography trips all over the world. Her photography spans many genres including street photography, landscape photography, and long exposure cityscapes. Currently, her focus is a series of candid portraits of strangers captured on the streets of New York City. Statement I prefer to capture moments on the street without the knowledge of the subject so that the expression, gesture and/or movement are authentic. Sometimes I get caught and a subject will give me that nod of recognition at the moment of the shot or after I press the shutter. I often go out with no expectations of subject matter other than looking for a moment, which elicits some emotion that I respond to with the subject, it is mainly driven by an internal signal that connects me to the subject or situation. Experimentation keeps me in the moment. I try to respect the subjects that I photograph. People show themselves on the street the way they want others to perceive them. I take an image of a moment, which I observe with no other intent other than to memorialize the moment, which I recognize is real for the subject as well as myself. The people in the photographs all possess a characteristic, gesture, or physical trait that I identifies as part of my own story. The series is a composite of pieces of my life – a self-portrait.
Martin Parr
United Kingdom
1952 | † 2025
Martin Parr is a British photojournalist, documentary photographer, and collector of photobooks. He is renowned for his photography works that critically examine various facets of contemporary society, particularly English suburban and rural life. Since 1994, Martin Parr has been a member of Magnum Photos. Parr, who was born in Epsom, Surrey, intended to be a documentary photographer since he was fourteen, and credits his grandpa, an amateur photographer, as an early inspiration. He studied photography at Manchester Polytechnic from 1970 to 1973. In 1980, he married Susan Mitchell, and they have one child, Ellen Parr (born 1986). He has been a resident of Bristol since 1987. Spain. Benidorm. 1997Courtesy Magnum Photos / © Martin Parr Martin Parr began his career as a professional photographer and has taught photography on and off since the mid-1970s. He was first recognized in the north of England for his black-and-white photography, Bad Weather (1982) and A Fair Day (1984), but switched to color photography in 1984. Last Resort: Photographs of New Brighton, the resulting work, was published in 1986. Martin Parr has nearly 100 books published and has been featured in over 100 exhibitions worldwide, including one at the Barbican Arts Centre in London. His retrospective exhibition was chosen as the main show for Singapore's Month of Photography Asia in 2007. In 2008, he was named Honorary Doctor of Arts at Manchester Metropolitan University (MMU) in recognition of his ongoing contributions to photography and MMU's School of Art. The easy bit is picking up a camera and pointing and shooting. But then you have to decide what it is you’re trying to say and express. -- Martin Parr Martin Parr's documentary photography style is intimate, anthropological, and satirical. Macro lenses, ring flash, high-saturation color film, and, since it became a more convenient format to work in, digital photography, all allow him to put his subjects "under the microscope" in their own environment, allowing them to expose their lives and values in ways that often involve inadvertent humor. For example, in order to create his book Signs of the Times: A Portrait of the Nation's Tastes (1992), Parr went into ordinary people's homes and photographed the mundane aspects of his hosts' lives, combining the images with quotes from his subjects in order to bring viewers uncomfortably close to them. The end result of Parr's technique has been described as ambiguous emotional reactions, with viewers unsure whether to laugh or cry. IRELAND. Galway. Galway Races. 1997Courtesy Magnum Photos / © Martin Parr Parr is also a curator and editor. He has curated two photography festivals, one in Arles in 2004 and the other in Brighton in 2010. Parr recently curated the Strange and Familiar exhibition at the Barbican. Many major museums, including the Tate, the Centre Pompidou, and the Museum of Modern Art in New York, have acquired Martin Parr's work. In 2017, Martin Parr established the Martin Parr Foundation. Unless it hurts, unless there’s some vulnerability there, I don’t think you’re going to get good photographs. -- Martin Parr
Advertisement
AAP Magazine #56 Shadows
Win a Solo Exhibition in April
AAP Magazine #56 Shadows

Latest Interviews

Exclusive Interview with Henk Kosche
German photographer Henk Kosche turns his lens toward the streets of Halle an der Saale, capturing everyday life in the late years of the former German Democratic Republic. At the time, Kosche was studying design and exploring the city with his camera, drawn to the atmosphere of its industrial landscape and the quiet rhythms of daily life. His series Street Photography at the End of the 80s, selected as the Solo Exhibition for July 2025, revisits a body of work created just before a period of profound change. Rediscovered decades later in a small box of 35mm negatives, these photographs offer glimpses of a city and its people at a moment suspended between the familiar and the unknown.
Exclusive Interview with Anastasia Samoylova
Anastasia Samoylova is an American artist whose photographic practice is shaped by close observation and a deep attentiveness to place. Working between documentary and formal exploration, she photographs landscapes, architecture, and everyday scenes with a sensitivity to light, structure, and atmosphere. Since relocating to Miami in 2016, her work has increasingly focused on how environments—both natural and built—carry social, cultural, and emotional traces. We asked her a few questions about her practice and her way of seeing, to better understand the thoughts and experiences that shape her work—while allowing the images themselves to remain open and speak in their own time.
Exclusive Interview with Marijn Fidder
Marijn Fidder is a Dutch documentary photographer whose work powerfully engages with current affairs and contemporary social issues. Driven by a deep sense of social justice, she uses photography to speak on behalf of the voiceless and to advocate for the rights of those who are most vulnerable. Her images have been widely published in major international outlets including National Geographic, CNN Style, NRC Handelsblad, Volkskrant, GUP New Talent, and ZEIT Magazin. Her long-term commitment to disability rights—particularly through years of work in Uganda—culminated in her acclaimed project Inclusive Nation, which earned her the title of Photographer of the Year 2025 at the All About Photo Awards. She is also the recipient of multiple prestigious honors, including awards from World Press Photo and the Global Peace Photo Award. We asked her a few questions about her life and work.
Exclusive Interview with Josh S. Rose
Josh S. Rose is a multidisciplinary artist working across photography, film, and writing. His practice bridges visual and performing arts, with a strong focus on movement, emotion, and the expressive potential of the image. Known for his long-standing collaborations with leading dance companies and performers, Rose brings together authenticity and precise composition—a balance he describes as “technical romanticism.” His work has been commissioned and exhibited internationally, appearing in outlets such as Vogue, at the Super Bowl, in film festivals, and most recently as a large-scale installation for Lincoln Center for the Performing Arts. A sought-after collaborator, he has worked with major artists, cultural institutions, and brands, following a previous career as Chief Creative Officer at Interpublic Group and the founder of Humans Are Social. We asked him a few questions about his life and work.
Interview with Maureen Ruddy Burkhart
Photographer Maureen Ruddy Burkhart brings a quietly attentive and deeply human sensibility to her exploration of the world through images. Shaped by a life immersed in photography, film, and visual storytelling, her work is guided by intuition, observation, and an enduring interest in the emotional undercurrents of everyday life. With a practice rooted in both fine art traditions and documentary awareness, she approaches her subjects with sensitivity, allowing subtle moments to emerge naturally rather than be imposed. Her series Til Death, selected as the Solo Exhibition for February 2025, reflects this long-standing commitment to photography as a space for reflection rather than spectacle. Drawn to moments that exist just outside the expected frame, Burkhart’s images suggest narratives without resolving them, leaving room for ambiguity, humor, and quiet connection. We asked her a few questions about her life and work.
Exclusive Interview with Peter Ydeen
Winner of AAP Magazine #45 Travels, his series reflects this unique vision—capturing the spirit of place through subtle layers of light, color, and emotion. Whether traveling abroad or observing the rhythms of his own surroundings, Ydeen creates images that feel both grounded and enchanted, inviting viewers into a world where reality and reverie meet.
Exclusive Interview with Julie Wang
Chinese-born photographer Julie Wang brings a poetic, contemplative sensitivity to her visual exploration of the world. Having lived for nearly equal parts of her life in China, Europe, and the United States, she approaches her subjects with the nuanced perspective of someone shaped by many cultures. This blend of distance, curiosity, and emotional resonance infuses her work with a quiet depth, allowing her to reveal the fragile beauty and subtle tensions that often pass unnoticed.
Exclusive Interview with Ghawam Kouchaki
American photographer Ghawam Kouchaki brings a sharply observant and introspective gaze to the streets of Japan’s capital. Based in Los Angeles, he approaches Tokyo with the distance — and curiosity — of an outsider, allowing him to uncover the city’s subtle contradictions, quiet tensions, and fleeting gestures that often go unnoticed. His series Tokyo no no, selected as the Solo Exhibition for December 2024, explores the hidden undercurrents of urban life: the unspoken rules, the small ruptures in routine, the poetic strangeness found in everyday moments. Through muted tones, instinctive timing, and meticulous framing, Kouchaki reveals a Tokyo that exists somewhere between reality and imagination — both intimate and enigmatic. We asked him a few questions about his life and work.
Exclusive Interview with Tommi Viitala
Tommi Viitala, winner of AAP Magazine #44: Street, is a Finnish photographer celebrated for his striking and cinematic street photography. With a keen eye for atmosphere and composition, he captures fleeting urban moments that reveal the poetry of everyday life. His work often explores the tension between solitude and connection within contemporary cityscapes, blending documentary realism with artistic sensibility. Viitala’s photographs have been exhibited internationally and recognized for their strong visual storytelling and emotional depth. We asked him a few questions about his life and work.
Call for Entries
Solo Exhibition April 2026
Get International Exposure and Connect with Industry Insiders