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Win a Solo Exhibition in July 2026 + An Exclusive Interview!
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Davide Bertuccio
Davide Bertuccio
Davide Bertuccio

Davide Bertuccio

Country: Italy
Birth: 1991

Davide was born in Messina in 1991. He is a photojournalist based in Milan. He graduated with honors in 2016 at IED (Istituto Europeo di Design) at the school of visual arts in photography. Since the end of 2016, he focused on the theme of globalization, looking for stories that would give voice to the small realities crushed by that indefatigable desire for equality. In 2019 He decided to follow his passion for science and environmental problems with the realization of a work about the problem of plastic pollution in the Mediterranean Sea. Davide, inserted in 2014 among the 10 best under 25 Italian talents and nominated in 2019 by 6X6 World Press Photo Global Talent Program, has been published by National Geographic USA, National Geographic Italia, Il Reportage and his works received national and international awards.

Accross the River's Flow
Saxons are a community with German roots. Since XI century, together with Hungarians and Romanians, they’ve been living in the green heart of Romania. From this very land, a major migration is now taking place which marks the decline of centuries of history. Saxons are disappearing and their culture, their tongue and traditions along with them. “Across the river’s flow” aims to be a work about the disappearing of ethnic minorities, overwhelmed by the pace of modern life and by an ever-growing globalization. Saxons are an example of how authenticity is wiped out to make room for a fictitious daily routine and how entire ethnic groups and populations must surrender to outside forces such as racism.

Websites

davidebertuccio.com

www.instagram.com/davidebertuccio

 

Inspiring Portfolios

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More Great Photographers To Discover

Chris Steele-Perkins
Chris Steele-Perkins
United Kingdom
1947 | † 2025
At the age of two, Chris Steele-Perkins moved to England from Burma with his father. He went to school at Christ's Hospital. At the University of Newcastle-upon-Tyne, he studied psychology and worked for the student newspaper; he graduated with honors in 1970 and started to work as a freelance photographer, moving to London in 1971. Apart from a trip to Bangladesh in 1973, he worked mainly in Britain in areas concerned with urban poverty and subcultures. In 1975 he worked with EXIT, a collective dealing with social problems in British cities. This involvement culminated in the book Survival Programmes in 1982. He joined the Paris-based Viva agency in 1976. In 1979 he published his first solo book, The Teds; he also edited the Arts Council of Great Britain's book, About 70 Photographs. Steele-Perkins joined Magnum Photos in 1979 and soon began working extensively in the developing world, in particular in Africa, Central America and Lebanon, as well as continuing to take photographs in Britain: The Pleasure Principle explores Britain in the 1980s. In 1992 he published Afghanistan, the result of four trips over four years. After marrying his second wife, Miyako Yamada, he embarked on a long-term photographic exploration of Japan, publishing Fuji in 2000. A highly personal diary of 2001, Echoes, was published in 2003, and the second of his Japanese books, Tokyo Love Hello, in March 2007. He continues to work in Britain, documenting rural life in County Durham, which was published as Northern Exposures in 2007. In 2009 he published a collection of work from 40 years of photographing England - England, My England. A new book, on British centenarians, Fading Light will be published at the end of July. Steele-Perkins has two sons, Cedric, born 16th November 1990, and Cameron, born 18th June 1992. With his marriage to Miyako Yamada he has a stepson, Daisuke and a grand-daughter, Momoe. Source Magnum Photos
Piotr Skubisz
Piotr Skubisz
Poland
1978
Piotr Skubisz is an independent photographer with a keen interest in portrait photography, the human body, and the exploration of self-awareness and self-discovery. He studied at The Film School in Łódź and Polish Studies at the University of Warsaw, where he developed a strong interest in cultural anthropology, which influences his approach to capturing the human experience. For him, photography is an ongoing journey of experiencing and discovering, blending aesthetics with reflection. Recognized for his work, he has been awarded a Gold and Bronze medal at the PX3 2024 competition and received an official selection in the IPA. Piotr collaborates with individuals to create authentic, expressive portraits and fine art photography. His work often explores the nuances of human emotion and cultural identity, striving to capture the unique essence of each subject. Currently based in Warsaw, Piotr enjoys traveling and is always eager to explore new horizons. Commissions are available, including travel assignments. Statement "Photography, for me, is an ongoing journey of experiencing and discovering. My work explores the intricate layers of identity, self-discovery, and cultural identity through the intimate lens of portrait and body photography. Each image aims to blend aesthetics with introspection, inviting viewers to reflect on the diverse narratives that shape our world. Photography is an essential path for me in discovering and understanding otherness, which also redefines myself. I am always on a journey, even when I am in the same place. From my earliest years, I have been fascinated by otherness in its broadest sense. This fascination, born in the gray reality of communist Poland, led me to immerse myself in books about people from other cultures, from distant lands, seeking to understand different cultures, places, and people. Later, I became absorbed in science fiction literature, which offered another way of looking at the reality surrounding me, from different points of view. For example, Ursula K. Le Guin's "The Left Hand of Darkness," in which there is a species similar to humans known to us from Earth, but with the difference that the organism assumed a given gender only for the duration of the mating season. This described condition showed how many things, views, our perception of reality, cultural conditioning, often unconsciously determine our perception of other people, the world, what is considered obvious and absolute. And ourselves as well. Just as much of our perception of the external world is conditioned by our own body - the left side, the right side. Better vs. worse. The human being and the body in and through which we communicate and perceive the world - these are the topics that are a constant mystery to me, the main theme of my photography. Which, in turn, is a medium of contact with this mystery, a constant discovery of the Other, the Unknown. Through my lens, I strive to celebrate the beauty of diversity and the universal quest for understanding and connection." Recent Awards and Honors: 2024 PX3 (The Prix de la Photographie, Paris): Gold and Bronze Medal (Portrait) | 2024 IPA (The International Photography Awards): Official Selection (Fine Art-Portrait, People-Lifestyle, People-Traditions/Culture) | 2024 Brodziak Academy: TOP10 Masters of Creation | 2024 ReFocus The World Photo Annual Awards: Silver (Fine Art), Bronze (People), Bronze (Portrait), Honorable Mention (People) 4x Nominee (Fine Art, People, 2x Portrait) | 2024 Life Framer: Black & White Editors’ Pick | 2024 TIFA, Tokyo International Foto Awards: Bronze Winner People-Portrait, Honorable Mention 4x (2x Fine Art-Portrait, 2x People-Portrait) | 2024 Monochrome Awards: 3rd Place Portrait, Honorable Mention (1x Portrait, 1x Fine Art) | 2025 LensCulture New Visions 2025, Humanity: Editors' Pick. Awarded Photographer of the Week - Week 08
Dirk Roseport
Dirk Roseport
Belgium
1955
Advertising creative director and self-taught photographer. Inspired by Jem Southam, Jonathan Smith, Mark Rothko, Mies van der Rohe, Mihokajioka, Hiroshi Sugimoto, Annie Leibovitz, Asako Naharashi and new discoveries every day... Roseport focuses on projects that he fills out thematically over several years. CLOSER TO THE GODS Closer To The Gods was created during the Covid era when, like many photographers, he fell back on previously created material; inhospitable plateaus and glaciers of Iceland, the mountain landscapes of the Pyrenees and the high altitude deserts of Ladakh. In Closer To The Gods, these are portrayed hard and directly in powerful, high-contrast black-and-white photography. Nature does not invite here, she imposes. Compelling, ominous, at times almost menacing. It is a nature that impresses and often looks as if it could insidiously swallow and crush us at any moment. TRANSCENDENTAL TRANQUILITY In his project Transcendental Tranquility he brings us seascapes, distilled to their essence, authentic without any post-processing. It all has to happen in the camera. If it doesn't happen there, it goes into the trash. Sometimes the oceans are no longer recognizable and they become Rothkosian color impressions, but his goal is not to show an ocean. The point is to create a scene that induces a state of tranquility in which what is perceived as troublesome in the psyche falls away. Nature does not impose itself here, but invites the viewer to drown in it and regain the peace that we so often lack today. Roseport sees the Transcendental Tranquility project as the antithesis of the Closer To The Gods work. FADING MEMORIES Always exploring, Roseport also created the Fading Memories project that invites viewers to create their own stories. Roseport: "As time passes, memories fade. What was once sharp, clear and vivid in our minds becomes blurred. Shapes and colors disappear. Bits and pieces are gone never to return. With Fading Memories, I try to visualize this feeling of losing the details. The images take on a dreamlike surreal atmosphere. And usually we will remember what has been forgotten, more beautifully - if hard or soft - than it actually was. That's what we do. That's how we survive. In Fading Memories, I know the story behind the image. The place. The time. The people. The viewers don't. There is an analogy here with projective tests like Rorschach, when ambigious stimuli reveal hidden emotions and internal conflicts. Thanks to what the viewers don't see, the images suggest more open stories than the ones I know. More open stories than they would see if the images were intact. So their minds will create their own story. Immediately. I invite them not to stop it. Have Fading Memories challenge their imagination."
Joshua Lutz
Joshua Lutz
United States
1975
Joshua Lutz is an American artist working with large-format photography and with video. Lutz was given his first solo exhibition at Gitterman Gallery during the summer of 2004. In 2008 Lutz's first book, Meadowlands, was published with powerHouse Books. In essayist Robert Sullivan's introduction to the book he describes the Meadowlands as “… that giant swath of swamp and space that separates New Jersey from New York City, or, put another way, from New York City and the rest of the United States of America.” The New Yorker wrote "Joshua Lutz takes the New Topographics of Adams, Shore, and Sternfeld into its current era of urban sprawl.” In the fall of 2008 Lutz had a solo exhibition for the Meadowlands series at ClampArt Gallery in New York City. 2013 saw the release of Hesitating Beauty. A series of photographs revealing a different side of Lutz's photography, it tells the story of his mother. Mind the Gap (2018) is "an exploration through photographs and text of how our society and the things we experience affect our mental health".Source: Wikipedia Joshua Lutz‘s large-format photographs of urban sprawl and suburban portraiture capture intimate details of places and their inhabitants in a soft, moody palette. The subtle tension in Lutz’s photographs between natural and man-made structures expands upon themes of Stephen Shore and the New Topographics. From an image of an airplane take-off framed by trees and a cell phone tower in his Meadowlands series to rows of wind turbines amid factories on a grassy plain in his new Am Dam series, Lutz’s photographs offer new views of the post-suburban landscape, capturing on film the spirit of simultaneous progress and decay. Meadowlands, Lutz’s debut monograph, was published by powerHouse Books in 2008, and has received considerable acclaim including being named Village Voice “Best in Show,” and Photo District News and American Photo‘s “Best Photography Books of 2008.” The recipient of the Tierney Fellowship, Best Editorial awards from Photo District News and Communication Arts, Lutz was also named one of Photo District News‘ top 30 emerging photographers. His work has been featured in The New Yorker, Harper’s, The New York Magazine, Newsweek, ArtNews, and Time. Lutz received his B.F.A. from Bard College in 1997, and his M.F.A. from Bard College at the International Center of Photography in 2005. He is currently on the faculty at the International Center of Photography in New York.Source: Robert Koch Gallery
Lisa Tichané
Lisa Tichané
France
1976
Lisa Tichané is a commercial photographer specialized in kids & babies. She has a true passion for children and loves documenting the energy and playfulness of childhood. Based in France but travelling internationally for commissioned work, she is well known for her unique ability to connect with her tiny models and get irresistible images even from the most unpredictable, unwilling subjects. She thrives to capture real life, true joy and wild carefree moments. She is a published author and her work has been featured in many international books and magazines. Her images can be found in advertising campaigns for international brands such as Colgate, MAM Baby, Procter & Gamble, Enfamil, Danone Cow & Gate or Stanhome. In addition to shooting international advertisements for major brands, she has been hired by the world's leading publishers to write books on children photography, as well as teach her tricks and tools of the trade to hundreds of other photographers.
Nadide Goksun
Nadide Goksun
Turkey/United States
1967
Nadide Goksun (b. 1967) is a Turkish/American artist working primarily with photography and ceramics. She is a graduate of the Bogazici University in Istanbul, the Sungshin Women's University in Seoul and participates on the ICP Continuing Education Program in New York. Goksun's work has been exhibited in several group exhibitions including Foley Gallery’s Exhibition Lab in NYC, Griffin Museum of Photography, Soho Photo Gallery’s National competition, Photo Review’s 36th Annual International Photography Competition, Head On Photo Festival, Sydney-Australia, Julia Margaret Cameron Awards, Barcelona-Spain, Lens Culture’s 250 New Examples of the 21st Century Street Photography among others. Her first solo show “Swimmers” was exhibited in Bondi Beach, Sydney at the Head On Photo Festival in 2021. Her artwork has been reproduced in The New York Times, PDN (Photo District News), ArtAscent International Art and Literature Journal, Pastiche, All About Photo, Dodho, and SHOTS Magazine. She currently lives and works in New York State. SWIMMERS My childhood memories of summer holidays on the Aegean seaside have shaped a deep and lasting relationship with water in my psyche. As a child, playing in the sea brought me both relaxation and joy. Swimming felt like entering a foreign terrain—an access to a muted, quieter world away from the noise of the land. In that sense of suspension and otherness, I found a rare kind of peace. The shifting blue of the water, never constant, changing with light and time, deepened this feeling of being in a living, breathing environment. As I grew older, I began to associate the experience of being submerged with what I imagine to be a prenatal state—an enveloping space of safety, serenity, and inner balance. Swimming became a way of returning to that feeling, a way of experiencing freedom beyond the physical body. In water, I encounter something both naïve and profound—a magical and sensual state that recalls youthful innocence while remaining deeply present. In my series Swimmers, I aim to capture these sensations through the bodies of others, intertwined with my own emotional experience. I work in black and white to remove the seduction of color and instead emphasize form, texture, and the subtle play of light. This choice allows the images to become more introspective and timeless. Despite the constant movement of both the subjects and myself, photography offers the possibility of suspending a fleeting moment within this fluid world. These images exist in a space between stillness and motion, where bodies drift, float, and hover in a liquid abyss. AAP Magazine AAP Magazine 17 Portrait AAP Magazine 34 Shapes Article My Father's Toys Swimmers
Kim Watson
Kim Watson
United States
A multi-dimensional artist with decades of experience, Kim Watson has written, filmed, and photographed subjects ranging from the iconic entertainers of our time to the ''invisible'' people of marginalized communities. A highly influential director in music videos' early days, Watson has directed Grammy winners, shot in uniquely remote locations, and written across genres that include advertising, feature films for Hollywood studios such as Universal (Honey), MTV Films, and Warner Brothers, and publishers such as Simon & Schuster. His passionate marriage of art and social justice has been a life-long endeavor, and, in 2020, after consulting on Engagement & Impact for ITVS/PBS, Kim returned to the streets to create TRESPASS, documenting the images and stories of LA's unhoused. TRESPASS exhibited at The BAG (Bestor Architecture Gallery) in Silver Lake, Los Angeles, September 17, 2022 - October 11, 2022. Statement ''I'm gonna be an artist!'' That was my childhood mantra—even before I knew what it meant. You see, growing up in St. Albans, Queens and with family roots firmly planted in Harlem, I was surrounded by artistic expression, much of it created by my own family and much more blooming from the talented artists like Count Basie, James Brown and others who lived in our community—a community that would also bring us Run DMC, LL Cool J and Tribe Called Quest. Yes, I knew the path I would take but had no idea of the journey it would become. Untethered by labels, I have scratched my creative itch through writing, filmmaking, photography, and music; always aspiring to tell a story that touches and inspires us to see the world a little bit differently and with a little more empathy. It was while living in Brooklyn as a ''struggling artist'' that I truly saw art being used as a powerful social and political tool, capable of engaging, influencing and changing hearts and minds for the better. Since then, I have had the good fortune of both performing and producing music on the New York scene, and following a return to film school, directing a variety of projects, including over 40 music videos with Hip-Hop innovators and Grammy winners alike, from Roxanne Shante to Al Jarreau, receiving Best Music Video nominations from MTV and the Soul Train Awards, as well as NAACP recognition for my presentation of positive images of African Americans. Did I mention a move to Los Angles? Oh well... My passion for writing led to assignments for Disney Channel, Nickelodeon, Simon & Schuster, Warner Brothers Films, MTV Films, Kidz Bop, movies of the week and the Universal Pictures hit HONEY, starring Jessica Alba. I have partnered on entertainment and tech ventures, consulted on engagement and impact for ITVS/PBS and written, blogged, filmed and photographed around the world, often on assignment and sometimes merely to feed my soul. I guess you could say that I am in love with everything about the creative process, no matter the medium. For these opportunities I am eternally grateful. For the past year I have been immersed in TRESPASS... photographs and writing which bring focus to Los Angeles' homeless community; sharing the stories we need to hear and connecting with those too often unseen and unheard. I am thankful for the many relationships that have grown out of TRESPASS and the amazing individuals who share their world with me. Please take a look at Trespass as well as the other photo-essays, articles and more, I hope I have found a way to touch your heart, feed your soul and bring us all closer together. Exclusive Interview with Kim Watson
Mitch Dobrowner
Mitch Dobrowner
United States
Growing up on Long Island (Bethpage), NY – I felt lost in my late teens. Worried about my future direction in life, my father gave me an old Argus rangefinder to fool around with. Little did he realize what an important gesture that would turn out to be for me. After doing some research and seeing the images of Minor White and Ansel Adams I quickly became addicted to photography. To make a long story short, I left home at 21, quitting my job, leaving my friends and family to see the American Southwest for myself. In California I eventually met my wife, and together we had 3 children, and created our own design studio - and the tasks of running a business and raising a family took a priority to Photography. During that time I stopped taking pictures. Years later, in early 2005, inspired by my wife, children and friends - I again picked up my cameras. Today I see myself on a passionate mission to make up for years of lost time - creating images that help evoke how I see our wonderful planet. I feel that I owe much to the great photographers of the past, especially Ansel Adams, for their dedication to the craft and for inspiring me in my late teens. Though I have never met them, their inspiration helped me determine the course my life would take.Source: www.mitchdobrowner.com Represented by:Photo-Eye Gallery, Santa Fe NMIris Gallery, Boston MAGADCOLLECTION, Paris FranceCatherine Couturier Gallery, Houston TXKopeikin Gallery, Los Angeles, CAWall Space Gallery, Santa Barbara, CA
Denis Church
Denis Church
United States
1949
I grew up on an Iowa (USA) farm and drove trucks, tractors, and heavy machinery at a very young age. I loved being out in the weather and open-air fields. One of my earliest memories is riding with my parents when they took a drive to look at area agricultural crops freshly planted and growing in the springtime. These trips inspired my current desire to make car trips to see the world. I studied psychology and sociology in college and was planning a career as a counseling psychologist. These experiences formed my inclination to photograph in public outdoor areas and investigate how the world is “painted and put together”. I acquired a very good expensive camera on a total whim a long time ago, and something radical shifted for me. I left graduate school six credits shy of a master’s degree to pursue the art of photography, which I intuitively felt was my path to truth, instead of the science. I have held many jobs: farm hand, gas station attendant, auto dealer parts manager, car salesman, government employee in two different states, free-lance commercial photographer, real estate investor, landlord, property developer, and photography instructor. Photography has been my main energizing activity for fifty years, for both commercial clients and for myself, pursuing and refining my personal vision of the world. My photographic aesthetic is based on observational street/documentary photography. I currently have several self-assigned documentary projects that I am pursuing. My interest is producing photo-books as a depository for my work, that have availability to future generations. AMERICOLOR - Exploring Urban Color Fields The series or project is a retrospective look at my work from 2007 to 2024. I saw a large exhibition of Color Field painters in early 2024 at The NSU Art Museum Fort Lauderdale, Florida. A painting by Frank Stella particularly enthralled me and I was puzzled why it had such a strong hold on me. A few days later while I was editing photographs I came across my photograph, Bonita Springs, Florida 2012, and I immediately felt a connection and the reason why the Stella painting was so entrancing. I found that many of my photographs have a similar feel with layered subjects and a planar feel: some more, some less. I decided to edit a group of photographs into a book paying homage to the color field painters, therefore my title, AMERICOLOR: Exploring Urban Color Fields. Recently in 2024, I published this book in collaboration with Palm Beach Atlantic University where I also presented an exhibition of about one third of the 116 photographs in the book.
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Latest Interviews

Exclusive Interview with Trevor Cole: Pastoral Peoples and Practices
Interview
Exclusive Interview with Trevor Cole: Pastoral Peoples and Practices
For this interview, we wanted to focus specifically on The Face of the Mundari and the wider Pastoral Peoples and Practices series. We spoke with Trevor about his long-term work among the Mundari, what continues to draw him back to their cattle camps, and the experience of documenting a culture whose identity remains deeply connected to livestock, tradition, and the natural environment.
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Exclusive Interview with Frank Meo
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Exclusive Interview with Frank Meo
In our latest exclusive feature for All About Photo, I speak with veteran photography representative Frank Meo about what it truly takes to build a sustainable creative career today. Frank brings decades of experience working with Fortune 500 companies, major agencies, and documentary photographers to the table. We dive into the critical business skills often left out of art school curriculums, the power of mentorship, and the inspiring evolution of PROJECTIONS—his international salon platform for visual storytellers. It’s an essential read for anyone navigating the commercial or editorial photography landscape today.
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Exclusive Interview with Carolyn Moore
Interview
Exclusive Interview with Carolyn Moore
American photographer Carolyn Moore explores the inner landscape of emotion, memory, and personal transformation through a deeply intuitive photographic practice. Her work unfolds as a quiet dialogue between artist and viewer, where images become a space for reflection, vulnerability, and connection.
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Exclusive Interview with Luca Desienna and Laura Estelle Barmwoldt
Interview
Publication
Exclusive Interview with Luca Desienna and Laura Estelle Barmwoldt
For over seven years, Of Lilies and Remains has explored the depths of the goth and darkwave underground, unfolding in Leipzig—a city long associated with a vibrant and enduring subcultural scene. Moving between iconic gatherings such as Wave-Gotik-Treffen and more intimate moments on the fringes, the project offers a rare and immersive glimpse into a world often misunderstood, yet rich in expression and community. Created by Luca in collaboration with Laura Estelle Barmwoldt, the work embraces a cinematic and deeply personal approach. Rather than documenting from a distance, it moves within the scene itself, capturing its atmosphere, its codes, and its quiet contradictions. The title Of Lilies and Remains hints at this duality—where beauty and darkness, fragility and strength coexist. As the book prepares for its release, we spoke with both artists about the origins of the project, their process, and what it means to document a subculture that continues to evolve while remaining true to its spirit.
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Exclusive Interview with Matthew Finley
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Exclusive Interview with Matthew Finley
American photographer Matthew Finley turns inward, using photography as a way to explore identity, memory, and emotional truth. Based in Los Angeles, his practice moves between performance, gesture, and found imagery, creating a visual language that is both intimate and deeply personal
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Exclusive Interview with Jan Janssen
Interview
Exclusive Interview with Jan Janssen
Dutch photographer Jan Janssen explores universal human experiences through his long-term project It Matters, winner of the May 2025 Solo Exhibition. Begun in 2016, the series captures intimate moments of everyday life—love, loss, connection, and belonging—across Central and Eastern Europe. Working in countries such as Turkey, Azerbaijan, and Armenia, Janssen spends extended time within communities, building relationships based on trust and respect. His approach allows him to move beyond observation, revealing deeply human and authentic moments. Rooted in travel and personal discovery, It Matters reflects Janssen’s search for what connects us all in an increasingly divided world. The project is ongoing and will culminate in a photobook scheduled for publication in 2026.
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Exclusive Interview with Henk Kosche
Interview
Exclusive Interview with Henk Kosche
German photographer Henk Kosche turns his lens toward the streets of Halle an der Saale, capturing everyday life in the late years of the former German Democratic Republic. At the time, Kosche was studying design and exploring the city with his camera, drawn to the atmosphere of its industrial landscape and the quiet rhythms of daily life. His series Street Photography at the End of the 80s, selected as the Solo Exhibition for July 2025, revisits a body of work created just before a period of profound change. Rediscovered decades later in a small box of 35mm negatives, these photographs offer glimpses of a city and its people at a moment suspended between the familiar and the unknown.
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Exclusive Interview with Anastasia Samoylova
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Exclusive Interview with Anastasia Samoylova
Anastasia Samoylova is an American artist whose photographic practice is shaped by close observation and a deep attentiveness to place. Working between documentary and formal exploration, she photographs landscapes, architecture, and everyday scenes with a sensitivity to light, structure, and atmosphere. Since relocating to Miami in 2016, her work has increasingly focused on how environments—both natural and built—carry social, cultural, and emotional traces. We asked her a few questions about her practice and her way of seeing, to better understand the thoughts and experiences that shape her work—while allowing the images themselves to remain open and speak in their own time.
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Exclusive Interview with Marijn Fidder
Interview
Exclusive Interview with Marijn Fidder
Marijn Fidder is a Dutch documentary photographer whose work powerfully engages with current affairs and contemporary social issues. Driven by a deep sense of social justice, she uses photography to speak on behalf of the voiceless and to advocate for the rights of those who are most vulnerable. Her images have been widely published in major international outlets including National Geographic, CNN Style, NRC Handelsblad, Volkskrant, GUP New Talent, and ZEIT Magazin. Her long-term commitment to disability rights—particularly through years of work in Uganda—culminated in her acclaimed project Inclusive Nation, which earned her the title of Photographer of the Year 2025 at the All About Photo Awards. She is also the recipient of multiple prestigious honors, including awards from World Press Photo and the Global Peace Photo Award. We asked her a few questions about her life and work.
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