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Filippo Mutani
Filippo Mutani
Filippo Mutani

Filippo Mutani

Country: Italy
Birth: 1971

Born and raised in Italy, Filippo Mutani is a worldwide represented Getty Images and Contour photographer.

His work is mainly based on reportage -T-The New York Times Style Magazine, Financial Times, Newsweek, The Guardian, The Independent, Internazionale, National Geographic, Days Japan- but he shoots also celebrity portrait -Vanity Fair, Corriere Della Sera Style-, fashion editorials -Vogue Italia- and corporate/advertising - Giorgio Armani, Fendi, Burberry, Campari, Pirelli-. He teaches photography in IED Milan.

Through the years his work has been awarded -he won PDN, PX3, NYPF, IPA, NPPA, WPGA and LensCulture's Emerging Talent- and exhibited -Leica Gallery, New York Photo Festival, London Royal Geographical Society, Palazzo Dei Giureconsulti- internationally.

City of Protest, Hong Kong 2020
 

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Lindokuhle Sobekwa
South Africa
1995
Lindokuhle Sobekwa (born 1995) is a South African documentary photographer. He is a Nominee member of Magnum Photos and based in Johannesburg. Sobekwa was born in Katlehong, a township, 35 km from Johannesburg, South Africa. He learned photography in 2012 through participation in the first Of Soul and Joy Project, an educational program for young people run in the township of Thokoza; the workshop was given by Bieke Depoorter and Cyprien Clément-Delmas. His photo essay, Nyaope, about people who use the drug Nyaope in the township in which he lived and beyond, was published by the South African newspaper Mail & Guardian in 2014 and by Vice Magazine and De Standaard in 2015. Source: Wikipedia In 2015, Sobekwa received a scholarship to study at the Market Photo Workshop where he completed his foundation course. His Series Nyaope was exhibited in the ensuing group show, Free From My Happiness, organized by Rubis Mecenat at the International Photo Festival of Ghent in Belgium. In 2016, he left South Africa for a Residency in Tehran, Iran, with the No Man’s Art Gallery. The same year his work was displayed in the traveling iteration of Free from my Happiness. His work features in the book Free from my Happiness edited by Bieke Depoorter and Tjorven Bruyneel . He also took part in the group show Fresh Produce, organized by Assemblages and VANSA at the Turbine Art Fair in Johannesburg. Lindokuhle Sobekwa is also an assistant manager to the Of Soul and Joy Project, as well as a trainee at Mikhael Subotzky Studio. In 2017, Sobekwa was selected by the Magnum Foundation for Photography and Social Justice to develop the project I Carry Her Photo With Me. In 2018, he received the Magnum Foundation Fund to continue with his longterm project Nyaope, and has been selected for the residency Cité des Arts Réunion. Sobekwa became a Magnum nominee member in 2018.Source: Magnum Photos About I Carry Her Photo With Me The day his older sister Ziyanda disappeared, Lindokuhle Sobekwa was hit by a car. The two were walking together along a road in the Johannesburg suburb of Thokoza when Ziyanda began to chase the seven-year-old Sobekwa. Out of fear, he began to run, and then he was hit. Above him, he recalled before blacking out, was the blurry silhouette of a woman or girl. His sister vanished in the ensuing scramble, with no word as to why. “She was in a period of being a very secretive person,” Sobekwa remembers. She was thirteen years old. Sobekwa would not see Ziyanda again for a dozen years. Then one day, he returned from school, and Ziyanda was at home. She was reunited with the family for a couple of weeks. At the time, in 2014, Sobekwa was coming into his own as a photographer. He was in his final year of high school and working under the mentorship of Magnum photographer Bieke Depoorter and filmmaker Cyprien Clément-Delmas through the Of Soul and Joy project, an artistic initiative based in Thokoza. He remembers walking into Ziyanda’s room one day; in that moment, he saw his favorite would-be portrait of his sister: “She was lying in bed, there was a beautiful light. She said, ‘If you take a photo, I’m going to kill you.’ A few days after that, she passed away.” Disappearances are not rare in South Africa, Sobekwa says. Most Black South African families are familiar with the trauma of disappearances, which date back to the late 1980s and early ’90s, the height of the apartheid crisis. During this time, an ethnopolitical war between two rival parties, the African National Congress (ANC) and the Inkatha Freedom Party (IFP), suffused the townships with panic, as residents along the factional line were routinely vanished by violence. In Sobekwa’s family, the cycle began with his grandfather, who was the first of the line to come to Johannesburg, in the 1960s. He never returned to the countryside; his fate is still unknown. In 2017, the Magnum Foundation named Sobekwa a Photography and Social Justice Fellow. Suddenly, he had the resources to expand his search for his sister and develop his personal journal into a full-fledged series, I carry Her photo with Me (2017–ongoing). “I had my own unanswered questions, maybe guilt of some sort,” says Sobekwa. “I felt the need to go into these spaces and make the camera my excuse. I realized that going alone, it would be difficult.” With his camera in hand, he slipped once more into the role of documentarian.Source: Aperture
Hsuan Chung
Taiwan
1985
Hsuan Chung is a passionate photographer who started his interest in photography when he was seventeen. During his college years in Taiwan, he taught himself all the skills and techniques of photography and became a professional newspaper journalist before graduation. He wasn't satisfied with his works and wanted improvement. That is when he decided to relocate to Atlanta to work on his M.F.A degree in Photography at Savannah College of Art and Design. During his time working on his degree, he participates in many events and works hard to promote his photography works. With less than a year from graduation, he plans to participate in fundraisers, exhibitions, and other artwork presentation platforms in order to show his works to the public and spread his messages. Edge Since ancient times, human beings have continuously given life to the land and civilization. We constantly create stories and memories in each land which has its own temperature and culture. Everything on the land experiences a cycle of weathering, squeezing, and accumulating, then they disintegrate, and reconstruct to irregular solids. The project is based on my thoughts about the boundary between sea and land. The gravel in the soil is cracked by hitting each other under the lap of the waves, thus forming a new state. The minerals and gravel are brought back to the sea by the waves and become nutrients for microorganisms. The boundary between the sea and the land, that surges at all times but exists forever, is the birthplace of land and life. For me, that is also the end of human civilization. I used the square composition of a medium format camera to metaphorically refer to the concept of 'time' in nature that only humans have. I pressed the shutter after a series of precise calculations, and each square perfectly framed the time and scenery of the moment. In order to let the negative and the seawater fully interact, I soaked the negative in the seawater took from the shooting location. So that the salt and minerals in the seawater are able to remain on the negative. During the development, sea salt and minerals that stay on the negative produce chemical reactions with chemistry and silver halides. Human intervention and uncertain chemistry allow the whole process to create a memory journey between the earth and the sea, human beings and nature. The final images fulfill the purpose of recreating memories of different times and spaces and making them eternal. They not only record the memory of the ocean for 4500 million years but also witness the vitality of everything and the inseparable connection between human beings and the earth.
Wiktor Franko
Poland
1983
Wiktor Franko, born in Kielce in 1983. He completed Polish Language Studies at the Swietokrzyska Academy, then got involved in photography and he has ever since been preoccupied with it. He deals with both fine art and commercial photography. His photographs have been published in a number of professional magazines, such as Prism Magazine, Camerapixo, Pokochaj Fotografie, Fabrikon Magazine, Musli Magazine, Confashion and a Chinese Prime Magazine. He exhibited his works at a few collective and individual exhibitions, and his photographs were awarded in a variety of photo contests - he was twice awarded in a prestigious Viva Photo Awards and two local contests Zycie Jest Piekne and Kielce Inaczej (he was a jury member with Pawel Pierscinski in the last two editions of Kielce Inaczej contest). Wiktor Franko was a collaborator of Charaktery magazine, and a number of his images were placed on the cover of that magazine. His photographs can also be found on book covers. On two occasions, he took photographs of famous people from the world of business, culture and politics, including a portrait photo depicting Malgorzata Tusk, Prime Minister's wife for Philanthropist's Calendar, a publication that is of importance for the region. Wiktor Franco is the author of three posters for The Off Fashion, a European contest for fashion designers that is held in Kielce. Initially, Wiktor's development as a photographer ran parallel to his stay in London, where he shot photos of jazz and rock music stars, including Marillion, King Crimson, Porcupine Tree, Archive, Chic Corea, Jan Garbarek. Currently, Wiktor is engaged in making music albums covers of Polish artists, including Strefa Ciszy, Lebowski. In his photographs, Wiktor Franko frequently uses literary motifs and allusions (a cycle devoted to Milan Kundera's novels). His works, strongly influenced by surrealism, are often defined as painterly. As he himself says, what is most important for him in photography is the atmosphere, a particular mood and surprise.Source: Galeria Winda
Hidetoshi Ogata
Hidetoshi Ogata, born in Osaka, Japan in 1987, is a Japanese photographer. After taking an MSc in Biochemistry, he visited many places around the world to photograph landscapes. His fascination with traditional Japanese fire festivals began when he was 26 and photographed the annual Yassai Hossai fire festival at his birthplace Osaka. Since then, he has travelled around Japan photographing traditional local lore about fire preserved from the past, as part of his ongoing, long-term project, "In Awe of Fire". Ogata has also been working on wild macaques and regularly visits places like Nagano prefecture, Awaji island in Hyogo, and Shodoshima island in Kagawa. He was the 13th Smithsonian Photo Contest Natural World Winner and the National Geographic Travel Photographer of the Year 2018 People's Choice nomination. His work has been recognized in various photography competitions, including the LOOK SMITHSONIAN exhibition in Shanghai, and has appeared in magazines, TV programs and Web pages throughout the world such as the Washington Post, NY Daily News, the Daily Mail, CBS, Beijing TV and TV Tokyo. Awards: International Photography Awards (IPA) 2015 Honorable Mention The 13th Smithsonian Photo Contest, Natural World Category, 1st Prize Winner International Photography Awards (IPA) 2016 Honorable Mention Outdoor Photographer of the Year 2017 Shortlist National Geographic Travel Photographer of the Year 2018 Nature People's Choice nomination Media: The Washington Post, USA TODAY, NY Daily News, The Daily Mirror, The Daily Mail, The Daily Telegraph, El País, CBS News, National Geographic, National Geographic Travel Publications: Garuda Indonesia Colours December 2017 Outdoor Photographer of the Year Portfolio III TV: BTV, Sichuan Satellite TV, TV Tokyo Photo Exhibition: LOOK SMITHSONIAN Seoul, LOOK SMITHSONIAN Shanghai
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Call for Entries
AAP Magazine #55 Women
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