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FINAL CALL TO ENTER AAP MAGAZINE SHADOWS: PUBLICATION AND $1,000 CASH PRIZES
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Filippo Mutani
Filippo Mutani
Filippo Mutani

Filippo Mutani

Country: Italy
Birth: 1971

Born and raised in Italy, Filippo Mutani is a worldwide represented Getty Images and Contour photographer.

His work is mainly based on reportage -T-The New York Times Style Magazine, Financial Times, Newsweek, The Guardian, The Independent, Internazionale, National Geographic, Days Japan- but he shoots also celebrity portrait -Vanity Fair, Corriere Della Sera Style-, fashion editorials -Vogue Italia- and corporate/advertising - Giorgio Armani, Fendi, Burberry, Campari, Pirelli-. He teaches photography in IED Milan.

Through the years his work has been awarded -he won PDN, PX3, NYPF, IPA, NPPA, WPGA and LensCulture's Emerging Talent- and exhibited -Leica Gallery, New York Photo Festival, London Royal Geographical Society, Palazzo Dei Giureconsulti- internationally.

City of Protest, Hong Kong 2020
 

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More Great Photographers To Discover

Xiaoping Lin
China
1972
Xiaoping Lin, a Chinese bird photographer, has been involved in photography since 1992. He has won numerous honors, including the 2025 CEWE Winner, 2022 XPOSURE First Place, 2023 HIPA Merit Medal, 2023 BigPicture Winner, and 2024 NBP Winner. His photographic works have been exhibited in photography shows around the world and published in various magazines and books. His works accurately capture vivid details of bird ecological behavior from a unique perspective, while interpreting the meaning of life through the language of the lens. These images not only inspire audiences to engage in profound philosophical reflections on the laws of nature but also prompt the public to rediscover the majestic charm of the natural world, evoking deep inquiries into the essence of life and the mysteries of nature. He always hopes to convey the beauty of nature through the lens, awaken the public’s deep understanding and aesthetic resonance of nature, and then cherish the ecological environment and fulfill the responsibility of protection. Statement: The scene of “opening the gate to release the tide and egrets catching fish” is a major attraction of Yundang Lake in Xiamen, China. Xiamen has long pursued sustainable ecological civilization, improving bay water dynamics and protecting the marine ecosystem, with the lake area’s environment greatly improved. Every time the tide rises, the gates of the West Embankment in Xiamen are opened to let seawater into Yundang Lake. It is often seen that small fish are rolling and leaping in the surging seawater, and egrets in the air and big fish in the lake are competing for the small fish at the gate - a spectacular sight of "egrets and fish flying together". The series of photography works titled "The Epic of Survival in the Waves - The Life Struggle Between Egrets and Fish" was captured between 2022 and 2025. The speed at which egrets and large fish compete for small fish is so fast that a shutter speed of at least 1/2000 and a high-speed continuous shooting rate of 20 frames per second are required to freeze the thrilling moments. This speed is beyond the reaction time of the human eye. This series of photography works records the most primitive competition in nature from a nearly cold perspective, allowing me to see the most genuine form of life: not the cold law of the survival of the fittest, but the survival epic that every living being is writing with all their might. Those that sparkle in the waves are both the cruel truth of nature and the brilliant light of life that never compromises. I hope these photography works can prompt the audience to deeply reflect on the mysteries of nature and the essence of life, and thereby cherish the ecological environment and fulfill the responsibility of protection. AAP Magazine AAP Magazine 54 Nature
Shams Radwan
Egypt
1988
Shams Radwan, 26 years old from Egypt, is a passionate storyteller and artist dedicated to capturing and sharing the beauty of life through every detail. Growing up in a country rich in diverse cultures and deep-rooted heritage, Shams has been inspired by the vibrant traditions and stories that shape its identity. Her artistic journey began with a deep fascination for Egypt’s cultural tapestry, which she channels into creative works that celebrate heritage. Through her art, Shams transforms the beauty and narratives of Egypt's traditions into pieces that bridge the gap between past and present. With a focus on preserving cultural identity, she highlights the intricate details and timeless stories that make each tradition unique. For Shams, sharing heritage is more than just a passion—it’s a mission to ensure that these traditions remain alive and appreciated by future generations. Her work continues to inspire and unite, reflecting a deep commitment to preserving and celebrating the legacy of her homeland. Statement "As an artist, my work is deeply rooted in preserving and celebrating the diverse cultural heritage of Egypt. Through my creations, I aim to capture the stories, patterns, and traditions that have shaped generations, transforming them into art that bridges the past and present. My mission is to ensure that these invaluable traditions remain alive, appreciated, and understood, while inspiring future generations to explore the richness of their roots. By weaving the timeless beauty of our heritage into modern narratives, I seek to foster a sense of connection and unity through art." Awarded Photographer of the Week - Week 02
Nieves Mingueza
Nieves Mingueza is a lens-based, mixed media artist working with experimental photography, collage and text. Born in Spain, based in London. The often-cinematic themes in her projects have in common her fascination with old books, film stills, vintage cameras, poetry and minimal drawings. Ultimately, Nieves' work is about the foggy relationship between fiction and reality. In addition, she is currently exploring about immigration, mental health and human conflicts. Nieves' work has been exhibited widely, including Copeland Gallery -Peckham 24-, les Rencontres Internationales de la Photographie d'Arles, Fondazione Giorgio Cini, Retina Scottish International Photography Festival, The Royal Academy of Arts, PhotoEspaña, Saatchi Gallery and Tate Britain. Publications that have featured her work include Editorial 8mm, Fisheye magazine, Der Greif magazine, Low Light Magazine, Shots magazine, Eyemazing, Sarmad Magazine, YET Magazine and L'oeil de la photographie, among others. Lens Culture also featured a selection of her works. Recently, in July 2019, her first monograph book was released by IIKKI Books Editorial. About The malady of Suzanne "A few months ago, I moved to my new flat in South London. Once settled in my new home, I realised that the building had previously been a mental health hospital. In this hospital, people with mental health issues were treated and helped to reintegrate into society. One night, I was relaxing, reading in my living room. There was a sepulchral silence, and suddenly I heard a noise coming from the ceiling. I was scared and I noticed that there was a small loft. The next day, a neighbour helped me open the loft. Unexpectedly, we found a suitcase that contained photos, letters and documents that had belonged to a woman named Suzanne. Reading her letters, I learned that she was a Vietnamese woman who had been a teacher in her home country. There, she fell in love with an Englishman, and finally they decided to move to London together. This happened in 70s. Apparently she began to experience signs of a rare disease: loss of speech and isolation behaviour. I also found out from her documents that she had changed her name in London, because her real name was very difficult to pronounce for English people. She called herself Suzanne in honour of Leonard Cohen's song. By combining found archives with my documentary photography work, I am exploring the story of a Vietnamese female with mental issues in 70's London. This is an on-going project about the complex relationship between memory, immigration, mental health and human conflicts. Additionally, is there any reciprocation between Suzanne and myself? We have both lived in the same space. I am an immigrant in London, I work in a school, and I have modified my name because it was difficult for my students to pronounce. I also love silence. " -- Nieves Mingueza
Diana Markosian
Russia
1989
Diana Markosian is an American and Russian artist of Armenian descent, working as a documentary photographer, writer, and filmmaker. She is known for her photo essays, including Inventing My Father, about her relationship with her father, and 1915, about the Armenian genocide. Markosian was born in Moscow. In 1996, she moved to California with her mother and her brother, while her father remained in Russia. She had no contact with him until 23, when she found her father in Armenia, after 15 years of being apart. Markosian graduated summa cum laude from the University of Oregon with a bachelor of arts in history and international studies in 2008, and earned a Master of Science from Columbia University's Graduate School of Journalism in 2010 at the age of 20. In 2011, Markosian was sent to Azerbaijan as a photojournalist for Bloomberg News, but she was denied entrance to the country, which was at war with Armenia at the time. Markosian is of Armenian descent but not a citizen of Armenia. The authorities said they couldn't provide her with the "security" she would need because of her Armenian last name. Markosian began her career at 20. Her editorial and personal work has taken her to some of the most remote corners of the world. She worked on assignments for publications including National Geographic Magazine, The New Yorker and The New York Times. For her first assignment for National Geographic Magazine in 2015, she was commissioned to explore the power and legacy of the Virgin Mary. This ability to photograph "things that are no longer there" has become a signature of her work. Her images have since been published by the Financial Times, World Policy Journal, The New York Times, Foreign Policy, The Times, Human Rights Watch, Amnesty International, amongst other publications. She won the Columbia School of Journalism's annual photography prize, and was chosen as a duPont Fellow. She was selected for the Joop Swart Masterclass from World Press Photo and was the winner of the Magnum Emerging Photographer Fund in 2013. In 2015, she was selected as the first recipient of the Chris Hondros Emerging Photographer Award. The same year, the British Journal of Photography selected her in its global survey of "Ones to Watch". In 2016, Markosian became a nominee member of Magnum Photos. In 2018, she was awarded the Elliott Erwitt Fellowship to travel to Cuba, where she documented the coming of age of young girls in Havana. The work she created was exhibited as a solo show at the Grand Palais in Paris Photo and Photo Espana. She was awarded 1st Place in Contemporary Issues from World Press Photo for an image of Pura, a young girl who was diagnosed with a brain tumor as a child, and was photographed celebrating her quinceanera. Source: Wikipedia About 1915 "Holding a cane in his right hand, Movses Haneshyan, 105, slowly approaches a life-size landscape. He pauses, looks at the image, and begins to sing, 'My home... My Armenia.' It's the first time Movses is seeing his home in 98 years. A century ago, the Ottomans initiated a policy of deportations, mass murder and rape to destroy the Armenian presence in the Ottoman Empire. By the war's end, more than a million people, from what is now modern-day Turkey, were eliminated. It was one of first genocides of the 20th century, one that Turkish authorities deny to this day. Movses and his father survived. I traveled to Armenia to meet Movses and other survivors to ask them about their last memories of their early home. I then retraced their steps in Turkey to retrieve a piece of their lost homeland. One hundred years after having fled his birthplace, Movses caresses its image, as if by holding it close he will be taken back to the place he called home many years ago. This is his story, and those of other survivors. A story of home - everything they had, everything they lost. And what they have found again." -- Diana Markosian
Yann Arthus-Bertrand
Yann Arthus-Bertrand, born in 1946, has always had a passion for the animal world and the natural environment. At the age of 20, he settled in central France and became the director of a nature reserve. When he was 30, he travelled to Kenya with his wife with whom he carried out a three-year study on the behaviour of a family of lions in the Massaï Mara reserve. He quickly started using a camera as a visual aid to capture his observations and enhance the written reports they compiled. While in Africa, he earned his living as a hot-air balloon pilot. This was when he really discovered the earth from above and the advantages of viewing what he was studying from afar to gain an overall picture of an area and its resources. He discovered his calling: to demonstrate the Earth’s beauty and show the impact of mankind on the Planet. His first book, Lions, was born of this adventure – he likes to call these lions his "first photography teachers." Little by little, Yann became a reporter focusing on environmental issues, and collaborating with Geo, National Geographic, Life, Paris Match, Figaro Magazine etc. He then started a personal work on the relationship mankind/ animal, which led to the books Good Breeding and Horses. In 1991, he founded the first aerial photography agency in the world. For the First Rio Conference in 1992, Yann decided to prepare a big work for the year 2000 on the state of the planet: it is The Earth From the Air. This book encountered a great success and over 3 million copies were sold. The outdoor exhibitions have been seen so far by about 200 Million people. Yann then created the Goodplanet Foundation that aims to raise public awareness of environmental issues, implement carbon offset programmes and fight deforestation with local NGOs. Within the Foundation, he developed the 6 billion Others project, that has just changed names and become 7 billion Others. More than 6000 interviews were filmed in 84 countries. From a Brazilian fisherman to a Chinese shopkeeper, from a German performer to an Afghan farmer, all answered the same questions about their fears, dreams, ordeals, hopes: "What have you learned from your parents? What do you want to pass on to your children? What difficult circumstances have you been through? What does love mean to you?" Forty or so questions that help us to find out what separates and what unites us. Due to this involvement, Yann Arthus-Bertrand is today considered more an environmentalist and activist than a photographer. It is because of this commitment that Yann Arthus-Bertrand was designated Goodwill Ambassador for the United Nations Environment Programme on Earth Day (April 22nd, 2009). In 2006, Yann started the series Vu Du Ciel, a television documentary series of several one-and-a-half hour episodes, each dealing with a particular environmental problem. It was shown on French public television and is currently being distributed for broadcast in 49 countries. Encouraged by his television experiment, Yann Arthus-Bertrand undertook the production of a full-length feature film, HOME, that deals with the state of our planet. The film was released on the 5th of June 2009 on television, on the Internet, on DVD and in cinemas simultaneously worldwide, almost entirely free of charge to the public. More than 600 million people have seen it so far. In 2011, Yann directed two films for the United Nations : the film Forest, official film of the 2011 International Year of the Forest, and the film Desertification. Both were screened during UN General Assemblies. Yann founded a non-profit production company, Hope. For the World Water Forum in March 2012, Yann, Thierry Piantanida and Baptiste Rouget-Luchaire directed a film narrating the history of water and reminding us that reasoned management of water is a crucial challenge for our century. This documentary was broadcast on French national television on the 20 th of March 2012. For Rio + 20, Yann directed the film Planet Ocean with Michael Pitiot. This film aims to promote understanding of the importance of oceans in the ecosystem. In the same time, the GoodPlanet Foundation initiated a “Ocean Programme”, to raise awareness of the importance of marine ecosystems. At the heart of this programme, the publication of the book “L’Homme et la Mer” by the Editions de la Martinière, available in bookstores from the 18 th of October 2012.All the films produced by HOPE are available free of charge to NGOs, nonprofits and schools in the frame work of environmental education. Source: www.yannarthusbertrand.org
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Latest Interviews

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AAP Magazine #56 Shadows
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