All about photo.com: photo contests, photography exhibitions, galleries, photographers, books, schools and venues.
LAST CALL to Win a Solo Exhibition this March!
LAST CALL to Win a Solo Exhibition this March!
  1. Home
  2. All Photographers
  3. Modern Photographers
  4. Chen Jiagang
Chen Jiagang
Chen Jiagang
Chen Jiagang

Chen Jiagang

Country: China
Birth: 1962

Born in 1962 in Chong Qing, Chen Jiagang began his career as a celebrated architect and real estate developer before making the transition to photography. In 1999, he was named one of twelve "Outstanding Young Architects" by the United Nations. Jiagang is the founder of the Sichuan Upriver Museum, the first private museum in China and the author of Third Front (Timezone 8 Limited, 2007). He currently lives and works in Beijing.

Source: Edwynn Houk Gallery


Although originally trained as an architect (and awarded by the UN the accolade of being one of the 12 ‘outstanding young architects' in China), Chen Jiagang has been a practicing photographer for over 12 years, and has exhibited widely since 1999. He has twice been awarded the Excellent Works Award at the annual China Photographic Arts Exhibitions. Chen photographs often feature obsolete and useless factories, hidden away in his country's hinterlands. Among these monumental, abandoned ruins, these industrial leftovers, he places ghostly human figures, reminding us of the workers who lost their jobs and were sent back home to start again. He documents the effects on society of China's extraordinary development drive in these large, sumptuous compositions.

Source: Waterhouse & Dodd


1980-1984 studied in Architecture Department of Chongqing Architecture College from 1980 to 1984.
1984-1992 worked in Southwest Architecture Design Institute as a National Certified Architect, and had been awarded grand architecture prizes in various types for many times.
1992 founded the Company of Chengdu Haosi Property Development.
1996 the Company of Sichuan Gangjia Architecture Design.
1997 founded Sichuan Upriver Stock Co., Ltd.
1997 founded Upriver Art Gallery, the first private Art Gallery in China.
1998 founded Chengdu Upriver Guildhall and Kunming Upriver Guildhall.
1999 elected as one of the twelve "Outstanding Young Architect" of China by UN.
2001 Bigining to be an artist from then on.
2002 The excellent works prize of the 20th China Photographic Exhibition.
2003 The excellent works prize of the 21th China Photographic Exhibition.

Personal Exhibitions
2012
Diseased City, Paris-Beijing Photo Gallery, Paris, France
Chen Jiagang photography, Galerie Forsblom, Helsinki, Finland

Selected Books on Available on Amazon
Chen Jiagang
Chen Jiagang
Chen Jiagang
Chen Jiagang: Third Front
Chen Jiagang: Third Front
Feng Boyi, Zhou Minghao, Chen Jiagang

Agency

Galerie Paris-Beijing

Galleries

Edwynn Houk Gallery

Waterhouse & Dodd

Website

www.chenjiagang.com

 

Selected Books

Chen Jiagang
Chen Jiagang
Chen Jiagang
Chen Jiagang: Third Front
Chen Jiagang: Third Front
Feng Boyi, Zhou Minghao, Chen Jiagang

Inspiring Portfolios

Aline Smithson
© Aline Smithson
Lydia Panas
© Lydia Panas
Grace Weston
© Grace Weston
Call for Entries
AAP Magazine #55 Women
Publish your work in our printed magazine and win $1,000 cash prizes
© Cnstance Jaeggi
 
Stay up-to-date  with call for entries, deadlines and other news about exhibitions, galleries, publications, & special events.

More Great Photographers To Discover

Sebastian Sardi
Sebastian Sardi
Sweden
1983
Sebastian Sardi was born in 1983 in Stockholm, Sweden. At the age of 22 he started taking classes in analog photography at the Peoples University in Stockholm. In 2009 he moved to Denmark to study photography at Fatamorgana the Danish school of art and photography. In 2011 he received a Bachelor’s degree in Art History and Visual Studies. He published his first photobook “A Cirkusz” in 2012. Sebastian began his work on photographing mines in 2008 after reading an article on how mining related injuries and deaths are systematically covered up by many authorities. 2019 his second book “Black Diamond” was published on Kehrer Verlag. Today Sebastian Sardi lives and works in Malmö and Copenhagen. Black Diamond It is an apocalyptic landscape. There are huge man-made craters everywhere that make up the visible landscape, the ground is burning, and a vast area is oozing with toxic gases, fire and smoke. Amongst all of this, there are men, woman and children digging in the soil with their bare hands. Coal is mined everywhere in Jharkhand, India, and large parts of it is sorted by hand. The locals call it; Kalaheera; or ”Black Diamond”.
Energy produced by the burning of coal is the single biggest contributor to the man-generated carbon dioxide emissions on this planet. Coal is a major part in the issue of global warming. In Jharkhand many people have been forced away from their lands when companies and authorities recognised the richness that hides in the ground. Underground fires force people to relocate. The mining companies claim they are unable to put out the fires, while the locals blame the companies for letting the fires burn so the coal can be reached and excavated from underneath their villages.

 There is a fragile balance between nature and mankind. A sense of discomfort is felt in the slow but seemingly unavoidable struggle towards the collapse of nature. The human inability to break patterns is painstakingly visible in these photographs, as we knowingly keep on extracting the ground beneath our own feet. Black Diamond is a close (self-)portrait of the people who work with extracting coal from the ground to supply the ever growing demands.


Mark Mann
Mark Mann
United States
1970
Mark Mann is a celebrity and advertising photographer. He was born in Glasgow, where he lived until he went to study in the prestigious photographic program at Manchester Polytechnic. Before long, the recent graduate was assisting innovative fashion photographers Nick Knight and Miles Aldridge, learning the ropes and building his own body of work. Three years later, Mark started shooting on his own, relocating to New York City. Mark’s editorial work has appeared in Esquire, Men’s Health, Vibe, Spin, Fortune, Billboard, Parade and Complex, among others. He has shot countless celebrities, including Robert Redford, Michael Douglas, Iggy Pop, Jack Black, the Black Eyed Peas, Jerry Seinfeld, Dave Chappelle, Rihanna, Queen Latifah, Simon Baker, Stevie Wonder, Bradley Cooper, Willie Nelson, Sean Connery, John Hamm and Jennifer Hudson. Mark has amassed a sizable advertising portfolio, as well. His clients run the gamut: Reebok, Adidas, Hennessy, Bombay Sapphire, Pepsi, Gillette, Vitamin Water, NHL, Zumba, Ford, Chrysler and Svedka to name a few. Mark has just completed a yearlong project for Esquire Magazine, The Life of Man. He shot 80 American men ages 1 through 80, to celebrate 80 years of Esquire Magazine. This project took Mark to the White House where he was honored to shoot the sitting president, as well as former President Clinton. He also shot numerous other notable people and celebrities all across the country.Source: www.markmannphoto.com Because so many of Mark Mann’s striking celebrity portraits are taken from just a few feet away, he’s often asked, “Why so close?” “I’m not exactly sure where that idea of getting so close to my subjects came from. The simple answer is that I don’t like to have to shout to talk to people so—over the years—I’ve moved closer and closer. If you’re more than a few feet from someone, the nuances of what you are saying can be lost. And I always try to have a conversation to help make a connection with everyone I am photographing.” He may start out four or five feet away from a subject but “bobs and weaves” or “creeps” (as he terms it) closer to three feet or so while chatting and shooting. “That means the camera can be just 24 inches from a person’s face, or smelling distance,” says Mann. He never uses a tripod because he’s always moving, changing his distance and angles. He also shoots close up because he enjoys shooting wide open, explaining that helps give a "dimension” to his images. “They have a shallow depth of field, but I like that they almost feel three-dimensional,” he says. “There’s another reason I like shooting close,” says Mann. “I just love faces. I love looking at them. I can inspect every detail, every angle of a face when I’m just a few feet from someone as I look through my lens. I could never get that close without the camera in front of me.”Source: PPA
Jeffrey Kellner
Jeffrey Kellner
United States
In his early teens, Jeffrey Kellner traveled often from his home on Long Island to photograph in New York City. After graduating from Alfred University in 1971, Kellner became an assistant to a photographer. Two years later, he opened his own studio specializing in Corporate and Industrial Photography. Throughout his thirty-five years as a commercial photographer, Kellner also roamed the streets of New York City, photographing its people, places and things. His preference now, as it was then, is using vintage film cameras. Kellner is currently working on a book of his work spanning more than fifty years. Doorperson Wikipedia definition of doorperson: A doorperson is someone hired to provide courtesy and security at a residential building or hotel. They are particularly common in urban high-rises. A doorperson is responsible for opening doors and screening visitors. I made my first doorperson photograph in the early 1970's. It is a portrait of a doorperson at a Park Avenue resident in New York City. That image was made with a 35mm Nikon F. In 2019 I decided to 'continue' the series. These medium format images are photographed with an Ansco Super Speedex and a Rolleiflex slr.
Tadao Cern
Tadao Cern
Lithuania
In spring of 2010 I wanted to try something new and stopped being an architect.That 'something new' turned out to be art.My projects 'Blow Job', 'Revealing The Truth' and 'Comfort Zone' got a lot of media attention and been published on many newspapers, magazines and web sites including Daily Mail, Guardian Weekend, Photo, The Telegraph, The Sun, BILD, La Repubblica, View, Quo, Zeit, The Atlantic, Huffington Post, Trend Hunter, Installation Magazine, Ignant, Cultura Inquieta, It’s Nice That, The Photo Brigade, Bored Panda. Designboom, Colossal, Demilked, Artrebels and many more.First gallery to exhibit my work in 2014 was Saatchi Gallery, London.I already had a pleasure to work with companies such as Samsung, BMW, New Yorker, Claro.Today I travel around the world with my personal projects and commissions, knowing that there is a lot more exiting stuff to be tried out.Don't be afraid to change something in your life, because that was one of my best decisions. Taking the risk paid off...
Parisa Azadi
Parisa Azadi
Iran/Canada
1986
Parisa Azadi is an Iranian-Canadian visual journalist whose work is grounded in themes of systematic violence, social injustice, and radical resistance within historically oppressed communities. Parisa has reported across the Middle East, South Asia, Africa, and Canada, covering civil unrest and state repression—including the Syrian refugee crisis in Jordan, missing and murdered Indigenous women in Canada, and religious extremism in Bangladesh. Since 2017, Parisa has been working in Iran, examining the nuanced dynamics of communities living in the aftermath of political violence. Parisa’s work has been shown in solo and group exhibitions across Europe and the U.S., including Cortona On The Move, Belfast Festival, the American Center For Photographers, Melike Bilir Gallery, among others. Her work has been recognized by the World Press Photo 6×6 Global Talent Program and the Chris Hondros Fund Award. In 2023, Parisa was named one of the British Journal of Photography’s Ones to Watch, received the Magnum Foundation Mobility Grant, and joined the South Asia Incubator Program. Her photographs have appeared in The New York Times, The Guardian, Courrier International, Annabelle Magazine, among others. Article: Ordinary Grief
Mahmud Hams
Mahmud Hams
Palestine
1980
Mahmud Hams. I studied media and graduated in 2001. I have worked for the French Press Agency as a photojournalist since 2003. I covered many events for the agency in the Gaza Strip and neighboring countries, including sports. I won many international awards in the field of photojournalism and war coverage. I covered five wars on Gaza and all the stories. I study photojournalism at several universities.
George Byrne
George Byrne
Australia
1976
George Byrne creates large-scale photographs that depict everyday surfaces and landscapes as painterly abstractions. Borrowing from the clean, vivid clarity of modernist painting, he also references the New Topographics photography movement via a subject matter firmly entrenched in the urban every day. Born in Sydney in 1976, Byrne graduated from Sydney College Of The Arts in 2001, travelled extensively, and then settled in Los Angeles in 2011 - where he now lives and works. George's work resides in numerous international collections and he is represented by galleries in the USA, Canada, Australia, Taiwan, Norway and has his first solo show opening in Mumbai, India in September 2020. More about Post Truth Exclusive Interview SYNTHETICA at Show Gallery
László Moholy-Nagy
László Moholy-Nagy
Hungary
1895 | † 1946
László Moholy-Nagy (July 20, 1895 - November 24, 1946) was a Hungarian painter and photographer as well as professor in the Bauhaus school. He was highly influenced by constructivism and a strong advocate of the integration of technology and industry into the arts. Moholy-Nagy was born László Weisz in Bácsborsód to a Jewish-Hungarian family. His cousin was the conductor Sir Georg Solti. He attended Gymnasium (academic high school) in the city of Szeged. He changed his German-Jewish surname to the Magyar surname of his mother's Christian lawyer friend Nagy, who supported the family and helped raise Moholy-Nagy and his brothers when their Jewish father, László Weisz left the family. Later, he added "Moholy" ("from Mohol") to his surname, after the name of the Hungarian town Mohol in which he grew up. One part of his boyhood was spent in the Hungarian Ada town, near Mohol in family house. In 1918 he formally converted to the Hungarian Reformed Church (Calvinist); his Godfather was his Roman Catholic university friend, the art critic Ivan Hevesy. Immediately before and during World War I he studied law in Budapest and served in the war, where he sustained a serious injury. In Budapest, on leaves and during convalescence, Moholy-Nagy became involved first with the journal Jelenkor ("The Present Age"), edited by Hevesy, and then with the "Activist" circle around Lajos Kassák's journal Ma ("Today"). After his discharge from the Austro-Hungarian army in October 1918, he attended the private art school of the Hungarian Fauve artist Róbert Berény. He was a supporter of the Communist Dictatorship (known as "Red Terror" and also "Hungarian Soviet Republic"), declared early in 1919, though he assumed no official role in it. After the defeat of the Communist Regime in August, he withdrew to Szeged. An exhibition of his work was held there, before he left for Vienna around November 1919. He left for Berlin early in 1920. In 1923, Moholy-Nagy replaced Johannes Itten as the instructor of the foundation course at the Bauhaus. This effectively marked the end of the school's expressionistic leanings and moved it closer towards its original aims as a school of design and industrial integration. The Bauhaus became known for the versatility of its artists, and Moholy-Nagy was no exception. Throughout his career, he became proficient and innovative in the fields of photography, typography, sculpture, painting, printmaking, and industrial design. One of his main focuses was photography. He coined the term "the New Vision" for his belief that photography could create a whole new way of seeing the outside world that the human eye could not. His theory of art and teaching is summed up in the book The New Vision, from Material to Architecture. He experimented with the photographic process of exposing light sensitive paper with objects overlain on top of it, called photogram. While studying at the Bauhaus, Moholy's teaching in diverse media — including painting, sculpture, photography, photomontage and metal — had a profound influence on a number of his students, including Marianne Brandt. Perhaps his most enduring achievement is the construction of the "Lichtrequisit einer elektrischen Buehne" [Light Prop for an Electric Stage] (completed 1930), a device with moving parts meant to have light projected through it in order to create mobile light reflections and shadows on nearby surfaces. Made with the help of the Hungarian architect Istvan Seboek for the German Werkbund exhibition held in Paris during the summer of 1930, it is often interpreted as a kinetic sculpture. After his death, it was dubbed the "Light-Space Modulator" and was seen as a pioneer achievement of kinetic sculpture. It might more accurately be seen as one of the earliest examples of Light Art. Moholy-Nagy was photography editor of the Dutch avant-garde magazine International Revue i 10 from 1927 to 1929. He resigned from the Bauhaus early in 1928 and worked free-lance as a highly sought-after designer in Berlin. He designed stage sets for successful and controversial operatic and theatrical productions, designed exhibitions and books, created ad campaigns, wrote articles and made films. His studio employed artists and designers such as Istvan Seboek, Gyorgy Kepes and Andor Weininger. After the Nazis came to power in Germany in 1933, and, as a foreign citizen, he was no longer allowed to work, he operated for a time in Holland (doing mostly commercial work) before moving to London in 1935. In England, Moholy-Nagy formed part of the circle of émigré artists and intellectuals who based themselves in Hampstead. Moholy-Nagy lived for a time in the Isokon building with Walter Gropius for eight months and then settled in Golders Green. Gropius and Moholy-Nagy planned to establish an English version of the Bauhaus but could not secure backing, and then Moholy-Nagy was turned down for a teaching job at the Royal College of Art. Moholy-Nagy made his way in London by taking on various design jobs including Imperial Airways and a shop display for men's underwear. He photographed contemporary architecture for the Architectural Review where the assistant editor was John Betjeman who commissioned Moholy-Nagy to make documentary photographs to illustrate his book An Oxford University Chest. In 1936, he was commissioned by fellow Hungarian film producer Alexander Korda to design special effects for Things to Come. Working at Denham Studios, Moholy-Nagy created kinetic sculptures and abstract light effects, but they were rejected by the film's director. At the invitation of Leslie Martin, he gave a lecture to the architecture school of Hull University. In 1937, at the invitation of Walter Paepcke, the Chairman of the Container Corporation of America, Moholy-Nagy moved to Chicago to become the director of the New Bauhaus. The philosophy of the school was basically unchanged from that of the original, and its headquarters was the Prairie Avenue mansion that architect Richard Morris Hunt designed for department store magnate Marshall Field. Unfortunately, the school lost the financial backing of its supporters after only a single academic year, and it closed in 1938. Moholy-Nagy was also the Art Advisor for the mail-order house of Spiegel in Chicago. Paepcke, however, continued his own support, and in 1939, Moholy-Nagy opened the School of Design. In 1944, this became the Institute of Design. In 1949 the Institute of Design became a part of Illinois Institute of Technology and became the first institution in the United States to offer a PhD in design. Moholy-Nagy authored an account of his efforts to develop the curriculum of the School of Design in his book Vision in Motion. Moholy-Nagy died of leukemia in Chicago in 1946. Moholy-Nagy University of Art and Design in Budapest is named in his honour. Works by him are currently on display at the National Gallery of Art in Washington, DC. The software company Laszlo Systems (developers of the open source programming language OpenLaszlo) was named in part in honor of Moholy-Nagy. In 1998, he received a Tribute Marker from the City of Chicago. In the autumn of 2003, the Moholy-Nagy Foundation, Inc. was established as a source of information about Moholy-Nagy's life and works.Source: Wikipedia
Brett Foraker
Brett Foraker
United States
Brett Foraker began his career as a painter before turning to photography and filmmaking. All of his projects are imbued with a lyrical and at times surreal point of view. His early years were spent developing the lauded brand identities of channels such as TCM, Film4, and E4. He was appointed the youngest-ever Creative Director of Channel 4 (UK) where he directed the multi-award-winning C4 Idents and Faces of 4 campaigns. Since then, he has been making adverts through Ridley Scott Associates where he has directed award-winning campaigns for Toyota, Sony, British Heart Foundation, and Syfy, to name a few. Among his many accolades are awards from Cannes Lion, Creative Circle, BTAA, and the coveted Black Pencil from D&AD. He was the guiding force behind the 4Creative, and has been on Campaign's A-List as one of the world's leading creative thinkers. His work has appeared frequently in Creative Review, Boards, Shots, and was featured in Saatchi's Young Directors' Showcase in Cannes. Later he collaborated with brands such as Lexus, Puma, and Samsung+Rihanna. He lives and works in Los Angeles. As well as being an in-demand director and screenwriter, Foraker has been working on several portfolios of abstract and experimental photography. These are presented here for the first time. We asked him a few questions about his life and work. Statement I am a gestural photographer. I want to push beyond traditional image-making to incorporate abstraction and the energy of movement into my pictures. On some level I am trying to break photography or at least our previous ideas about what makes a beautiful picture. This started with experimentations in abstracting the everyday: people merging with the architecture of the city, spectral palm trees in the morning fog. It evolved into arresting the motion of common occurrences: exploding waves, rippling flags, the sculptural moment where a bridge and an onramp converge. I still felt the need to push further. I have long been intrigued by the errors that are generated by intentionally misusing our cameras and phones. By forcing these devices to act against their programming, we can replicate and even extend some of the experiments that were conducted in the early days of photography. Back then it was the use of long-exposure or even multi-exposure within individual frames that led to such accidents. Now, we can use these techniques as the building blocks for creating a kind of digital expressionism. The camera itself can record our gestures, acting as both brush and canvas, warping reality in a way that is at once controlled and randomized. I now apply these techniques to some of our oldest forms: landscapes, portraits, floral still lifes-everything is up for grabs. The fact that these images often express what it feels like to inhabit an increasingly fragmented digital world is more than a happy coincidence. It is what I was striving for all along. Exclusive Interview with Brett Foraker
Advertisement
AAP Magazine #55 Wmen
Win a Solo Exhibition in March
AAP Magazine #55 Wmen

Latest Interviews

Exclusive Interview with Anastasia Samoylova
Interview
Exclusive Interview with Anastasia Samoylova
Anastasia Samoylova is an American artist whose photographic practice is shaped by close observation and a deep attentiveness to place. Working between documentary and formal exploration, she photographs landscapes, architecture, and everyday scenes with a sensitivity to light, structure, and atmosphere. Since relocating to Miami in 2016, her work has increasingly focused on how environments—both natural and built—carry social, cultural, and emotional traces. We asked her a few questions about her practice and her way of seeing, to better understand the thoughts and experiences that shape her work—while allowing the images themselves to remain open and speak in their own time.
Read the full interview
Exclusive Interview with Marijn Fidder
Interview
Exclusive Interview with Marijn Fidder
Marijn Fidder is a Dutch documentary photographer whose work powerfully engages with current affairs and contemporary social issues. Driven by a deep sense of social justice, she uses photography to speak on behalf of the voiceless and to advocate for the rights of those who are most vulnerable. Her images have been widely published in major international outlets including National Geographic, CNN Style, NRC Handelsblad, Volkskrant, GUP New Talent, and ZEIT Magazin. Her long-term commitment to disability rights—particularly through years of work in Uganda—culminated in her acclaimed project Inclusive Nation, which earned her the title of Photographer of the Year 2025 at the All About Photo Awards. She is also the recipient of multiple prestigious honors, including awards from World Press Photo and the Global Peace Photo Award. We asked her a few questions about her life and work.
Read the full interview
Exclusive Interview with Josh S. Rose
Interview
Exclusive Interview with Josh S. Rose
Josh S. Rose is a multidisciplinary artist working across photography, film, and writing. His practice bridges visual and performing arts, with a strong focus on movement, emotion, and the expressive potential of the image. Known for his long-standing collaborations with leading dance companies and performers, Rose brings together authenticity and precise composition—a balance he describes as “technical romanticism.” His work has been commissioned and exhibited internationally, appearing in outlets such as Vogue, at the Super Bowl, in film festivals, and most recently as a large-scale installation for Lincoln Center for the Performing Arts. A sought-after collaborator, he has worked with major artists, cultural institutions, and brands, following a previous career as Chief Creative Officer at Interpublic Group and the founder of Humans Are Social. We asked him a few questions about his life and work.
Read the full interview
Interview with Maureen Ruddy Burkhart
Interview
Interview with Maureen Ruddy Burkhart
Photographer Maureen Ruddy Burkhart brings a quietly attentive and deeply human sensibility to her exploration of the world through images. Shaped by a life immersed in photography, film, and visual storytelling, her work is guided by intuition, observation, and an enduring interest in the emotional undercurrents of everyday life. With a practice rooted in both fine art traditions and documentary awareness, she approaches her subjects with sensitivity, allowing subtle moments to emerge naturally rather than be imposed. Her series Til Death, selected as the Solo Exhibition for February 2025, reflects this long-standing commitment to photography as a space for reflection rather than spectacle. Drawn to moments that exist just outside the expected frame, Burkhart’s images suggest narratives without resolving them, leaving room for ambiguity, humor, and quiet connection. We asked her a few questions about her life and work.
Read the full interview
Exclusive Interview with Peter Ydeen
Interview
Exclusive Interview with Peter Ydeen
Winner of AAP Magazine #45 Travels, his series reflects this unique vision—capturing the spirit of place through subtle layers of light, color, and emotion. Whether traveling abroad or observing the rhythms of his own surroundings, Ydeen creates images that feel both grounded and enchanted, inviting viewers into a world where reality and reverie meet.
Read the full interview
Exclusive Interview with Julie Wang
Interview
Exclusive Interview with Julie Wang
Chinese-born photographer Julie Wang brings a poetic, contemplative sensitivity to her visual exploration of the world. Having lived for nearly equal parts of her life in China, Europe, and the United States, she approaches her subjects with the nuanced perspective of someone shaped by many cultures. This blend of distance, curiosity, and emotional resonance infuses her work with a quiet depth, allowing her to reveal the fragile beauty and subtle tensions that often pass unnoticed.
Read the full interview
Exclusive Interview with Ghawam Kouchaki
Interview
Exclusive Interview with Ghawam Kouchaki
American photographer Ghawam Kouchaki brings a sharply observant and introspective gaze to the streets of Japan’s capital. Based in Los Angeles, he approaches Tokyo with the distance — and curiosity — of an outsider, allowing him to uncover the city’s subtle contradictions, quiet tensions, and fleeting gestures that often go unnoticed. His series Tokyo no no, selected as the Solo Exhibition for December 2024, explores the hidden undercurrents of urban life: the unspoken rules, the small ruptures in routine, the poetic strangeness found in everyday moments. Through muted tones, instinctive timing, and meticulous framing, Kouchaki reveals a Tokyo that exists somewhere between reality and imagination — both intimate and enigmatic. We asked him a few questions about his life and work.
Read the full interview
Exclusive Interview with Tommi Viitala
Interview
Exclusive Interview with Tommi Viitala
Tommi Viitala, winner of AAP Magazine #44: Street, is a Finnish photographer celebrated for his striking and cinematic street photography. With a keen eye for atmosphere and composition, he captures fleeting urban moments that reveal the poetry of everyday life. His work often explores the tension between solitude and connection within contemporary cityscapes, blending documentary realism with artistic sensibility. Viitala’s photographs have been exhibited internationally and recognized for their strong visual storytelling and emotional depth. We asked him a few questions about his life and work.
Read the full interview
Exclusive Interview with Robert Mack
Interview
Exclusive Interview with Robert Mack
Robert Mack is a California-based visual artist, photographer, and filmmaker. His fine art photography and films have been exhibited widely in the United States and Europe, with major shows at the Baltimore Museum of Art and the Reiss-Engelhorn Museum in Mannheim, Germany. Both institutions hold his work in their permanent collections. Working across different media, Mack has built a career exploring the complexities of human presence and representation. In 1981, while living in Baltimore, he produced The Perkins Project: Not Guilty by Reason of Insanity, a rare photographic and film study inside Maryland’s hospital for the criminally insane. These stark yet compassionate black-and-white portraits remain one of his most powerful and controversial bodies of work.
Read the full interview
Call for Entries
AAP Magazine #55 Women
Publish your work in our printed magazine and win $1,000 cash prizes
© Ilaria Miani
Explore All About Photo
All About Photo
About Us
Contact Us
Link Back
Press
Blog
Newsletter
Terms of Use
Privacy Policy
Competitions
All About Photo Competitions
Our Jurors
All Photo Contests
Open Photo Contests
Amateur Photo Contests
Professional Photo Contests
Portfolio Reviews
Photo Competition News
Artists
Photographers A-Z
Masters of Photography
Modern Photographers
Rising Photographers
Articles
Interviews
Inspirational
Photography Exhibitions
Photography Festivals
Photo Fairs
Photo Museums
Galleries & Centers
Photographer Monographs
Technique Books
History of Photography
Miscellaneous
Paper Magazines
Online Magazines
Resources
Schools and Classes
Photography Agencies
Equipment Rentals
Studio Rentals
Photo Labs
Camera Repairs
Framing Stores
Photo Tips & Tools
Photo Gear
© 2026 © All-About-Photo.com, All Rights Reserved  •  Photographs © the Respective Artists, All Rights Reserved.