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All About Photo Awards 2026: $5,000 Cash Prizes. Juror Steve McCurry!
All About Photo Awards 2026: $5,000 Cash Prizes. Juror Steve McCurry!
Veronique De Viguerie
Veronique De Viguerie
Veronique De Viguerie

Veronique De Viguerie

Country: France
Birth: 1978

Veronique de Viguerie photojournalist, mother-of-two based in Paris. After a Master of Law, fascinated by what was happening in Afghanistan, she disobeyed her parents, borrowed some money and bought a one-way ticket to Kabul. Two years after, in 2005, she was in a cybercafé, trying to file some pictures. A kamikaze entered and exploded himself. She was one of the rare survivor. She became obsessed with the idea of meeting the Taliban to understand how some men were ready to die and kill for an ideology. From that day, her pictures intend to give a face to the ones we don’t want to see, the “bad guys”, the ones on the other side: The Taliban, the pirates in Somalia, the sicarias (women killers) in Mexico, the oil pirates in the Niger Delta, the Houthis in Yemen, the MNLA in Mali, the gangs in Brazil etc… She refuses the common binary, black and white vision of the world preferring to show the grey shades in between, a world complex but always in colors.

Her work is regularly published by Paris-Match, Time, Géo, Figaro, the Guardian, Marie-Claire etc. She exhibited “Afghanistan, Insh’Allah” in Perpignan, Paris and Anger, “Yemen, the hidden war” was exhibited in Bayeux, Paris and Brussels. She published some books “Afghanistan, Regards Croisés”, “Profession: Reporter”, “Carnets de Reportages du XXIe siècle”, “Yemen, la guerre qu’on nous cache », « Iraq Insh’Allah ». In 2011, she was starring an episode of « Witness » an HBO program, following the arrow boys in Sudan in their hunt for Joseph Kony. Among her awards she received a WPP, 2 Visas d’Or, 2 prizes at Bayeux Festival for Best War Reportage, was finalist for the Anja courage award etc.
 

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More Great Photographers To Discover

Joseph Podlesnik
United States
1959
Joseph Podlesnik holds a BFA in drawing and painting from the University of Wisconsin-Milwaukee and an MFA in drawing and painting from Cornell University. He currently serves as Adjunct Faculty (online) for the Stockton University Visual Arts Program and Facilitator Lead for the Digital Photography Cornell Certificate Program. Podlesnik exhibits his photographs singly and in group shows, nationally and internationally. He resides in Phoenix, AZ. For Podlesnik, the camera lens depicts perspective too easily, which is why he captures and makes photographs which often frustrate readable perspectival space. For him, the photographic image is not only a window through which to see the visible world, but also a maker of flat surfaces which stunt or block logical space. He sees photography and pictures not only as documentation, but as commenting on or reenacting perception itself. The Pain, Boredom and Euphoria of Looking For the “The Pain, Boredom and Euphoria of Looking” exhibition, my intent is to select color and black and white photographs which involve some personal physical discomfort (while capturing the photographs), degrees of boredom (tolerating, organizing, and capturing a world full of redundant visual information) and the thrill and euphoria I experience while capturing photographs and exploring their effects in post- processing. The intent is to arrive at formal order, unity, mood, complexity, ambiguity, and in many cases engage the viewer in frame edge-to-frame edge visual activity.
Soumya Sankar Bose
I am a documentary photographer based in India. I did my Post graduate diploma in photography from Pathshala South Asian Media Institute.Born in 1990 Midnapore - Lives and works in KolkataAwards and Fellowships: The Toto-Tasveer Emerging Photographer of the Year. India foundation for the Arts grant for the Project "Let's Sing an Old Song". Magnum Foundation's Photography and Social Justice Fellowship for the Project "Full Moon in a Dark night"Publications: The Telegraph, The Indian Express , Better Photography, Kindle Magazine, Mint Lounge, The Caravan, Wired, A’int-Bad Magazine, Platform, Harmony . As well as online portals such as Scroll.in, The Huffington Post, BBC Online, Gallery Carte Blanche, F-Stop Magazine, Galli Magazine, Fltr , Medium and etc. AAP: Do you have a mentor or role model? Yes, Shahidul Alam who is the principal of Pathshala .And Morten Krogvold was one of my mentor during Chobimela VII .AAP: Do you remember your first shot? What was it?I don't remember my first shot exactly but when I was 7-8 years old, I got a Kodak KB10 from my mother and then I started to capture each and everything around me.AAP: What or who inspires you?My Parents ,Friends, Barnali But mostly my Grand father whose photographs inspire me to become a photographer in my childhood.AAP: How could you describe your style?Once one of my mentor Hasib Zakaria told me that my work is about hyper real. "Hyper reality is seen as a condition in which what is real and what is fiction are seamlessly blended together so that there is no clear distinction between where one ends and the other begins."AAP: What kind of gear do you use? Camera, lens, digital, film?I like to shoot only on 35mm Prime lens in Film and Digital both.AAP: Do you spend a lot of time editing your images? For what purpose?I don't spend lot of time in editing my pictures but what I keep in mind during my editing is that I should not off-tracked.AAP: Favorite(s) photographer(s)?Alec Soth, Stfan bladh, Graciela Iturbide, Diane Arbus, Dayanita Singh and so on.AAP: What advice would you give a young photographer?I am also a young Photographer.AAP: What are your projects?My project documents retired Jatra artists (Jatra is four hundred years old Bengali folk theater which is disappearing day by day) or who have been working in Jatra for more than 25-30 years.AAP: Your favorite photo book?Calcutta Ladies by Dayanita Singh, Fauna and Flora by Dietmar Busse and so on.
Aljohara Jeje
European
1962
Aljohara Jeje can be described as a distinguished and versatile artist with a rich background in product design, art photography, and medieval artistry techniques. She demonstrates a dedication to lifelong learning through her diverse educational pursuits, including courses in Art History, Comparative Religions, and Ethics. Aljohara's passion for the arts is evident in her continuous exploration and mastery of various artistic disciplines. Aljohara’s practice delves into the exploration of societal and cultural dynamics, drawing inspiration from historical contexts and contemporary shifts. Her work is deeply rooted in storytelling, using visual narratives to convey intricate layers of meaning, engaging deeply with history, culture, and contemporary challenges, inviting viewers to reflect on the complexities of the human experience. Her artistic voice is unique, stemming from her keen observations of her surroundings. She has the ability to translate these observations into art, making her a versatile artist. With sensitivity and a critical eye, her art practice is a multidimensional exploration of societal issues, using a variety of visual techniques and mediums to convey her messages. Aljohara’s name and award-winning works are increasingly well-known and commissioned in and outside the region due to her wide range of expertly crafted fine art. Notable accolades such as recognition from the Saudi Arabian Ministry of Culture, her 'Allard Photography Prize for International Integrity' and shortlisting by prestigious institutions like The Bill & Melinda Gates Foundation, are fine examples. Beyond her artistic achievements, Aljohara is actively engaged in enriching cultural discourse, through workshops, talks, publications, and participating in international forums, demonstrating her steadfast dedication to fostering communication through the arts. AAP Magazine AAP Magazine 38 Women
 Synchrodogs
Synchrodogs is a duo of photographers and art directors from Ukraine - Tania Shcheglova (b.1989) and Roman Noven (b.1984) working together since 2008. Tania graduated from Information technology department of Ivano-Frankivsk national technical university of oil and gas in 2011, Roman graduated from Lutsk National Technical University in 2006. Both photographers are self-taught, currently residing in Ukraine. Artistic duo is represented by Stieglitz19 gallery in Antwerpen and Galleri Urbane in Dallas. Synchrodogs were shortlisted for PinchukArtCentre Prize in 2013 (Kyiv, Ukraine), won FOAM Construct 2012 competition held by FOAM magazine (Netherlands), won First Prize in nomination ‘Art Photography’, Photographer of The Year competition in Ukraine, and Best Fine Art Photographer Title in Vogue Talent competition (Milano, Italy), Best portfolio prize in Weitsprung n5 (Hamburg, Germany) in 2016, shortlisted for Palm* Photo Prize 2019, became winners of Feature Shoot Emerging Photography award and finalists of LensCulture Visual Storytelling Award in 2019. They also became one of winners of PH Museum Photography Grant Prize in 2021.https://phmuseum.com/ During 2010-2021 had solo shows in Chicago, London, Barcelona, Milano, Krakow, Venice, Amsterdam, Antwerpen, Riga, solo exhibition in Dallas Contemporary museum in 2015. Synchrodogs took part in numerous group exhibitions in galleries and museums like Benaki Museum (Athens), Boston Museum of Fine Arts, Guy Hepner gallery (New York), Palais de Tokyo (Paris), Somos Gallery (Berlin), The Annenberg Space for Photography (Los Angeles), ArtPrize Hub (Grand Rapids, Michigan), Galerie Blanc (Montréal) etc. Their artworks were published in many magazines like Esquire, Numero, The Wall Street Journal, Purple Fashion, Vogue, Harper's Bazaar, L’Officiel, Odda, Liberation magazine, Sueddeutsche Zeitung, Vice, Metal, TUSH, Dust, Vision, Another, Oyster, Duel, Jalouse, shot Femen activists for Dazed and Confused, published on the covers of The British Journal of Photography (UK), Vogue (Ukraine), Stylist (France), Impression (USA), TUSH, Neon, Zeit Campus magazine (Germany), S magazine, shot Mark Zuckerberg for Afisha magazine cover (Russia) etc. In 2013 Synchrodogs published their first big monograph called Byzantine with Norwegian publisher Editions du Lic. In 2020 Synchrodogs’ second book Fashion Eye of Ukraine was published by Louis Vuitton. Artist Statement Synchrodogs work explores the everlasting tension between man and nature, with images of raw, animalistic beauty, which also manage to come across as awkwardly sophisticated. Discovering how far people managed to intrude into the territories that were meant to be wild, they work together in an intimate synchronized choreography, sharing the same aesthetic and ideas acquired through a self-made meditation technique that takes place on the verge between sleep and wakefulness. Observing the new ways the Earth begins to look as a result of human interventions into the environmental processes, their work balances between the real and imagined, drawing the viewer into an unconscious, wild and dream-like world. Working on personal projects artistic duo travels for thousands of miles to find desolate places and explore the unknown, re-creating their visions and aiming to inspire people live a decent life full of respect and responsibility for Planet Earth.
David Octavius Hill
Scotland
1802 | † 1870
David Octavius Hill was a Scottish painter, photographer and arts activist. He formed Hill & Adamson studio with the engineer and photographer Robert Adamson between 1843 and 1847 to pioneer many aspects of photography in Scotland. Hill was born in 1802 in Perth. His father, a bookseller and publisher, helped to re-establish Perth Academy and David was educated there as were his brothers. When his older brother Alexander joined the publishers Blackwood's in Edinburgh, Hill went there to study at the School of Design. He learned lithography and produced Sketches of Scenery in Perthshire which was published as an album of views. His landscape paintings were shown in the Institution for the Promotion of the Fine Arts in Scotland, and he was among the artists dissatisfied with the Institution who established a separate Scottish Academy in 1829 with the assistance of his close friend Henry Cockburn. A year later Hill took on unpaid secretarial duties. He sought commissions in book illustration, with four sketches being used to illustrate The Glasgow and Garnkirk Railway Prospectus in 1832, and went on to provide illustrations for editions of Walter Scott and Robert Burns. In the 1830s he is listed as living at 24 Queen Street, in Edinburgh's New Town. In 1836 the Royal Scottish Academy began to pay him a salary as secretary, and with this security he married his fiancée Ann Macdonald the following year. After the birth of their daughter, Charlotte Hill, Ann was invalided, and died on 5 October 1841, aged 36, and was buried with her family in Greyfriars Churchyard in Perth. Charlotte Hill went on to marry the author Walter Scott Dalgleish LLD and is buried in Grange Cemetery. During this period he lived at 28 Inverleith Row in Edinburgh's northern suburbs and he continued to produce illustrations and to paint landscapes on commission. Hill was present at the Disruption Assembly in 1843 when over 450 ministers walked out of the Church of Scotland assembly and down to another assembly hall to found the Free Church of Scotland. He decided to record the dramatic scene with the encouragement of his friend Lord Cockburn and another spectator, the physicist Sir David Brewster who suggested using the new invention, photography, to get likenesses of all the ministers present. Brewster was himself experimenting with this technology which only dated back to 1839, and he introduced Hill to another enthusiast, Robert Adamson. Hill and Adamson took a series of photographs of those who had been present and of the setting. The 5 feet (1.5 m) x 11.4 feet (3.5 m) painting was eventually completed in 1866. Hill moved to "Calton Hill Stairs" in 1850. Their collaboration, with Hill providing skill in composition and lighting, and Adamson considerable sensitivity and dexterity in handling the camera, proved extremely successful, and they soon broadened their subject matter. Adamson's studio, "Rock House", on Calton Hill in Edinburgh became the centre of their photographic experiments. Using the calotype process, they produced a wide range of portraits depicting well-known Scottish luminaries of the time, including Hugh Miller, both in the studio and outdoors, often amongst the elaborate tombs in Greyfriars Kirkyard. They photographed local and Fife landscapes and urban scenes, including images of the Scott Monument under construction in Edinburgh. As well as the great and the good, they photographed ordinary working folk, particularly the fishermen of Newhaven, and the fishwives who carried the fish in creels the 3 miles (5 km) uphill to the city of Edinburgh to sell them round the doors, with their cry of "Caller herrin" (fresh herring). They produced several groundbreaking "action" photographs of soldiers and - perhaps their most famous photograph - two priests walking side by side. Their partnership produced around 3,000 prints, but was cut short after only four years due to the ill health and death of Adamson in 1848. The calotypes faded under sunlight, so had to be kept in albums, and though Hill continued the studio for some months, he became less active and abandoned the studio, though he continued to sell prints of the photographs and to use them as an aid for composing paintings. In 1862 he remarried, to the sculptor Amelia Robertson Paton, 20 years his junior, and around that time took up photography again, but the results were more static and less successful than his collaboration with Adamson. He was badly affected by the death of his daughter and his work slowed. In 1866 he finished the Disruption picture which received wide acclaim, though many of the participants had died by then. The photographer F.C. Annan produced fine reduced facsimiles of the painting for sale throughout the Free Church, and a group of subscribers raised £1,200 to buy the painting for the church. In 1869 illness forced him to give up his post as secretary to the RSA, and he died in May 1870. Hill is buried in Dean Cemetery, Edinburgh - one of the finest Victorian cemeteries in Scotland. He is portrayed in a bust sculpted by his second wife, Amelia, who is buried alongside him.Source: Wikipedia
C.E. Morse
United States
1952
"I was born in Camden, Maine and loved vintage cars since I can remember; I bought my 1936 Pontiac at age 15 as soon as I had my driver's license. I didn't pick up a camera until I was in college at Rhode Island School of Design. I remembered all the incredible images that I used to see in vintage auto boneyards while I was sourcing parts for my '36 Pontiac and various other classic cars that I had collected,including a '29 Essex, a'41 Packard & 'a 54 Nash, so I started to bring my camera to the boneyards instead of my wrenches and shot abstract details of dented car fenders, old safety glass, rusty doors, and old chrome. I was so excited by this photography that I switched majors from sculpture to photography and was fortunate enough to study with Aaron Siskind; graduating with a BFA in photography in 1974. I also attended The Maine Photographic Workshops (now Maine Media Workshops), where I mentored with Paul Caponigro, Arnold Gassen and John Loengard. later on I took courses in digital printing at MECA (Maine College of Art). I hunt "Wild Art" : abstract details of found objects. I particularly like the contradictions of what I capture: the images are abstract, yet they are real the images are painterly, yet they are photographs the images are beautiful, yet come from discarded deteriorating derelict objects the images are from seemingly permanent subjects yet the are prone to disappear overnight (often my photographs are all that is left). I also appreciate the mystery of the unknown history of my various discoveries as well as acknowledging their wabi sabi nature. When people view my work they have to reach deep into personal experience and imagination. Being abstract and virtually unrecognizable my images may evoke a memory, an emotion, or a reminder of something visually similar and are sure to beg the question: 'what is it?', thereby starting the conversation..." -- C.E. Morse "It's not what you look at that matters, it's what you see." -- Henry David Thoreau
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Call for Entries
All About Photo Awards 2026
$5,000 Cash Prizes! Juror: Steve McCurry