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Stéphan Gladieu
Stéphan Gladieu
Stéphan Gladieu

Stéphan Gladieu

Country: France
Birth: 1969

Stéphan Gladieu was born in 1969 and lives in Boulogne-Billancourt. He is represented by Olivier Castaing of the School Gallery in Paris and Artco Gallery in Germany, Cape Town and Joshua Tree. He began his career in 1989, covering war & social issues, travelling across Europe,Central Asia, the Middle East (Afghanistan, Iran, Iraq, Israel, Egypt, Pakistan) and Asia (India, Nepal, Vietnam, China, etc).

Going back to his beginnings, he very quickly enriched his photographic writing by using portraiture to bear witness to the human condition in the world. His main focus is on his personal and artistic work through series of portraits in which DNA is colour and the play of contrast between subject and background in natural settings. Stéphan Gladieu plays on the iconic character of the frontal image and on the frontier between the real and the unreal.

His portraiture has included covering the Saudi Princes, Princesses in Nepal, actors & directors behind the scenes at Cannes Film Festival, politicians, intellectuals, but also everyday people the world over.

Stephan still realize international features and portraits series, for international magazines but he is mainly focused on is personal work: human story through colorful portrait collection. On the side of his journalist activity, Stephan is working with private company (LVMH, Danone, TOTAL…) and International institutions (World Bank, UNICEF) to work on their visual identity.

Nowadays, Stephan Gladieu’s work is published in leading publications in France and internationally.

Source: www.stephangladieu.fr


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More Great Photographers To Discover

Simon Roberts
United Kingdom
1974
Simon Roberts is a British photographic artist based in Brighton, UK. Often employing expansive landscape photographs, his approach is one of creating wide-ranging surveys of our time, which communicate on important social, economic and political issues. Roberts has been exhibited widely with We English touring to over thirty national and international venues. He’s had solo shows at the National Media Museum, Bradford, Museum of Contemporary Photography, Chicago, and Museum of Contemporary Art, Shanghai, and been included in numerous group exhibitions. Recent shows include Observers: British Photography and the British Scene (From the 1920s to Now) at Galeria de Arte SESI, Brazil, and Landmark: The Fields of Photography at Somerset House, London. His photographs reside in major public and private collections, including the George Eastman House, Deutsche Börse Art Collection and Wilson Centre for Photography. In recognition for his work, Roberts has received several awards including the Vic Odden Award (2007) - offered for a notable achievement in the art of photography by a British photographer, along with bursaries from the National Media Museum (2007), John Kobal Foundation (2008) and grants from Arts Council England (2007, 2010, 2011, 2014). He was commissioned as the official Election Artist by the House of Commons Works of Art Committee to produce a record of the 2010 General Election on behalf of the UK Parliament. In 2012 he was granted access by the International Olympic Committee to photograph the London Olympics and most recently was made an Honorary Fellow of the Royal Photographic Society, UK (2013). He has published three critically acclaimed monographs, Motherland (Chris Boot, 2007), We English (Chris Boot, 2009) - voted by Martin Parr as one of the best photography books of the past decade - and Pierdom (Dewi Lewis Publishing, 2013). One commentator has described his photographs as “subtle in their discovery and representation of forms of cultural character, which, upon closer inspection, reveal a richness of detail and meaning. They exhibit a disciplined compositional restraint, a richness of palette, and a wealth of narrative incident. Also represented by MC2 Gallery
Cathleen Naundorf
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Morteza Nikoubazl
I was born in Tehran, Iran in 1974 and studied art and photography there. I started work as a freelance photographer for Iranian daily and weekly newspapers. I began working with the Reuters team as Freelance photographer since 1999 till 2013. After Reuters I worked with the New York Times International magazine, Polaris Images, Zuma Press and SIPA PRESS photo agencies and now I am working with the NurPhoto press photo agency. I am also UNHCR trusted photographer in Iran. Sense of death amid the COVID-19 outbreak in Iran Today is about one year after Government announced officially the COVID-19 cases in Iran and death still is everywhere. I could see patients who were infected by the new coronavirus in COVID-19 wards of hospitals who were breathing and after two hours they were died. In fact, life seems gone, time were stoped and people were looking for an empty hospital bed for their relatives. Sense of death is covered the daily life of people who have to fight with a new invisible enemy, and it will be getting worse when a country is under International sanctions. I was in the city of Bam for covering the earthquake in 2002-2003 and could see a U.S. Military cargo airplane landed after about 25 years since the Victory of the Islamic Revolution in Iran and I could see how the humanity could pass over the politic, but today I am witness how politic cover the humanity, sanctions still work and it pushed Iran to the end of the line of vaccine. People die left and right also medical personnel, But they hear about barriers to the import of the COVID-19 vaccines from western countries. When it comes to people's health, politics should be the last priority of countries, but it seems the politic is the first priority for the U.S., Iran and the European countries. On the other hand, Iranians cannot trust the China- Made, or Russian-Made vaccine and prefer the Iranian one, but they must wait until next year and try to be alive.
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Giles Clarke
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