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Manfred Baumann
Manfred Baumann
Manfred Baumann

Manfred Baumann

Country: Austria
Birth: 1968

Manfred Baumann was born in Vienna in 1968. The Leica photographer has since presented his works worldwide in the form of exhibitions, books, and calendars. His photographs are displayed in museums as well as in international galleries. Over the past years, Baumann has taken his place among the most influential photographers of our time. Via social media his range is more than 1 million!

He lives and works in Europe and the USA, and has already photographed such greats as Kirk Douglas, Sandra Bullock, Olivia Newton John, Martin Sheen, Don Johnson, Danny Trejo, William Shatner, Jack Black, Natalie Portman, Tony Curtis, Paul Anka, Lionel Richie, Kathleen Turner, John Malkovich, Bruce Willis, Juliette Lewis, Angelina Jolie, Toni Garrn, Michelle Rodriguez, Leah Remini, Evander Holyfield, as well as many international top models.

For Manfred Baumann, the fascination of photography lies in departing from the familiar and capturing an impression of the moment. He loves to explore the world through the eyes of a photographer.

To make visible that which others have not seen has been the objective of Baumann's exhibitions, such as End Of Line, in which he documented the final journey of death row inmates in Texas; Alive, where he photographed homeless persons on the street for one year; and his current project Special, which showcases Baumann's portraits of intellectually disabled persons. His ambition is to break with tradition and the conventional perspective.

The viewer of my photographs should discover the soul and history they embody and recognize that photography is the only language that can be understood all over the world. As an ardent animal welfare activist, vegetarian, and goodwill ambassador for Jane Goodall, he also ventured into the world of animal photography for the first time with the project Mustangs. The project's works and exhibition were shown in the Natural History Museum Vienna and the Leica Gallery in Los Angeles.

He teaches for the Leica Academy worldwide and does worldwide lectures & workshops. Manfred Baumann was 2017 Testimonial for Huawei international alongside with Robert Lewandowski. His Book and exhibition Vienna were shown at the Grand Hotel Vienna.

From February 2019 to May 2019, Baumann exhibited for the first time in Australia (in Melbourne and Sydney). In 2020 two new books will appear, the Lipizzaner the white horses and a Best of book with the name a photographer's life. It is the 15 and 16 illustrated books which have been published worldwide. Among Manfreds role models are great Master of Photography such as Alfred Eisenstaedt, Helmut Newton, Henri Cartier-Bresson, Richard Avedon, Herb Ritts, and Ansel Adams.

Manfred Baumann also photographed the late Tony Curtis. This was the Hollywood star's last official photo shoot and did much to bolster Baumann's considerable fame in the USA.

For more than 25 years, Manfred has been drawn to the most distant places in the world, where his breathtaking landscape photographs are created, and it is only natural that since 2013, he has cooperated with and photographed for National Geographic.

He lives and works in Vienna with his wife and muse Nelly Baumann, although his sojourns to his second home, Los Angeles, have become increasingly frequent and of longer duration. His clientele, however, come from all over the world.

Statement
"I GIVE THE MOMENT DURATION"
"Photographs are like songs that you sing into the world."
"HEART AND MIND – THE TRUE LENS OF THE CAMERA"
"The truth is the best picture!"


 

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More Great Photographers To Discover

Fred Herzog
Canada
1930 | † 2019
Fred Herzog devoted his artistic life to walking the streets of Vancouver as well as almost 40 countries with his Leica, photographing - mostly with color slide film - his observations of the street life with all its complexities. Herzog ultimately became celebrated internationally for his pioneering street photography, his understanding of the medium combined with, as he put it, "how you see and how you think" created the right moment to take a picture. Fred was born Ulrich Herzog in Stuttgart, Germany in 1930 and spent his childhood in Rottweil, Germany. He lost both of his parents during the war, and in 1946 Herzog went to work as an apprentice in his grandparents' hardware store. Disillusioned by the ravages of war and the situation in Germany, he emigrated to Canada in 1952 and settled in Vancouver in 1953. During the next several years. Herzog studied photography magazines while working aboard ships for the CPR steamship line, and in 1957 he was hired as a medical photographer at St. Paul's Hospital. In 1961, he became the head of the Photo/Cine Division in the Department of Biomedical Communications at UBC, and in 1970 was appointed Associate Director of the Department. Herzog was also hired as an Instructional Specialist in the Fine Arts Department at Simon Fraser University in 1967, and in 1969 became an instructor in the Fine Arts Department at UBC. Herzog had a walking route through Vancouver that enabled him to build friendships with other photographers and neighborhood residents and gave him an acute understanding of the daily life and soul of Vancouver. Over the course of several decades, Herzog produced a substantial body of color photographs, taking urban life, second-hand shops, vacant lots, neon signage, and the crowds of people who have populated city streets over the past years as his primary subjects. Herzog's use of color was unusual in the 1950s and 60s, a time when fine art photography was almost exclusively associated with black and white imagery. Additionally, Herzog photographed using Kodachrome slide film which was notoriously difficult to print. For decades he remained virtually unknown until his mid-seventies when printing technology caught up, allowing him to make archival pigment prints that matched the exceptional color and intensity of the Kodachrome film. A retrospective exhibition, Fred Herzog: Vancouver Photographs, was held at the Vancouver Art Gallery in 2007 and was the first major recognition of Herzog's body of work. Herzog exhibited his work both in Canada and internationally, including the exhibitions Fred Herzog: Photographs, C/O Berlin, Germany (2010), Fred Herzog: A Retrospective, Equinox Gallery, Vancouver (2012), Eyes Wide Open! 100 Years of Leica Photography, Haus der Photographie, Hamburg, Germany (2015), Photography in Canada, 1960-2000, National Gallery of Canada, Ottawa (2017), and many others. In 2010 Herzog received an Honorary Doctorate from Emily Carr University of Art and Design, and in 2014 he received the Audain Prize for Lifetime Achievement in the Visual Arts. An artist profile on Herzog was featured on the Knowledge Network for the series Snapshot: The Art of Photography II in 2011. In 2014, Herzog's photograph Bogner's Grocery (1960) was released as a limited edition stamp as part of Canada Post's Canadian Photography Series. Herzog died on September 9, 2019 at age 88.Source: Wikipedia
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Russia/United States
1895 | † 1940
Sasha Stone was a Russian artist. A stateless photographer, he and his first wife, Cami Stone (born Wilhelmine Schammelhout 1892-1975), were successful photographers during the 1920s and 1930s. One of his most known work is the cover of Walter Benjamin's book One-Way Street published in 1928. Sasha was born as Aleksander Steinsapir to Jewish parents, Natan Steinsapir and Bella Meerson, in Saint Petersburg, Russia. He studied electrical engineering at Warsaw Technical Institute in Poland from 1911 to 1913. In 1913, he immigrated to New York and spent a few years working briefly at the Edison Company in New Jersey. In 1917, Sasha enlisted in the United States Army, served in WWI and was honorably discharged on June 14, 1919. While in the United States Army he was granted a stay at the American Expeditionary Forces (AEF) Art Training Centre in Paris after the war. After his military discharge, Sasha lived in the Rue de Plantes, Paris, and worked as a sculptor. In 1918, Sasha and Cami moved to Berlin together and later married in 1922. When he moved to Berlin, he kept his studio in Rue de Plantes for his cousin Harry Ossip Meerson to use; however, Meerson failed to pay rent and was evicted. In Berlin, Sasha was associated with the sculptor Aleksandr Archipenko, and was a contributor to the magazine G-Material für elementare Gestaltung. His work was published in Die Form, Das Kunstblatt, UHU, Berliner Illustrirte Zeitung, Der Querschnitt, Gebrauchsgraphik, and Die Dame as well. In 1924, Sasha and Cami opened their own studio in Berlin, named Atelier Stone, meaning “Studio Stone”. In 1928, he officially changed his name to Sasha Stone and became a painter. He had little success as an artist. Due to an economic downturn in Europe during this period, Sasha focused on photography as a main source of income. Sasha had become an extremely versatile photographer, working with portraits, journalism, feature images, advertising, property, fashion, and architecture photos. His photos appeared in Adolf Behne's edition of Berlin in Bildern, and Paul Cohen–Portheim's travel guide Paris. Sasha took images for surrealist journals like Varietés in Belgium and Bilfur in Paris. His work was presented in the first international photography exhibition called Fotografie der Gegenwart in Essen, Germany, and Werkbund's exhibition Film und Foto in Stuttgart, Germany. In 1931, Sasha and Cami moved to Brussels, Cami's hometown, where they lived until they divorced. In 1933, the couple were part of the Exposition Internationale de la Photographie in Brussels. A collection of nudes by Sasha and Cami Stone was published in Les Femmes through the French magazine Arts et Metiers Graphique in 1933. Throughout this time Sasha was connected with artists, celebrities and intellectuals of that period. Sasha and Cami divorced on February 15, 1939. They continued to work together until Sasha remarried. On April 29, 1939, Sasha Stone remarried, to Lydia Edens (born Alida Anna Edens). Sasha, Lydia and other families fled the German attack on Brussels on May 14, 1940. Their goal was to reach Spain and then go to the United States for safety. The group was en route through the Pyrénées in Perpignan, France. On August 6, 1940, Sasha died in Perpignan due to a serious ailment. The exact location of his grave is unknown. The only thing left is the graveyard book entry.Source: Wikipedia Best known for his photomontage reproduced on the cover of Walter Benjamin's book One-Way Street (1928), Stone was closely associated with the New Objectivity movement of the 1920s in Germany. From 1924 to 1931, he operated a successful photographic studio in Berlin. He contributed photo reportage to many of the major illustrated magazines, including Uhu, Die Dame, and Berliner Illustrierte Zeitung and was celebrated for his innovative advertising work. In 1933 the French magazine Arts et Metiers Graphique published Femmes, a portfolio of Stone's studies of female nudes, as the first in a series of three planned portfolios on the human body. (The other two, Hommes and Adolescents, were never realized.) Stone's photographs, with their fragmented figures, angular compositions, and use of raking light, are superb examples of avant-garde photographic aesthetics in Europe between the world wars.Source: The Met
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John R. Pepper
John Randolph Pepper, (1958) is an Italian photographer, screenwriter, theatre and film director, the son of sculptress Beverly Pepper and journalist/writer Curtis Bill Pepper, editor of Newsweek and manager of its Rome office. He was born and raised in Rome; lives in Palermo and works worldwide. Pepper started his career in Black & White analogical photography with an apprenticeship to Ugo Mulas at 14. He published his first photograph at 15 and had his first show at 17. He studied History of Art at Princeton University, where he was also the youngest member of the exclusive painting program, '185 Nassau Street'. He then became a 'Directing Fellow' at The American Film Institute, (Los Angeles) and subsequently worked as a director in theatre and film for 20 years. For thirty years, he dedicated himself to photography while directing both theatre and film. During that time he continued to take photographs with his Leica camera always using the same Ilford HP5 film stock. John R. Pepper, represented by the Art of Foto Gallery (St. Petersburg, Russia) and The Empty Quarter Gallery (Dubai, UAE), is a 'Cultural Ambassador' of numerous Italian Institutes of Culture in may parts of the world. Since 2008 he has exhibited his different projects 'Rome: 1969 - An Homage to Italian Neo-Realist Cinema', 'Sans Papier', 'Evaporations' in the United States, France, Italy, the Middle East and Russia. He has published three books and is represented in several major museums around the world. Since 2015 Pepper has been working on his project 'Inhabited Deserts', where he explores deserts and their effect on time, history and people. 'Inhabited Deserts' debuted in Paris in November 2017; in September 2018, with the support of the Italian Embassy in Iran and the Italian Foreign Ministry, Pepper exhibited at the Aaran Projects Gallery in Tehran where he was one of the first Italian photographers since the Iranian Revolution of 1979. In November 2018, after participating at Paris Photo with the Galerie Sophie Scheidecker, 'Inhabited Deserts' went to Tel Aviv, Israel, representing Italy at the 6th International Photo Festival 'Photo Is:Rael'. From December 12th 2018 to February 15th Inhabited Deserts was presented at The Empty Quarter Gallery in Dubai, U.A.E. with curatorial text by Kirill Petrin. Subsequently the show opened on March 19, 2019 in Saint Petersburg, Russia, at the Art of Foto Gallery and shortly thereafter, on April 18th, it returned to Tel Aviv at the NOX Contemporary Gallery. In 2020 Inhabited Deserts will be seen in the United States and Italy. Per John Pepper "When talking about photography, we're talking about time. The image is fixed in time. We also talk about black and white and color, digital and film, reality and punctum - the critical concept of the French philosopher Roland Barthes, denoting the wounding, personally touching detail, which establishes a direct relationship with the object or person within it. Is a photographer an artist or not? The ones who feel they are, modestly define themselves as artisans. Still others, who do not think of themselves as photographers will snap photos relying on destiny's outcome. Finally, there are the ones who fantasize conceptual sequences snapped in extravagant situations - most of which without interest. About photography, much has been said. There are established masters, schools of thought, and many hopes. Yet whoever is sufficiently open to a vision within himself, who has cherished and assimilated the masters, will emerge with something new. Passion triumphs when backed by culture. When looking at one of John Pepper's photographs - the one with the group of people, friends and family, in front of their home, for example - I think of Paul Strand's image in his book, published with Zavattini 'Un paese' del 1955. There is a similar gathering of characters at the doorstep of their home. Time here is not just in the shutter time and lens aperture - a sixtieth of a second at eight - but in the transformation of the people, in the process of revealing themselves. With John, however, the appearances differ from those of Strand - moved up in time as evident in the shoes and pants, the motorcycle helmet, the technology of the wheelchair and the modern necklace of the young girl. They appear happy and to be speaking to the photographer. Despite some apparently expensive upper-class possessions, we perceive they are of a modest condition. In Strand's photograph, there is no doubt they are of peasant culture. Motionless, they stare at the photographer with a serious gaze, though ignorant of the world of images. Today, image is consumerism. It goes beyond diffidence. Everyone can have a camera, a motorcycle helmet and Nike shoes. People are well nurtured; they have even grown in height. With John the scene is of movement. The characters interact with ease, and the photographer is part of the game. He uses black and white film enhanced by the fine art of printing - images stemming from classical photography. John was just a boy when he came to my house in Milan, in piazza Castello, above the studio that once belonged to Ugo. I like to think that the darkroom at that time influenced him. Who knows? However, I do believe that Ugo's work helped him to become a photographer. His reportage in Italy is filtered through the memory of many great photographers - Diane Arbus, Cartier Bresson, Robert Frank, the first Richard Avedon, and William Klein to name a few. He has also traveled through Italy, in the streets and byways of youth, finding dramatic, enlightened faces in the theater of life. His portrait of the religious procession is most beautiful, with a perfect, compact, composition, among astonished angels and those bearing a religious float against a sharp background of light. John lives and works in Palermo, an outward antithesis of New York. An American born and raised in Italy, it is as an Italian that he grasps the vital spirit, the soul, and the humanity of people. His choice to live in a region like Sicily, so full of contradictions and archaic values, will surely help him in chronicling the history of change in our era. Then, apart from making art, he will have absorbed it as his own - a part of his life that will recur in defining time, space, and the evolution of the human condition." Antonia Mulas, Todi, May 5, 2012
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