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Win a Solo Exhibition in June 2026 + An Exclusive Interview!
Win a Solo Exhibition in June 2026 + An Exclusive Interview!
Elke Vogelsang
Elke Vogelsang
Elke Vogelsang

Elke Vogelsang

Country: Germany
Birth: 1972

Elke Vogelsang is a commercial and editorial photographer living in Germany. Her work has been featured worldwide in renowned print and tv publications and campaigns including The Sunday Time Magazine, National Geographic, Die Zeit, The Bark magazine, Good Morning America, and many more.

Her works were exhibited in group and solo shows throughout the world, e.g. Paris, London, Lisbon, San Anselmo, and Singapore.

She's the author of the book "Nice Nosing You - for the love of life, dogs and photography" featuring her pictures.



Statement:
Dogs are funny characters. They find pleasure in the most mundane things.
My dogs are my joy, recreation, and constant source of laughter, though they can be shy and sad as well; they comfort me in bad times. They are members of the family, the kind I love to have around. I can never get into trouble with my dogs, because they are unpretentious and forgiving.
I would never say that I prefer dogs to humans-after all, some people mean the world to me; but I would definitely say that dogs enrich my life in numerous ways. My hope is that I give back to them at least half of what they give me.
As I try to explore in photography all the emotions I share with my dogs, I pay homage to them and also to life.
 

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More Great Photographers To Discover

Fred Lyon
United States
1927 | † 2022
Lyon has been called "San Francisco's Brassaï ," and has also been compared to Cartier-Bresson, Atget, and André Kertész, but with a San Francisco twist. The lifelong San Francisco Native happily admits his debt to those icons. Now 88, his nonstop career reaches back to the early 1940s and embraced news, fashion, architecture, advertising, and food. In the golden years of magazines his picture credits were everywhere from Life to Vogue. Lyon still maintains a lust for life, and is now combining his extensive picture files for galleries, publishers, and print collectors. Source: Peter Fetterman Gallery Fred Lyon is a time traveler with a camera and tales to tell. This former Life magazine photographer and fourth generation San Franciscan has an eye for the city and stories to match. We showed photos from Fred's books San Francisco, Portrait of a City: 1940-1960 and San Francisco Noir, and images spanning his diverse career. In conversation he'll discuss his art, work, and life; recollections of old friends like Herb Caen and Trader Vic Bergeron; and more. He shared his unique perspective after nearly a century in San Francisco. Fred Lyon's career began in the early 1940's and has spanned news, architecture, advertising, wine and food photography. In the golden years of magazine publishing his picture credits were everywhere from Life to Vogue and beyond. These days find him combing his picture files for galleries, publishers and print collectors. He has been called San Francisco's Brassaï. That's fine with this lifelong native who happily admits his debt to those icons.Source: The Interval Fred Lyon, a fourth generation San Franciscan, has accomplished a lot over his seventy-year career with his trusty mechanical film cameras and he continues to explore the medium to this day. Lyon has worked alongside photography greats while creating a name for himself, becoming known as San Francisco's Brassaï. He got his start at age fourteen as an assistant at Gabriel Moulin Studios and studied under famed landscape photographer Ansel Adams. When asked why he initially wanted to get into photography, he grinned and explained that, "Cameras were cool and I thought it would be a good way to get the girls. Guess how that went?" After a stint in the Navy as a press photographer, working directly with Roosevelt's office, he went on to photograph fashion in New York City. After a trip back to the San Francisco Bay Area, he decided to return permanently to the city that holds his heart, and luckily for us, he never left. His professional career spanned decades and his work has been seen in Time Magazine, Life, Vogue, and countless other fashion, home and garden magazines.Source: Leica Store San Francisco
Chuck Close
United States
1940 | † 2021
Chuck Close is an American artist known for his monumental photorealist portraits. Close received his B.A. from the University of Washington in 1962 and his M.F.A from Yale University in 1964. Upon graduation, he was chosen for the Fulbright Program grant, which he used to study at the Academy of Fine Arts in Vienna. Upon his return to the U.S., Close worked as an art teacher at the University of Massachusetts. In 1967, he moved to New York and began his work in SoHo. He was given his first solo exhibition in New York later that same year, followed by an exhibition at the Walker Art Center in Minneapolis. In kindergarten, Close learned that he suffered from prosopagnosia, commonly known as face blindness. He chose portraiture as a way to remember the significant people in his life. With his inability to recognize faces, Close uses a grid system to piece together his portraits. He said, “If you impose a limit to not do something you've done before, it will push you to where you've never gone before." Close suffered from a spinal artery collapse in 1988 that left half of his body paralyzed. Though many thought his artistic career was over, he re-taught himself to paint using a splint. He methodically paints in color or grey scale in low-resolution grid squares across the canvas. Close up his work looks like no more than blocks of color, but the colors combine to create a photorealistic image as you back away. Close is not only influential in the art world, but his early airbrush techniques also inspired the development of the ink jet printer. His portraits of famous artists are his most sought after works, and his work John (1971-1972) sold with Sotheby's for $4.8 million in 2005. Chuck Close has work featured in the permanent collections at the Albright-Knox Gallery in New York, the High Museum of Art in Atlanta, the Museum of Contemporary Art in Georgia, the Whitney Museum of American Art, the Art Institute of Chicago, the MCA Chicago, the LACMA, the MFA Houston, the MFA Boston and the Guggenheim Museum in New York. Related Categories: Close-Up, Photorealistic, Hyperrealism, Photographic Source, Post-War American Art, Pixelated, Visual Perception, Drawing, Black-and-white Photography, Work on Paper Source: www.casterlinegoodman.com
Xiaoping Lin
China
1972
Xiaoping Lin, a Chinese bird photographer, has been involved in photography since 1992. He has won numerous honors, including the 2025 CEWE Winner, 2022 XPOSURE First Place, 2023 HIPA Merit Medal, 2023 BigPicture Winner, and 2024 NBP Winner. His photographic works have been exhibited in photography shows around the world and published in various magazines and books. His works accurately capture vivid details of bird ecological behavior from a unique perspective, while interpreting the meaning of life through the language of the lens. These images not only inspire audiences to engage in profound philosophical reflections on the laws of nature but also prompt the public to rediscover the majestic charm of the natural world, evoking deep inquiries into the essence of life and the mysteries of nature. He always hopes to convey the beauty of nature through the lens, awaken the public’s deep understanding and aesthetic resonance of nature, and then cherish the ecological environment and fulfill the responsibility of protection. Statement: The scene of “opening the gate to release the tide and egrets catching fish” is a major attraction of Yundang Lake in Xiamen, China. Xiamen has long pursued sustainable ecological civilization, improving bay water dynamics and protecting the marine ecosystem, with the lake area’s environment greatly improved. Every time the tide rises, the gates of the West Embankment in Xiamen are opened to let seawater into Yundang Lake. It is often seen that small fish are rolling and leaping in the surging seawater, and egrets in the air and big fish in the lake are competing for the small fish at the gate - a spectacular sight of "egrets and fish flying together". The series of photography works titled "The Epic of Survival in the Waves - The Life Struggle Between Egrets and Fish" was captured between 2022 and 2025. The speed at which egrets and large fish compete for small fish is so fast that a shutter speed of at least 1/2000 and a high-speed continuous shooting rate of 20 frames per second are required to freeze the thrilling moments. This speed is beyond the reaction time of the human eye. This series of photography works records the most primitive competition in nature from a nearly cold perspective, allowing me to see the most genuine form of life: not the cold law of the survival of the fittest, but the survival epic that every living being is writing with all their might. Those that sparkle in the waves are both the cruel truth of nature and the brilliant light of life that never compromises. I hope these photography works can prompt the audience to deeply reflect on the mysteries of nature and the essence of life, and thereby cherish the ecological environment and fulfill the responsibility of protection. AAP Magazine AAP Magazine 54 Nature
Jacques Henri Lartigue
France
1894 | † 1986
Jacques Henri Lartigue is 69 years old in 1963 when he first presents a selection of his many photographs taken throughout his life in New York’s MoMa. That same year there is a photo spread of his work in the famous Life Magazine issue which commemorates the death of John Fitzgerald Kennedy, and which is publicized worldwide. To his great surprise, Lartigue becomes, overnight, one of the renowned photographers of the twentieth century. Jacques learns about photography from his father as early as the year 1900. Henri Lartigue rewards Jacques’s enthusiasm by buying him his first camera when he is 8 years old. Thus begins the endless coverage of his childhood, including automobile outings, family holidays and especially his older brother Maurice’s (nicknamed Zissou) inventions. Both brothers are fascinated by cars, aviation, and all sports with increasing popularity at the time. Jacques’s camera freezes each moment. As an adult he continues to attend sporting events and to take part in elite sports such as skiing, skating, tennis and golf. However, ever mindful of the passage of time, photography is not quite enough to capture his childhood memories. A snapshot cannot encompass all there is to say and to remember. He thus begins keeping a journal and will continue to do so his whole life. Furthermore, as if to engage in a more renowned activity, he takes up drawing and painting. In 1915 he briefly attends the Julian Academy and thus painting becomes and remains his main professional activity. From 1922 on he exhibits his work in shows in Paris and in the south of France. In the meantime, in 1919, Jacques marries Madeleine Messager, the daughter of the composer André Messager, and their son Dani is born in 1921. Jacques and Madeleine get a divorce in 1931. He revels in high society and luxury until the beginning of the 1930’s until the decline of the Lartigue fortune forces him to search for other sources of income. He refuses however to take on a steady job and thus lose his freedom, and so he scarcely gets by with his painting during the 30’s and 40’s. In the beginning of the 1950’s and not in accordance with the legend in which he is a complete unknown, his work as a photographer is noticed. He nevertheless continues to paint. He embarks on a cargo ship to Los Angeles in 1962 with his third wife Florette. In a roundabout way, they stop on the East Coast and meet Charles Rado of the Rapho Agency who in turn contacts John Szwarkoski, MoMa’s photography department young curator. There is all-around enthusiasm. The first retrospective of his work is held in Paris’ “Musée des Arts Décoratifs” in 1975. One year earlier, Lartigue was commissioned by the President of France Valéry Giscard d’Estaing to shoot an official portrait photograph. In 1979 the Donation Agreement is signed and Lartigue becomes the first living French photographer to donate his work to the nation. He authorizes the Association des Amis de Jacques Henri Lartigue to preserve and promote the fund. In 1980, his dream of having his own museum comes true with the Grand Palais’ exhibit “Bonjour Monsieur Lartigue”. He continued his work as a photographer, painter and writer until his death in Nice on September 12th 1986. He was 92 years old. He left us with more than 100 000 snapshots, 7 000 pages of diary, 1 500 paintings. Source: Jacques-Henri Lartigue Donation
Nadide Goksun
Turkey/United States
1967
Nadide Goksun (b. 1967) is a Turkish/American artist working primarily with photography and ceramics. She is a graduate of the Bogazici University in Istanbul, the Sungshin Women's University in Seoul and participates on the ICP Continuing Education Program in New York. Goksun's work has been exhibited in several group exhibitions including Foley Gallery’s Exhibition Lab in NYC, Griffin Museum of Photography, Soho Photo Gallery’s National competition, Photo Review’s 36th Annual International Photography Competition, Head On Photo Festival, Sydney-Australia, Julia Margaret Cameron Awards, Barcelona-Spain, Lens Culture’s 250 New Examples of the 21st Century Street Photography among others. Her first solo show “Swimmers” was exhibited in Bondi Beach, Sydney at the Head On Photo Festival in 2021. Her artwork has been reproduced in The New York Times, PDN (Photo District News), ArtAscent International Art and Literature Journal, Pastiche, All About Photo, Dodho, and SHOTS Magazine. She currently lives and works in New York State. SWIMMERS My childhood memories of summer holidays on the Aegean seaside have shaped a deep and lasting relationship with water in my psyche. As a child, playing in the sea brought me both relaxation and joy. Swimming felt like entering a foreign terrain—an access to a muted, quieter world away from the noise of the land. In that sense of suspension and otherness, I found a rare kind of peace. The shifting blue of the water, never constant, changing with light and time, deepened this feeling of being in a living, breathing environment. As I grew older, I began to associate the experience of being submerged with what I imagine to be a prenatal state—an enveloping space of safety, serenity, and inner balance. Swimming became a way of returning to that feeling, a way of experiencing freedom beyond the physical body. In water, I encounter something both naïve and profound—a magical and sensual state that recalls youthful innocence while remaining deeply present. In my series Swimmers, I aim to capture these sensations through the bodies of others, intertwined with my own emotional experience. I work in black and white to remove the seduction of color and instead emphasize form, texture, and the subtle play of light. This choice allows the images to become more introspective and timeless. Despite the constant movement of both the subjects and myself, photography offers the possibility of suspending a fleeting moment within this fluid world. These images exist in a space between stillness and motion, where bodies drift, float, and hover in a liquid abyss. AAP Magazine AAP Magazine 17 Portrait AAP Magazine 34 Shapes Article My Father's Toys Swimmers
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