All about photo.com: photo contests, photography exhibitions, galleries, photographers, books, schools and venues.
Enter AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Enter AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
David Peabody
David Peabody
David Peabody

David Peabody

Country: United States

David Peabody is an American architect and photographer. He was born and raised in Natchez, Mississippi. After college, inspired by the work of Walker Evans, David spent a year working odd jobs and moving around Mississippi, documenting rural life. Now, nearly 50 years later, he is completing the project, digitally scanning and printing that early work. In the process, he is photographing the changed landscape of rural Mississippi.

David went on to study and practice architecture, but has always returned to taking pictures Currently he is following the progress of several young couples building homesteads in rural Maine. In one way or another, most of his work is an attempt to find beauty and see beyond the corporate veneer that increasingly covers our built environment. David lives with his wife Ginger in Alexandria, Virginia and East Blue Hill, Maine.
 

Inspiring Portfolios

Call for Entries
AAP Magazine #54 Nature
Publish your work in AAP Magazine and win $1,000 Cash Prizes
 
Stay up-to-date  with call for entries, deadlines and other news about exhibitions, galleries, publications, & special events.

More Great Photographers To Discover

Tamara Reynolds
United States
Tamara Reynolds is a documentary photographer whose unflinching eye considers what it means to be human in today’s society. In particular, her work focuses on the lives of those who are usually unseen. Reynolds’ photobook The Drake was published and released by Dewi Lewis in early 2022. The work — portraits, still lifes and streetscapes that document the lives of people existing just above survival on one square block around a motel in Nashville, Tennessee — has received numerous honors, including a 2021 Guggenheim Fellowship, the 2021 BarTur Photo Award, a 2020 Puffin Grant, the 2019 Tennessee Arts Commission Individual Artist Grant and the Santa Fe Center 2018 Project Launch Grant. Reynolds’ acclaimed earlier body of work, Southern Route, which explores issues of identity, conflict and the disappearing culture of the South, was included in Southbound, a traveling exhibition and book curated by Mark Sloan and Mark Long of Halsey Institute of Contemporary Art, with support from the NEA and the Robert Mapplethorpe Foundation. In addition to numerous exhibitions around the country, Reynolds’ photographs have been featured on the New York Times Lens Blog, PBS News Hour, Lenscratch, Strange Fire Collective, Photo-Emphasis, Oxford American and FotoRoom, among others. Her images have also been published in Ain’t Bad, American Photography 29, 30 and 33, Oxford American Magazine: Eyes on the South, Communication Arts and All About Photos and are in the public collections such as The Do Good Fund and Cassilhaus. In 2017, she received a Master of Fine Arts from the University of Hartford, where she graduated with honors. She holds a Bachelor of Fine Arts from Middle Tennessee State University where she was recently inducted to their Wall of Fame. Reynolds has been a guest lecturer at George Fox University, Middle Tennesse University, Vanderbilt University, the Montgomery Museum of Fine Arts, Cassilhaus Gallery, the Halsey Institute of Contemporary Art and Morris Museum of Fine Art. Prior to her current work in documentary photography, Reynolds has worked as a commercial photographer for over 30 years. Her work has appeared in many national publications including NBC News, Bloomberg Businessweek, Forbes, The New York Times Magazine and The Wall Street Journal to name only a few and has been part of numerous national advertising campaigns. Along with working as an editorial photographer, she currently teaches as a Lecturer at Vanderbilt University and Adjunct Professor at Belmont University. Tamara Reynolds was born in Nashville, Tennessee, and has lived there all her life. The Drake he Drake is a series of portraits, still lifes and streetscapes that document the lives of people existing just above survival on one square block around a motel in Nashville, Tennessee. The Drake Motel is located in an area ignored by developers, a microcosm of the disregarded or resentfully tolerated. Alcohol and drug addiction are prevalent among those who live in its shadow. Prostitution, panhandling and day labor have become ways to maintain addiction. The Drake offers a means to delve deeply into a world far removed from my own but also perilously close — how my life might have looked had I not found the resources that led me to recovery. The work continuously challenges my concept of empathy and how to photograph my subjects in such a way as to make the unseen seen. I am passionate in my intent to push back against a society of increasing culturally endorsed behavior to not acknowledge the marginalized. These are not easy pictures, but my hope is that the images give space for viewers to move closer, to enter the stillness of the photographs and consider the lives of those looking back.
Charles Marville
France
1813 | † 1879
Charles Marville, the pseudonym of Charles François Bossu (Paris 17 July 1813 - 1 June 1879 Paris), was a French photographer, who mainly photographed architecture, landscapes and the urban environment. He used both paper and glass negatives. He is most well known for taking pictures of ancient Parisian quarters before they were destroyed and rebuilt under "Haussmannization", Baron Haussmann's new plan for modernization of Paris. In 1862, he was named official photographer of Paris. Marville's past was largely a mystery until Sarah Kennel of the National Gallery of Art and independent researcher Daniel Catan discovered that Marville's given name was Charles-François Bossu. That newly-found association allowed them to discover a variety of biographical information, including photographs of his family, that had been considered lost to time. Bossu was born in 1813 in Paris. Coming from an "established" Paris family, he trained as a painter, illustrator and engraver. He assumed the pseudonym Charles Marville around 1832, and began working in his field. After 17 years, as an illustrator, he took up photography around 1850. He had no family, but a long-time companion was included in his will. He died in 1879 in Paris.Source: Wikipedia Charles Marville was commissioned by the city of Paris to document both the picturesque, medieval streets of old Paris and the broad boulevards and grand public structures that Baron Georges-Eugène Haussmann built in their place for Emperor Napoleon III. Marville achieved moderate success as an illustrator of books and magazines early in his career. It was not until 1850 that he shifted course and took up photography - a medium that had been introduced just 11 years earlier. His poetic urban views, detailed architectural studies, and picturesque landscapes quickly garnered praise. Although he made photographs throughout France, Germany, and Italy, it was his native city - especially its monuments, churches, bridges, and gardens - that provided the artist with his greatest and most enduring source of inspiration. By the end of the 1850s, Marville had established a reputation as an accomplished and versatile photographer. From 1862, as the official photographer for the city of Paris, he documented aspects of the radical modernization program that had been launched by Emperor Napoleon III and his chief urban planner, Baron Georges-Eugène Haussmann. In this capacity, Marville photographed the city’s oldest quarters, and especially the narrow, winding streets slated for demolition. Even as he recorded the disappearance of Old Paris, Marville turned his camera on the new city that had begun to emerge. Many of his photographs celebrate its glamour and comforts, while other views of the city’s desolate outskirts attest to the unsettling social and physical changes wrought by rapid modernization. Haussmann not only redrew the map of Paris, he transformed the urban experience by commissioning and installing tens of thousands of pieces of street furniture, kiosks, Morris columns for posting advertisements, pissoirs, garden gates, and, above all, some twenty thousand gas lamps. By the time he stepped down as prefect in 1870, Paris was no longer a place where residents dared to go out at night only if accompanied by armed men carrying lanterns. Taken as a whole, Marville’s photographs of Paris stand as one of the earliest and most powerful explorations of urban transformation on a grand scale.Source: Howard Greenberg Gallery
Jonathan Jasberg
United States
1977
I'm a full-time vagabond, traveling to visit and photograph locations that interest me from a cultural perspective. This has lead me to over 60 countries in the past 11 years, with my main focus on an in-depth exploration of Japan where I have made roughly 20 long visits to learn the culture and the language to a high level of proficiency. After spending the first 6 months of the coronavirus pandemic in Japan, I was forced to leave due to my visa running out, and on a whim I returned to Cairo, Egypt, a City I had briefly visited in 2018. Egypt and Japan are vastly different, but I find the same fascination with both locations and decided to start my 2nd long term project in Cairo, where I have now made 3 more lengthy visits in the last 2 years since I last left Japan. Cairo: A Beautiful Thing Is Never Perfect The project borrows its title from an ancient Egyptian proverb, and came about from a chance encounter with an older Egyptian man who stopped me and asked why I was photographing. At the time, I was overwhelmed by the scene in front of me and motioned to it stating 'just look at it, it's beautiful'. The older man looked, looked back at me and shook his head stating 'beautiful? it's an old mess' and he walked on. The project focuses on showing candid beautiful moments of daily life of a complex city that most tourists quickly skip over after a brief visit to the pyramids and museum, moments and scenes that are also easily overlooked by locals who have grown too familiar with their surroundings.
Jefferson Caine Lankford
United States
1993
Jefferson Caine Lankford is a photographer born and currently based in the United States. He uses a range of photographic techniques including alternative, analog, and digital practices. Jefferson earned a BFA in photography at East Carolina University in 2016 and also attended the Australian National University, located in Canberra, Australia - where he studied documentary photography. His work focuses on a variety of subjects, ranging from environmental concerns and foreign cultures to the various aspects of the American South, such as agriculture, poverty, and society. To Be, Rather Than to Seem The American South has an essence that sparingly reveals itself, thus requiring unprecedented determination and patience to photograph all its splendor. Nevertheless, and despite its elusiveness, this essence I am chasing - permeates; it lingers in the air of North Carolina, and when discovered, puts on a magnificent display. This essence appears in the eyes of a jet-black cat within an abandoned barn: it agonizes within the face of an elderly Amish man; it breathes deep within the shadow of a stray dog crossing a back road; it flourishes within the wings of starlings above a farm after heavy rain; it shines on a dilapidated door in the middle of nowhere, and it tirelessly works in the tobacco fields without complaint. Over the past three years, I have traveled throughout many impoverished towns and across countless acres of farmland to document and share an original story of existence - life and death as it occurs in rural North Carolina. The photographs within this ongoing project, To Be, Rather Than to Seem - provides a window for others to witness these fleeting moments for themselves and embrace the beautiful raw essence of my homeland.
Arno Rafael Minkkinen
Arno Rafael Minkkinen is a Finnish-American photographer who works in the United States. Published and exhibited worldwide, Minkkinen's work can be found in the collections of the Museum of Fine Arts, Boston and the Finnish Museum of Photography. Seven solo monographs on his work have been published: Frostbite (1978), Waterline (1994, winner of the 25th Rencontres d'Arles Book Prize), Body Land (1999), SAGA: The Journey of Arno Rafael Minkkinen, 35 Years of Photographs (2005), Homework: The Finnish Photographs (2008), Swimming in the Air (2009), and Balanced Equation (2010). The retrospective survey SAGA premiered at the DeCordova Museum in Lincoln, MA, in 2005. The 120-print retrospective toured to Romania, Slovakia, Finland, Italy, China, and Canada. Minkkinen was made a Knight of the Order of the Lion of Finland of the first class by the Finnish government in 1992, and awarded the Finnish State Art Prize in Photography in 2006. Minkkinen was born in Helsinki, Finland in 1945 and emigrated to the United States in 1951. He graduated from Wagner College with a Bachelor of Arts in English Literature and began taking self-portraits in 1971, while working as an advertising copywriter on Madison Avenue in New York. He later studied with Harry Callahan and Aaron Siskind at Rhode Island School of Design and earned his Master of Fine Arts degree in photography in 1974. Over the past four decades, Minkkinen has been engaged as a teacher, curator, and writer while continuing to devote his photographic research and energies to the self-portrait. Minkkinen is a Professor of Art at the University of Massachusetts Lowell, and also serves as lecturer at Aalto University of Art & Design Helsinki. Earlier in his teaching career, he served as Assistant Professor at M.I.T., Visiting Artist at Philadelphia College of Art (now University of the Arts (Philadelphia)), the École d'Arts Appliqués in Vevey, Switzerland, and as graduate faculty at Maine Media College in Rockport, Maine. Since joining UMass Lowell in 1987, Minkkinen has taken students to Finland and Russia (1988), and Czechoslovakia (1989). In 1996, in a collaborative UMass Lowell/Lahti Institute of Design (Lahti, Finland) exchange program called Spirit Level, thirty Finnish, American, and Swiss students toured through Finland, Russia, and Eastern Europe for three weeks with Minkkinen and photo department head at Lahti, Timo Laaksonen. Among the students at the time was Mark Eshbaugh who later became an adjunct professor at UMass Lowell. Seven years after the first Spirit Level, together with Timo Laaksonen and Mark Eshbaugh a professor at Umass Lowell at that time, Tuscany in Italy (2003) and Oaxaca, Mexico (2007) were added to the program. [9] Later Minkinnen organized collaborations with Aalto University in Helsinki, Finland and the Foundation Studio Marangoni in Florence, Italy (2010) as well as the Bilder Nordic School of Photography in Oslo and the École Supérieure d'Arts & Medias de Caen/Cherbourg in France (2012) for an American Road Trip to the studio farmlands of American photographer Sally Mann.[10][11] The first three workshops resulted in the publication of a book commemorating those first three experiences. Minkkinen has taught workshops worldwide, particularly at the Maine Photographic Workshops (now Maine Media Workshops), Maine Media College (as part of the graduate faculty), the Art Institute of Boston at Lesley University, Anderson Ranch in Colorado, Santa Fe Workshops in New Mexico, the Friends of Photography in Carmel, California, and in Europe at the Rencontres d'Arles in Arles, France, the Toscana Photographic Workshops in Tuscany, Italy, as well as workshop programs in Finland, Norway, Luxembourg, and China. Minkkinen served a second four-year term as national board member of the Society of Photographic Education (2008 to 2016). Since 2009, Minkkinen has developed a growing interest in feature filmmaking and screenwriting. In 2010, he received a first-round of support from the Finnish Film Foundation for a screenplay he had written and will be directing. It will be shot in Finnish Karelia and Finntown, Brooklyn. The demo preview of The Rain House was screened at the Film Society of Lincoln Center's Elinor Bunin Munroe Film Center in connection with the Dance Films Association's 41st Dance on Camera Festival (2013).Source: Wikipedia Finnish-American photographer Arno Rafael Minkkinen has been capturing self-portraits of his nude body in natural surroundings for the better part of five decades. More than just existing in these scenic locations, Minkkinen fully merges his limbs and torso like a chameleon, blurring the lines between where the world ends and his body begins. The methods used to create these bold and uninhibited shots pre-date the use of Photoshop by decades, instead of relying on a simple 9-second shutter release that allows Minkkinen to quickly pose for each shot. He usually works completely alone, and won’t let anyone else look through his camera’s viewfinder, lest they instead be labeled ‘the photographer.’ What may appear as a simply composed photo with fortuitous timing, is often the result of Minkkinen taking dangerous risks as he submerges himself in strong currents, buries himself in ice, or balances precariously on the edge of a cliff.Source: Colossal
Lala Deen Dayal
India
1844 | † 1905
Lala Deen Dayal, (famously known as Raja Deen Dayal) born in 1844 in Sardhana, Uttar Pradesh, is revered as one of India's most influential photographers. His journey into photography began after he completed his education in engineering at Thomason College of Civil Engineering (now IIT Roorkee). Initially working as a draftsman for the Public Works Department, Deen Dayal's interest in photography soon turned into a passionate pursuit, transforming him into a pioneer of the craft in India. In the late 19th century, when photography was still a nascent field, Deen Dayal's talent quickly garnered attention. He established his first studio in Indore, gaining the patronage of Maharaja Tukoji Rao II. His reputation for capturing intricate details and the essence of Indian life, architecture, and landscapes soon spread, leading to numerous commissions from Indian royalty and British officials. This period marked the beginning of his illustrious career, during which he documented India's rich cultural heritage with a distinctive artistic vision. Deen Dayal's photographic expertise reached new heights when he was appointed the court photographer for the sixth Nizam of Hyderabad, Mahbub Ali Pasha, in 1885. This prestigious position allowed him unparalleled access to the royal family and their opulent lifestyle. His photographs from this era are renowned for their exquisite composition and detail, providing a rare glimpse into the grandeur of princely India. Deen Dayal's work from this period includes portraits, architectural studies, and documentation of royal ceremonies, all characterized by their meticulous attention to detail. Throughout his career, Deen Dayal's contributions to photography extended beyond his royal commissions. He established studios in Mumbai, Indore, and Hyderabad, training a generation of Indian photographers and expanding the reach of professional photography in the country. His innovative techniques and commitment to quality earned him international recognition. In 1897, he was awarded the Royal Warrant by Queen Victoria, a testament to his exceptional skill and the impact of his work on a global scale. Lala Deen Dayal passed away in 1905, but his legacy endures through his extensive body of work that continues to be celebrated for its historical and artistic significance. His photographs are invaluable records of India's architectural and cultural history, capturing the essence of a bygone era with clarity and depth. Deen Dayal's pioneering spirit and dedication to his craft have left an indelible mark on the history of photography, establishing him as a true trailblazer in the field. His work remains a source of inspiration for photographers and historians alike, preserving the rich tapestry of 19th-century India for future generations.
Advertisement
AAP Magazine #54 Nature
Win a Solo Exhibition this January
AAP Magazine #54 Nature

Latest Interviews

Exclusive Interview with Julie Wang
Chinese-born photographer Julie Wang brings a poetic, contemplative sensitivity to her visual exploration of the world. Having lived for nearly equal parts of her life in China, Europe, and the United States, she approaches her subjects with the nuanced perspective of someone shaped by many cultures. This blend of distance, curiosity, and emotional resonance infuses her work with a quiet depth, allowing her to reveal the fragile beauty and subtle tensions that often pass unnoticed.
Exclusive Interview with Ghawam Kouchaki
American photographer Ghawam Kouchaki brings a sharply observant and introspective gaze to the streets of Japan’s capital. Based in Los Angeles, he approaches Tokyo with the distance — and curiosity — of an outsider, allowing him to uncover the city’s subtle contradictions, quiet tensions, and fleeting gestures that often go unnoticed. His series Tokyo no no, selected as the Solo Exhibition for December 2024, explores the hidden undercurrents of urban life: the unspoken rules, the small ruptures in routine, the poetic strangeness found in everyday moments. Through muted tones, instinctive timing, and meticulous framing, Kouchaki reveals a Tokyo that exists somewhere between reality and imagination — both intimate and enigmatic. We asked him a few questions about his life and work.
Exclusive Interview with Tommi Viitala
Tommi Viitala, winner of AAP Magazine #44: Street, is a Finnish photographer celebrated for his striking and cinematic street photography. With a keen eye for atmosphere and composition, he captures fleeting urban moments that reveal the poetry of everyday life. His work often explores the tension between solitude and connection within contemporary cityscapes, blending documentary realism with artistic sensibility. Viitala’s photographs have been exhibited internationally and recognized for their strong visual storytelling and emotional depth. We asked him a few questions about his life and work.
Exclusive Interview with Robert Mack
Robert Mack is a California-based visual artist, photographer, and filmmaker. His fine art photography and films have been exhibited widely in the United States and Europe, with major shows at the Baltimore Museum of Art and the Reiss-Engelhorn Museum in Mannheim, Germany. Both institutions hold his work in their permanent collections. Working across different media, Mack has built a career exploring the complexities of human presence and representation. In 1981, while living in Baltimore, he produced The Perkins Project: Not Guilty by Reason of Insanity, a rare photographic and film study inside Maryland’s hospital for the criminally insane. These stark yet compassionate black-and-white portraits remain one of his most powerful and controversial bodies of work.
Exclusive Interview with Alan Schaller About Irys
Alan Schaller is a London-based photographer best known for his striking black-and-white street photography and as co-founder of Street Photography International, one of the largest online communities dedicated to the genre. With years of experience both behind the camera and in building platforms that give visibility to photographers, Schaller has now turned his focus to creating a new digital space for photography itself. His latest venture, Irys, is a photography app designed by photographers, for photographers, with the aim of offering a dedicated platform where images are respected as works of art rather than treated as disposable content.
Exclusive Interview with Guillaume Bonn
With his latest book Paradise, Inc., celebrated documentary photographer Guillaume Bonn takes us deep into the heart of East Africa, where the promises and failures of wildlife conservation collide. Far from offering a romanticized vision of nature, Bonn’s work confronts us with urgent realities: the tensions between local communities and conservation policies, the sacrifices of rangers on the frontlines, and the long-lasting impact of human activity on fragile ecosystems. Spanning more than two decades of fieldwork, the project blends powerful imagery with investigative depth, raising difficult but necessary questions about transparency, accountability, and the Western-led models that dominate conservation. Enriched by the voices of those too often left out of the conversation—including a preface by Maasai leader Ezekiel Ole Katato and an introduction by journalist Jon Lee Anderson—Paradise, Inc. is both a stunning visual journey and a call to action. In the following interview, Guillaume Bonn reflects on the making of Paradise, Inc., the ethical dilemmas at the heart of his work, and the urgent need to rethink our approach to conservation in East Africa and beyond.
Exclusive Interview with Sander Vos
Sander Vos is a fine art photographer based in London whose work seamlessly blends elements of Surrealism with portraiture. Drawing inspiration from his background in design, Vos embraces light and contrast to sculpt striking, graphic compositions. His photographs invite the viewer into a world where revelation and concealment coexist, leaving space for imagination and interpretation.
Exclusive Interview with Tomasz Trzebiatowski Editor-in-chief FRAMES Magazine
Founded in 2020 by photographer, publisher, and classical pianist Tomasz Trzebiatowski, FRAMES Magazine has quickly established itself as a thoughtful space for photography lovers who believe that powerful images deserve to live on paper. Known for its beautifully printed quarterly issues and dynamic international community, FRAMES bridges the gap between tradition and innovation in the photographic world. As editor-in-chief, Trzebiatowski has created not only a publication but a platform that celebrates diverse genres, nurtures dialogue, and champions the tactile experience of print in a digital age. In this interview, he reflects on the journey from founding FRAMES to building a global membership, the challenges of independent publishing, and the future of photography in both print and digital forms.
Exclusive Interview with Manuel Besse
French photographer Manuel Besse is known for his compelling black-and-white imagery, which blends portraiture, documentary, and poetic narrative into a singular visual voice. With a career spanning several decades and continents—from the gold mines of Serra Pelada to the Arctic Circle—his work reflects a deep commitment to authenticity, human connection, and the preservation of cultural and natural landscapes. His series Macadam, winner of AAP Magazine #41 B&W, offers a contemplative look at fleeting urban encounters, rendered in his signature monochrome style. We asked him a few questions about his life and work.
Call for Entries
AAP Magazine #54 Nature
Publish your work in AAP Magazine and win $1,000 Cash Prizes